Songs like Victory by Two Steps from Hell
Based on a tempo of (+/- 10%) and a similar genre
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Epic Score
Battle For All Time
120 bpm • D Maj • 03:03 • -9.48db
47% Popularity • 56% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
47% Popularity • 56% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Romansenykmusic
Trailer Sport Action Motivational
120 bpm • A min • 03:52 • -7db
25% Popularity • 54% Danceability • 91% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
25% Popularity • 54% Danceability • 91% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Two Steps from Hell
Victory (Instrumental)
120 bpm • F Maj • 05:22 • -6.85db
33% Popularity • 53% Danceability • 92% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
33% Popularity • 53% Danceability • 92% Energy • 12% Liveness
91% Instrumentalness • 35% Positiveness
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Secession Studios
The Untold
120 bpm • C# Maj • 03:11 • -17.06db
55% Popularity • 44% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
55% Popularity • 44% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Thomas Bergersen
Immortal
120 bpm • F min • 04:07 • -8db
44% Popularity • 53% Danceability • 85% Energy • 22% Liveness
96% Instrumentalness • 32% Positiveness
44% Popularity • 53% Danceability • 85% Energy • 22% Liveness
96% Instrumentalness • 32% Positiveness
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Music4video
To Arms!
120 bpm • C Maj • 02:34 • -6db
23% Popularity • 48% Danceability • 85% Energy • 18% Liveness
68% Instrumentalness • 26% Positiveness
23% Popularity • 48% Danceability • 85% Energy • 18% Liveness
68% Instrumentalness • 26% Positiveness
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Philipp Beesen
Shadow Warrior
120 bpm • A Maj • 03:44 • -5.95db
42% Popularity • 64% Danceability • 81% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 12% Liveness
72% Instrumentalness • 76% Positiveness
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Steve Jablonsky
Tessa
120 bpm • E Maj • 05:45 • -14.95db
56% Popularity • 20% Danceability • 27% Energy • 7% Liveness
79% Instrumentalness • 5% Positiveness
56% Popularity • 20% Danceability • 27% Energy • 7% Liveness
79% Instrumentalness • 5% Positiveness
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Two Steps from Hell
Victory
120 bpm • A# Maj • 05:20 • -6.11db
63% Popularity • 50% Danceability • 92% Energy • 16% Liveness
33% Instrumentalness • 27% Positiveness
63% Popularity • 50% Danceability • 92% Energy • 16% Liveness
33% Instrumentalness • 27% Positiveness
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John Dreamer
Brotherhood
120 bpm • A min • 04:03 • -3.1db
38% Popularity • 47% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
38% Popularity • 47% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
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Thomas Bergersen
Colors of Love
120 bpm • F Maj • 06:29 • -8.53db
39% Popularity • 56% Danceability • 71% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
39% Popularity • 56% Danceability • 71% Energy • 10% Liveness
93% Instrumentalness • 39% Positiveness
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Ramin Djawadi
The Last of the Starks
120 bpm • C min • 04:52 • -14.64db
50% Popularity • 17% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Romansenykmusic
Epic Drama Cinematic Trailer
120 bpm • A min • 03:08 • -7.02db
34% Popularity • 44% Danceability • 76% Energy • 7% Liveness
52% Instrumentalness • 20% Positiveness
34% Popularity • 44% Danceability • 76% Energy • 7% Liveness
52% Instrumentalness • 20% Positiveness
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Brian Rian Rehan
Dark
120 bpm • C Maj • 02:08 • -9.84db
30% Popularity • 23% Danceability • 58% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 23% Danceability • 58% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Two Steps from Hell
Victory (Orchestral)
120 bpm • F Maj • 05:22 • -14db
28% Popularity • 50% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
28% Popularity • 50% Danceability • 37% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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John Dreamer
Rise - Epic Music
120 bpm • G Maj • 02:18 • -11.27db
46% Popularity • 56% Danceability • 43% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 56% Danceability • 43% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Freedom Fighters
120 bpm • D# min • 02:31 • -12.21db
53% Popularity • 32% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
53% Popularity • 32% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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2WEI
Catapult
120 bpm • E min • 05:53 • -10.78db
42% Popularity • 26% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Ramin Djawadi
Light of the Seven
120 bpm • C min • 09:49 • -16.84db
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
59% Popularity • 27% Danceability • 10% Energy • 27% Liveness
72% Instrumentalness • 6% Positiveness
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Two Steps from Hell
Victory - Live
120 bpm • D# min • 05:25 • -8.76db
31% Popularity • 53% Danceability • 70% Energy • 17% Liveness
12% Instrumentalness • 11% Positiveness
31% Popularity • 53% Danceability • 70% Energy • 17% Liveness
12% Instrumentalness • 11% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
49% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Love & Loss
120 bpm • C Maj • 01:49 • -9.61db
