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Veni Vidi Vici
Songs like
Veni Vidi Vici
by
Philip Wareborn
Based on a tempo of (+/- 10%) and a similar genre
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David García Díaz
Elder Silence
83 bpm • A min • 01:35 • -20db
44% Popularity • 21% Danceability • 11% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Jeremy Soule
Wings of Kynareth
83 bpm • D min • 03:30 • -19.62db
51% Popularity • 9% Danceability • 18% Energy • 8% Liveness
85% Instrumentalness • 7% Positiveness
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Philip Wareborn
Veni Vidi Vici
83 bpm • D min • 04:28 • -32db
31% Popularity • 8% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Piotr Musiał
Are We Alone?
83 bpm • D min • 03:53 • -17db
41% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Mikolai Stroinski
Moment Of Respite
83 bpm • E min • 02:46 • -29.7db
31% Popularity • 16% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Tumult Kollektiv
A New Home
83 bpm • F min • 01:19 • -15.7db
36% Popularity • 13% Danceability • 20% Energy • 13% Liveness
70% Instrumentalness • 5% Positiveness
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Critical Role
The Champion's Goodbye
83 bpm • A min • 03:02 • -13.84db
27% Popularity • 8% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Arnaud Roy
Khamsin
83 bpm • C min • 04:49 • -19.09db
34% Popularity • 8% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Bill Brown
Forest Calling
83 bpm • A# min • 02:15 • -15.98db
47% Popularity • 11% Danceability • 33% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
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Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
36% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Adam Sporka
Landscape Atmosphere 20
83 bpm • A# Maj • 01:54 • -17.89db
32% Popularity • 16% Danceability • 20% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Adam Skorupa
A Tavern On The Riverbank
82 bpm • D min • 01:43 • -11.91db
47% Popularity • 47% Danceability • 38% Energy • 8% Liveness
33% Instrumentalness • 13% Positiveness
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ASKII
Mountain Roads
82 bpm • A# min • 05:42 • -14.57db
27% Popularity • 15% Danceability • 27% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Jason Graves
The Knights' Theme
84 bpm • F Maj • 03:28 • -17db
33% Popularity • 8% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
39% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Jon Everist
Welcome
84 bpm • C# Maj • 01:44 • -17.56db
35% Popularity • 21% Danceability • 14% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Justin Bell
Defiance Bay
82 bpm • A# min • 03:10 • -14.8db
43% Popularity • 21% Danceability • 10% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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Maclaine Diemer
The Pact Laid Waste
82 bpm • F min • 02:49 • -22.82db
25% Popularity • 18% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jesper Kyd
Valhalla Nights
82 bpm • C Maj • 02:18 • -22.3db
34% Popularity • 24% Danceability • 26% Energy • 31% Liveness
97% Instrumentalness • 6% Positiveness
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Arnaud Roy
The Forest Spirit (Wild Walkers Theme)
84 bpm • A min • 03:10 • -17.53db
26% Popularity • 21% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Jason Graves
The Clearing
84 bpm • C Maj • 06:00 • -17.23db
32% Popularity • 33% Danceability • 10% Energy • 21% Liveness
32% Instrumentalness • 12% Positiveness
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Bear McCreary
Witch of the Woods
82 bpm • C# Maj • 03:02 • -17.62db
37% Popularity • 26% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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David García Díaz
Promenade
84 bpm • D min • 04:17 • -29.66db
33% Popularity • 14% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Justin Bell
Engwith
82 bpm • A# min • 05:24 • -26.76db
29% Popularity • 17% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Daniel Ran
Fated Lands
82 bpm • C min • 03:47 • -31.14db
27% Popularity • 10% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Maclaine Diemer
The Jungle Provides
84 bpm • G min • 02:16 • -23.44db
35% Popularity • 37% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
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Mikolai Stroinski
Calm Before The Storm
84 bpm • G min • 03:08 • -26db
35% Popularity • 30% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jan Valta
Lady Steph and Henry
82 bpm • A Maj • 01:55 • -22db
38% Popularity • 20% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Bill Brown
Dance at the Festival
84 bpm • D Maj • 02:11 • -12.95db
41% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Will Savino
Midvale Moonrise
84 bpm • A Maj • 03:45 • -17.51db
26% Popularity • 10% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Jeremy Soule
Solitude
82 bpm • G min • 02:10 • -22.48db
57% Popularity • 15% Danceability • 9% Energy • 9% Liveness
61% Instrumentalness • 3% Positiveness
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Dreyma
Nocturnal
81 bpm • E min • 06:14 • -24.07db
18% Popularity • 8% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Mikko Tarmia
Back Hall
85 bpm • D min • 01:22 • -23.41db
49% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jesper Kyd
Approaching Target 1
81 bpm • C min • 03:35 • -22.7db
