Songs like Verde by Ricky King
Based on a tempo of (+/- 10%) and a similar genre
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Classics
Yellow Sun Of Equador
113 bpm • D Maj • 03:08 • -8.25db
27% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Mara Kayser
Ich wünsch Dir alles Gute
113 bpm • A Maj • 02:53 • -6db
40% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 83% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Geschwister Hofmann
Stella d'amore
113 bpm • A# Maj • 03:26 • -4db
16% Popularity • 54% Danceability • 68% Energy • 23% Liveness
90% Instrumentalness • 47% Positiveness
16% Popularity • 54% Danceability • 68% Energy • 23% Liveness
90% Instrumentalness • 47% Positiveness
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Peter Orloff
Der Junge mit der Mundharmonika
113 bpm • E Maj • 03:14 • -5.46db
24% Popularity • 51% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 51% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Ricky King
Somewhere over the Rainbow
113 bpm • C Maj • 03:40 • -5.07db
16% Popularity • 52% Danceability • 57% Energy • 19% Liveness
63% Instrumentalness • 33% Positiveness
16% Popularity • 52% Danceability • 57% Energy • 19% Liveness
63% Instrumentalness • 33% Positiveness
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The Waikikis
Hawaii Tattoo
113 bpm • A# Maj • 02:22 • -7.96db
16% Popularity • 63% Danceability • 65% Energy • 52% Liveness
90% Instrumentalness • 81% Positiveness
16% Popularity • 63% Danceability • 65% Energy • 52% Liveness
90% Instrumentalness • 81% Positiveness
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Günter Noris
Bert Kaempfert Medley
112 bpm • A# Maj • 03:12 • -12db
29% Popularity • 55% Danceability • 54% Energy • 64% Liveness
97% Instrumentalness • 60% Positiveness
29% Popularity • 55% Danceability • 54% Energy • 64% Liveness
97% Instrumentalness • 60% Positiveness
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Bernie Saxophone Entertainer
Moonlight Melodie
114 bpm • G Maj • 02:46 • -6.87db
33% Popularity • 48% Danceability • 62% Energy • 23% Liveness
86% Instrumentalness • 60% Positiveness
33% Popularity • 48% Danceability • 62% Energy • 23% Liveness
86% Instrumentalness • 60% Positiveness
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Willy Schobben
Adios amor
114 bpm • F Maj • 03:27 • -8.57db
17% Popularity • 59% Danceability • 60% Energy • 33% Liveness
92% Instrumentalness • 79% Positiveness
17% Popularity • 59% Danceability • 60% Energy • 33% Liveness
92% Instrumentalness • 79% Positiveness
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Daniela de Santos
La Paranda
114 bpm • A Maj • 03:09 • -5db
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
93% Instrumentalness • 77% Positiveness
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
93% Instrumentalness • 77% Positiveness
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Ricky King
Verde
113 bpm • C Maj • 03:07 • -8.4db
12% Popularity • 70% Danceability • 50% Energy • 5% Liveness
3% Instrumentalness • 56% Positiveness
12% Popularity • 70% Danceability • 50% Energy • 5% Liveness
3% Instrumentalness • 56% Positiveness
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Gary Freeman
Oh, Mein Papa
112 bpm • C min • 02:19 • -11db
35% Popularity • 52% Danceability • 56% Energy • 18% Liveness
74% Instrumentalness • 59% Positiveness
35% Popularity • 52% Danceability • 56% Energy • 18% Liveness
74% Instrumentalness • 59% Positiveness
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Christa Behnke
Bella Italia - Marina/Volare
112 bpm • D Maj • 02:37 • -7.52db
16% Popularity • 69% Danceability • 72% Energy • 2% Liveness
58% Instrumentalness • 86% Positiveness
16% Popularity • 69% Danceability • 72% Energy • 2% Liveness
58% Instrumentalness • 86% Positiveness
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Die Ladiner
La Paloma (Ladinische Version)
112 bpm • F Maj • 04:03 • -6.51db
18% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Dirk Schiefen
Gummi Mambo
114 bpm • D# Maj • 02:54 • -10db
32% Popularity • 60% Danceability • 49% Energy • 26% Liveness
74% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 26% Liveness
74% Instrumentalness • 70% Positiveness
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De Heikrekels
Waarom Heb Jij Me Laten Staan?