42% Popularity • 52% Danceability • 86% Energy • 57% Liveness
96% Instrumentalness • 18% Positiveness
42% Popularity • 52% Danceability • 86% Energy • 57% Liveness
96% Instrumentalness • 18% Positiveness
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Howard Shore
The Battle of the Pelennor Fields
121 bpm • E min • 04:10 • -14.87db
51% Popularity • 18% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
51% Popularity • 18% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Iván Torrent
Skyborn
121 bpm • F# Maj • 03:58 • -13.46db
33% Popularity • 41% Danceability • 46% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 41% Danceability • 46% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Alan Silvestri
The Avengers
119 bpm • G Maj • 02:03 • -8.19db
60% Popularity • 25% Danceability • 55% Energy • 14% Liveness
67% Instrumentalness • 23% Positiveness
60% Popularity • 25% Danceability • 55% Energy • 14% Liveness
67% Instrumentalness • 23% Positiveness
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Two Steps from Hell
Men of Honor
119 bpm • F Maj • 03:20 • -11.3db
35% Popularity • 18% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Felicia Farerre
The Gift of Love
119 bpm • E min • 04:45 • -11.31db
8% Popularity • 17% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 50% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
The Battle
119 bpm • C min • 07:08 • -11.93db
52% Popularity • 24% Danceability • 56% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
52% Popularity • 24% Danceability • 56% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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WHITE WALL
The Guardian
118 bpm • C# Maj • 05:47 • -12db
36% Popularity • 44% Danceability • 53% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
36% Popularity • 44% Danceability • 53% Energy • 12% Liveness
87% Instrumentalness • 23% Positiveness
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Iván Torrent
Before I Leave This World
121 bpm • F min • 02:49 • -15.72db
38% Popularity • 18% Danceability • 37% Energy • 9% Liveness
67% Instrumentalness • 3% Positiveness
38% Popularity • 18% Danceability • 37% Energy • 9% Liveness
67% Instrumentalness • 3% Positiveness
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Epic Score
Liberators
118 bpm • F# Maj • 02:36 • -5.87db
52% Popularity • 22% Danceability • 86% Energy • 19% Liveness
78% Instrumentalness • 43% Positiveness
52% Popularity • 22% Danceability • 86% Energy • 19% Liveness
78% Instrumentalness • 43% Positiveness
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Lorne Balfe
Fight Club
123 bpm • C min • 02:05 • -13.88db
50% Popularity • 56% Danceability • 47% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
50% Popularity • 56% Danceability • 47% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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Hanu Dixit
Thunderstorm
118 bpm • F min • 02:00 • -8.46db
15% Popularity • 57% Danceability • 58% Energy • 26% Liveness
91% Instrumentalness • 34% Positiveness
15% Popularity • 57% Danceability • 58% Energy • 26% Liveness
91% Instrumentalness • 34% Positiveness
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Jo Blankenburg
Hiraeth
123 bpm • G# Maj • 03:07 • -11.25db
27% Popularity • 48% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
27% Popularity • 48% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Joris de Man
Aloy's Theme - Part 1 - Motherland
117 bpm • A min • 02:31 • -19db
47% Popularity • 17% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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John Powell
This Is Berk
123 bpm • D# Maj • 04:10 • -9.46db
56% Popularity • 26% Danceability • 49% Energy • 23% Liveness
81% Instrumentalness • 30% Positiveness
56% Popularity • 26% Danceability • 49% Energy • 23% Liveness
81% Instrumentalness • 30% Positiveness
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Efisio Cross
If You Fall I Will Carry You
117 bpm • G min • 04:27 • -13db
36% Popularity • 24% Danceability • 67% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 67% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Zack Hemsey
The Way
123 bpm • F min • 07:06 • -12db
51% Popularity • 24% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
51% Popularity • 24% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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FormantX
Destiny Rising
116 bpm • G Maj • 02:28 • -11.27db
34% Popularity • 26% Danceability • 48% Energy • 13% Liveness
58% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 48% Energy • 13% Liveness
58% Instrumentalness • 4% Positiveness
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e-soundtrax
Adventure in Cappadocia
124 bpm • F Maj • 01:59 • -10.12db
19% Popularity • 44% Danceability • 64% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 44% Danceability • 64% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Reynard Seidel
The Eternal
124 bpm • C Maj • 01:55 • -13db
11% Popularity • 39% Danceability • 32% Energy • 14% Liveness
96% Instrumentalness • 9% Positiveness
11% Popularity • 39% Danceability • 32% Energy • 14% Liveness
96% Instrumentalness • 9% Positiveness
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Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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League of Legends
Piercing Light
125 bpm • D min • 04:51 • -7.42db
60% Popularity • 27% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 27% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Nick Phoenix
Am I Not Human?
