Songs like Vasa - Live by Jose Suner i Oriola
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 01:59 • -26.68db
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
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Claude Debussy
Petite Suite: I. En bateau. Andantino (A...
73 bpm • G# Maj • 03:55 • -20.35db
19% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Christian Lindberg
Symphony No. 2: Introduction
73 bpm • G min • 01:03 • -21.96db
9% Popularity • 30% Danceability • 0% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 0% Energy • 13% Liveness
65% Instrumentalness • 8% Positiveness
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Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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David Pérez
Miniature 4-Rotary Trumpet in C
74 bpm • G min • 01:08 • -11.87db
18% Popularity • 32% Danceability • 17% Energy • 15% Liveness
79% Instrumentalness • 33% Positiveness
18% Popularity • 32% Danceability • 17% Energy • 15% Liveness
79% Instrumentalness • 33% Positiveness
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Paul Hindemith
March from Symphonic Metamorfosis IV
72 bpm • A# Maj • 01:00 • -16.47db
15% Popularity • 36% Danceability • 31% Energy • 16% Liveness
92% Instrumentalness • 20% Positiveness
15% Popularity • 36% Danceability • 31% Energy • 16% Liveness
92% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Fontane di Roma, P. 106 (Excerpts Arr. f...
72 bpm • E Maj • 00:55 • -24db
7% Popularity • 74% Danceability • 26% Energy • 11% Liveness
99% Instrumentalness • 34% Positiveness
7% Popularity • 74% Danceability • 26% Energy • 11% Liveness
99% Instrumentalness • 34% Positiveness
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Francis Poulenc
愛の小径
74 bpm • G# Maj • 03:22 • -32.29db
8% Popularity • 15% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
8% Popularity • 15% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Black Dyke Band
And so It Is!
72 bpm • G min • 03:47 • -13.45db
7% Popularity • 37% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
7% Popularity • 37% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Alexander Borodin
Polovtsian Dances from Prince Igor: III....
72 bpm • F Maj • 01:15 • -15.92db
12% Popularity • 37% Danceability • 14% Energy • 33% Liveness
6% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 14% Energy • 33% Liveness
6% Instrumentalness • 18% Positiveness
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Frank Ticheli
Acadiana: I. At the Dance Hall
74 bpm • D# Maj • 04:02 • -20.07db
8% Popularity • 18% Danceability • 17% Energy • 20% Liveness
93% Instrumentalness • 22% Positiveness
8% Popularity • 18% Danceability • 17% Energy • 20% Liveness
93% Instrumentalness • 22% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
72 bpm • A# Maj • 07:30 • -22.47db
7% Popularity • 22% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
7% Popularity • 22% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Ottorino Respighi
Fountains of Rome, P. 106: III. The Trev...
74 bpm • F# min • 03:39 • -14.71db
7% Popularity • 7% Danceability • 28% Energy • 29% Liveness
96% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 28% Energy • 29% Liveness
96% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Suite No.1, K. 045: III. Española. Dott...
72 bpm • A min • 01:09 • -21.95db
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
9% Popularity • 41% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 34% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: III. ...
74 bpm • C# min • 06:31 • -27.5db
10% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Parysatis, R. 312: Air de ballet No. 3
74 bpm • G min • 01:54 • -15.01db
8% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
8% Popularity • 48% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Peter Deunov
Thoughts
72 bpm • D Maj • 03:23 • -24.75db
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 13% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Vincent Persichetti
Serenade No. 11, Op. 85: III. Nocturne
74 bpm • A# Maj • 01:52 • -30.38db
9% Popularity • 16% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Paul Hindemith
Die Harmonie der Welt Symphony: II. Musi...
74 bpm • C# Maj • 09:47 • -30.41db
20% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Gustav Mahler
Songs of a Wayfarer
72 bpm • F# Maj • 04:18 • -32.49db
33% Popularity • 14% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Arthur Benjamin
2 Jamaican Pieces: Jamaican Song
75 bpm • D# Maj • 02:21 • -34.39db
9% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 1% Energy • 16% Liveness
83% Instrumentalness • 7% Positiveness
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Koninklijke Biltse Harmonie
Suite from 'Hymn of the Highlands': I. A...
71 bpm • F Maj • 06:06 • -13.88db
14% Popularity • 11% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
14% Popularity • 11% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Richard Strauss
Josephs-Legende, Op. 63, TrV 231: Der Sh...
71 bpm • G Maj • 03:25 • -28.86db
11% Popularity • 7% Danceability • 3% Energy • 33% Liveness
91% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 3% Energy • 33% Liveness
91% Instrumentalness • 3% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
71 bpm • G Maj • 05:52 • -25.58db
14% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act I: Perché chiuso? - Q...
