Songs like Views from Sixteen Stories - Sun Rain Remix by Alaskan Tapes
Based on a tempo of (+/- 10%) and a similar genre
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The Field Tapes
Always With You
120 bpm • A min • 03:36 • -20.74db
35% Popularity • 60% Danceability • 26% Energy • 32% Liveness
95% Instrumentalness • 12% Positiveness
35% Popularity • 60% Danceability • 26% Energy • 32% Liveness
95% Instrumentalness • 12% Positiveness
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Elskavon
Refrost
120 bpm • A Maj • 03:48 • -17.23db
29% Popularity • 26% Danceability • 28% Energy • 47% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 28% Energy • 47% Liveness
93% Instrumentalness • 4% Positiveness
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Adrian Walther
Woven
120 bpm • B min • 04:57 • -21.3db
35% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 51% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Twinsleep
Outlier
120 bpm • G Maj • 05:33 • -14.67db
19% Popularity • 59% Danceability • 24% Energy • 33% Liveness
91% Instrumentalness • 35% Positiveness
19% Popularity • 59% Danceability • 24% Energy • 33% Liveness
91% Instrumentalness • 35% Positiveness
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Halftribe
Swimmimg Off That Sombre Shore
120 bpm • D min • 04:33 • -21.64db
30% Popularity • 18% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Ebb & Flod
The Scent Of Earth After Rain
120 bpm • C# min • 03:04 • -19db
42% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 36% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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trapeia
regrets - Slowed
120 bpm • C# Maj • 02:16 • -28.84db
43% Popularity • 52% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 52% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Alan Ellis
Phases
120 bpm • C Maj • 02:34 • -23.83db
27% Popularity • 48% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
27% Popularity • 48% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Alex Kozobolis
The Horizon To Which We Go
120 bpm • A Maj • 01:11 • -18.83db
40% Popularity • 33% Danceability • 27% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
40% Popularity • 33% Danceability • 27% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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David Allred
Wave
120 bpm • C# Maj • 02:31 • -20.16db
32% Popularity • 30% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
32% Popularity • 30% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Hollie Kenniff
Remembered Words
120 bpm • C Maj • 05:10 • -18.99db
31% Popularity • 21% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 21% Danceability • 18% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Chihei Hatakeyama
Sleet
120 bpm • D# Maj • 08:28 • -27db
44% Popularity • 21% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 21% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Lara Somogyi
álom
120 bpm • F Maj • 04:51 • -28.35db
31% Popularity • 22% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
31% Popularity • 22% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 14% Positiveness
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Robot Koch
Circle 26 - Tom Ashbrook Rework
121 bpm • E Maj • 03:40 • -15.35db
39% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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John Hayes
View Theory
119 bpm • D Maj • 04:04 • -16.99db
28% Popularity • 17% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Rösch
Residuum
121 bpm • A# min • 03:00 • -26.72db
35% Popularity • 43% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 43% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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David Cordero
El Esperado Desenlace
119 bpm • A min • 02:44 • -22.44db
37% Popularity • 17% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 16% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Haruhisa Tanaka
At Day's End
122 bpm • F Maj • 02:09 • -28.26db
39% Popularity • 17% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Nami
118 bpm • F Maj • 08:57 • -25.22db
33% Popularity • 18% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 10% Positiveness
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Good Weather For An Airstrike
Thaw
122 bpm • G Maj • 03:24 • -25.56db
38% Popularity • 17% Danceability • 12% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 12% Energy • 6% Liveness
85% Instrumentalness • 3% Positiveness
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Lennart Altgenug
Vapors
118 bpm • C# Maj • 03:12 • -28.21db
39% Popularity • 25% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 25% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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John Hayes
Otariinae
122 bpm • F# Maj • 02:43 • -24.92db
40% Popularity • 56% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
40% Popularity • 56% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Felix Rösch
Interlude I
122 bpm • F min • 01:44 • -21.89db
33% Popularity • 37% Danceability • 13% Energy • 8% Liveness
80% Instrumentalness • 21% Positiveness
33% Popularity • 37% Danceability • 13% Energy • 8% Liveness
80% Instrumentalness • 21% Positiveness
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Patrik Berg Almkvisth
II
122 bpm • A Maj • 02:07 • -22.05db
49% Popularity • 47% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
49% Popularity • 47% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 48% Positiveness
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Neighborhood Libraries
Like We Were Dreaming All This Time, Pt....