125 bpm • D min • 03:00 • -9.86db
34% Popularity • 50% Danceability • 66% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 50% Danceability • 66% Energy • 7% Liveness
78% Instrumentalness • 4% Positiveness
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James Paget
The Hero Within
125 bpm • C# Maj • 04:11 • -8.02db
37% Popularity • 43% Danceability • 63% Energy • 22% Liveness
48% Instrumentalness • 4% Positiveness
37% Popularity • 43% Danceability • 63% Energy • 22% Liveness
48% Instrumentalness • 4% Positiveness
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Henry Jackman
A Thief's End
125 bpm • G min • 01:54 • -16db
46% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Secret Melody
115 bpm • G min • 03:46 • -9.27db
40% Popularity • 57% Danceability • 49% Energy • 14% Liveness
98% Instrumentalness • 48% Positiveness
40% Popularity • 57% Danceability • 49% Energy • 14% Liveness
98% Instrumentalness • 48% Positiveness
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Two Steps from Hell
Never Back Down
115 bpm • D min • 02:55 • -6.83db
54% Popularity • 55% Danceability • 71% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
54% Popularity • 55% Danceability • 71% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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The Flight
Legend of the Eagle Bearer (Main Theme)
115 bpm • G Maj • 03:53 • -12.09db
46% Popularity • 54% Danceability • 57% Energy • 7% Liveness
69% Instrumentalness • 9% Positiveness
46% Popularity • 54% Danceability • 57% Energy • 7% Liveness
69% Instrumentalness • 9% Positiveness
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Nick Phoenix
Snowbird
125 bpm • G# Maj • 04:00 • -8.4db
27% Popularity • 21% Danceability • 52% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 52% Energy • 9% Liveness
60% Instrumentalness • 4% Positiveness
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Kevin Graham
Lioness
125 bpm • F Maj • 05:46 • -12.96db
27% Popularity • 17% Danceability • 32% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 32% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Dumbledore's Farewell
115 bpm • A min • 02:22 • -22.18db
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
64% Popularity • 24% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Battlefield Classic Theme / Mayhem View
115 bpm • C Maj • 03:15 • -14.56db
41% Popularity • 24% Danceability • 37% Energy • 40% Liveness
93% Instrumentalness • 8% Positiveness
41% Popularity • 24% Danceability • 37% Energy • 40% Liveness
93% Instrumentalness • 8% Positiveness
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Jesper Kyd
Venice Rooftops
126 bpm • A min • 03:18 • -9.92db
44% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
44% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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The Flight
Assassin's Creed
115 bpm • D min • 02:54 • -13.29db
45% Popularity • 46% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 14% Positiveness
45% Popularity • 46% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 14% Positiveness
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Ramin Djawadi
The Winds of Winter
114 bpm • G# Maj • 03:29 • -10.1db
49% Popularity • 39% Danceability • 62% Energy • 15% Liveness
95% Instrumentalness • 31% Positiveness
49% Popularity • 39% Danceability • 62% Energy • 15% Liveness
95% Instrumentalness • 31% Positiveness
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Andrew Kawczynski
Before The Dawn
127 bpm • E min • 03:31 • -15.18db
7% Popularity • 26% Danceability • 38% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 38% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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2WEI
Insomnia
127 bpm • B min • 04:20 • -9.77db
51% Popularity • 49% Danceability • 63% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
51% Popularity • 49% Danceability • 63% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Twisted Jukebox
Angels Will Rise
127 bpm • F Maj • 02:12 • -9.57db
49% Popularity • 60% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
49% Popularity • 60% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Jesper Kyd
Ezio's Family
126 bpm • D min • 03:57 • -12.56db
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Two Steps from Hell
High C's
127 bpm • C min • 05:39 • -6db
42% Popularity • 25% Danceability • 67% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