112 bpm • A# Maj • 03:12 • -11.27db
25% Popularity • 59% Danceability • 65% Energy • 32% Liveness
61% Instrumentalness • 94% Positiveness
25% Popularity • 59% Danceability • 65% Energy • 32% Liveness
61% Instrumentalness • 94% Positiveness
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Ricky King
Verde
112 bpm • C Maj • 03:45 • -5.36db
31% Popularity • 62% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
31% Popularity • 62% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Andi Häckel
Gruß an Kiel
114 bpm • C Maj • 03:00 • -5.58db
25% Popularity • 80% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
25% Popularity • 80% Danceability • 79% Energy • 12% Liveness
3% Instrumentalness • 97% Positiveness
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Tol & Tol
Aegina
112 bpm • G Maj • 03:39 • -10.65db
23% Popularity • 63% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 70% Positiveness
23% Popularity • 63% Danceability • 49% Energy • 13% Liveness
87% Instrumentalness • 70% Positiveness
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Daniela de Santos
Du bist mein erster Gedanke
114 bpm • C Maj • 03:07 • -8.87db
26% Popularity • 74% Danceability • 61% Energy • 8% Liveness
34% Instrumentalness • 51% Positiveness
26% Popularity • 74% Danceability • 61% Energy • 8% Liveness
34% Instrumentalness • 51% Positiveness
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Rocco Granata
Guten Abend gut' Nacht
114 bpm • C# Maj • 02:27 • -17.33db
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Bata Illic
Dich Erkenn' Ich Mit Verbundenen Augen
114 bpm • G Maj • 03:13 • -10.28db
35% Popularity • 61% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 61% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Ricky King
Der Junge mit der Mundharmonika
112 bpm • E Maj • 03:15 • -3.91db
28% Popularity • 53% Danceability • 58% Energy • 19% Liveness
78% Instrumentalness • 46% Positiveness
28% Popularity • 53% Danceability • 58% Energy • 19% Liveness
78% Instrumentalness • 46% Positiveness
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Andi Häckel
Aloha Oe
112 bpm • A# Maj • 03:24 • -8.94db
29% Popularity • 56% Danceability • 72% Energy • 20% Liveness
96% Instrumentalness • 96% Positiveness
29% Popularity • 56% Danceability • 72% Energy • 20% Liveness
96% Instrumentalness • 96% Positiveness
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Tol & Tol
On Top Of The World
114 bpm • G Maj • 03:06 • -8.14db
31% Popularity • 60% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
31% Popularity • 60% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Frank Ferrari
I Can't Live Without
114 bpm • G Maj • 03:48 • -12.84db
11% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Pete Tex
Golden Sax Dreams - Medley
112 bpm • F Maj • 03:24 • -5db
28% Popularity • 55% Danceability • 66% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
28% Popularity • 55% Danceability • 66% Energy • 8% Liveness
86% Instrumentalness • 82% Positiveness
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Pascale Andrews
On Se Quitte Et Pourtant
112 bpm • A Maj • 03:30 • -1.95db
17% Popularity • 65% Danceability • 86% Energy • 3% Liveness
30% Instrumentalness • 64% Positiveness
17% Popularity • 65% Danceability • 86% Energy • 3% Liveness
30% Instrumentalness • 64% Positiveness
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Ricky King
Aloha Oe
112 bpm • E Maj • 03:36 • -12.17db
10% Popularity • 55% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
10% Popularity • 55% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
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Ulli Martin
Ich träume mit offenen Augen von dir
114 bpm • C Maj • 03:37 • -10.96db
31% Popularity • 33% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 33% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Tol & Tol
Blue Moon Dancing
114 bpm • E Maj • 02:51 • -9.08db
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
68% Instrumentalness • 96% Positiveness
33% Popularity • 70% Danceability • 60% Energy • 14% Liveness
68% Instrumentalness • 96% Positiveness
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Nikos Ignatiadis
Greek Medley
111 bpm • G Maj • 07:35 • -11db
26% Popularity • 33% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
26% Popularity • 33% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
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Daniela de Santos
Guten Abend, gute Nacht
115 bpm • C Maj • 02:28 • -6.37db
25% Popularity • 38% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 38% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Dirk Schiefen
Morning Has Broken
115 bpm • G Maj • 02:52 • -9.22db
31% Popularity • 29% Danceability • 51% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
31% Popularity • 29% Danceability • 51% Energy • 20% Liveness
84% Instrumentalness • 39% Positiveness
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Ricky King
Teresa (Una Stella Ti Darei)
112 bpm • G Maj • 03:38 • -6.17db
14% Popularity • 59% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 59% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 72% Positiveness
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Goombay Dance Band
Guantanamera
111 bpm • A Maj • 04:24 • -12.32db
29% Popularity • 69% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 69% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 79% Positiveness
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Ulli Martin
One Way Wind
112 bpm • E Maj • 03:39 • -8.6db
23% Popularity • 47% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 47% Danceability • 54% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Tol & Tol
Rounding The Cape (A Tribute To...)
