Songs like Vielleicht wartet irgendwo ein kleines Mädelchen auf mich by Mischa Spoliansky
Based on a tempo of (+/- 10%) and a similar genre
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Enrico Toselli
Serenata, "Toselli-Serenade"
75 bpm • A# min • 03:12 • -15.47db
0% Popularity • 27% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
0% Popularity • 27% Danceability • 17% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Richard Strauss
5 Lieder, Op. 48, TrV 202: No. 1, Freund...
75 bpm • A Maj • 03:08 • -17.39db
0% Popularity • 20% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 20% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Mischa Spoliansky
Vielleicht wartet irgendwo ein kleines M...
75 bpm • C Maj • 02:56 • -18.74db
0% Popularity • 43% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 43% Danceability • 6% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Georg Kreisler
Zwei Alte Tanten tanzen Tango
75 bpm • C Maj • 05:13 • -14.06db
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 5. Der ...
75 bpm • G# Maj • 02:57 • -15.35db
0% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Hindu-Lied, "Chant Hindou"
76 bpm • F# Maj • 03:13 • -18.34db
0% Popularity • 35% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 35% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Ensemble "Theater Des Westens"
La Cage Aux Folles: Ouvertüre
76 bpm • C# Maj • 03:26 • -13.68db
9% Popularity • 30% Danceability • 26% Energy • 15% Liveness
69% Instrumentalness • 26% Positiveness
9% Popularity • 30% Danceability • 26% Energy • 15% Liveness
69% Instrumentalness • 26% Positiveness
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Jack Buchanan
Goodnight Vienna
76 bpm • D Maj • 03:20 • -14.9db
11% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Mischa Spoliansky
Leben ohne Liebe kannst du nicht
74 bpm • C# Maj • 03:51 • -14.24db
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lizzi Waldmüller
Das macht die Berliner Luft
76 bpm • D# Maj • 02:29 • -9db
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Hanns Eisler
Das Lied von der Moldau
76 bpm • G min • 01:55 • -20db
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fanny Brice
My Man
74 bpm • F min • 03:33 • -11.18db
12% Popularity • 37% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 37% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Lizzi Waldmoeller
Du hast Gluck bei den Frau'n Bel Ami
74 bpm • D# Maj • 03:09 • -8.62db
11% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Caterina Valente
Ganz Paris träumt von der Liebe
73 bpm • A Maj • 02:53 • -9.97db
25% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Society Syncopators (performers)
Down Among The Sheltering Palms
73 bpm • G Maj • 01:57 • -11.05db
14% Popularity • 30% Danceability • 42% Energy • 15% Liveness
6% Instrumentalness • 84% Positiveness
14% Popularity • 30% Danceability • 42% Energy • 15% Liveness
6% Instrumentalness • 84% Positiveness
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Mischa Spoliansky
Morphium
77 bpm • A min • 03:15 • -20.85db
2% Popularity • 13% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
2% Popularity • 13% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Andrea Riseborough
Let Me Call You Sweetheart
77 bpm • G Maj • 01:47 • -17.6db
9% Popularity • 31% Danceability • 16% Energy • 13% Liveness
8% Instrumentalness • 17% Positiveness
9% Popularity • 31% Danceability • 16% Energy • 13% Liveness
8% Instrumentalness • 17% Positiveness
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Ivor Novello
The land of might-have-been
77 bpm • D# Maj • 04:18 • -18db
20% Popularity • 16% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 16% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 24. Der...
73 bpm • C# min • 03:01 • -18.06db
1% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
1% Popularity • 44% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Wilhelm Strienz
Heimat, Deine Sterne
78 bpm • F Maj • 03:16 • -16db
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Mischa Spoliansky
Der Mensch muss eine Heimat haben (Arr. ...
73 bpm • G Maj • 03:00 • -24.17db
1% Popularity • 32% Danceability • 3% Energy • 12% Liveness
27% Instrumentalness • 13% Positiveness
1% Popularity • 32% Danceability • 3% Energy • 12% Liveness
27% Instrumentalness • 13% Positiveness
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The Bryan Ferry Orchestra
Dance Away
78 bpm • G# Maj • 02:47 • -7.82db
35% Popularity • 53% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
35% Popularity • 53% Danceability • 48% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Traditional
Treue Liebe (Steh' ich in finsterer Mitt...
78 bpm • A Maj • 03:05 • -17.65db
0% Popularity • 43% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 43% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Karin Hubner
Ich hätt’ getanzt heut’ Nacht
78 bpm • C Maj • 03:28 • -16.98db
14% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Willi Forst
Du hast Glück bei den Frau'n Bel Ami
78 bpm • D# Maj • 02:45 • -14db
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Bertolt Brecht
Ballade von der unzulanglichkeit menschl...
72 bpm • B Maj • 02:53 • -14db
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Mischa Spoliansky
The Man Who Could Work Miracles Suite: I...