42% Popularity • 25% Danceability • 67% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Alexander Nakarada
Reaching the Sky - Long Version
113 bpm • F min • 04:13 • -24.46db
17% Popularity • 22% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
17% Popularity • 22% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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John Powell
Coming Back Around
113 bpm • E Maj • 02:51 • -7.5db
50% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
50% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
51% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
51% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Alan Walker
Time - Alan Walker Remix
128 bpm • G Maj • 02:26 • -8db
50% Popularity • 57% Danceability • 94% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
50% Popularity • 57% Danceability • 94% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
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Inon Zur
Fallout 4 Main Theme
128 bpm • C# Maj • 03:02 • -19.09db
49% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
49% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Romansenykmusic
Anthem of Inspiration
128 bpm • G Maj • 02:31 • -9db
41% Popularity • 42% Danceability • 63% Energy • 15% Liveness
77% Instrumentalness • 17% Positiveness
41% Popularity • 42% Danceability • 63% Energy • 15% Liveness
77% Instrumentalness • 17% Positiveness
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Reynard Seidel
Eyes of Time
128 bpm • E min • 02:07 • -11db
20% Popularity • 53% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
20% Popularity • 53% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Liquid Cinema
Forever
128 bpm • A# min • 02:00 • -11.41db
18% Popularity • 25% Danceability • 60% Energy • 35% Liveness
43% Instrumentalness • 4% Positiveness
18% Popularity • 25% Danceability • 60% Energy • 35% Liveness
43% Instrumentalness • 4% Positiveness
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Machinimasound
Rallying the Defense
128 bpm • F min • 02:13 • -15db
19% Popularity • 27% Danceability • 51% Energy • 14% Liveness
54% Instrumentalness • 12% Positiveness
19% Popularity • 27% Danceability • 51% Energy • 14% Liveness
54% Instrumentalness • 12% Positiveness
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Brian Tyler
Assassin's Creed IV Black Flag Main Them...
128 bpm • G Maj • 02:13 • -12.21db
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 32% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 32% Positiveness
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Two Steps from Hell
Emerald Princess
128 bpm • D# Maj • 11:01 • -6db
43% Popularity • 38% Danceability • 80% Energy • 4% Liveness
13% Instrumentalness • 9% Positiveness
43% Popularity • 38% Danceability • 80% Energy • 4% Liveness
13% Instrumentalness • 9% Positiveness
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Trevor Morris
Dragon Age Inquisition Theme
128 bpm • D Maj • 02:52 • -12.67db
51% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
51% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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J.T. Peterson
Tales of Neverland
128 bpm • B Maj • 02:15 • -10db
35% Popularity • 51% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
35% Popularity • 51% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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e-soundtrax
Greetings to Heaven
128 bpm • G Maj • 01:52 • -11.65db
20% Popularity • 55% Danceability • 55% Energy • 37% Liveness
92% Instrumentalness • 22% Positiveness
20% Popularity • 55% Danceability • 55% Energy • 37% Liveness
92% Instrumentalness • 22% Positiveness
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Elektronomia
Sky High
128 bpm • C min • 03:56 • -2.07db
60% Popularity • 59% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
60% Popularity • 59% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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James Horner
Rose
112 bpm • F Maj • 02:52 • -24.57db
57% Popularity • 17% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
57% Popularity • 17% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Zack Hemsey
See What I've Become
128 bpm • E min • 03:54 • -9db
54% Popularity • 40% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
54% Popularity • 40% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Context Sensitive
Guardians
112 bpm • C# Maj • 02:59 • -15.08db
27% Popularity • 49% Danceability • 44% Energy • 8% Liveness
