Songs like Version Of Me by Sasha Alex Sloan
Based on a tempo of (+/- 10%) and a similar genre
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Sasha Alex Sloan
Version Of Me
95 bpm • B Maj • 03:01 • -10db
44% Popularity • 70% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 70% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 8% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Soran
Stop Myself
95 bpm • A Maj • 03:10 • -10db
26% Popularity • 59% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 59% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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BANNERS
No One Knows Us
95 bpm • C Maj • 03:15 • -7.71db
35% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 38% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Sam DeRosa
Pill for This
96 bpm • G Maj • 02:53 • -5.34db
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 41% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sasha Alex Sloan
Is It Just Me?
95 bpm • D Maj • 02:34 • -10.84db
60% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 68% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Ross Harris
SAY IT BACK
94 bpm • C min • 03:29 • -12.54db
30% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Alec Benjamin
Jesus in LA
94 bpm • C Maj • 02:51 • -5.24db
60% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 79% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Daniel Schulz
Turn Back Time
96 bpm • G Maj • 03:43 • -6.53db
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 68% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Ivy Adara
Famous
94 bpm • A Maj • 03:43 • -5.49db
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Britton
BURNED
96 bpm • D min • 03:06 • -11.12db
41% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Anthony de la Torre
Know Me
94 bpm • C# min • 03:17 • -9.08db
31% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 67% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Oh Wonder
I Wish I Never Met You
94 bpm • C# Maj • 02:59 • -9.95db
39% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Greyson Chance
Twenty One
94 bpm • F min • 03:12 • -8db
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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Alexander Stewart
Best Damn Thing
94 bpm • C# Maj • 03:52 • -3db
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 55% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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BRDGS
Dancing Without Music
93 bpm • C# Maj • 04:08 • -9.25db
47% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Will Post
The Kindest Thing
93 bpm • F# min • 03:52 • -6.94db
28% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
47% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mason Murphy
Save Me - Acoustic
97 bpm • G Maj • 04:00 • -11.64db
23% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 76% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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WOOF! IT'S BILLY
LIGHT RAIN
97 bpm • C min • 03:39 • -6.41db
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 35% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Gabriel Conte
I'm Not Sorry
93 bpm • G# Maj • 03:00 • -7.02db
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Hey Violet
Queen Of The Night
97 bpm • A Maj • 03:17 • -5db
43% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Sasha Alex Sloan
smiling when i die
93 bpm • C min • 03:26 • -10.64db
47% Popularity • 75% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 75% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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HRVY
ME BECAUSE OF YOU
93 bpm • A# Maj • 03:35 • -6.56db
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 60% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Sommer
We Used To
98 bpm • C# min • 02:38 • -12.01db
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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WRENN
Hailey
98 bpm • D Maj • 02:47 • -10.38db
45% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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NIKI DEMAR
Alone in My Car
92 bpm • C Maj • 03:13 • -7db
38% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Sasha Alex Sloan
One Trick Phony
93 bpm • G# Maj • 03:03 • -8db
29% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 74% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Alec Benjamin
Just Like You
92 bpm • C Maj • 02:47 • -5.61db
49% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Social House
Haunt You
92 bpm • C Maj • 03:18 • -9db
47% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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JORDY
NICE THINGS
92 bpm • C min • 02:27 • -10.52db
44% Popularity • 68% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 68% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sasha Alex Sloan
Is It Just Me?
92 bpm • D Maj • 03:35 • -8.13db
40% Popularity • 66% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
40% Popularity • 66% Danceability • 51% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
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GRACEY
If You Loved Me
99 bpm • B min • 02:58 • -7.71db
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Hailee Steinfeld
Your Name Hurts
99 bpm • F Maj • 03:42 • -6.8db
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 72% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Nightly
Twenty Something - Stripped Sessions
100 bpm • G# Maj • 04:21 • -11.15db
33% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
33% Popularity • 60% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Gavin Haley
The Way I Am
100 bpm • G Maj • 02:58 • -8.27db
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Anson Seabra
Hindenburg Lover
100 bpm • G# Maj • 05:02 • -13db
47% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 52% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Alessia Cara
River Of Tears
90 bpm • F# Maj • 04:14 • -5.72db
58% Popularity • 39% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 39% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Ruel
Free Time
100 bpm • B min • 03:38 • -5.78db
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Faime
Lost
100 bpm • C min • 03:02 • -8db
31% Popularity • 69% Danceability • 53% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
31% Popularity • 69% Danceability • 53% Energy • 14% Liveness
2% Instrumentalness • 36% Positiveness
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Conor Matthews
Heaven Help Me
100 bpm • B Maj • 03:16 • -8.7db
20% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Felix Cartal
Everyone but Me
100 bpm • D min • 02:50 • -7db
21% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Sasha Alex Sloan
WTF
100 bpm • C# Maj • 03:02 • -7.82db
35% Popularity • 63% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 63% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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XYLØ
Pretty Sad
100 bpm • G# Maj • 03:19 • -6.64db
27% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 58% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Noah Cyrus
Good Cry
100 bpm • F# Maj • 03:17 • -9.43db
41% Popularity • 80% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 80% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Sara Phillips
Here’s to You
100 bpm • A# Maj • 04:16 • -10db
15% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 38% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Martin Garrix
Love Runs Out
90 bpm • A min • 02:44 • -7.31db
56% Popularity • 65% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 65% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Mokita
Love Alone
90 bpm • G Maj • 03:05 • -7db
46% Popularity • 63% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 63% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Gentle Bones
Why Do We?