114 bpm • A min • 03:52 • -14db
30% Popularity • 57% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 65% Positiveness
30% Popularity • 57% Danceability • 47% Energy • 16% Liveness
84% Instrumentalness • 65% Positiveness
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Das Orchester Claudius Alzner
Die kleine Kneipe , Rififi
115 bpm • C Maj • 03:14 • -16db
20% Popularity • 42% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
20% Popularity • 42% Danceability • 28% Energy • 10% Liveness
83% Instrumentalness • 46% Positiveness
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Nikos Ignatiadis
Flight To Rhodos
115 bpm • F Maj • 03:31 • -13db
34% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
34% Popularity • 55% Danceability • 46% Energy • 36% Liveness
90% Instrumentalness • 39% Positiveness
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Ricky King
Verde
115 bpm • C Maj • 03:51 • -16.26db
27% Popularity • 51% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
27% Popularity • 51% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 32% Positiveness
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Dirk Schiefen
Blue Spanish eyes
115 bpm • D# Maj • 02:42 • -9.95db
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
31% Popularity • 51% Danceability • 41% Energy • 18% Liveness
84% Instrumentalness • 50% Positiveness
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Andrea Jürgens
Ich zeige dir mein Paradies
111 bpm • F min • 04:18 • -4db
26% Popularity • 48% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 48% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Tol & Tol
The Fool
115 bpm • D# Maj • 03:09 • -15.14db
19% Popularity • 61% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
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Fernando Express
Canzone Di Luna
111 bpm • C# Maj • 02:56 • -10.7db
31% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Hans Hollestelle
Because They're Young
115 bpm • E Maj • 02:16 • -13.95db
19% Popularity • 62% Danceability • 59% Energy • 19% Liveness
24% Instrumentalness • 62% Positiveness
19% Popularity • 62% Danceability • 59% Energy • 19% Liveness
24% Instrumentalness • 62% Positiveness
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Ricky King
San Francisco
111 bpm • G Maj • 02:55 • -9.71db
24% Popularity • 52% Danceability • 60% Energy • 7% Liveness
24% Instrumentalness • 36% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 7% Liveness
24% Instrumentalness • 36% Positiveness
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Willy And The Playboys
Guitar Serenade
115 bpm • D Maj • 02:53 • -5.31db
11% Popularity • 43% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 43% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Bata Illic
Mit verbundenen Augen
111 bpm • G Maj • 03:17 • -14db
27% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 48% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tol & Tol
Sedalia
115 bpm • F Maj • 03:26 • -14db
34% Popularity • 68% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
34% Popularity • 68% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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The Buffoons
California Blue
111 bpm • D Maj • 03:45 • -8db
28% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 59% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Audrey Landers
Sliverbird
116 bpm • C Maj • 03:56 • -9.19db
20% Popularity • 60% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 60% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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De Gouden Trompetten
De Regenboog
116 bpm • B Maj • 03:18 • -8.47db
8% Popularity • 58% Danceability • 66% Energy • 38% Liveness
82% Instrumentalness • 89% Positiveness
8% Popularity • 58% Danceability • 66% Energy • 38% Liveness
82% Instrumentalness • 89% Positiveness
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Nikos Ignatiadis
Pireaus (Never On A Sunday)
116 bpm • A Maj • 02:59 • -11.63db
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Monika Martin
Komm, setz mein Herz in Flammen
116 bpm • D Maj • 03:34 • -7.03db
27% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Daniela de Santos
Hawaii Träume
116 bpm • C Maj • 03:10 • -6.82db
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 54% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Anny Schilder
Song Sung Blue
116 bpm • G Maj • 03:32 • -8.15db
19% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Tol & Tol
Siciliano
116 bpm • D Maj • 02:55 • -12.87db
30% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 38% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Engelbert Humperdinck
Under The Man In The Moon
116 bpm • C Maj • 03:29 • -6.14db
35% Popularity • 62% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 62% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Andi Häckel
Der Fremdenlegionär
116 bpm • A Maj • 03:02 • -9db
16% Popularity • 57% Danceability • 60% Energy • 11% Liveness
42% Instrumentalness • 62% Positiveness
16% Popularity • 57% Danceability • 60% Energy • 11% Liveness
42% Instrumentalness • 62% Positiveness
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De Heikrekels
Mooier Dan Rode Rozen
116 bpm • D# Maj • 03:04 • -11.89db
18% Popularity • 57% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 80% Positiveness
18% Popularity • 57% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 80% Positiveness
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Bandit
Why Tell Me Why ?
