Songs like Viciente by Christopher Franke
Based on a tempo of (+/- 10%) and a similar genre
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Christopher Franke
Confrontation
120 bpm • G# Maj • 05:15 • -14.79db
11% Popularity • 59% Danceability • 59% Energy • 28% Liveness
37% Instrumentalness • 16% Positiveness
11% Popularity • 59% Danceability • 59% Energy • 28% Liveness
37% Instrumentalness • 16% Positiveness
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Ginkgo Garden
Letters from Earth (Theme)
120 bpm • C# min • 02:41 • -8db
30% Popularity • 47% Danceability • 48% Energy • 9% Liveness
62% Instrumentalness • 44% Positiveness
30% Popularity • 47% Danceability • 48% Energy • 9% Liveness
62% Instrumentalness • 44% Positiveness
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Al Conti
Mystic
120 bpm • A min • 08:42 • -14db
10% Popularity • 49% Danceability • 33% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
10% Popularity • 49% Danceability • 33% Energy • 12% Liveness
57% Instrumentalness • 14% Positiveness
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Tony O'Connor
Ningaloo
120 bpm • E min • 08:58 • -16.07db
21% Popularity • 68% Danceability • 31% Energy • 79% Liveness
86% Instrumentalness • 15% Positiveness
21% Popularity • 68% Danceability • 31% Energy • 79% Liveness
86% Instrumentalness • 15% Positiveness
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Mythos
Fly Away
120 bpm • G min • 04:39 • -9.98db
23% Popularity • 57% Danceability • 53% Energy • 10% Liveness
76% Instrumentalness • 45% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 10% Liveness
76% Instrumentalness • 45% Positiveness
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Green Sun
The Last Battle
120 bpm • F# min • 07:53 • -11.71db
27% Popularity • 63% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 63% Danceability • 46% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Catherine Duc
Dancing in The Mist
120 bpm • G Maj • 03:01 • -13db
16% Popularity • 52% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
16% Popularity • 52% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Ginkgo Garden
Letters From Earth
120 bpm • E Maj • 04:44 • -11db
19% Popularity • 52% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 52% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Lesiem
Prudentia
120 bpm • F# min • 04:48 • -9.01db
20% Popularity • 56% Danceability • 58% Energy • 11% Liveness
56% Instrumentalness • 20% Positiveness
20% Popularity • 56% Danceability • 58% Energy • 11% Liveness
56% Instrumentalness • 20% Positiveness
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Oliver Shanti & Friends
Donovan My Timeless Cosmic Friend
120 bpm • B min • 06:01 • -10.83db
30% Popularity • 49% Danceability • 51% Energy • 11% Liveness
39% Instrumentalness • 26% Positiveness
30% Popularity • 49% Danceability • 51% Energy • 11% Liveness
39% Instrumentalness • 26% Positiveness
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Christopher Franke
Gentle Flair
120 bpm • G min • 02:28 • -15.79db
2% Popularity • 59% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
2% Popularity • 59% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 80% Positiveness
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Robert Haig Coxon
Towards the Light
120 bpm • E Maj • 05:51 • -21.81db
42% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Green Sun
The Sun Has Risen
120 bpm • E Maj • 02:14 • -10.34db
40% Popularity • 43% Danceability • 27% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
40% Popularity • 43% Danceability • 27% Energy • 13% Liveness
2% Instrumentalness • 9% Positiveness
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Back to Earth
The Book of Silence
120 bpm • D Maj • 04:54 • -18.78db
29% Popularity • 47% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 47% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Paul Lawler
Windmills
120 bpm • C Maj • 04:42 • -15db
11% Popularity • 57% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
11% Popularity • 57% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Mars Lasar
Washoe Woman
120 bpm • G Maj • 04:22 • -12.88db
31% Popularity • 56% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
31% Popularity • 56% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
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Christopher Franke
Viciente
120 bpm • G# Maj • 05:27 • -16.4db
31% Popularity • 31% Danceability • 23% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 23% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Karl Jenkins
Children of Dannu
120 bpm • F# min • 03:32 • -13db
19% Popularity • 38% Danceability • 43% Energy • 18% Liveness
23% Instrumentalness • 16% Positiveness
19% Popularity • 38% Danceability • 43% Energy • 18% Liveness
23% Instrumentalness • 16% Positiveness
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Kevin Wood
Love's Embrace
120 bpm • A min • 06:03 • -13.34db
19% Popularity • 44% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
19% Popularity • 44% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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Fiona Joy Hawkins