71 bpm • G# Maj • 07:43 • -25.28db
4% Popularity • 15% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Andrew Skaggs
Over the Whale's Acre
71 bpm • G Maj • 03:37 • -16.57db
14% Popularity • 33% Danceability • 18% Energy • 36% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 33% Danceability • 18% Energy • 36% Liveness
93% Instrumentalness • 4% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
71 bpm • G Maj • 03:28 • -38db
7% Popularity • 11% Danceability • 0% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 0% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
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Dani Howard
Trombone Concerto: II. Rumination
71 bpm • D Maj • 08:16 • -20.62db
11% Popularity • 13% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 6% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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George Lloyd
Symphony No. 6: II. Adagio
70 bpm • F min • 06:16 • -35.52db
9% Popularity • 7% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation for female ...
76 bpm • B Maj • 02:44 • -27.1db
10% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Vagn Holmboe
Trombone Concerto No. 12, Op. 52: Allegr...
76 bpm • E min • 05:29 • -23.38db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 10% Positiveness
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Erik Satie
Gymnopédie No. 1 (Orch. Debussy)
70 bpm • G Maj • 03:36 • -38.36db
8% Popularity • 20% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
71 bpm • C Maj • 00:55 • -12.43db
20% Popularity • 29% Danceability • 26% Energy • 21% Liveness
78% Instrumentalness • 56% Positiveness
20% Popularity • 29% Danceability • 26% Energy • 21% Liveness
78% Instrumentalness • 56% Positiveness
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Tim de Maeseneer
Fantasie Concertante (III Soliloquy)
70 bpm • C min • 01:52 • -27db
8% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: VII. Zdes' Khorosho (O...
76 bpm • A Maj • 02:34 • -26.6db
11% Popularity • 7% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Rossano Galante
Mt. Everest
70 bpm • A# Maj • 05:11 • -17.84db
7% Popularity • 12% Danceability • 24% Energy • 78% Liveness
90% Instrumentalness • 15% Positiveness
7% Popularity • 12% Danceability • 24% Energy • 78% Liveness
90% Instrumentalness • 15% Positiveness
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Adolphe Adam
La jolie fille de Gand: No. 1 Andantino ...
70 bpm • D Maj • 00:57 • -34.05db
16% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
16% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
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John Williams
ハリー・ポッターと賢者の石~...
76 bpm • G Maj • 02:02 • -20.79db
8% Popularity • 22% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
8% Popularity • 22% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
75 bpm • F Maj • 02:53 • -17db
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
8% Popularity • 38% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Magne Amdahl
Astrognosia: Interludium I
77 bpm • G# Maj • 01:04 • -36.79db
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
11% Popularity • 10% Danceability • 1% Energy • 12% Liveness
69% Instrumentalness • 7% Positiveness
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Florent Schmitt
La Tragédie de Salomé, Op. 50: V. Quat...
77 bpm • E Maj • 02:33 • -25.61db
23% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 5% Energy • 22% Liveness
79% Instrumentalness • 3% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: I....
69 bpm • A# min • 08:09 • -25.75db
9% Popularity • 9% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 9% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Geoffrey Robbins
Mont Saint Michel
69 bpm • E min • 04:27 • -23.71db
8% Popularity • 21% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 12% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Song for India
77 bpm • F Maj • 02:48 • -31.58db
33% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
33% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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John Krance
Carmina Burana Suite, "Cantiones profana...
77 bpm • E min • 01:39 • -14db
13% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
13% Popularity • 28% Danceability • 20% Energy • 40% Liveness
77% Instrumentalness • 30% Positiveness
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Dorothy Howell
Divertissements: III. Three Divertisseme...
69 bpm • C Maj • 03:38 • -14.93db
10% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
10% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
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Tokyo Kosei Wind Orchestra
Fantasy Variations on a Theme by Niccolo...
77 bpm • G min • 00:56 • -16.74db
8% Popularity • 26% Danceability • 8% Energy • 43% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 43% Liveness
93% Instrumentalness • 19% Positiveness
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Steven Bryant
Dusk
69 bpm • G# Maj • 05:24 • -19db
8% Popularity • 6% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 6% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Walter Piston
The Incredible Flutist Suite: IX. Spanis...
77 bpm • B Maj • 01:17 • -19.93db
19% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
19% Popularity • 34% Danceability • 47% Energy • 18% Liveness
90% Instrumentalness • 12% Positiveness
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César Guerra-Peixe
Symphonic Suite No. 2 "Pernambucana": IV...
