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Velvet
Songs like
Velvet
by
Stoney LaRue
Based on a tempo of (+/- 10%) and a similar genre
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Parker McCollum
All Day
144 bpm • A Maj • 03:46 • -6.28db
46% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Stoney LaRue
Velvet
144 bpm • G# min • 06:23 • -8db
35% Popularity • 51% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 37% Positiveness
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Micky & The Motorcars
One in a Lifetime Girl
144 bpm • D Maj • 03:33 • -4.95db
35% Popularity • 53% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Josh Abbott Band
Good Night for Dancing
144 bpm • D Maj • 04:33 • -7.42db
30% Popularity • 59% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Charlie Robison
Big City Blues
144 bpm • D Maj • 03:52 • -9.42db
36% Popularity • 66% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Knight
Framed
144 bpm • G# Maj • 03:48 • -4.69db
34% Popularity • 56% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Parker McCollum
Memphis Rain
144 bpm • E Maj • 04:12 • -5.67db
49% Popularity • 48% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Stoney LaRue
Us Time
144 bpm • A Maj • 03:53 • -6.67db
35% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Randy Rogers Band
One Woman
145 bpm • G Maj • 04:05 • -6.43db
40% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Kevin Fowler
100% Texan
145 bpm • G Maj • 03:52 • -5db
32% Popularity • 58% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Six Market Blvd.
That's the Way Love Goes
145 bpm • D# Maj • 04:08 • -6.66db
12% Popularity • 54% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Eason
Small Town Blues
145 bpm • F Maj • 03:41 • -7.61db
25% Popularity • 57% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 61% Positiveness
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Jason Aldean
Church Pew or Bar Stool
145 bpm • F Maj • 04:19 • -4.27db
45% Popularity • 55% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Stoney LaRue
Feet Don’t Touch The Ground
144 bpm • G Maj • 03:53 • -5.81db
29% Popularity • 56% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Bleu Edmondson
Resurrection
145 bpm • A Maj • 04:44 • -8.06db
17% Popularity • 52% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Jon Wolfe
Some Ol' Bar in the 90's
145 bpm • G# Maj • 03:24 • -3.94db
43% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Zane Williams
Sure Felt Like Goodbye
146 bpm • A Maj • 03:56 • -6.04db
20% Popularity • 47% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Dierks Bentley
Fallin' For You
146 bpm • E Maj • 03:44 • -8.65db
24% Popularity • 56% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Six Market Blvd.
Say It
146 bpm • D Maj • 03:42 • -6db
28% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Stoney LaRue
Million Dollar Blues
145 bpm • D Maj • 03:47 • -7.2db
16% Popularity • 56% Danceability • 78% Energy • 18% Liveness
16% Instrumentalness • 69% Positiveness
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Parker McCollum
Happy New Year
142 bpm • G Maj • 03:59 • -5.87db
48% Popularity • 50% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Johnny Cooper
Missing You
142 bpm • A Maj • 04:28 • -8.93db
14% Popularity • 68% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Southall
Serenade
142 bpm • A Maj • 03:11 • -4.63db
40% Popularity • 53% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Eason
One More Dance
146 bpm • A Maj • 04:01 • -6.59db
19% Popularity • 54% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 76% Positiveness
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Rob Baird
Same Damn Thing
146 bpm • C# Maj • 04:35 • -5.05db
21% Popularity • 59% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Zane Williams
Damned
142 bpm • E Maj • 03:19 • -6.39db
21% Popularity • 55% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Eli Young Band
Guinevere
142 bpm • C Maj • 04:47 • -4.74db
40% Popularity • 45% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Turnpike Troubadours
A Tornado Warning
142 bpm • C Maj • 03:43 • -5.19db
54% Popularity • 48% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Kevin Fowler
Loose, Loud & Crazy
142 bpm • F# Maj • 03:25 • -4.03db
30% Popularity • 54% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Drake White
The Simple Life
142 bpm • C Maj • 03:19 • -5db
38% Popularity • 50% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Charlie Robison
Photograph
146 bpm • B Maj • 03:48 • -9.92db
28% Popularity • 56% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Knight
down the river
146 bpm • D Maj • 06:58 • -11db
45% Popularity • 54% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Church
Livin' Part Of Life
147 bpm • C# Maj • 04:29 • -9db
47% Popularity • 45% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Parker McCollum
High Above Water
142 bpm • C Maj • 04:11 • -6.53db
50% Popularity • 40% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Six Market Blvd.