Antarctica
120 bpm • G min • 04:18 • -18db
28% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
28% Popularity • 35% Danceability • 12% Energy • 16% Liveness
83% Instrumentalness • 14% Positiveness
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Enam
For A Long Time To Go
120 bpm • A min • 03:13 • -18db
34% Popularity • 21% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
34% Popularity • 21% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Achillea
Land of the Elves
120 bpm • F min • 02:24 • -20.02db
49% Popularity • 43% Danceability • 11% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
49% Popularity • 43% Danceability • 11% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Russel Walder
This Moment Now
120 bpm • E Maj • 03:55 • -5.94db
30% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 19% Danceability • 42% Energy • 15% Liveness
91% Instrumentalness • 8% Positiveness
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Enya
The Forge of the Angels
119 bpm • A# Maj • 05:14 • -13.88db
50% Popularity • 50% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
50% Popularity • 50% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Peter Sterling
Dance of the Dakinis
121 bpm • C# Maj • 05:13 • -10.51db
8% Popularity • 45% Danceability • 39% Energy • 10% Liveness
55% Instrumentalness • 30% Positiveness
8% Popularity • 45% Danceability • 39% Energy • 10% Liveness
55% Instrumentalness • 30% Positiveness
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Marcomé
Yéku
119 bpm • C# Maj • 05:45 • -11.9db
33% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Back to Earth
Reflection From the Unseen
118 bpm • G Maj • 06:27 • -19.2db
14% Popularity • 37% Danceability • 28% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 37% Danceability • 28% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Hilary Stagg
Simply Beautiful
118 bpm • G Maj • 05:20 • -18.62db
27% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
27% Popularity • 60% Danceability • 17% Energy • 7% Liveness
97% Instrumentalness • 29% Positiveness
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Christopher Franke
The Quest For Unity
122 bpm • E min • 05:00 • -17.74db
9% Popularity • 60% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Enya
Angeles - 2009 Remaster
122 bpm • C Maj • 04:01 • -17.27db
46% Popularity • 22% Danceability • 13% Energy • 19% Liveness
8% Instrumentalness • 6% Positiveness
46% Popularity • 22% Danceability • 13% Energy • 19% Liveness
8% Instrumentalness • 6% Positiveness
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Jeff Johnson
Oceanus
118 bpm • C Maj • 04:18 • -11.84db
10% Popularity • 65% Danceability • 52% Energy • 35% Liveness
89% Instrumentalness • 49% Positiveness
10% Popularity • 65% Danceability • 52% Energy • 35% Liveness
89% Instrumentalness • 49% Positiveness
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Marcomé
Breathe
118 bpm • C# Maj • 01:49 • -15.53db
46% Popularity • 17% Danceability • 23% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 23% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Marshall Styler
Easter Fires
118 bpm • G Maj • 04:19 • -14.8db
22% Popularity • 36% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 13% Positiveness
22% Popularity • 36% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 13% Positiveness
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Enam
Longing For Ashira
118 bpm • A min • 02:31 • -21.89db
41% Popularity • 30% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 28% Positiveness
41% Popularity • 30% Danceability • 20% Energy • 14% Liveness
81% Instrumentalness • 28% Positiveness
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Beautiful World
Pana Kama Dunia
118 bpm • D# Maj • 05:23 • -14.08db
13% Popularity • 48% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 12% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 9% Liveness
6% Instrumentalness • 12% Positiveness
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Maire Brennan
Oró
123 bpm • D# Maj • 04:02 • -23.13db
32% Popularity • 67% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 67% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Terry Oldfield
Lost for Words
118 bpm • E min • 05:37 • -13.7db
13% Popularity • 30% Danceability • 26% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
13% Popularity • 30% Danceability • 26% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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Yanni
One Man's Dream
123 bpm • C min • 02:43 • -20.39db
59% Popularity • 36% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
59% Popularity • 36% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
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Gandalf
In the Presence of Angels
117 bpm • C Maj • 04:59 • -10.36db
21% Popularity • 38% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
21% Popularity • 38% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Kevin Wood
Mountainside Psalm
123 bpm • A# min • 04:59 • -15.3db
17% Popularity • 54% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