78 bpm • C Maj • 03:20 • -32.59db
0% Popularity • 40% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 9% Positiveness
0% Popularity • 40% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 9% Positiveness
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Horst Winter
Zwei in einer grossen Stadt
78 bpm • C min • 02:46 • -9db
14% Popularity • 58% Danceability • 36% Energy • 8% Liveness
64% Instrumentalness • 76% Positiveness
14% Popularity • 58% Danceability • 36% Energy • 8% Liveness
64% Instrumentalness • 76% Positiveness
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Heinrich Werner
Heidenroslein (Sah ein Knab' ein Roslein...
79 bpm • A min • 02:31 • -18.97db
1% Popularity • 34% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 34% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Barry Sisters
Abi Gezunt
72 bpm • B min • 02:40 • -18.46db
15% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
13% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Leo Monosson
Mir ist so nach dir
79 bpm • C Maj • 03:19 • -14db
8% Popularity • 60% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 60% Danceability • 34% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Mischa Spoliansky
Das Lila Lied - Arr. by Daniël Capellet...
72 bpm • G Maj • 02:31 • -14.68db
0% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 57% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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George Thalben-Ball
Toccatina
71 bpm • A min • 05:44 • -17.31db
0% Popularity • 14% Danceability • 7% Energy • 21% Liveness
91% Instrumentalness • 8% Positiveness
0% Popularity • 14% Danceability • 7% Energy • 21% Liveness
91% Instrumentalness • 8% Positiveness
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Bertolt Brecht
Alabama song
79 bpm • G# min • 03:05 • -13.4db
15% Popularity • 59% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 59% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Traditional
Du, du liegst mir im Herzen (You, You, C...
80 bpm • A Maj • 03:09 • -21.03db
0% Popularity • 35% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 35% Danceability • 5% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Alfred Schieske
My Fair Lady: Ouvertüre (Orchester)
80 bpm • C Maj • 02:41 • -13db
11% Popularity • 27% Danceability • 30% Energy • 68% Liveness
92% Instrumentalness • 54% Positiveness
11% Popularity • 27% Danceability • 30% Energy • 68% Liveness
92% Instrumentalness • 54% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mischa Spoliansky
Wanted for Murder / A Voice in the Night
79 bpm • G# Maj • 04:18 • -13.87db
0% Popularity • 22% Danceability • 16% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 16% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Al Jolson
Dirty Hands! Dirty Face! - Film: "The Ja...
70 bpm • A Maj • 02:56 • -13.16db
9% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 42% Danceability • 24% Energy • 67% Liveness
0% Instrumentalness • 49% Positiveness
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Dinah Shore
Yes, my darling daughter
80 bpm • E min • 02:21 • -7.74db
3% Popularity • 66% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
3% Popularity • 66% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Richard Strauss
3 Lieder, Op. 29, TrV 172: No. 1, Träum...
80 bpm • B Maj • 02:50 • -17.81db
0% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Friedrich Gluck
Das zerbrochene Ringlein
80 bpm • G# min • 03:01 • -17.45db
0% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 25% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Sadko: Hindulied
70 bpm • C Maj • 03:12 • -18.58db
0% Popularity • 35% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 35% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Mischa Spoliansky
Mir ist so nach dir
79 bpm • C Maj • 03:15 • -11.73db
16% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 11. Fru...
81 bpm • G# Maj • 03:13 • -20.19db
0% Popularity • 45% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 45% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Erik Meyer-Helmund
Unter Orangenblüten
70 bpm • A# Maj • 03:47 • -15.29db
0% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Claire Waldoff
Wegen Emil seine unanstaendg e Lust
69 bpm • D Maj • 02:50 • -11.95db
19% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Emmerich Kálmán
Gräfin Mariza - Operetta in 3 Acts: Kom...
81 bpm • D Maj • 02:09 • -13.71db
18% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 52% Danceability • 39% Energy • 73% Liveness
0% Instrumentalness • 81% Positiveness
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Felix Mendelssohn
6 Lieder, Op. 50: No. 2. Der Jager Absch...
81 bpm • C Maj • 03:10 • -18.05db
0% Popularity • 36% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 36% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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Mischa Spoliansky
Zwei Krawatten: Alles ist Geschäft
71 bpm • D Maj • 01:28 • -12.09db
0% Popularity • 59% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 59% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21. Das...
81 bpm • E Maj • 03:02 • -17.28db
0% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Etta Scollo
I pirati a Palermu
82 bpm • A min • 04:29 • -18.06db
7% Popularity • 29% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 29% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Jerry Bock
Anatevka: Tradition (Tevje)
82 bpm • C Maj • 08:06 • -12db
10% Popularity • 58% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 58% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Traditional
I am a poor wayfaring stranger
82 bpm • D min • 04:45 • -15db
13% Popularity • 17% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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André Heller
Wean, du bist a Taschenfeitl
82 bpm • G Maj • 03:00 • -9.57db
5% Popularity • 34% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 34% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Mischa Spoliansky
My Song for you
71 bpm • C min • 03:09 • -21.12db
1% Popularity • 45% Danceability • 10% Energy • 23% Liveness
86% Instrumentalness • 31% Positiveness
1% Popularity • 45% Danceability • 10% Energy • 23% Liveness
86% Instrumentalness • 31% Positiveness
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Hans Albers
La Paloma
82 bpm • G Maj • 03:20 • -13db
29% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
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Georg Kreisler
Tauben vergiften
68 bpm • F Maj • 03:33 • -12.02db
28% Popularity • 68% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 68% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Helmut Qualtinger
Krügel vor´m G´sicht
68 bpm • F Maj • 05:09 • -12.08db
4% Popularity • 37% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
4% Popularity • 37% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Richard Tauber
Dein ist mein ganzes Herz
68 bpm • C# Maj • 03:16 • -11db
16% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
16% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
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Sonja Ziemann
Es grünt so grün
83 bpm • F Maj • 02:32 • -15.92db
14% Popularity • 45% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 45% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
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Mischa Spoliansky
Nie wieder Liebe: Leben ohne Liebe kanns...
