Songs like Viderunt omnes No. 1: ...Dominus... by Léonin
Based on a tempo of (+/- 10%) and a similar genre
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Coro De La AbadÃa De San Florián Y La Iglesia De Santa Rita
Sederunt PrÃncipes
128 bpm • E Maj • 03:04 • -16db
22% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Missa L'homme arme: Illumina faciem tuam
129 bpm • C# min • 01:03 • -26.93db
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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USSR Ministry of Culture Chamber Choir
Lord, have mercy
127 bpm • B Maj • 03:02 • -23db
16% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 9% Energy • 30% Liveness
60% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Christ's resurrection-. (S.Rachmaninov)
127 bpm • D# min • 03:47 • -14db
13% Popularity • 19% Danceability • 23% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 23% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
129 bpm • F min • 04:41 • -31.47db
8% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
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USSR Ministry of Culture Chamber Choir
Our Father
127 bpm • E Maj • 03:32 • -29.91db
12% Popularity • 17% Danceability • 2% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
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The Sirin Choir, Choirmaster: Andrey Kotov
Let All Human Flesh Be Silent
129 bpm • D Maj • 08:36 • -21.16db
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Pérotin
Mass for the Nativity of the Virgin: I. ...
130 bpm • F min • 09:22 • -22.12db
11% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorian Chants
Miss De Angelis: V. Agnus Dei
126 bpm • F Maj • 01:18 • -21db
36% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
12% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Men's Choir of the Valaam ...
He Intricately Prophesied A Lot
126 bpm • B Maj • 02:39 • -23db
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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The Sirin Choir, Choirmaster: Andrey Kotov
Open The Gates Of Repentance
126 bpm • G# min • 03:43 • -24.41db
9% Popularity • 18% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Richard James Pitts
O Lord Most High
130 bpm • E Maj • 02:39 • -18.56db
0% Popularity • 20% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 20% Danceability • 21% Energy • 42% Liveness
0% Instrumentalness • 19% Positiveness
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Léonin
Haec dies organum
130 bpm • D# Maj • 03:00 • -28.64db
1% Popularity • 66% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
1% Popularity • 66% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Cantores in Ecclesia
Ave Maris Stella
126 bpm • D Maj • 03:26 • -28.02db
26% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Tonus Peregrinus
Sancte Deus
130 bpm • E min • 08:15 • -26.6db
0% Popularity • 16% Danceability • 8% Energy • 20% Liveness
71% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 8% Energy • 20% Liveness
71% Instrumentalness • 3% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
130 bpm • C Maj • 03:01 • -20.16db
9% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Introït "Dignus est Agnus"
126 bpm • F# Maj • 01:42 • -20db
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Gilles Binchois
Veni Creator Spiritus
130 bpm • C Maj • 02:06 • -26.07db
8% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 20% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
131 bpm • C# Maj • 04:27 • -24.33db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
131 bpm • C min • 03:12 • -15.91db
0% Popularity • 20% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 20% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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The Orthodox Church Music Ensemble
Noble Joseph
125 bpm • E Maj • 02:21 • -31.32db
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
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The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
43% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
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Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
19% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Jaufre Rudel
Lanquan li jorn
132 bpm • B min • 05:22 • -20db
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
125 bpm • E min • 02:00 • -20.08db
0% Popularity • 24% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 24% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Bogorodice, Devo, Radujsa
124 bpm • F Maj • 02:24 • -24.96db
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Nova Schola Gregoriana
Missa cum iubilo - Sanctus
132 bpm • D# Maj • 01:44 • -20db
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 22% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
34% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
34% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Cantores in Ecclesia
Sanctus XI: Missa Orbis Factor
132 bpm • F# Maj • 01:42 • -19.45db
19% Popularity • 23% Danceability • 12% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
125 bpm • F Maj • 01:01 • -12.01db
0% Popularity • 39% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 39% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Sanctus
132 bpm • A min • 04:55 • -23db
18% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
132 bpm • A min • 06:37 • -19.58db
20% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Léonin
Music Of The Gothic Era - Notre Dame Per...
132 bpm • F Maj • 06:02 • -20.58db
2% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 27% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 13, ...