90 bpm • A Maj • 02:56 • -7db
32% Popularity • 65% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 65% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Sasha Alex Sloan
Thoughts
90 bpm • G Maj • 03:05 • -9.93db
43% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Finding Hope
Daydream
90 bpm • G# Maj • 02:44 • -8.32db
35% Popularity • 82% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 82% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Rence
Expensive
90 bpm • C min • 03:07 • -6.5db
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 65% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Jaymes Young
Northern Lights
90 bpm • G Maj • 03:57 • -9.07db
40% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Josie Dunne
Stay The Way I Left You
90 bpm • G Maj • 02:12 • -6.95db
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 69% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:30 • -6.17db
43% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sasha Alex Sloan
Adult
90 bpm • G# Maj • 03:04 • -6.39db
37% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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blackbear
ghost town
101 bpm • E min • 03:07 • -5db
41% Popularity • 71% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 71% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Rosie Darling
Too Hot For You To Hold
101 bpm • A# Maj • 01:57 • -10db
56% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Quinn Lewis
Hurt Me Now
89 bpm • B Maj • 03:05 • -7.71db
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alec Benjamin
Must Have Been The Wind
89 bpm • G Maj • 02:57 • -6.2db
60% Popularity • 65% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 65% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Griff
Pillow In My Arms
89 bpm • G# Maj • 03:16 • -5.35db
54% Popularity • 48% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 48% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Sasha Alex Sloan
High School Me
101 bpm • F# Maj • 03:23 • -8.82db
37% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 71% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Lost Kings
Anti-Everything
102 bpm • C Maj • 03:03 • -7.29db
48% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 73% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Delaney Jane
Hello My Loneliness
102 bpm • G Maj • 03:21 • -7.06db
35% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 69% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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New Hope Club
Love Again
88 bpm • B min • 03:23 • -3.98db
42% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 57% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bazzi
Who Am I?
88 bpm • F Maj • 02:51 • -6.35db
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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ILLENIUM
U & Me
88 bpm • G# Maj • 03:33 • -5.03db
49% Popularity • 56% Danceability • 84% Energy • 4% Liveness
1% Instrumentalness • 63% Positiveness
49% Popularity • 56% Danceability • 84% Energy • 4% Liveness
1% Instrumentalness • 63% Positiveness
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Tate McRae
Slip
88 bpm • E Maj • 02:51 • -11.51db
55% Popularity • 68% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 68% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Sasha Alex Sloan
Until It Happens To You
103 bpm • C min • 03:41 • -10.11db
44% Popularity • 41% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 41% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ella Vos
Ocean
88 bpm • B Maj • 03:30 • -10.9db
30% Popularity • 47% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 47% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Selena Gomez
Lose You To Love Me
103 bpm • E Maj • 03:26 • -8.99db
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
80% Popularity • 49% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alec Benjamin
1994
87 bpm • G# Maj • 03:04 • -6.19db
53% Popularity • 77% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 77% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Maggie Lindemann
Would I
87 bpm • E Maj • 02:53 • -8.84db
41% Popularity • 66% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 66% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ella Vos
Temporary
87 bpm • G# Maj • 02:31 • -8.27db
32% Popularity • 72% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 72% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Ivy Adara
Rebels
104 bpm • F# Maj • 02:56 • -6.09db
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Maria Lynn
Summer's Gone
87 bpm • A# Maj • 03:24 • -10.98db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sasha Alex Sloan
Lie
104 bpm • G# Maj • 03:29 • -7db
45% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 72% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Gavin Haley
Jet Lag
87 bpm • E min • 02:30 • -5.36db
35% Popularity • 54% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 54% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Suriel Hess
Parts of You
105 bpm • G Maj • 03:23 • -9.99db
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 68% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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wens
Cinderella
104 bpm • A Maj • 03:16 • -6db
23% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Tate McRae
tear myself apart
86 bpm • A min • 02:45 • -6.9db
57% Popularity • 49% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 49% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Benjamin
Annabelle's Homework
86 bpm • G# Maj • 03:12 • -5.38db
54% Popularity • 68% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 68% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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shy martin
Just a Little Longer
105 bpm • C Maj • 03:26 • -7db
36% Popularity • 85% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 85% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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LANY
I Don't Wanna Love You Anymore
105 bpm • C Maj • 03:21 • -8.36db
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Cameron Dallas
Why Haven't I Met You?
105 bpm • D# min • 03:00 • -7db
40% Popularity • 70% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 70% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Tate McRae
all my friends are fake
105 bpm • B min • 03:06 • -7.46db
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