80 bpm • D# Maj • 03:21 • -11.6db
1% Popularity • 29% Danceability • 30% Energy • 14% Liveness
16% Instrumentalness • 22% Positiveness
1% Popularity • 29% Danceability • 30% Energy • 14% Liveness
16% Instrumentalness • 22% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
83 bpm • C min • 02:46 • -12db
12% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Cissy Kraner
Der Novak lässt mich nicht verkommen
83 bpm • F min • 03:22 • -14db
13% Popularity • 78% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 78% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Zarah Leander
Kann Denn Liebe Sünde Sein - Original
83 bpm • E min • 03:04 • -17.82db
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
► Preview
Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Romy Schneider
Merci Monpti - Remastered
83 bpm • D Maj • 02:33 • -11.79db
8% Popularity • 36% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 36% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Mischa Spoliansky
Tell Me To-Night
70 bpm • D# Maj • 03:07 • -20.83db
0% Popularity • 44% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
0% Popularity • 44% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Manfred Krug
Der Tag beginnt
67 bpm • A# Maj • 03:11 • -7.96db
7% Popularity • 40% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 40% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Greta Keller
In einem kleinen Nachtlokal
84 bpm • G min • 03:31 • -14db
10% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Zarah Leander
Der Wind Hat Mir Ein Lied Erzählt
67 bpm • A# Maj • 03:39 • -21db
2% Popularity • 37% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 37% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Georg Kreisler
Barbara
84 bpm • A# Maj • 03:03 • -15.56db
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Lotte Lenya
September Song
85 bpm • C Maj • 03:50 • -15.01db
7% Popularity • 26% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 26% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Mischa Spoliansky
Sehnsucht
80 bpm • A min • 04:09 • -22.49db
2% Popularity • 17% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 17% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Eartha Kitt
April In Portugal
85 bpm • F Maj • 02:39 • -18.79db
14% Popularity • 29% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Lya Dulizkaya
Sabbat-Gebet (Anatevka)
85 bpm • D# Maj • 02:37 • -16db
10% Popularity • 26% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 26% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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Bertolt Brecht
Die moritat von mackie messer
85 bpm • G# min • 02:55 • -14db
20% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
20% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
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Feodor Chaliapin
Ochi Chernye
85 bpm • F min • 03:32 • -12db
7% Popularity • 39% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 39% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mischa Spoliansky
Harlem Blues
68 bpm • G Maj • 02:14 • -24.74db
0% Popularity • 37% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
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Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
15% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Rudolf Katscher
Schwarz ist dein Auge
86 bpm • F# Maj • 04:10 • -16.32db
0% Popularity • 24% Danceability • 15% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
0% Popularity • 24% Danceability • 15% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Roy Fox & His Band
Midnight, The Stars and You
86 bpm • F Maj • 02:53 • -16.18db
13% Popularity • 52% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 53% Positiveness
13% Popularity • 52% Danceability • 13% Energy • 11% Liveness
49% Instrumentalness • 53% Positiveness
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Greta Keller
These Foolish Things
86 bpm • D# Maj • 03:42 • -16db
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 35% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Mischa Spoliansky
Zwei Krawatten: Es kommt nicht auf das W...
82 bpm • C Maj • 03:17 • -11.8db
0% Popularity • 46% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 46% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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George Duning Orchestra
Bing! Bang! Bong!
87 bpm • F Maj • 02:31 • -10db
18% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 69% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Robert Stolz
Im weißen Rössl: Es ist einmal im Lebe...
65 bpm • A Maj • 01:06 • -22db
22% Popularity • 41% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 41% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein?
85 bpm • G Maj • 03:02 • -16.71db
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Pola Negri
Tango notturno
87 bpm • A Maj • 03:00 • -23.96db
11% Popularity • 37% Danceability • 7% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 7% Energy • 14% Liveness
89% Instrumentalness • 16% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Mischa Spoliansky
Es liegt in der Luft
85 bpm • A# Maj • 08:27 • -14.94db
0% Popularity • 53% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 53% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Willy Fritsch
Unter den Pinien von Argentinien
65 bpm • D# Maj • 01:22 • -8db
19% Popularity • 54% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 54% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Lotte Lenya
Seerauber-Jenny
87 bpm • F# min • 04:02 • -15.12db
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Zarah Leander
Eine Frau wird erst schön durch die Lie...
86 bpm • A# Maj • 02:47 • -10.3db
17% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness