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Victim
Songs like
Victim
by
Yves Jarvis
Based on a tempo of (+/- 10%) and a similar genre
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Lily Konigsberg
Good Time Now
106 bpm • E Maj • 01:40 • -8.86db
8% Popularity • 62% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Holy Hive
Sophia's Part
106 bpm • A Maj • 03:13 • -8.41db
19% Popularity • 74% Danceability • 36% Energy • 12% Liveness
47% Instrumentalness • 51% Positiveness
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Chris Cohen
The Link
106 bpm • C Maj • 02:52 • -10.3db
9% Popularity • 43% Danceability • 32% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Sandro Perri
Wrong About The Rain
106 bpm • F# Maj • 05:10 • -16.58db
28% Popularity • 65% Danceability • 43% Energy • 13% Liveness
56% Instrumentalness • 56% Positiveness
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John Andrews & The Yawns
Early Hours of the Morning
106 bpm • A min • 03:22 • -14.42db
12% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Yves Jarvis
Victim
106 bpm • D Maj • 04:42 • -11.32db
11% Popularity • 53% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Buck Meek
Two Moons
106 bpm • F Maj • 03:02 • -9.87db
23% Popularity • 62% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Sam Burton
I Am No Moon
106 bpm • E min • 04:05 • -12.43db
18% Popularity • 38% Danceability • 33% Energy • 13% Liveness
51% Instrumentalness • 24% Positiveness
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Vanishing Twin
Magician's Success
107 bpm • F# Maj • 03:55 • -8.93db
38% Popularity • 55% Danceability • 68% Energy • 39% Liveness
12% Instrumentalness • 70% Positiveness
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Lightning Bug
The Flash
105 bpm • G Maj • 03:14 • -9.74db
10% Popularity • 57% Danceability • 41% Energy • 13% Liveness
32% Instrumentalness • 68% Positiveness
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Macie Stewart
Finally
107 bpm • B min • 03:22 • -12db
19% Popularity • 48% Danceability • 29% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
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Yves Jarvis
Fruits of Disillusion
107 bpm • B Maj • 02:48 • -10.6db
3% Popularity • 24% Danceability • 42% Energy • 35% Liveness
5% Instrumentalness • 10% Positiveness
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Lightman Jarvis Ecstatic Band
Slick Oil
107 bpm • C# Maj • 03:46 • -10.12db
0% Popularity • 51% Danceability • 58% Energy • 21% Liveness
82% Instrumentalness • 36% Positiveness
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Water From Your Eyes
When You're Around
105 bpm • A# Maj • 03:34 • -9.09db
37% Popularity • 72% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Midnight Sister
Escalators
107 bpm • C min • 02:51 • -5.14db
12% Popularity • 72% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Burton
Nothing Touches Me
105 bpm • A Maj • 04:55 • -8.96db
28% Popularity • 58% Danceability • 54% Energy • 11% Liveness
11% Instrumentalness • 43% Positiveness
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Moontype
3 Weeks
105 bpm • A# Maj • 04:27 • -14.1db
12% Popularity • 56% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Lightman Jarvis Ecstatic Band
Stomach Pit
107 bpm • A# min • 05:17 • -11.45db
0% Popularity • 49% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Juan Wauters
Monsoon
105 bpm • C Maj • 02:14 • -12.19db
27% Popularity • 79% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Hand Habits
yr heart [reprise]
105 bpm • G# Maj • 04:27 • -9.07db
17% Popularity • 52% Danceability • 45% Energy • 66% Liveness
6% Instrumentalness • 24% Positiveness
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Stephen Steinbrink
Animate Dust
107 bpm • A Maj • 03:27 • -9.39db
11% Popularity • 64% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Suzanne Kraft
On Our Hands
108 bpm • A min • 03:58 • -10.42db
13% Popularity • 82% Danceability • 50% Energy • 10% Liveness
9% Instrumentalness • 90% Positiveness
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Cate Le Bon