133 bpm • F# Maj • 02:51 • -29.57db
16% Popularity • 20% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
131 bpm • E min • 01:03 • -18.29db
1% Popularity • 30% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 30% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
10% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Choir Of St. Abuscus
Benedictus Hymnus (4. Adventssonnabend)
133 bpm • D# Maj • 06:58 • -15db
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
29% Popularity • 24% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Monks Of The Abbey Of Notre Dame
Audi Filia
133 bpm • F min • 03:50 • -26db
45% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 5% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
133 bpm • E Maj • 02:03 • -24.66db
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Officium Ensemble
Jubilus rhythmicus de nomini Jesu (2)
133 bpm • A# min • 02:17 • -25.76db
10% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
124 bpm • E min • 01:01 • -18.77db
1% Popularity • 27% Danceability • 16% Energy • 46% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 27% Danceability • 16% Energy • 46% Liveness
0% Instrumentalness • 16% Positiveness
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Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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John Dunstable
Gloria, JD 15: Gloria (Jesu Christe Fili...
133 bpm • E Maj • 07:42 • -22.55db
11% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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The Russian State Symphony Cappella
Amen, Alleluia
133 bpm • F Maj • 01:05 • -19.65db
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Cantores in Ecclesia
Kyrie XI: Missa Orbis Factor
123 bpm • D# Maj • 02:32 • -19db
29% Popularity • 22% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Monks Of The Abbey Of Notre Dame
Regina Mundi
133 bpm • B Maj • 01:31 • -24db
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
42% Popularity • 22% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Blondel De Nesle
A l'entrant d'este
133 bpm • C Maj • 04:09 • -27.52db
12% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
12% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
The Schola Cantorum of St. John XXIII Parish
Ubi Caritas
133 bpm • F# Maj • 02:40 • -28.05db
33% Popularity • 24% Danceability • 4% Energy • 11% Liveness
64% Instrumentalness • 11% Positiveness
33% Popularity • 24% Danceability • 4% Energy • 11% Liveness
64% Instrumentalness • 11% Positiveness
► Preview
Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Choir Of St. Abuscus
Te Deum laudamus Hymnus (Dankgottesdiens...
134 bpm • D Maj • 06:21 • -19db
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Philippe Rogier
Laboravi in gemitu meo
134 bpm • G Maj • 06:35 • -25.83db
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Léonin
Viderunt omnes No. 3: ...fines terre sal...
134 bpm • C# Maj • 00:58 • -21.59db
20% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
"Drevnerussky Rospev" Male Choir
Joy Of The Celestial Forces
134 bpm • G min • 01:22 • -32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Petrus de Grudencz
Prelustri elucentia
134 bpm • B min • 02:43 • -25.72db
12% Popularity • 22% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Kondak Akafista St. Blz.
134 bpm • E min • 01:48 • -23db
21% Popularity • 30% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
21% Popularity • 30% Danceability • 8% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
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Monks Of The Abbey Of Notre Dame
Te Joseph
122 bpm • F# min • 02:37 • -23.13db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Anonymous
Viderunt omnes fines terre salutare dei ...
122 bpm • G# Maj • 01:12 • -20.38db
12% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Men's Choir of the Valaam ...
The Day Has Passed
135 bpm • G# min • 01:07 • -25db
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Ars Veritas
Messe cum jubilo: Kyrie IX
135 bpm • F# min • 04:50 • -13.52db
20% Popularity • 19% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 5% Positiveness
20% Popularity • 19% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 5% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Introït "Signum Magnum"
135 bpm • F# min • 03:37 • -25db
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Antony Pitts
The Hymnes and Songs of the Church: No. ...
135 bpm • G# Maj • 01:22 • -19.64db
0% Popularity • 21% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
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Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Léonin
Viderunt omnes No. 2: ...fines terre sal...
134 bpm • F min • 00:52 • -24.81db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Adam de la Halle
Pilgrim's Prologue (after Li jus du Pele...
135 bpm • G Maj • 02:46 • -15.92db
0% Popularity • 33% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 33% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
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Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Schola Cantorum Gymevensis
Sacris solemnis - hymn z uroczystości n...
121 bpm • C min • 03:48 • -20.73db
22% Popularity • 30% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Lege Artis Chamber Choir
We Praise Thee, O God No. 2 in F Major
136 bpm • F# Maj • 01:14 • -36.33db
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
35% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
136 bpm • A Maj • 03:13 • -17db
22% Popularity • 20% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 20% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Hilaire Penet
Virgo prudentissima
136 bpm • D min • 03:55 • -23db
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 14% Energy • 6% Liveness
22% Instrumentalness • 6% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Vasilissa ergo gaude
120 bpm • G min • 02:59 • -17db
10% Popularity • 25% Danceability • 17% Energy • 7% Liveness
4% Instrumentalness • 14% Positiveness
10% Popularity • 25% Danceability • 17% Energy • 7% Liveness
4% Instrumentalness • 14% Positiveness
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The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
25% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Anonymous
Psalm 115/113b - Non nobis Domine (organ...
135 bpm • D# Maj • 07:05 • -19.79db
13% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