Silence in Me
147 bpm • A# Maj • 04:24 • -8.73db
23% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bleu Edmondson
American Saint
147 bpm • D Maj • 04:17 • -6.07db
15% Popularity • 40% Danceability • 89% Energy • 28% Liveness
1% Instrumentalness • 24% Positiveness
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Charlie Robison
My Hometown
141 bpm • G Maj • 04:22 • -8.64db
51% Popularity • 56% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Rogers Band
Damn The Rain
147 bpm • G Maj • 03:01 • -6.78db
35% Popularity • 41% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Wade Bowen
West Texas Rain
147 bpm • C Maj • 04:15 • -7.33db
42% Popularity • 40% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Turnpike Troubadours
The Bird Hunters
148 bpm • G Maj • 05:11 • -2db
51% Popularity • 38% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Jon Pardi
Rainy Night Song
148 bpm • D Maj • 03:18 • -6.95db
45% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Mark McKinney
The River Song
148 bpm • G Maj • 03:47 • -3.56db
18% Popularity • 45% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Eric Church
Mistress Named Music
140 bpm • A# Maj • 05:22 • -9.75db
42% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Zane Williams
Pablo and Maria
140 bpm • A min • 05:32 • -11.7db
18% Popularity • 45% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Rob Baird
Dreams and Gasoline
148 bpm • B Maj • 04:41 • -5.97db
41% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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The Damn Quails
Mary
140 bpm • D Maj • 04:03 • -4.28db
25% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Southall
Beautiful Eyes
140 bpm • C Maj • 04:01 • -5.04db
42% Popularity • 60% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Kyle Park
Anywhere In Texas
140 bpm • C# Maj • 04:14 • -8.78db
26% Popularity • 58% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Thieving Birds
Too Young
140 bpm • G Maj • 04:20 • -6.66db
43% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Shotgun Rider
Slow Songs
140 bpm • C# Maj • 03:23 • -5db
27% Popularity • 56% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Sundy Best
Smoking Gun
148 bpm • A# Maj • 03:54 • -8.47db
24% Popularity • 62% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Damn Quails
Iceman
140 bpm • E min • 04:19 • -4.89db
21% Popularity • 46% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Rich O'Toole
The Cricket Song
148 bpm • E Maj • 03:47 • -7.86db
14% Popularity • 64% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Parker McCollum
Dallas
140 bpm • G Maj • 03:30 • -4.29db
43% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Stoney LaRue
Train to Birmingham
148 bpm • G Maj • 04:23 • -8.01db
17% Popularity • 43% Danceability • 44% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Zane Williams
The Simple Things
140 bpm • G Maj • 03:38 • -6.5db
24% Popularity • 53% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Johnny Cooper
Red Dirt
140 bpm • F Maj • 07:27 • -9.53db
23% Popularity • 37% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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No Justice
Bend But Don't Break
140 bpm • C Maj • 03:45 • -6.8db
28% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Robison
Barlight
149 bpm • A Maj • 03:36 • -6.6db
35% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Shotgun Rider
Sunlight
139 bpm • G# min • 03:55 • -4db
29% Popularity • 50% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Stoney LaRue
Seven Spanish Angels
140 bpm • E Maj • 03:42 • -7.21db
26% Popularity • 59% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Gary Allan
It Ain't The Whiskey
139 bpm • E min • 04:19 • -7.45db
46% Popularity • 42% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Randy Rogers Band
Speak Of The Devil
150 bpm • C Maj • 04:02 • -6db
35% Popularity • 43% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Parker McCollum
The Truth
150 bpm • A Maj • 03:58 • -6.95db
36% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Eli Young Band
Always The Love Songs
150 bpm • E Maj • 03:41 • -3.42db
41% Popularity • 47% Danceability • 77% Energy • 68% Liveness
0% Instrumentalness • 40% Positiveness
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Southall
Don't Tell Me
150 bpm • D min • 03:40 • -5.35db
51% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Stoney LaRue
Natural High (for Merle Haggard) - Bonus...