110 bpm • B Maj • 03:08 • -8db
38% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 68% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Belsy
In einer schöneren Welt
110 bpm • A# Maj • 03:00 • -3db
23% Popularity • 70% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 70% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Tol & Tol
Mexican Sunrise
110 bpm • G Maj • 03:30 • -13.32db
16% Popularity • 55% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
16% Popularity • 55% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Combo Alfredo
La Paloma
110 bpm • C min • 03:01 • -7.02db
23% Popularity • 63% Danceability • 59% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
23% Popularity • 63% Danceability • 59% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Andi Häckel
Seemann, Deine Heimat ist das Meer
110 bpm • C Maj • 02:47 • -9.36db
37% Popularity • 44% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
37% Popularity • 44% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 57% Positiveness
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Romeos Erben
Tu mir nicht weh - Radio Edit
110 bpm • G# Maj • 03:28 • -5db
27% Popularity • 75% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 75% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Admiral Hook & His Magic Sax
Nordseewellen
110 bpm • G# Maj • 02:59 • -6.46db
18% Popularity • 36% Danceability • 62% Energy • 25% Liveness
42% Instrumentalness • 64% Positiveness
18% Popularity • 36% Danceability • 62% Energy • 25% Liveness
42% Instrumentalness • 64% Positiveness
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Monika Martin
Liebe
110 bpm • D Maj • 03:49 • -5.78db
22% Popularity • 54% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
22% Popularity • 54% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 29% Positiveness
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Captain Cook Und Seine Singenden Saxophone
Fremdenlegionär
110 bpm • A# Maj • 03:20 • -10.61db
26% Popularity • 45% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
26% Popularity • 45% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 29% Positiveness
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The Classics
Yellow Sun of Ecuador
110 bpm • D Maj • 03:14 • -12db
25% Popularity • 56% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 56% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Willy Schobben
Als Sterren Aan De Hemel Staan
110 bpm • E Maj • 03:57 • -7.6db
21% Popularity • 24% Danceability • 52% Energy • 34% Liveness
72% Instrumentalness • 55% Positiveness
21% Popularity • 24% Danceability • 52% Energy • 34% Liveness
72% Instrumentalness • 55% Positiveness
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Nick Mackenzie
Juanita - German Language Version
117 bpm • A# Maj • 03:12 • -6.91db
28% Popularity • 68% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 68% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Andi Häckel
La Paloma
117 bpm • G Maj • 04:06 • -8db
29% Popularity • 52% Danceability • 64% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
29% Popularity • 52% Danceability • 64% Energy • 8% Liveness
94% Instrumentalness • 78% Positiveness
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Günter Noris
Spanish Harlem (Das Ist Die Frage Aller ...
109 bpm • A# Maj • 02:57 • -8.66db
26% Popularity • 57% Danceability • 47% Energy • 8% Liveness
59% Instrumentalness • 43% Positiveness
26% Popularity • 57% Danceability • 47% Energy • 8% Liveness
59% Instrumentalness • 43% Positiveness
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Dixie Aces
Wheels (instr.)