34% Popularity • 12% Danceability • 10% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
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Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
35% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Bill Brown
Deep Shadows
85 bpm • C# Maj • 02:02 • -14.16db
44% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Adam Skorupa
Blue Mountains - Edit Version
85 bpm • F# Maj • 03:44 • -13.15db
36% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
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John Abbot
A March Across Ancient Land
85 bpm • G# Maj • 02:56 • -15.42db
32% Popularity • 22% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Filippo Beck Peccoz
Trouble on the Nakasend ō
85 bpm • A# Maj • 03:39 • -16.72db
25% Popularity • 70% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
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Chance Thomas
The Grey Havens
85 bpm • D min • 02:18 • -22db
47% Popularity • 22% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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The Flight
Sanctuary of Apollo
85 bpm • G min • 00:59 • -13.69db
31% Popularity • 64% Danceability • 49% Energy • 9% Liveness
86% Instrumentalness • 50% Positiveness
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Paradox Interactive
Wilderness
85 bpm • D min • 03:08 • -21.75db
12% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
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Brad Derrick
Yearning for Moonshadow
85 bpm • F Maj • 06:17 • -18.7db
40% Popularity • 9% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Chris Tilton
Versailles for Sore Eyes
86 bpm • A min • 02:50 • -26db
29% Popularity • 17% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Justin Bell
Shadow of the Sun
81 bpm • C Maj • 01:47 • -16.83db
43% Popularity • 14% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Jan Valta
The River Sasau Theme
86 bpm • F Maj • 01:54 • -12.36db
28% Popularity • 23% Danceability • 30% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
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Joey Newman
Cave of Silence
86 bpm • D# Maj • 01:08 • -13.97db
41% Popularity • 13% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Jeremy Soule
Masser
80 bpm • A Maj • 06:04 • -26.77db
53% Popularity • 7% Danceability • 7% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Piotr Musiał
Long Days, Cold Nights
80 bpm • E min • 04:01 • -21db
27% Popularity • 20% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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ASKII
Dawn
80 bpm • B min • 02:58 • -14.64db
36% Popularity • 24% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Collosia
Peaceful Waters
80 bpm • A min • 03:03 • -23db
40% Popularity • 28% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Mikolai Stroinski
Wake Up, Ciri
80 bpm • D min • 01:34 • -11.93db
48% Popularity • 14% Danceability • 27% Energy • 26% Liveness
69% Instrumentalness • 3% Positiveness
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Sarah Schachner
Moonlight on the Nile
80 bpm • F# min • 01:39 • -21.55db
34% Popularity • 23% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Brad Derrick
Omens in the Clouds
80 bpm • D min • 05:18 • -17db
37% Popularity • 9% Danceability • 27% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Mikko Tarmia
Lux Tenebras
80 bpm • G min • 03:22 • -14db
36% Popularity • 7% Danceability • 31% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Phoenix Glendinning
In the Reeds
80 bpm • G# min • 03:59 • -14.63db
27% Popularity • 41% Danceability • 18% Energy • 9% Liveness
32% Instrumentalness • 9% Positiveness
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Piotr Musiał
The Slopes Of The Blessure
80 bpm • D min • 04:02 • -14.5db
50% Popularity • 25% Danceability • 26% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
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Paradox Interactive
Drakkar
80 bpm • C Maj • 04:12 • -15.07db
21% Popularity • 30% Danceability • 29% Energy • 11% Liveness
50% Instrumentalness • 14% Positiveness
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Adrian Von Ziegler
The Lonely Road
80 bpm • D min • 05:01 • -22db
32% Popularity • 40% Danceability • 8% Energy • 14% Liveness
95% Instrumentalness • 6% Positiveness
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Adam Skorupa
Dwarven Stone Upon Dwarven Stone
80 bpm • A min • 07:33 • -16db
43% Popularity • 44% Danceability • 17% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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Sarah Schachner
Frozen Lands
80 bpm • D min • 03:59 • -19.8db
31% Popularity • 15% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Kevin Riepl
Beast of the Blood Eaters
80 bpm • C# Maj • 02:26 • -15db
34% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
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Piotr Musiał
The Last Autumn Theme
86 bpm • F min • 02:44 • -13.36db
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Jesper Kyd
Son of Fjord
80 bpm • D# min • 04:15 • -14.23db
29% Popularity • 49% Danceability • 53% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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SIE Sound Team
Moonlit Melody
86 bpm • F Maj • 03:29 • -28.92db
48% Popularity • 9% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
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Elitsa Alexandrova
Prosperity and Decay
80 bpm • C Maj • 01:34 • -28.92db