140 bpm • E Maj • 03:46 • -9.76db
17% Popularity • 51% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 26% Positiveness
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Josh Abbott Band
Oh, Tonight
150 bpm • B Maj • 03:25 • -4.84db
55% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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JB and the Moonshine Band
The Only Drug
138 bpm • D Maj • 03:17 • -4.21db
36% Popularity • 53% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Shotgun Rider
Dance or Drink
138 bpm • G Maj • 04:00 • -6.28db
35% Popularity • 59% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sam Riggs
Hold on and Let Go
138 bpm • G Maj • 03:56 • -8.01db
41% Popularity • 60% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Brandon Rhyder
Back Roads
138 bpm • G Maj • 04:04 • -5db
41% Popularity • 60% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Stoney LaRue
Closer To You
139 bpm • A Maj • 03:09 • -6db
32% Popularity • 49% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Prophets and Outlaws
Country Music Gold
138 bpm • C# min • 03:27 • -7db
25% Popularity • 49% Danceability • 66% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
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JB and the Moonshine Band
When It Rains I Pour
138 bpm • D# Maj • 04:01 • -5db
19% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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Bleu Edmondson
Blood Red Lincoln
151 bpm • F# min • 04:01 • -4.24db
17% Popularity • 57% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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No Justice
Feels Like Rain
151 bpm • G Maj • 03:30 • -6.72db
20% Popularity • 52% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Carson Jeffrey
High Tonight
137 bpm • F# Maj • 04:31 • -7db
36% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Mike McClure
Horseshoe
152 bpm • G Maj • 03:15 • -5.05db
24% Popularity • 46% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Damn Quails
Tough Luck / Cryin' Shame
152 bpm • E min • 02:58 • -6.5db
24% Popularity • 54% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Shotgun Rider
Sway with Me
152 bpm • C Maj • 03:24 • -4.11db
22% Popularity • 50% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Bleu Edmondson
The Echo (Maybe Tonight)
152 bpm • A Maj • 04:31 • -8.47db
19% Popularity • 35% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Jason Eady
Cry Pretty
136 bpm • G Maj • 04:44 • -8db
23% Popularity • 70% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Chris Knight
Enough Rope
136 bpm • G Maj • 03:56 • -8.1db
37% Popularity • 54% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Shane Smith & the Saints
Lord Bury Me in Texas
136 bpm • F Maj • 03:37 • -8db
45% Popularity • 51% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Adam Hood
Hell Of A Fight
136 bpm • A Maj • 03:33 • -3.11db
26% Popularity • 48% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Eric Church
You Make It Look So Easy
136 bpm • G Maj • 04:15 • -9.84db
35% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Eli Young Band
Highways and Broken Hearts
136 bpm • G Maj • 04:10 • -5.27db
27% Popularity • 48% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Ward
Together
136 bpm • D# Maj • 04:06 • -6.91db
46% Popularity • 46% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Brandon Rhyder
Battery
136 bpm • G Maj • 04:10 • -7db
19% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Randall King
Another Bullet
136 bpm • D# Maj • 04:07 • -7.69db
48% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Radney Foster
Texas In 1880
136 bpm • G Maj • 04:08 • -5.55db
35% Popularity • 48% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Zane Williams
River Girl
135 bpm • F Maj • 03:45 • -7.94db
22% Popularity • 62% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Southall
The Letter
135 bpm • C Maj • 04:49 • -5.51db
48% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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The Damn Quails
Quicksand
135 bpm • C Maj • 03:58 • -4.42db
20% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Phil Hamilton
Bad
135 bpm • A Maj • 04:51 • -13.49db
18% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Carson Jeffrey
Tall Boy
135 bpm • G Maj • 03:39 • -4.33db
41% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Brandon Rhyder
Freeze Frame Time
135 bpm • A# Maj • 04:59 • -3.98db
34% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Koe Wetzel
Gravedigger
135 bpm • B min • 04:00 • -6.31db
46% Popularity • 38% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Micky & The Motorcars
Seashell
154 bpm • D# Maj • 02:42 • -8.52db
24% Popularity • 52% Danceability • 85% Energy • 73% Liveness
0% Instrumentalness • 48% Positiveness
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Velvet