Songs like Viens avec moi mon vieux pays by Emily Loizeau
Based on a tempo of (+/- 10%) and a similar genre
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Alain Souchon
La vie Théodore
106 bpm • B min • 03:51 • -12db
25% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Emily Loizeau
Viens avec moi mon vieux pays
106 bpm • D Maj • 03:34 • -8.25db
18% Popularity • 59% Danceability • 70% Energy • 11% Liveness
38% Instrumentalness • 34% Positiveness
18% Popularity • 59% Danceability • 70% Energy • 11% Liveness
38% Instrumentalness • 34% Positiveness
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Jacques Higelin
La joie de vivre
106 bpm • C Maj • 03:37 • -7db
13% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 71% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Buridane
Désolée pour le bordel
106 bpm • G min • 03:09 • -7db
21% Popularity • 82% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 82% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Da Silva
La route
106 bpm • A min • 02:49 • -5.83db
39% Popularity • 67% Danceability • 70% Energy • 32% Liveness
13% Instrumentalness • 45% Positiveness
39% Popularity • 67% Danceability • 70% Energy • 32% Liveness
13% Instrumentalness • 45% Positiveness
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Albin de la Simone
Dans la tête
106 bpm • C# min • 03:16 • -10db
37% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Mano Solo
Barbès-Clichy
106 bpm • E min • 03:59 • -13.7db
28% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Têtes Raides
Ginette
106 bpm • D# Maj • 03:40 • -10.9db
33% Popularity • 40% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 40% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Dominique A
Éléor
105 bpm • C# min • 04:33 • -12.82db
41% Popularity • 67% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 8% Positiveness
41% Popularity • 67% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 8% Positiveness
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Jean-Louis Murat
Si je m'attendais
105 bpm • A min • 03:08 • -9.14db
16% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Joseph d'Anvers
Nos jours heureux
105 bpm • D Maj • 02:27 • -11.72db
18% Popularity • 63% Danceability • 32% Energy • 11% Liveness
63% Instrumentalness • 38% Positiveness
18% Popularity • 63% Danceability • 32% Energy • 11% Liveness
63% Instrumentalness • 38% Positiveness
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Anne Sylvestre
Les gens qui doutent
105 bpm • A min • 02:55 • -16.23db
47% Popularity • 52% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 52% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Mano Solo
Les gitans
105 bpm • F# Maj • 04:49 • -9db
33% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 80% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Batlik
L'art de la défaite
105 bpm • A min • 04:28 • -11.9db
20% Popularity • 73% Danceability • 46% Energy • 12% Liveness
6% Instrumentalness • 37% Positiveness
20% Popularity • 73% Danceability • 46% Energy • 12% Liveness
6% Instrumentalness • 37% Positiveness
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Yves Simon
Diabolo menthe (Version 1979)
107 bpm • G# Maj • 02:35 • -16.05db
43% Popularity • 66% Danceability • 46% Energy • 14% Liveness
25% Instrumentalness • 41% Positiveness
43% Popularity • 66% Danceability • 46% Energy • 14% Liveness
25% Instrumentalness • 41% Positiveness
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Jean-Louis Murat
Au mont sans-souci
105 bpm • A min • 02:59 • -13db
36% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 60% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Babx
Quand tu m'embrasses
105 bpm • G Maj • 04:16 • -13.61db
9% Popularity • 43% Danceability • 36% Energy • 14% Liveness
3% Instrumentalness • 26% Positiveness
9% Popularity • 43% Danceability • 36% Energy • 14% Liveness
3% Instrumentalness • 26% Positiveness
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Maud Lübeck
À deux - en duo avec Alain Chamfort
107 bpm • G min • 02:43 • -9.38db
26% Popularity • 65% Danceability • 49% Energy • 14% Liveness
47% Instrumentalness • 44% Positiveness
