Songs like Verschwiegene Liebe - Voice by Hugo Wolf
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Wagner: Tannhäuser, Act II: "Dich, teur...
91 bpm • E min • 03:30 • -14.65db
4% Popularity • 23% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
4% Popularity • 23% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. Mi chi...
91 bpm • D Maj • 04:49 • -18.72db
16% Popularity • 23% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 23% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Hugo Wolf
Verschwiegene Liebe - Voice
91 bpm • D Maj • 02:57 • -25.62db
16% Popularity • 21% Danceability • 3% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
16% Popularity • 21% Danceability • 3% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Bernstein: Candide, Act I, Scene 3: Aria...
91 bpm • G# Maj • 06:52 • -15.2db
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Barbra Streisand
Papa, Can You Hear Me?
90 bpm • A# min • 03:30 • -16.27db
43% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 27% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Apres un Reve - Voice
91 bpm • C# min • 03:24 • -16.04db
16% Popularity • 18% Danceability • 20% Energy • 11% Liveness
42% Instrumentalness • 12% Positiveness
16% Popularity • 18% Danceability • 20% Energy • 11% Liveness
42% Instrumentalness • 12% Positiveness
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Gustave Charpentier
Louise, Act III: Depuis le jour
90 bpm • G Maj • 04:48 • -22.97db
6% Popularity • 23% Danceability • 8% Energy • 19% Liveness
20% Instrumentalness • 3% Positiveness
6% Popularity • 23% Danceability • 8% Energy • 19% Liveness
20% Instrumentalness • 3% Positiveness
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Captain & Tennille
Do That To Me One More Time
90 bpm • G Maj • 04:16 • -8.23db
67% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
67% Popularity • 73% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 3, Beim...
90 bpm • C# Maj • 05:26 • -23db
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 5% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Barbra Streisand
Cry Me A River
92 bpm • F min • 03:36 • -17.73db
27% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
19% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
22% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
90 bpm • D Maj • 04:38 • -14db
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bist du bei mir, BWV 508 (Arie)
92 bpm • D Maj • 03:11 • -17db
25% Popularity • 23% Danceability • 12% Energy • 8% Liveness
54% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 12% Energy • 8% Liveness
54% Instrumentalness • 8% Positiveness
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Leonard Bernstein
West Side Story: V. Maria
90 bpm • D# Maj • 02:58 • -18.84db
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
28% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Barbra Streisand
Ma Première Chanson
89 bpm • A min • 02:19 • -17.21db
16% Popularity • 21% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 21% Danceability • 11% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
93 bpm • C# min • 03:03 • -22.79db
22% Popularity • 35% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 35% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Pie Jesu
89 bpm • A# Maj • 03:31 • -34db
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesÃck...
93 bpm • F# Maj • 06:54 • -22.13db
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Dialogues des Carmélites, FP 1...
89 bpm • G min • 07:00 • -21db
9% Popularity • 13% Danceability • 13% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
9% Popularity • 13% Danceability • 13% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Un be...
89 bpm • C# Maj • 04:29 • -17.79db
17% Popularity • 33% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 33% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Pt. 1: No....
89 bpm • D# min • 06:58 • -16db
31% Popularity • 16% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 17% Positiveness
31% Popularity • 16% Danceability • 22% Energy • 15% Liveness
16% Instrumentalness • 17% Positiveness
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Richard Wagner
Tristan und Isolde, Act III Scene 3: Mil...
89 bpm • B Maj • 07:18 • -18db
23% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
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Carl Orff
In trutina from Carmina Burana
93 bpm • D Maj • 02:32 • -23.65db
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Michael William Balfe
The Bohemian Girl, Act II: I Dreamt I Dw...
93 bpm • D# Maj • 04:10 • -17db
7% Popularity • 27% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
7% Popularity • 27% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
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Hugo Wolf
Auf dem grünen Balkon
89 bpm • C# min • 02:50 • -22.21db
0% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Lionel Richie
Endless Love
93 bpm • A# Maj • 04:26 • -11.81db
70% Popularity • 48% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
70% Popularity • 48% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Yves Montand
Melinda
89 bpm • A Maj • 02:17 • -24db
20% Popularity • 30% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 30% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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George Frideric Handel
Lascia ch'io pianga from Rinaldo - Voice
94 bpm • C Maj • 03:37 • -18.68db
16% Popularity • 22% Danceability • 11% Energy • 11% Liveness
27% Instrumentalness • 28% Positiveness
16% Popularity • 22% Danceability • 11% Energy • 11% Liveness
27% Instrumentalness • 28% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: Una furtiva l...
88 bpm • F min • 04:20 • -20db
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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AntonÃn Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: Der Rosenkavalier, Op. 59, A...