28% Popularity • 17% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Russell Shaw
Albion Awaits
86 bpm • D# min • 02:06 • -19.51db
38% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
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Pawel Blaszczak
The Dike
80 bpm • B min • 07:04 • -17db
35% Popularity • 13% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Piotr Musiał
Blood Run
86 bpm • G min • 02:01 • -14db
37% Popularity • 19% Danceability • 42% Energy • 16% Liveness
74% Instrumentalness • 4% Positiveness
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Damjan Mravunac
Welcome to Heaven
80 bpm • F# min • 02:21 • -20.07db
28% Popularity • 8% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Arnaud Roy
Dusty Strings
80 bpm • A min • 04:05 • -15.85db
32% Popularity • 28% Danceability • 26% Energy • 23% Liveness
95% Instrumentalness • 14% Positiveness
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Joris de Man
Motherless - Part 1 - Motherland
87 bpm • D min • 01:41 • -20.61db
35% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
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Two Worlds II
Lands of Despair
87 bpm • G Maj • 02:16 • -15db
45% Popularity • 10% Danceability • 24% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
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Aakaash Rao
Reflection
87 bpm • D# min • 01:38 • -18db
46% Popularity • 20% Danceability • 7% Energy • 38% Liveness
55% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Darkest of Days
87 bpm • F min • 04:41 • -14.11db
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Ran
Maker of Worlds
87 bpm • E min • 05:55 • -18db
33% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Schachner
The First Departure
79 bpm • G min • 02:26 • -13db
39% Popularity • 18% Danceability • 28% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Grant Kirkhope
The Plains of Erathell
88 bpm • F Maj • 03:59 • -21.29db
23% Popularity • 9% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Two Worlds II
Green Fields Of Antaloor
87 bpm • D min • 04:38 • -20.74db
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Jeremy Soule
Under an Ancient Sun
88 bpm • F min • 03:41 • -26db
55% Popularity • 10% Danceability • 15% Energy • 18% Liveness
82% Instrumentalness • 3% Positiveness
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Hyperduck Soundworks
Beyond The Imperial Prison (Oblivion Med...
88 bpm • D min • 07:26 • -21.06db
26% Popularity • 10% Danceability • 15% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Justin Bell
Oldsong
78 bpm • E min • 03:40 • -11.66db
37% Popularity • 26% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 9% Positiveness
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Sarah Schachner
Knowledge of the Birds
79 bpm • B min • 02:36 • -14.29db
32% Popularity • 28% Danceability • 49% Energy • 9% Liveness
54% Instrumentalness • 12% Positiveness
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Arnaud Roy
Pierre de Lune
88 bpm • C min • 04:19 • -15.85db
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Roland Rizzo
Rome (The Medieval Era)
88 bpm • C# min • 03:38 • -15.94db
31% Popularity • 33% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Brad Derrick
The Slopes of Sorrow
88 bpm • C min • 06:39 • -17.08db
28% Popularity • 13% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Jeremy Soule
Tundra
78 bpm • A# Maj • 03:49 • -29db
56% Popularity • 7% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Phoenix Glendinning
The First Eclipse
88 bpm • C Maj • 01:17 • -17.22db
25% Popularity • 21% Danceability • 25% Energy • 14% Liveness
80% Instrumentalness • 2% Positiveness
► Preview
Sarah Schachner
The Shimmering Sands
78 bpm • G Maj • 03:07 • -17db
35% Popularity • 16% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Jeff van Dyck
Journey to Rome, Pt. 1
78 bpm • C Maj • 02:16 • -19.46db
32% Popularity • 7% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Patrik Jarlestam
Flight Into Valheim
88 bpm • A Maj • 01:40 • -14.8db
28% Popularity • 9% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Joris de Man
Tell Me - Part 1 - Motherland
78 bpm • C min • 02:06 • -18.69db
33% Popularity • 16% Danceability • 12% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
► Preview
Justin Bell
Eora (Title Theme)
78 bpm • C# min • 02:29 • -9db
40% Popularity • 16% Danceability • 24% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Rik Schaffer
Northpoint Nocturne
88 bpm • F Maj • 05:27 • -24.42db
43% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Jan Valta
Forging With Father
88 bpm • D Maj • 01:56 • -19db
29% Popularity • 16% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Dreyma
The Winds of Skellige
88 bpm • E min • 03:05 • -15.7db
28% Popularity • 28% Danceability • 27% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
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Russell Shaw
Nearing Town
88 bpm • A# min • 01:10 • -25.98db
41% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Justin Bell
Elmshore
78 bpm • A# Maj • 02:32 • -15.97db
48% Popularity • 29% Danceability • 19% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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The Flight
Kephallonia Island
78 bpm • A min • 02:07 • -15.14db
36% Popularity • 55% Danceability • 6% Energy • 8% Liveness
35% Instrumentalness • 13% Positiveness
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Veni Vidi Vici