26% Popularity • 65% Danceability • 49% Energy • 14% Liveness
47% Instrumentalness • 44% Positiveness
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Emily Loizeau
Renversé
105 bpm • G min • 03:17 • -12.32db
9% Popularity • 48% Danceability • 40% Energy • 11% Liveness
34% Instrumentalness • 12% Positiveness
9% Popularity • 48% Danceability • 40% Energy • 11% Liveness
34% Instrumentalness • 12% Positiveness
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Garçons
Avec les filles je ne sais pas
104 bpm • E min • 04:15 • -12.49db
17% Popularity • 47% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 47% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Loïc Lantoine
Pierrot
104 bpm • A min • 03:28 • -12db
22% Popularity • 75% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 55% Positiveness
22% Popularity • 75% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 55% Positiveness
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Alma Forrer
Blanche
108 bpm • A# min • 02:40 • -14.81db
12% Popularity • 60% Danceability • 26% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
12% Popularity • 60% Danceability • 26% Energy • 11% Liveness
5% Instrumentalness • 26% Positiveness
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Rose
Pour être deux
108 bpm • B min • 04:40 • -7.89db
25% Popularity • 58% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 58% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Camille
Seeds
104 bpm • G Maj • 02:50 • -15.11db
45% Popularity • 66% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 26% Positiveness
45% Popularity • 66% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 26% Positiveness
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Barbara Carlotti
Le retour
108 bpm • C# Maj • 02:47 • -8.45db
10% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Alain Souchon
Ronsard Alabama
104 bpm • E Maj • 01:46 • -16.29db
18% Popularity • 96% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
18% Popularity • 96% Danceability • 31% Energy • 13% Liveness
2% Instrumentalness • 41% Positiveness
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Jean-Louis Murat
J'ai fréquenté la beauté
108 bpm • B min • 02:52 • -9db
28% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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La Féline
Où est passée ton âme ?
108 bpm • B Maj • 04:29 • -6.74db
25% Popularity • 69% Danceability • 74% Energy • 13% Liveness
8% Instrumentalness • 61% Positiveness
25% Popularity • 69% Danceability • 74% Energy • 13% Liveness
8% Instrumentalness • 61% Positiveness
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Moriarty
Sept jours en mer
104 bpm • A Maj • 03:00 • -8.48db
20% Popularity • 51% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 51% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Françoiz Breut
La conquête
108 bpm • B min • 03:53 • -13.06db
13% Popularity • 66% Danceability • 48% Energy • 8% Liveness
28% Instrumentalness • 26% Positiveness
13% Popularity • 66% Danceability • 48% Energy • 8% Liveness
28% Instrumentalness • 26% Positiveness
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Emily Loizeau
Le poids de l'existence
104 bpm • D# Maj • 03:53 • -12.96db
9% Popularity • 54% Danceability • 39% Energy • 12% Liveness
62% Instrumentalness • 35% Positiveness
9% Popularity • 54% Danceability • 39% Energy • 12% Liveness
62% Instrumentalness • 35% Positiveness
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Laura Cahen
Cavale
109 bpm • A min • 03:53 • -7.94db
22% Popularity • 74% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
22% Popularity • 74% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Miossec
Brûle
103 bpm • E min • 02:37 • -7.61db
20% Popularity • 63% Danceability • 74% Energy • 17% Liveness
5% Instrumentalness • 62% Positiveness
20% Popularity • 63% Danceability • 74% Energy • 17% Liveness
5% Instrumentalness • 62% Positiveness
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Camille Hardouin
Il m'plait pas
109 bpm • G Maj • 03:48 • -11.02db
27% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Tarmac
Des Frontières Aux Pays / Tordu Tour Du...