94 bpm • C# Maj • 04:39 • -16.39db
28% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
Die lustige Witwe, Act II: Vilja-Lied
88 bpm • G Maj • 05:03 • -26.45db
2% Popularity • 18% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 18% Danceability • 9% Energy • 94% Liveness
0% Instrumentalness • 9% Positiveness
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Barbra Streisand
Don't Rain On My Parade
94 bpm • A Maj • 02:44 • -9.06db
50% Popularity • 51% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 51% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 5. Siren
94 bpm • G# Maj • 02:31 • -17db
14% Popularity • 20% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Robert Schumann
Liederkreis, Op. 39: 5. Mondnacht
88 bpm • E Maj • 03:43 • -31db
11% Popularity • 26% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Les Pêcheurs de perles, Act 1: "...
88 bpm • D# Maj • 05:26 • -18db
20% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
38% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
38% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
88 bpm • G Maj • 04:07 • -28.68db
7% Popularity • 22% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
7% Popularity • 22% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Erster Aufzug...
94 bpm • D# Maj • 04:36 • -19db
29% Popularity • 28% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 28% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Vogue, vogue la galère
94 bpm • G# Maj • 01:51 • -23db
13% Popularity • 31% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
13% Popularity • 31% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 24% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria piena d...
88 bpm • G# Maj • 04:49 • -23db
17% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6
88 bpm • E min • 02:30 • -21db
9% Popularity • 25% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 6% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Ehi! Rodolf...
88 bpm • A Maj • 04:12 • -17db
25% Popularity • 17% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: 3 Mélodies, Op. 8: No. 1, Au bo...
88 bpm • F# min • 02:11 • -23.03db
20% Popularity • 40% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 40% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
27% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Leonard Bernstein
West Side Story: XIIId. Somewhere
88 bpm • E Maj • 02:37 • -19.75db
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 8% Energy • 29% Liveness
1% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Aus Liebe will mein Heiland sterben
95 bpm • G# min • 05:17 • -25.23db
11% Popularity • 18% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
► Preview
Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria, piena ...
87 bpm • G# Maj • 04:32 • -21.4db
16% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gustave Charpentier
"Depuis le jour"
87 bpm • G Maj • 05:17 • -20db
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
87 bpm • G Maj • 03:07 • -13.27db
9% Popularity • 12% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
87 bpm • A# min • 07:35 • -25db
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claus Ogerman
I Loved You - Voice
95 bpm • B Maj • 02:22 • -22.81db
16% Popularity • 34% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
16% Popularity • 34% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
► Preview
Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: Pie Jesu
87 bpm • A# Maj • 03:54 • -25.26db
13% Popularity • 13% Danceability • 3% Energy • 14% Liveness
54% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 14% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Mahler: Das Lied von der Erde: V. Der Tr...
87 bpm • A Maj • 04:47 • -14db
9% Popularity • 23% Danceability • 28% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Hugo Wolf
Im Frühling
96 bpm • E min • 04:15 • -24.48db
0% Popularity • 29% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 29% Danceability • 3% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
36% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
36% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
20% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Rückert-Lieder: No. 4, Ich bin ...
86 bpm • F Maj • 06:56 • -28db
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act II: "Un bel dì v...
86 bpm • F# Maj • 04:31 • -17.25db
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Kurt Weill
One Touch Of Venus: Speak Low
96 bpm • C Maj • 03:59 • -30db
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Leonard Bernstein
Overture [Arr. C. Harmon for Orchestra]
96 bpm • G Maj • 05:18 • -13.84db
16% Popularity • 32% Danceability • 30% Energy • 9% Liveness
64% Instrumentalness • 36% Positiveness
16% Popularity • 32% Danceability • 30% Energy • 9% Liveness
64% Instrumentalness • 36% Positiveness
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Franz Schubert
Schubert: Auf dem Wasser zu singen, Op. ...
86 bpm • G# min • 03:28 • -24.84db
12% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Jerry Herman
It Takes A Woman (Reprise)
86 bpm • C min • 02:16 • -22.97db
24% Popularity • 19% Danceability • 5% Energy • 16% Liveness
12% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 5% Energy • 16% Liveness
12% Instrumentalness • 7% Positiveness
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Gustav Mahler
Kindertotenlieder: No. 3, Wenn dein Müt...
96 bpm • C min • 04:31 • -19.57db
2% Popularity • 20% Danceability • 9% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
2% Popularity • 20% Danceability • 9% Energy • 12% Liveness
4% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
86 bpm • A Maj • 04:44 • -20.98db
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè...Ca...
86 bpm • E Maj • 06:18 • -27db
28% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Linden Lea
86 bpm • F Maj • 02:44 • -26.67db
17% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 40% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
85 bpm • A min • 04:59 • -29.28db
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Albert Ketèlbey
In a Chinese Temple-Garden
97 bpm • D Maj • 06:52 • -22db
8% Popularity • 18% Danceability • 11% Energy • 43% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 43% Liveness
84% Instrumentalness • 8% Positiveness
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Antonio Lotti
Pur dicesti, o bocca bella
97 bpm • D Maj • 05:04 • -26.81db
20% Popularity • 30% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 30% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Tommaso Giordani
Caro mio ben
85 bpm • F Maj • 03:03 • -17.81db
24% Popularity • 14% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 14% Energy • 38% Liveness
1% Instrumentalness • 13% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
