Songs like Vespro della Beata Vergine - Performing Edition by John Eliot Gardiner: 18. Magnificat: Et misericordia eius by Claudio Monteverdi
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Dolcissimi legami di parole amorose
129 bpm • G min • 03:06 • -18.33db
16% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
24% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
24% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
22% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Psal...
129 bpm • A# Maj • 05:28 • -17.5db
16% Popularity • 18% Danceability • 21% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 21% Energy • 10% Liveness
6% Instrumentalness • 6% Positiveness
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Antoine Boësset
À la fin cette bergère
128 bpm • C Maj • 03:57 • -20.86db
17% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
17% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ans Del Judici Tot...
128 bpm • F Maj • 02:23 • -29db
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Rinaldo Alessandrini
Madrigals, Book III: Se per estremo ardo...
130 bpm • B Maj • 03:24 • -20.53db
1% Popularity • 24% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 24% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Claudio Monteverdi
L'Orfeo: Toccata
129 bpm • F# min • 01:40 • -15.03db
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
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Consort Of Musicke
Madrigali Erotici E Spirituali: Sfogava ...
130 bpm • A min • 03:52 • -23.97db
3% Popularity • 22% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Burial Service: Thou knowest, Lord, the ...
128 bpm • A# Maj • 02:30 • -30.13db
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
25% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
129 bpm • A min • 02:43 • -28db
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 30% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: III. Auditui meo
131 bpm • F min • 02:45 • -21.56db
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Oxford Camerata
Mass A 5: Kyrie
127 bpm • C min • 01:43 • -25.58db
26% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 10% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
43% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: III. Rosa del ciel
130 bpm • D min • 04:09 • -23.55db
21% Popularity • 33% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 33% Danceability • 10% Energy • 48% Liveness
0% Instrumentalness • 17% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Jordi Savall
Ohimè Ch'Io Cado (Libro Nono)
126 bpm • C Maj • 04:28 • -21db
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Rinaldo Alessandrini
Madrigals, Book VII: A quest'olmo, a que...
133 bpm • D Maj • 05:44 • -21.51db
0% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Intonatio: Deus in adiutorium / Responso...
128 bpm • D Maj • 02:12 • -12.99db
11% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
11% Popularity • 33% Danceability • 21% Energy • 11% Liveness
33% Instrumentalness • 14% Positiveness
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Henry Purcell
Strike the Viol
125 bpm • E Maj • 03:54 • -19.71db
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Boësset
Ballet des fous et des estropiés de la ...
134 bpm • G min • 01:26 • -19.63db
16% Popularity • 48% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 78% Positiveness
16% Popularity • 48% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 78% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: IV. Vieni Imeneo, de...
128 bpm • C Maj • 01:44 • -20.57db
20% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 30% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
23% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
23% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Marin Marais
Pièces de violes, Livre V: Petit capric...
124 bpm • B Maj • 01:00 • -21.54db
30% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
30% Popularity • 37% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 66% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
128 bpm • G# min • 02:15 • -24.63db
0% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: II. Aleph
135 bpm • F# min • 01:50 • -24.69db
34% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Zefiro torna
131 bpm • G Maj • 03:55 • -21.59db
10% Popularity • 23% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Girolamo Kapsberger
Bergamasca
123 bpm • D Maj • 03:32 • -14.5db
17% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
123 bpm • D# Maj • 01:21 • -16.98db
19% Popularity • 26% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 12% Positiveness
19% Popularity • 26% Danceability • 22% Energy • 19% Liveness
1% Instrumentalness • 12% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Recercada Ottava Sobre La Folia, 1553 (O...
136 bpm • D min • 01:45 • -18.56db
30% Popularity • 40% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
30% Popularity • 40% Danceability • 26% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Papae Marcelli: Kyrie
136 bpm • A Maj • 04:30 • -21db
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 16% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
131 bpm • C# min • 03:47 • -27.83db
0% Popularity • 18% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 18% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
► Preview
Jordi Savall
Officium Defunctorum - Ad Matutinum
137 bpm • D# Maj • 01:59 • -20.76db
16% Popularity • 15% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
► Preview
Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
132 bpm • D# min • 02:33 • -28.7db
1% Popularity • 23% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 23% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
► Preview
Henry Purcell
9 Fantasia a 4: IX. Fantazia in A Minor,...
137 bpm • C# min • 04:11 • -23.76db
16% Popularity • 16% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
► Preview
Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
► Preview
Antoine Boësset
Una musiqua
138 bpm • G Maj • 04:09 • -21.05db
9% Popularity • 34% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
9% Popularity • 34% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
► Preview
Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
137 bpm • D# min • 03:12 • -26.34db
1% Popularity • 18% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Paolo Pandolfo
Anchor che col partire'
138 bpm • A min • 03:40 • -16db
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Confitebor: IV. Redemptionem ...
120 bpm • F# min • 01:00 • -17.77db
27% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
► Preview
Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
► Preview
Claudio Monteverdi
Madrigals, Book 9: Sì, sì, ch'io v'amo...
121 bpm • F Maj • 04:56 • -19.89db
0% Popularity • 30% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 30% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Antonio Caldara
Stabat Mater: II. Cujus animam gementem
139 bpm • B min • 01:53 • -23.79db
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Jordi Savall
Altri Canti D’Amor - Altri Canti D’A...
119 bpm • C Maj • 04:42 • -18.01db
4% Popularity • 38% Danceability • 12% Energy • 51% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 38% Danceability • 12% Energy • 51% Liveness
0% Instrumentalness • 8% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Claudio Monteverdi
Il secondo libro de madrigali a cinque v...
132 bpm • D# min • 03:23 • -25.21db
0% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Dietrich Buxtehude
Jesu, meines Lebens Leben in D Minor, Bu...
118 bpm • D min • 05:57 • -21.35db
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Andrea Falconieri
Falconieri / Orch Tufvesson: Il primo li...
118 bpm • F# min • 02:13 • -14db
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Claudio Monteverdi
Monteverdi: Settimo libro de madrigali "...
133 bpm • G Maj • 07:49 • -19.87db
17% Popularity • 28% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Petite messe solennelle: I. Kyrie
118 bpm • C Maj • 02:29 • -14db
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 20% Positiveness
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Jean-Baptiste Lully
Te Deum: In Te, Domine, speravi
119 bpm • B Maj • 01:52 • -19db
18% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
18% Popularity • 62% Danceability • 27% Energy • 13% Liveness
29% Instrumentalness • 68% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
115 bpm • A# Maj • 05:59 • -22.73db
33% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Claudio Monteverdi
Madrigals, Book 9: Entri pur nel nostro ...
125 bpm • G Maj • 00:56 • -20.69db
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
24% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
41% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Heinrich Schütz
Musicalische Exequien, SWV 279: Concert ...
115 bpm • E min • 03:58 • -22.63db
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
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Niccolò Jommelli
Requiem, Introitus: Requiem æternam
114 bpm • D# Maj • 05:26 • -33.34db
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
133 bpm • D# Maj • 01:39 • -15.08db
19% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
19% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "See, see,...
114 bpm • A# min • 01:27 • -24db
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 64% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