109 bpm • D Maj • 05:47 • -18.31db
16% Popularity • 55% Danceability • 20% Energy • 3% Liveness
3% Instrumentalness • 10% Positiveness
16% Popularity • 55% Danceability • 20% Energy • 3% Liveness
3% Instrumentalness • 10% Positiveness
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Dionysos
I Follow Rivers
109 bpm • G Maj • 03:15 • -8.91db
40% Popularity • 70% Danceability • 52% Energy • 16% Liveness
13% Instrumentalness • 34% Positiveness
40% Popularity • 70% Danceability • 52% Energy • 16% Liveness
13% Instrumentalness • 34% Positiveness
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Emily Loizeau
Dis Moi Que Toi Tu Ne Pleures Pas
109 bpm • A# Maj • 03:32 • -14.1db
14% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jean-Louis Murat
Jim - l'héritier des Flynn
103 bpm • F min • 04:36 • -5.78db
23% Popularity • 72% Danceability • 64% Energy • 11% Liveness
27% Instrumentalness • 53% Positiveness
23% Popularity • 72% Danceability • 64% Energy • 11% Liveness
27% Instrumentalness • 53% Positiveness
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Jacques Higelin
Pars
109 bpm • E min • 03:48 • -6db
43% Popularity • 64% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 64% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Maissiat
Avril
110 bpm • A# Maj • 04:34 • -8.68db
10% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tarmac
La ballade des gens qui sont nés quelqu...
109 bpm • D min • 04:23 • -9.39db
34% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 62% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Les Rita Mitsouko
Toi & moi & elle
110 bpm • E min • 05:35 • -9.86db
16% Popularity • 77% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 77% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Barbara Carlotti
Anaïs
102 bpm • D Maj • 03:39 • -7.3db
14% Popularity • 65% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
14% Popularity • 65% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Alain Souchon
Le marin
110 bpm • B min • 02:51 • -9.46db
29% Popularity • 60% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Alex Beaupain
Pas plus le jour que la nuit
102 bpm • C# Maj • 03:14 • -8.63db
14% Popularity • 84% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
14% Popularity • 84% Danceability • 57% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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La Grande Sophie
Les portes claquent
102 bpm • G Maj • 02:54 • -8db
24% Popularity • 72% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 65% Positiveness
24% Popularity • 72% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 65% Positiveness
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Camille Hardouin
Mille bouches
102 bpm • F min • 03:47 • -12.72db
23% Popularity • 75% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 75% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Jeanne Cherhal
Femme Debout
102 bpm • C Maj • 03:46 • -16.13db
9% Popularity • 37% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Babx
Je ne t'ai jamais aimé
102 bpm • B Maj • 03:02 • -10.32db
29% Popularity • 44% Danceability • 62% Energy • 29% Liveness
38% Instrumentalness • 37% Positiveness
29% Popularity • 44% Danceability • 62% Energy • 29% Liveness
38% Instrumentalness • 37% Positiveness
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Bazbaz
Le crocodile
102 bpm • E min • 02:45 • -11.01db
21% Popularity • 81% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 81% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Alain Souchon
On s'ramène les cheveux
111 bpm • C Maj • 02:48 • -12.31db
18% Popularity • 81% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 81% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Constance Amiot
Tire-d'ailes
101 bpm • G Maj • 03:07 • -10.1db
25% Popularity • 64% Danceability • 64% Energy • 9% Liveness
28% Instrumentalness • 62% Positiveness
25% Popularity • 64% Danceability • 64% Energy • 9% Liveness
28% Instrumentalness • 62% Positiveness
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Thomas Fersen
Dugenou
101 bpm • E Maj • 03:54 • -9db
30% Popularity • 32% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 32% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Albin de la Simone
Mes épaules
101 bpm • E min • 03:12 • -8.51db
35% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 62% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Emily Loizeau
Celle qui vit vers le sud
100 bpm • A Maj • 03:04 • -14.25db
25% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Amélie-Les-Crayons
Voyager léger
112 bpm • G min • 02:48 • -8.84db
20% Popularity • 67% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 67% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 23% Positiveness
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Jean-Louis Murat
Zibeline tang
112 bpm • D min • 04:35 • -11.68db
18% Popularity • 70% Danceability • 42% Energy • 13% Liveness
38% Instrumentalness • 64% Positiveness