65% Instrumentalness • 15% Positiveness
27% Popularity • 49% Danceability • 44% Energy • 8% Liveness
65% Instrumentalness • 15% Positiveness
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Music4video
Honor and Glory
112 bpm • G Maj • 02:10 • -12.79db
21% Popularity • 44% Danceability • 57% Energy • 41% Liveness
66% Instrumentalness • 5% Positiveness
21% Popularity • 44% Danceability • 57% Energy • 41% Liveness
66% Instrumentalness • 5% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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John Powell
Forbidden Friendship
129 bpm • F# Maj • 04:11 • -15.14db
55% Popularity • 28% Danceability • 30% Energy • 55% Liveness
94% Instrumentalness • 38% Positiveness
55% Popularity • 28% Danceability • 30% Energy • 55% Liveness
94% Instrumentalness • 38% Positiveness
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Ramin Djawadi
Main Title Theme - Westworld
111 bpm • F Maj • 01:41 • -11.17db
51% Popularity • 46% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
51% Popularity • 46% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Hi-Finesse
Millennia
111 bpm • F# min • 02:40 • -5db
35% Popularity • 20% Danceability • 74% Energy • 19% Liveness
5% Instrumentalness • 26% Positiveness
35% Popularity • 20% Danceability • 74% Energy • 19% Liveness
5% Instrumentalness • 26% Positiveness
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ebunny
Pirates Action
111 bpm • A min • 01:48 • -9db
26% Popularity • 27% Danceability • 65% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
26% Popularity • 27% Danceability • 65% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
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Honor of Kings
Ice Blade
111 bpm • G# Maj • 04:08 • -10.09db
10% Popularity • 25% Danceability • 68% Energy • 24% Liveness
88% Instrumentalness • 33% Positiveness
10% Popularity • 25% Danceability • 68% Energy • 24% Liveness
88% Instrumentalness • 33% Positiveness
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Hans Zimmer
Chevaliers De Sangreal
111 bpm • G min • 04:07 • -15.95db
62% Popularity • 17% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
62% Popularity • 17% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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John Powell
Test Drive
111 bpm • D Maj • 02:36 • -9.49db
65% Popularity • 26% Danceability • 58% Energy • 33% Liveness
98% Instrumentalness • 24% Positiveness
65% Popularity • 26% Danceability • 58% Energy • 33% Liveness
98% Instrumentalness • 24% Positiveness
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Ramin Djawadi
Blood of My Blood
130 bpm • A# min • 03:35 • -12.69db
48% Popularity • 44% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
48% Popularity • 44% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Fringe Element
Brave New World
130 bpm • C Maj • 03:46 • -13.15db
22% Popularity • 29% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 29% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Wednesday Addams
Paint It Black
130 bpm • F min • 02:25 • -11.23db
50% Popularity • 63% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
50% Popularity • 63% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Sound Adventures
Beyond the Bounds of Joy
130 bpm • G Maj • 03:55 • -8.33db
36% Popularity • 53% Danceability • 61% Energy • 23% Liveness
94% Instrumentalness • 36% Positiveness
36% Popularity • 53% Danceability • 61% Energy • 23% Liveness
94% Instrumentalness • 36% Positiveness
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Two Steps from Hell
Release Me
130 bpm • A# min • 04:03 • -8.11db
34% Popularity • 38% Danceability • 72% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
34% Popularity • 38% Danceability • 72% Energy • 14% Liveness
93% Instrumentalness • 22% Positiveness
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Missing in Action
Fire and Ice
130 bpm • A# Maj • 03:53 • -10.74db
9% Popularity • 28% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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FormantX
Light Utopia
130 bpm • A# Maj • 01:39 • -10db
42% Popularity • 52% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 52% Danceability • 51% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Ramin Djawadi
Nameless Order
130 bpm • D min • 04:26 • -11db
24% Popularity • 21% Danceability • 62% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
24% Popularity • 21% Danceability • 62% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