You Don't Love Me
107 bpm • B min • 03:06 • -8.56db
15% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Lightman Jarvis Ecstatic Band
Trillium
107 bpm • G Maj • 01:32 • -10.12db
0% Popularity • 70% Danceability • 77% Energy • 35% Liveness
48% Instrumentalness • 67% Positiveness
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Cass McCombs
Prayer For Another Day
104 bpm • C Maj • 04:53 • -12db
18% Popularity • 62% Danceability • 23% Energy • 11% Liveness
34% Instrumentalness • 33% Positiveness
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Coco
Knots
108 bpm • F Maj • 03:09 • -10db
22% Popularity • 51% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
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Kalbells
Purplepink
104 bpm • C# Maj • 04:01 • -8.6db
14% Popularity • 64% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 64% Positiveness
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Good Morning
I’ve Been Waiting
108 bpm • E Maj • 04:26 • -9.79db
5% Popularity • 58% Danceability • 62% Energy • 14% Liveness
87% Instrumentalness • 11% Positiveness
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Bedouine
Dizzy
108 bpm • G# min • 04:13 • -12.73db
25% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
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Yves Jarvis
Enemy
104 bpm • C Maj • 02:20 • -9.7db
5% Popularity • 67% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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infinite bisous
Sole Mate
109 bpm • G Maj • 04:19 • -16db
27% Popularity • 80% Danceability • 38% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Renée Reed
Neboj
109 bpm • C min • 03:30 • -10.05db
9% Popularity • 46% Danceability • 28% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Twain
Young God (gotta lotta feeling)
103 bpm • C# Maj • 04:31 • -10.17db
14% Popularity • 52% Danceability • 43% Energy • 13% Liveness
79% Instrumentalness • 42% Positiveness
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Tex Crick
Always On My Mind
109 bpm • G min • 03:38 • -18.36db
15% Popularity • 59% Danceability • 21% Energy • 14% Liveness
51% Instrumentalness • 43% Positiveness
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Cornelia Murr
Man On My Mind
103 bpm • G# min • 03:42 • -10db
40% Popularity • 74% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 50% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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John Andrews & The Yawns
New California Blue
103 bpm • D Maj • 03:58 • -12.86db
22% Popularity • 72% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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JW Francis
I'm Down, Whatever
110 bpm • E Maj • 03:22 • -9.95db
19% Popularity • 64% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 28% Positiveness
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Good Sad Happy Bad
Shades
102 bpm • D Maj • 04:07 • -11.05db
20% Popularity • 44% Danceability • 42% Energy • 12% Liveness
36% Instrumentalness • 16% Positiveness
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Dear Nora
Skulls Example
110 bpm • C Maj • 04:49 • -13.28db
7% Popularity • 83% Danceability • 23% Energy • 9% Liveness
28% Instrumentalness • 18% Positiveness
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Winter
Here I Am Existing
110 bpm • A min • 03:55 • -4.68db
15% Popularity • 48% Danceability • 86% Energy • 11% Liveness
9% Instrumentalness • 37% Positiveness
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Cate Le Bon
Here It Comes Again
110 bpm • C Maj • 03:24 • -9.77db
27% Popularity • 62% Danceability • 38% Energy • 9% Liveness
23% Instrumentalness • 42% Positiveness
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Coco
Anybody's Guess
110 bpm • A# min • 04:02 • -12.82db
32% Popularity • 65% Danceability • 33% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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February Montaine
Mount Nod
110 bpm • G# min • 03:36 • -10.78db
16% Popularity • 73% Danceability • 33% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Jenny O.