18% Popularity • 70% Danceability • 42% Energy • 13% Liveness
38% Instrumentalness • 64% Positiveness
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Michaël Clément
Bubble Gum
112 bpm • B min • 03:29 • -5.32db
4% Popularity • 82% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
4% Popularity • 82% Danceability • 84% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Feu! Chatterton
Frères de la côte
112 bpm • F Maj • 04:26 • -8.74db
24% Popularity • 60% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 60% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Fersen
Saint-Jean-Du-Doigt
112 bpm • D min • 02:50 • -11db
39% Popularity • 69% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 69% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Emily Loizeau
Gigi L'Amoroso
101 bpm • F Maj • 06:26 • -12db
32% Popularity • 53% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 53% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Daphné
Parce que je t'aime
112 bpm • F# min • 04:12 • -14db
22% Popularity • 68% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
22% Popularity • 68% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Yves Simon
L'aérogramme de Los Angeles
100 bpm • E min • 02:42 • -23.35db
18% Popularity • 39% Danceability • 22% Energy • 13% Liveness
80% Instrumentalness • 39% Positiveness
18% Popularity • 39% Danceability • 22% Energy • 13% Liveness
80% Instrumentalness • 39% Positiveness
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Bertrand Belin
Sous les lilas
100 bpm • C# Maj • 04:23 • -17.59db
22% Popularity • 88% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
22% Popularity • 88% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
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Alain Souchon
Un terrain en pente
100 bpm • G Maj • 03:46 • -16.49db
26% Popularity • 59% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
26% Popularity • 59% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Maud Lübeck
Le parapluie
100 bpm • D# Maj • 02:12 • -7db
37% Popularity • 81% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 81% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Emily Loizeau
L'Autre Bout Du Monde
112 bpm • D# Maj • 03:21 • -15.94db
30% Popularity • 65% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 65% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Claire Diterzi
Le roi des forêts
100 bpm • A Maj • 03:06 • -9.04db
22% Popularity • 75% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
22% Popularity • 75% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 55% Positiveness
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Tarmac
Tu Semblante
100 bpm • A min • 02:14 • -6.47db
33% Popularity • 63% Danceability • 68% Energy • 37% Liveness
15% Instrumentalness • 64% Positiveness
33% Popularity • 63% Danceability • 68% Energy • 37% Liveness
15% Instrumentalness • 64% Positiveness
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Loïc Lantoine
Pierrot
100 bpm • C Maj • 03:45 • -9.18db
16% Popularity • 65% Danceability • 42% Energy • 74% Liveness
12% Instrumentalness • 51% Positiveness
16% Popularity • 65% Danceability • 42% Energy • 74% Liveness
12% Instrumentalness • 51% Positiveness
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Babx
Sous l'piano de ma mère
100 bpm • B Maj • 02:57 • -10db
16% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 69% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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La Grande Sophie
Maria Yudina
100 bpm • A Maj • 03:35 • -5.68db
23% Popularity • 60% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 60% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Jeanne Balibar
Pas dupe
113 bpm • C Maj • 03:33 • -12db
18% Popularity • 75% Danceability • 39% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
18% Popularity • 75% Danceability • 39% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
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Thomas Fersen
Les malheurs du lion
113 bpm • C min • 03:26 • -11.95db
32% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Philippe Katerine
Moment parfait
113 bpm • G Maj • 03:08 • -19.52db
17% Popularity • 66% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 66% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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L (Raphaële Lannadère)
Je fume
113 bpm • E min • 04:00 • -19.4db
21% Popularity • 65% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
21% Popularity • 65% Danceability • 9% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
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Lady Sir
Des petits bouts
99 bpm • F min • 03:23 • -10db
12% Popularity • 40% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
12% Popularity • 40% Danceability • 57% Energy • 10% Liveness
3% Instrumentalness • 60% Positiveness
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Barbara Carlotti
Tunis
113 bpm • A min • 04:39 • -8db