69 bpm • F# Maj • 03:01 • -16db
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
11% Popularity • 37% Danceability • 41% Energy • 12% Liveness
33% Instrumentalness • 38% Positiveness
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Badische Posaunenarbeit
Nearer, My God, To Thee
69 bpm • G# Maj • 03:01 • -21db
11% Popularity • 26% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jamie Whitmarsh
Portraits for Trumpet and Piano : V. Aus...
69 bpm • E Maj • 01:19 • -22.26db
10% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
10% Popularity • 35% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Maria Theresia von Paradis
Sicilienne (arr. for brass ensemble by R...
69 bpm • G# Maj • 02:30 • -32.36db
9% Popularity • 16% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Philip Sparke
My Lady's Pavan
69 bpm • G min • 01:01 • -26db
17% Popularity • 31% Danceability • 0% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
17% Popularity • 31% Danceability • 0% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
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Claudio Monteverdi
Canzonette a tre voci (Excerpts Arr. for...
69 bpm • E min • 01:59 • -34.85db
16% Popularity • 24% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 39% Positiveness
16% Popularity • 24% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 39% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Erich Kunzel
Dorinda Solo Flight
69 bpm • D# Maj • 03:43 • -24.57db
1% Popularity • 11% Danceability • 4% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
1% Popularity • 11% Danceability • 4% Energy • 12% Liveness
75% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
Suite No.1, K. 045: I. Andante. Crotchet...
77 bpm • B min • 01:23 • -28.62db
11% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
69 bpm • F min • 01:08 • -36.69db
14% Popularity • 9% Danceability • 1% Energy • 19% Liveness
39% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 1% Energy • 19% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
77 bpm • G# Maj • 03:26 • -30.05db
10% Popularity • 19% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 2% Energy • 9% Liveness
28% Instrumentalness • 9% Positiveness
► Preview
Olivier Messiaen
Messiaen: Éclairs sur l'au-delà...: II...
69 bpm • G Maj • 05:52 • -26.17db
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
13% Popularity • 20% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
► Preview
Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: V. Ma...
78 bpm • C Maj • 08:28 • -12.36db
13% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Samuel Barber
Adagio for Strings
78 bpm • A# min • 07:24 • -26.96db
1% Popularity • 7% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 7% Danceability • 4% Energy • 18% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Paul Lovatt-Cooper
Where Eagles Sing
78 bpm • F Maj • 04:40 • -15.66db
9% Popularity • 18% Danceability • 45% Energy • 76% Liveness
81% Instrumentalness • 29% Positiveness
9% Popularity • 18% Danceability • 45% Energy • 76% Liveness
81% Instrumentalness • 29% Positiveness
► Preview
Otto M. Schwarz
Spirit of Time
78 bpm • F Maj • 09:38 • -14db
13% Popularity • 16% Danceability • 29% Energy • 33% Liveness
91% Instrumentalness • 12% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 33% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
78 bpm • C Maj • 06:49 • -21.18db
10% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Juan Pablo Fernández Ramos
Tierra negra: 2. Ramses segundo
78 bpm • G min • 05:15 • -28.9db
8% Popularity • 20% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Celso Garrido-Lecca
Danzas Populares Andinas: No. 4, Andante
78 bpm • E min • 03:29 • -31.12db
12% Popularity • 8% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Fabian Körner
Devil's Waltz
68 bpm • D# Maj • 03:50 • -33.8db
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
7% Popularity • 33% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Arnold Rosner
Scherzo for Orchestra, Op. 29a
78 bpm • D min • 11:44 • -20.99db
13% Popularity • 22% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Giuseppe Verdi
Verdi: Don Carlos
68 bpm • C# Maj • 01:15 • -16.14db
26% Popularity • 38% Danceability • 18% Energy • 37% Liveness
88% Instrumentalness • 22% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 37% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
Marcello Rota
「展覧会の絵」～カタコンブ�...
68 bpm • G Maj • 01:47 • -22.44db
7% Popularity • 20% Danceability • 0% Energy • 13% Liveness
18% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 0% Energy • 13% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Christian Lindberg
Mandrake in the Corner: III Vivace III
78 bpm • A# Maj • 01:17 • -14.53db
12% Popularity • 38% Danceability • 80% Energy • 74% Liveness
73% Instrumentalness • 43% Positiveness
12% Popularity • 38% Danceability • 80% Energy • 74% Liveness
73% Instrumentalness • 43% Positiveness
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Friedrich Burgmüller
25 Études faciles et progressives, Op. ...
78 bpm • C Maj • 01:44 • -40db
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 19% Positiveness
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Canberra Freelance Players
Auróra Musis Amíca: Fanfare For Canber...