Color Love
102 bpm • D Maj • 03:17 • -8.41db
10% Popularity • 63% Danceability • 51% Energy • 10% Liveness
58% Instrumentalness • 57% Positiveness
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Reverend Baron
Out Here
102 bpm • C# Maj • 03:30 • -11.26db
21% Popularity • 66% Danceability • 29% Energy • 10% Liveness
14% Instrumentalness • 42% Positiveness
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Renée Reed
Fast One
111 bpm • D# Maj • 02:24 • -7.9db
25% Popularity • 59% Danceability • 34% Energy • 8% Liveness
71% Instrumentalness • 17% Positiveness
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Meernaa
Thinking of You
111 bpm • G# min • 04:32 • -11.59db
11% Popularity • 46% Danceability • 41% Energy • 10% Liveness
61% Instrumentalness • 45% Positiveness
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Pool Holograph
Asleep in Spain
102 bpm • G Maj • 02:35 • -12.48db
9% Popularity • 69% Danceability • 33% Energy • 13% Liveness
16% Instrumentalness • 33% Positiveness
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Yves Jarvis
Emblem
111 bpm • B Maj • 01:45 • -13.4db
2% Popularity • 52% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jon McKiel
Deeper Shade - Acoustic
111 bpm • D# Maj • 02:35 • -24db
17% Popularity • 73% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Cohen
What Can I Do
111 bpm • F Maj • 02:22 • -9.2db
21% Popularity • 70% Danceability • 79% Energy • 10% Liveness
67% Instrumentalness • 51% Positiveness
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Tex Crick
Sometimes I Forget
111 bpm • F Maj • 04:26 • -9.13db
27% Popularity • 79% Danceability • 50% Energy • 17% Liveness
83% Instrumentalness • 51% Positiveness
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Badge Époque Ensemble
Sing a Silent Gospel
111 bpm • A Maj • 06:19 • -5.75db
10% Popularity • 40% Danceability • 61% Energy • 10% Liveness
71% Instrumentalness • 47% Positiveness
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Jaala
All Here
111 bpm • D Maj • 05:16 • -11.65db
12% Popularity • 37% Danceability • 34% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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Yves Jarvis
You Offer a Mile
101 bpm • F# Maj • 02:50 • -8db
3% Popularity • 64% Danceability • 92% Energy • 14% Liveness
7% Instrumentalness • 59% Positiveness
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r mccarthy
She’s in Dachau
111 bpm • G# Maj • 02:22 • -20.22db
15% Popularity • 73% Danceability • 18% Energy • 15% Liveness
78% Instrumentalness • 44% Positiveness
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Midnight Sister
Tomorrowland
101 bpm • D Maj • 04:21 • -12.67db
7% Popularity • 48% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Hand Habits
4th of july
101 bpm • A# Maj • 02:56 • -10.89db
37% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Anna Burch
Party's Over
112 bpm • D Maj • 02:42 • -5.31db
7% Popularity • 53% Danceability • 52% Energy • 22% Liveness
3% Instrumentalness • 63% Positiveness
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Little Kid
Thief on the Cross
100 bpm • G Maj • 03:39 • -11.11db
11% Popularity • 52% Danceability • 54% Energy • 18% Liveness
25% Instrumentalness • 73% Positiveness
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Yves Jarvis
On the Line
112 bpm • B Maj • 01:52 • -7.28db
1% Popularity • 43% Danceability • 78% Energy • 94% Liveness
0% Instrumentalness • 38% Positiveness
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John Moods
Take It Home
112 bpm • G Maj • 03:09 • -11.15db
18% Popularity • 66% Danceability • 33% Energy • 7% Liveness
3% Instrumentalness • 33% Positiveness
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Mia Joy
Across Water
100 bpm • G Maj • 04:09 • -14.03db
29% Popularity • 79% Danceability • 27% Energy • 12% Liveness
90% Instrumentalness • 11% Positiveness
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Hand Habits
pacify
112 bpm • F# Maj • 04:17 • -9.27db
16% Popularity • 38% Danceability • 45% Energy • 13% Liveness
39% Instrumentalness • 14% Positiveness
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Nicholas Krgovich
Hinoki
112 bpm • F Maj • 03:19 • -11.19db
7% Popularity • 71% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Taylor Vick
A Lot to Ask
112 bpm • A# Maj • 02:38 • -14.5db
16% Popularity • 70% Danceability • 18% Energy • 15% Liveness
11% Instrumentalness • 61% Positiveness
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Yves Jarvis
At the Whims
100 bpm • D Maj • 02:56 • -6.31db
5% Popularity • 59% Danceability • 76% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Devendra Banhart
Ami
112 bpm • D Maj • 03:55 • -10db
21% Popularity • 63% Danceability • 49% Energy • 20% Liveness
60% Instrumentalness • 56% Positiveness
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Sandro Perri
God Blessed The Fool
100 bpm • C Maj • 04:29 • -17.43db
10% Popularity • 63% Danceability • 18% Energy • 11% Liveness
35% Instrumentalness • 17% Positiveness
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Peel Dream Magazine
Up and Up
100 bpm • F# Maj • 05:14 • -8.77db
22% Popularity • 56% Danceability • 70% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Art Feynman
I'm Gonna Miss Your World
100 bpm • A# min • 05:49 • -8.82db
17% Popularity • 58% Danceability • 80% Energy • 8% Liveness
67% Instrumentalness • 69% Positiveness
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skirts
True
100 bpm • D Maj • 04:18 • -8.17db
13% Popularity • 43% Danceability • 54% Energy • 15% Liveness
43% Instrumentalness • 43% Positiveness
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Dougie Poole
Don't You Think I'm Funny Anymore?