117 bpm • C Maj • 02:08 • -11.04db
21% Popularity • 56% Danceability • 50% Energy • 8% Liveness
93% Instrumentalness • 82% Positiveness
21% Popularity • 56% Danceability • 50% Energy • 8% Liveness
93% Instrumentalness • 82% Positiveness
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Combo Alfredo
Rosen für Dich (roses for you) - Radio ...
117 bpm • G# Maj • 02:53 • -10db
25% Popularity • 60% Danceability • 58% Energy • 31% Liveness
19% Instrumentalness • 70% Positiveness
25% Popularity • 60% Danceability • 58% Energy • 31% Liveness
19% Instrumentalness • 70% Positiveness
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G.G. Anderson
African Baby
117 bpm • A min • 04:18 • -8db
30% Popularity • 75% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 75% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Stefanie Hertel
Fernando (und der Himmel war zum Greifen...
109 bpm • A Maj • 03:46 • -7.11db
27% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Piet Veerman
Abendwind
109 bpm • E Maj • 03:34 • -6.37db
15% Popularity • 64% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 64% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Tol & Tol
Florence
109 bpm • B Maj • 03:29 • -5.84db
30% Popularity • 62% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 62% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Vicky Leandros
Weisst Du woraus die Träume sind
117 bpm • C Maj • 03:31 • -11db
31% Popularity • 44% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 44% Danceability • 61% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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The Jumping Jewels
Wheels
117 bpm • D Maj • 02:05 • -17.29db
33% Popularity • 81% Danceability • 31% Energy • 14% Liveness
82% Instrumentalness • 92% Positiveness
33% Popularity • 81% Danceability • 31% Energy • 14% Liveness
82% Instrumentalness • 92% Positiveness
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Engelbert Humperdinck
Les Bicyclettes De Belsize
109 bpm • F Maj • 03:17 • -7.02db
14% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Willy Schobben
Schrijf Me Nooit Geen Mooie Brieven Meer
118 bpm • C Maj • 03:27 • -8db
19% Popularity • 58% Danceability • 79% Energy • 12% Liveness
85% Instrumentalness • 85% Positiveness
19% Popularity • 58% Danceability • 79% Energy • 12% Liveness
85% Instrumentalness • 85% Positiveness
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Axel Becker
Weine keine Träne um mich, Bella Maria
109 bpm • A Maj • 03:00 • -7.1db
19% Popularity • 37% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 37% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Max Greger
California Blue
108 bpm • G Maj • 03:26 • -10.67db
30% Popularity • 52% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
30% Popularity • 52% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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The Cats
One Way Wind - German Language Version
109 bpm • E Maj • 03:45 • -10.29db
24% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Christian Anders
Ich leb' nur für dich allein
108 bpm • E Maj • 03:06 • -12.42db
15% Popularity • 62% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 62% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Bandit
The Great el Tigre el Bandido - Bolero V...
118 bpm • B Maj • 03:08 • -5.39db
36% Popularity • 64% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 64% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Andi Häckel
Wir lagen vor Madagaskar
118 bpm • D Maj • 03:05 • -8.16db
23% Popularity • 80% Danceability • 69% Energy • 14% Liveness
82% Instrumentalness • 96% Positiveness
23% Popularity • 80% Danceability • 69% Energy • 14% Liveness
82% Instrumentalness • 96% Positiveness
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Rosanna Rocci
Ciao Mio Amore - Single Version
108 bpm • D Maj • 03:39 • -4.93db
32% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 59% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Jack Jersey
On This Night Of A Thousand Stars
118 bpm • E Maj • 02:44 • -7.76db
32% Popularity • 52% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 52% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Die Ladiner
Der Junge mit der Mundharmonika
108 bpm • D Maj • 03:29 • -6.38db
24% Popularity • 53% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 53% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Mackenzie
Juanita (2005 Version)
118 bpm • G Maj • 03:08 • -8.43db
20% Popularity • 59% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 59% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Saxophon: Lui Martin
Something Stupid
108 bpm • F Maj • 02:29 • -5.49db
20% Popularity • 58% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
20% Popularity • 58% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Andi Häckel
Ein Schiff wird kommen
118 bpm • D Maj • 03:22 • -9.23db
31% Popularity • 56% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
31% Popularity • 56% Danceability • 57% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
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Daniela de Santos
Un Pocito Amor
108 bpm • G Maj • 02:53 • -6.21db
29% Popularity • 63% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 63% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