17% Popularity • 54% Danceability • 33% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Ginkgo Garden
Secret Call
117 bpm • C min • 04:20 • -11db
23% Popularity • 55% Danceability • 63% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
23% Popularity • 55% Danceability • 63% Energy • 11% Liveness
95% Instrumentalness • 71% Positiveness
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Enam
Elian
123 bpm • D# Maj • 03:12 • -22.62db
43% Popularity • 31% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 31% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 16% Positiveness
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B-Tribe
Sunset In St. Carlos
124 bpm • F min • 05:49 • -20.55db
29% Popularity • 25% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Zeus Faber
Mathilda
117 bpm • A Maj • 05:47 • -13.62db
10% Popularity • 33% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
10% Popularity • 33% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Asher Quinn (Asha)
Hymn of the Universe
124 bpm • E min • 05:13 • -13.42db
18% Popularity • 80% Danceability • 46% Energy • 9% Liveness
44% Instrumentalness • 23% Positiveness
18% Popularity • 80% Danceability • 46% Energy • 9% Liveness
44% Instrumentalness • 23% Positiveness
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Oliver Shanti & Friends
Spring in Lhasa
124 bpm • A# Maj • 04:08 • -10db
32% Popularity • 51% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
32% Popularity • 51% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
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Marc Enfroy
Waiting for Sunrise
116 bpm • E min • 04:09 • -13.72db
16% Popularity • 40% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
16% Popularity • 40% Danceability • 23% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
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Back to Earth
Promise to Your Heart
116 bpm • D# Maj • 03:22 • -15.8db
45% Popularity • 42% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
45% Popularity • 42% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Gandalf
Love is the Answer
116 bpm • D Maj • 04:43 • -13.07db
32% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 19% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Mars Lasar
Belongings
125 bpm • A Maj • 04:47 • -19.48db
19% Popularity • 27% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
19% Popularity • 27% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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William Ellwood
Touchstone
115 bpm • E min • 04:29 • -19db
30% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
30% Popularity • 55% Danceability • 28% Energy • 23% Liveness
5% Instrumentalness • 24% Positiveness
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ØYSTEIN SEVÅG
Reflection
115 bpm • D# min • 02:39 • -24.3db
47% Popularity • 22% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
47% Popularity • 22% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Mythos
Andalucia
125 bpm • A min • 04:03 • -13.1db
20% Popularity • 58% Danceability • 50% Energy • 8% Liveness
17% Instrumentalness • 13% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 8% Liveness
17% Instrumentalness • 13% Positiveness
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Back to Earth
Carressed by Your Love
116 bpm • C# Maj • 03:46 • -10.79db
45% Popularity • 46% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
45% Popularity • 46% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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Isgaard
Waiting Just For You
125 bpm • F# Maj • 03:57 • -11db
37% Popularity • 41% Danceability • 50% Energy • 20% Liveness
98% Instrumentalness • 28% Positiveness
37% Popularity • 41% Danceability • 50% Energy • 20% Liveness
98% Instrumentalness • 28% Positiveness
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Christopher Franke
Poisoned
125 bpm • D Maj • 01:05 • -15.81db
0% Popularity • 21% Danceability • 24% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
0% Popularity • 21% Danceability • 24% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Marcomé
Arabica
115 bpm • C# min • 04:10 • -10.86db
39% Popularity • 58% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 58% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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Marshall Styler
From The River To The Sea
126 bpm • E min • 06:14 • -15.63db
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 14% Energy • 41% Liveness
94% Instrumentalness • 4% Positiveness
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Clannad
Lady Marian (2003 - Remaster)
114 bpm • C Maj • 03:21 • -22.6db
43% Popularity • 26% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 14% Positiveness
43% Popularity • 26% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 14% Positiveness
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Back to Earth
Still In Love (first Part)
116 bpm • G Maj • 03:02 • -18.17db
48% Popularity • 39% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
48% Popularity • 39% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Herb Ernst
Voyage into Silence: (a) The Voyage (b) ...