100 bpm • B Maj • 03:36 • -7.86db
30% Popularity • 61% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
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Hannah Cohen
What's This All About
113 bpm • C Maj • 03:22 • -15.26db
17% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Mia Doi Todd
Music Life
113 bpm • C# Maj • 06:31 • -7.61db
19% Popularity • 45% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Peel Dream Magazine
Pad
100 bpm • G min • 02:46 • -12.04db
8% Popularity • 33% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Twain
Love, Go Lightly
99 bpm • C Maj • 04:25 • -17.33db
24% Popularity • 47% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Mandaworld
Spoonfeed
113 bpm • G Maj • 03:16 • -17.64db
8% Popularity • 21% Danceability • 17% Energy • 64% Liveness
84% Instrumentalness • 21% Positiveness
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Lightman Jarvis Ecstatic Band
Nymphea
99 bpm • A# min • 03:49 • -7.91db
4% Popularity • 31% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Cory Hanson
Paper Fog
113 bpm • C Maj • 04:29 • -11.22db
26% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
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Shana Cleveland
I'll Never Know
99 bpm • E Maj • 03:18 • -11.49db
15% Popularity • 31% Danceability • 34% Energy • 11% Liveness
53% Instrumentalness • 22% Positiveness
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Holy Hive
Float Back To You
114 bpm • C Maj • 04:15 • -6.66db
35% Popularity • 69% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
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Yves Jarvis
Semula
99 bpm • F# Maj • 02:58 • -11.57db
5% Popularity • 51% Danceability • 58% Energy • 17% Liveness
10% Instrumentalness • 49% Positiveness
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Big Thief
Off You
99 bpm • F Maj • 04:04 • -9.95db
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Jon McKiel
Deeper Shade
114 bpm • F# Maj • 03:41 • -11.07db
20% Popularity • 67% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 85% Positiveness
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Dream Sitch
The Mouth The Foot Keeps Stepping In
98 bpm • F# Maj • 03:09 • -10.97db
39% Popularity • 78% Danceability • 37% Energy • 14% Liveness
78% Instrumentalness • 66% Positiveness
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Shana Cleveland
A New Song
99 bpm • D Maj • 04:20 • -15.25db
12% Popularity • 53% Danceability • 21% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Buck Meek
Second Sight
98 bpm • C Maj • 03:57 • -6.14db
27% Popularity • 58% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
► Preview
Yves Jarvis
Talking or Listening?
98 bpm • E Maj • 03:08 • -10.95db
1% Popularity • 19% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Julie Byrne
Love's Refrain
98 bpm • G# Maj • 04:25 • -8.95db
20% Popularity • 25% Danceability • 51% Energy • 12% Liveness
32% Instrumentalness • 42% Positiveness
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Tex Crick
Punch Er' In the Guts
115 bpm • A min • 05:22 • -9.2db
14% Popularity • 73% Danceability • 66% Energy • 29% Liveness
68% Instrumentalness • 47% Positiveness
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tomemitsu
Wish Erase
115 bpm • C Maj • 02:59 • -6.75db
13% Popularity • 65% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Renata Zeiguer
Sunset Boulevard
115 bpm • F# min • 04:57 • -6db
26% Popularity • 66% Danceability • 71% Energy • 10% Liveness
25% Instrumentalness • 54% Positiveness
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Suzanne Kraft
Red Flag
115 bpm • F min • 03:18 • -8.18db
13% Popularity • 76% Danceability • 58% Energy • 4% Liveness
40% Instrumentalness • 96% Positiveness
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Bernice
Empty Cup - Yves Jarvis Sequel
98 bpm • C# min • 03:01 • -9.94db
1% Popularity • 74% Danceability • 50% Energy • 19% Liveness
7% Instrumentalness • 53% Positiveness
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Winter
In The Z Plane
115 bpm • F# min • 02:54 • -12.64db
10% Popularity • 34% Danceability • 28% Energy • 18% Liveness
74% Instrumentalness • 6% Positiveness
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Tex Crick
Supernatural
115 bpm • A# Maj • 04:25 • -10.09db
16% Popularity • 84% Danceability • 34% Energy • 12% Liveness
85% Instrumentalness • 54% Positiveness
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Bullion
Heaven Is Over
115 bpm • C Maj • 03:44 • -9.98db
26% Popularity • 83% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 90% Positiveness
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Victim