10% Popularity • 50% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 50% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Daniel Darc
C'est moi le printemps
99 bpm • A min • 03:00 • -9.4db
22% Popularity • 60% Danceability • 70% Energy • 43% Liveness
4% Instrumentalness • 87% Positiveness
22% Popularity • 60% Danceability • 70% Energy • 43% Liveness
4% Instrumentalness • 87% Positiveness
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Juliette
Météo marine
113 bpm • A min • 04:31 • -14db
19% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 52% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Albin de la Simone
Le grand amour
99 bpm • E min • 03:36 • -11.99db
50% Popularity • 35% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 37% Positiveness
50% Popularity • 35% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 37% Positiveness
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Stephan Eicher
Je n’attendrai pas
114 bpm • C Maj • 02:09 • -13.15db
33% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lady Sir
La nuit se lève
99 bpm • C min • 02:49 • -10db
13% Popularity • 60% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 60% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Tarmac
Dis Moi C'Est Quand
114 bpm • D Maj • 03:48 • -11db
38% Popularity • 59% Danceability • 61% Energy • 30% Liveness
5% Instrumentalness • 70% Positiveness
38% Popularity • 59% Danceability • 61% Energy • 30% Liveness
5% Instrumentalness • 70% Positiveness
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Bertrand Belin
De corps et d'esprit
114 bpm • D# min • 03:29 • -15.06db
30% Popularity • 84% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 72% Positiveness
30% Popularity • 84% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 72% Positiveness
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Sammy Decoster
Je Veux Etre à Vous
98 bpm • G Maj • 04:17 • -10.96db
33% Popularity • 30% Danceability • 36% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
33% Popularity • 30% Danceability • 36% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
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Albin de la Simone
Embrasse ma femme
114 bpm • E Maj • 02:49 • -14db
35% Popularity • 79% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 79% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Dominique A
Cap Farvel
114 bpm • C# min • 03:25 • -8.51db
25% Popularity • 67% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
25% Popularity • 67% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Rodolphe Burger
Bleu Bac
98 bpm • C# min • 04:22 • -8db
12% Popularity • 69% Danceability • 71% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
12% Popularity • 69% Danceability • 71% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
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Tarmac
Faustino Fatal - Instrumental
114 bpm • A min • 02:39 • -12.21db
21% Popularity • 48% Danceability • 29% Energy • 22% Liveness
4% Instrumentalness • 10% Positiveness
21% Popularity • 48% Danceability • 29% Energy • 22% Liveness
4% Instrumentalness • 10% Positiveness
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Yael Naim
Foule sentimentale
98 bpm • G# min • 03:55 • -14.94db
18% Popularity • 57% Danceability • 20% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
18% Popularity • 57% Danceability • 20% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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Lady Sir
Tout va mieux partout
98 bpm • A# min • 03:23 • -8db
11% Popularity • 53% Danceability • 74% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
11% Popularity • 53% Danceability • 74% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
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Izïa
Dragon de métal
98 bpm • E min • 04:16 • -8.22db
32% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Da Silva
John McEnroe
98 bpm • D min • 03:07 • -7.73db
10% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Amélie-Les-Crayons
Jusqu'Ã la mer
98 bpm • G# Maj • 01:51 • -13.77db
20% Popularity • 70% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 70% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Cali
Quoi
115 bpm • C# Maj • 04:41 • -11.98db
35% Popularity • 45% Danceability • 41% Energy • 84% Liveness
18% Instrumentalness • 24% Positiveness
35% Popularity • 45% Danceability • 41% Energy • 84% Liveness
18% Instrumentalness • 24% Positiveness
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Stephan Eicher
La fête est finie
115 bpm • C Maj • 02:21 • -13.34db
29% Popularity • 31% Danceability • 23% Energy • 39% Liveness
4% Instrumentalness • 11% Positiveness
29% Popularity • 31% Danceability • 23% Energy • 39% Liveness
4% Instrumentalness • 11% Positiveness
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Dionysos
Le jour le plus froid du monde
98 bpm • F Maj • 05:21 • -8.39db
18% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 49% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