114 bpm • F# Maj • 03:12 • -21.16db
35% Popularity • 18% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Christopher Franke
Cold Cases
115 bpm • A# Maj • 01:36 • -31.82db
0% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
0% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Mars Lasar
Enchanted
114 bpm • E min • 03:46 • -16db
31% Popularity • 37% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
31% Popularity • 37% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Omar Akram
Lotus Flower
113 bpm • G min • 03:41 • -14.82db
26% Popularity • 33% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 9% Positiveness
26% Popularity • 33% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 9% Positiveness
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Paul Speer
Rain Forest
127 bpm • F Maj • 04:18 • -16.3db
35% Popularity • 60% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
35% Popularity • 60% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Back to Earth
African Princess
114 bpm • D Maj • 06:04 • -13.23db
40% Popularity • 57% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
40% Popularity • 57% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Gandalf
A Place in the Sun (Interlude)
128 bpm • A Maj • 01:19 • -15.79db
47% Popularity • 36% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
47% Popularity • 36% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Miriam Stockley
Ruwenzori (Mountains Of The Moon)
113 bpm • D Maj • 05:54 • -14db
18% Popularity • 44% Danceability • 50% Energy • 9% Liveness
57% Instrumentalness • 11% Positiveness
18% Popularity • 44% Danceability • 50% Energy • 9% Liveness
57% Instrumentalness • 11% Positiveness
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Isgaard
Set Me Free
128 bpm • C min • 03:37 • -11db
42% Popularity • 46% Danceability • 55% Energy • 73% Liveness
97% Instrumentalness • 24% Positiveness
42% Popularity • 46% Danceability • 55% Energy • 73% Liveness
97% Instrumentalness • 24% Positiveness
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Philip Riley
Pictish Girl
128 bpm • A# Maj • 04:35 • -13.07db
36% Popularity • 40% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
36% Popularity • 40% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Paul Speer
Faces Of The Forest Part 1
128 bpm • A Maj • 02:34 • -16.16db
33% Popularity • 53% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 17% Positiveness
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Enya
Morning Glory - 2009 Remaster
128 bpm • A# Maj • 02:28 • -11.96db
37% Popularity • 25% Danceability • 22% Energy • 13% Liveness
98% Instrumentalness • 11% Positiveness
37% Popularity • 25% Danceability • 22% Energy • 13% Liveness
98% Instrumentalness • 11% Positiveness
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Gandalf
Life is Love
128 bpm • D Maj • 07:06 • -14.29db
12% Popularity • 30% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 5% Positiveness
12% Popularity • 30% Danceability • 24% Energy • 14% Liveness
12% Instrumentalness • 5% Positiveness
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Runestone
Mañana MÃstica
112 bpm • D Maj • 06:28 • -19.67db
14% Popularity • 64% Danceability • 15% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
14% Popularity • 64% Danceability • 15% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Fiona Joy Hawkins
From the Outside
112 bpm • G Maj • 04:32 • -15.82db
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
31% Popularity • 33% Danceability • 16% Energy • 16% Liveness
98% Instrumentalness • 18% Positiveness
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Christopher Franke
Log Search
112 bpm • D Maj • 01:18 • -23.18db
2% Popularity • 19% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
2% Popularity • 19% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Barbara Graff
Inspiration
112 bpm • E min • 04:31 • -15.32db
15% Popularity • 68% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
15% Popularity • 68% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Kevin Braheny
The Hills of Home
129 bpm • C# Maj • 07:18 • -21.09db
21% Popularity • 51% Danceability • 7% Energy • 14% Liveness
79% Instrumentalness • 27% Positiveness
21% Popularity • 51% Danceability • 7% Energy • 14% Liveness
79% Instrumentalness • 27% Positiveness
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Gandalf
Alhambra (Reflections)
112 bpm • A Maj • 02:44 • -11.68db
34% Popularity • 43% Danceability • 24% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 43% Danceability • 24% Energy • 5% Liveness
85% Instrumentalness • 4% Positiveness
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Angels Of Venice
Sad Lisa
112 bpm • D Maj • 04:50 • -12db
23% Popularity • 42% Danceability • 32% Energy • 31% Liveness