79 bpm • G Maj • 02:50 • -16.73db
8% Popularity • 21% Danceability • 24% Energy • 24% Liveness
89% Instrumentalness • 6% Positiveness
8% Popularity • 21% Danceability • 24% Energy • 24% Liveness
89% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
79 bpm • G Maj • 02:13 • -25.92db
13% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Aaron Rabushka
Trombone Concerto: II. Andantino
79 bpm • G Maj • 04:21 • -27.35db
8% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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3T Brass
Hino 169 - 3T Brass Band
68 bpm • G# Maj • 03:48 • -35.66db
7% Popularity • 19% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
7% Popularity • 19% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Maya Badian
Concerto for Marimba and Vibraphone, "Mi...
68 bpm • F min • 03:47 • -30db
11% Popularity • 30% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 4% Positiveness
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Sir Adrian Boult
Third Movement Moderate Pesante
79 bpm • G min • 10:53 • -20.85db
9% Popularity • 11% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Vassily Brandt
Brandt - Konzertstück No. 2 I
79 bpm • C min • 00:56 • -15.05db
20% Popularity • 36% Danceability • 32% Energy • 28% Liveness
92% Instrumentalness • 64% Positiveness
20% Popularity • 36% Danceability • 32% Energy • 28% Liveness
92% Instrumentalness • 64% Positiveness
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Richard Strauss
Oboe Concerto in D Major, TrV 292: II. A...
68 bpm • A# Maj • 09:16 • -25.36db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Kurt Atterberg
Horn Sonata in B Minor, Op. 27: II. Adag...
67 bpm • A# min • 06:47 • -26.81db
10% Popularity • 12% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
10% Popularity • 12% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 10% Positiveness
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Fanny Mendelssohn
6 Lieder, Op. 1: No. 1, Schwanenlied (ar...
67 bpm • G min • 02:37 • -26.25db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Yasuhide Ito
Gloriosa: II. Cantus
79 bpm • C min • 05:16 • -26db
8% Popularity • 23% Danceability • 3% Energy • 16% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 23% Danceability • 3% Energy • 16% Liveness
78% Instrumentalness • 3% Positiveness
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Judith Weir
Brighter Visions Shine Afar
79 bpm • G# Maj • 02:56 • -22.74db
9% Popularity • 18% Danceability • 10% Energy • 19% Liveness
88% Instrumentalness • 14% Positiveness
9% Popularity • 18% Danceability • 10% Energy • 19% Liveness
88% Instrumentalness • 14% Positiveness
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Percy Grainger
Blithe Bells (After J.S. Bach's BWV 208)
79 bpm • C min • 04:09 • -20db
11% Popularity • 14% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
11% Popularity • 14% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
67 bpm • F Maj • 01:50 • -26.57db
12% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: XI....
79 bpm • D min • 01:10 • -15.44db
8% Popularity • 27% Danceability • 38% Energy • 35% Liveness
97% Instrumentalness • 13% Positiveness
8% Popularity • 27% Danceability • 38% Energy • 35% Liveness
97% Instrumentalness • 13% Positiveness
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Edward Gregson
Tuba Concerto: II. Lento e mesto
67 bpm • D# min • 05:59 • -22db
12% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sonic Piano Music
Twilight Lullaby
79 bpm • A min • 02:13 • -40.33db
11% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
11% Popularity • 7% Danceability • 0% Energy • 8% Liveness
99% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
6 Sonatas, ZWV 81, No. 4 in G Minor: III...
67 bpm • D# Maj • 03:47 • -19.59db
9% Popularity • 25% Danceability • 9% Energy • 17% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 25% Danceability • 9% Energy • 17% Liveness
93% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
La forza del destino Overture (Arr. Höf...
79 bpm • F# Maj • 07:06 • -21.08db
10% Popularity • 22% Danceability • 10% Energy • 6% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 22% Danceability • 10% Energy • 6% Liveness
90% Instrumentalness • 13% Positiveness
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Oskar Böhme
Trumpet Concerto, Op. 18: II. Adagio rel...
67 bpm • C# Maj • 05:47 • -21.9db
12% Popularity • 12% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Suite for Variety Orchestra: II. Dance N...
80 bpm • A Maj • 02:56 • -17.33db
12% Popularity • 38% Danceability • 32% Energy • 11% Liveness
13% Instrumentalness • 71% Positiveness
12% Popularity • 38% Danceability • 32% Energy • 11% Liveness
13% Instrumentalness • 71% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
67 bpm • F Maj • 08:13 • -25db
0% Popularity • 10% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