95% Instrumentalness • 21% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 31% Liveness
95% Instrumentalness • 21% Positiveness
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Philip Riley
Benediction
129 bpm • A# Maj • 04:48 • -17.37db
20% Popularity • 24% Danceability • 13% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
20% Popularity • 24% Danceability • 13% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
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Lesiem
Patientia
129 bpm • G min • 04:19 • -11.34db
21% Popularity • 62% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 16% Positiveness
21% Popularity • 62% Danceability • 39% Energy • 7% Liveness
3% Instrumentalness • 16% Positiveness
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Michel Pépé
Retrouvailles
111 bpm • G# Maj • 04:59 • -19.45db
20% Popularity • 23% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Stephen Rhodes
In Company of Angels
111 bpm • C min • 06:22 • -22.68db
17% Popularity • 58% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
17% Popularity • 58% Danceability • 12% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
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Christopher Franke
Reaching Their Goal
130 bpm • E min • 02:10 • -13.73db
2% Popularity • 52% Danceability • 71% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
2% Popularity • 52% Danceability • 71% Energy • 14% Liveness
86% Instrumentalness • 41% Positiveness
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Scarborough Faire
Scarborough Faire
111 bpm • D Maj • 02:23 • -19db
49% Popularity • 37% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
49% Popularity • 37% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Mars Lasar
Glacier Point
130 bpm • F Maj • 04:37 • -17db
26% Popularity • 51% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
26% Popularity • 51% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 11% Positiveness
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Mehdi
Guiding Light
130 bpm • C min • 05:40 • -12db
38% Popularity • 63% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
38% Popularity • 63% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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Origen
Piano Dreams
111 bpm • C Maj • 03:09 • -21.35db
45% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
45% Popularity • 40% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Enya
Exile - 2009 Remaster
111 bpm • C# min • 04:21 • -13db
45% Popularity • 20% Danceability • 24% Energy • 14% Liveness
15% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 24% Energy • 14% Liveness
15% Instrumentalness • 4% Positiveness
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Jeff Johnson
Wayfarer
131 bpm • F Maj • 04:23 • -16db
29% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Fiona Joy Hawkins
Freedom
110 bpm • D Maj • 01:51 • -21.18db
43% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
43% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 13% Positiveness
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Herb Ernst
Into the Sacred
110 bpm • D# Maj • 04:08 • -12.79db
28% Popularity • 22% Danceability • 21% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
28% Popularity • 22% Danceability • 21% Energy • 13% Liveness
46% Instrumentalness • 7% Positiveness
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Guy Sweens
Enlightenment
110 bpm • D min • 04:49 • -13.27db
20% Popularity • 16% Danceability • 24% Energy • 28% Liveness
73% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 24% Energy • 28% Liveness
73% Instrumentalness • 4% Positiveness
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Guido Negraszus
Eternal Love and Desire
110 bpm • A# Maj • 02:45 • -12.06db
38% Popularity • 41% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
38% Popularity • 41% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Suzanne Ciani
L'Azzuro
110 bpm • A Maj • 05:12 • -13.35db
20% Popularity • 55% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 18% Positiveness
20% Popularity • 55% Danceability • 38% Energy • 6% Liveness
74% Instrumentalness • 18% Positiveness
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Christopher Franke
Starfury
110 bpm • C Maj • 01:11 • -14.62db
2% Popularity • 62% Danceability • 50% Energy • 12% Liveness
69% Instrumentalness • 30% Positiveness
2% Popularity • 62% Danceability • 50% Energy • 12% Liveness
69% Instrumentalness • 30% Positiveness
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Al Conti
Odin the Wanderer
110 bpm • A min • 04:45 • -11.24db
10% Popularity • 56% Danceability • 41% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 9% Liveness
78% Instrumentalness • 38% Positiveness