118 bpm • D min • 03:56 • -31.55db
23% Popularity • 49% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
23% Popularity • 49% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Alaskan Tapes
Seconds
122 bpm • F# Maj • 02:03 • -32.81db
54% Popularity • 37% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 37% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Halftribe
Intro
122 bpm • A min • 02:19 • -23.79db
37% Popularity • 23% Danceability • 7% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 7% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Clem Leek
Patience Is A Virtue
117 bpm • E Maj • 01:59 • -16.92db
54% Popularity • 30% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
54% Popularity • 30% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Felix Rösch
Sarabande
122 bpm • C min • 02:26 • -25.53db
26% Popularity • 36% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 31% Positiveness
26% Popularity • 36% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 31% Positiveness
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Rhucle
Awa To Koi
123 bpm • E Maj • 02:57 • -29db
32% Popularity • 19% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Sun Echo
Frozen Sunlight - No Nature Ambience
123 bpm • B Maj • 03:30 • -30.76db
34% Popularity • 19% Danceability • 5% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 19% Danceability • 5% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Mike Lazarev
Being Outside Being
117 bpm • G min • 02:55 • -19.55db
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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David Cordero
In the Mirror
123 bpm • D# Maj • 02:47 • -24.53db
35% Popularity • 18% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 8% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Genfukei
Moon
123 bpm • A min • 02:43 • -27.17db
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Simeon Walker
Turn
117 bpm • C min • 06:12 • -26db
23% Popularity • 38% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 38% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Illuminine
Dear, Utopia - Jameson Nathan Jones Rewo...
124 bpm • C# Maj • 03:41 • -26.95db
42% Popularity • 50% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
42% Popularity • 50% Danceability • 8% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
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Luca Longobardi
Ivy
124 bpm • C Maj • 02:21 • -31.57db
48% Popularity • 67% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 90% Positiveness
48% Popularity • 67% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 90% Positiveness
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Alaskan Tapes
All Was Quiet
124 bpm • C# Maj • 04:39 • -22.28db
30% Popularity • 35% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
30% Popularity • 35% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Lara Somogyi
lodges
124 bpm • C Maj • 03:51 • -19.56db
29% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Late Era
Forever
116 bpm • D Maj • 02:46 • -33db
21% Popularity • 52% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
21% Popularity • 52% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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ABBOTT
Interlude
116 bpm • G Maj • 03:38 • -19.68db
41% Popularity • 20% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
41% Popularity • 20% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Wendy Panoah
Peaceful Garden
116 bpm • D min • 03:11 • -26.42db
22% Popularity • 20% Danceability • 3% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Abstract Aprils
Fallen Thorns
115 bpm • B Maj • 03:24 • -21.27db
33% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Sergio Díaz De Rojas
Maracuyá / Barranco
114 bpm • F min • 02:45 • -27.57db
37% Popularity • 38% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
37% Popularity • 38% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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Alan Ellis
What Made Us Feel Human
125 bpm • C Maj • 02:12 • -20.45db
35% Popularity • 35% Danceability • 20% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 35% Danceability • 20% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Broderick
Earnest Leslye
126 bpm • D Maj • 03:49 • -20.76db
38% Popularity • 26% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 26% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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BPMoore
The World is as You Are - Glowworm Rewor...
114 bpm • F min • 02:42 • -16.91db
38% Popularity • 34% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
38% Popularity • 34% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Kyle McEvoy
Serendipity
126 bpm • A Maj • 02:13 • -17.62db
45% Popularity • 46% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
45% Popularity • 46% Danceability • 7% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Tom Ashbrook
Morning Tides
114 bpm • E Maj • 01:58 • -26.8db
35% Popularity • 47% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
35% Popularity • 47% Danceability • 13% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Alyas
Meteor Shower
127 bpm • F# min • 03:56 • -19.89db
28% Popularity • 19% Danceability • 31% Energy • 6% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 31% Energy • 6% Liveness
94% Instrumentalness • 5% Positiveness
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The Field Tapes
Rest
113 bpm • A min • 01:40 • -35.65db
43% Popularity • 44% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
43% Popularity • 44% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
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Balmorhea
Nos
113 bpm • A# min • 01:21 • -25.27db
47% Popularity • 48% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
47% Popularity • 48% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Andrew Land
Submerse
128 bpm • B min • 02:52 • -21db
42% Popularity • 46% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
42% Popularity • 46% Danceability • 6% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Kyle McEvoy
Cora
113 bpm • F Maj • 03:10 • -29.14db
26% Popularity • 24% Danceability • 12% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
26% Popularity • 24% Danceability • 12% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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Halftribe
Balm
113 bpm • G Maj • 03:39 • -23db
36% Popularity • 23% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
36% Popularity • 23% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Felix Rösch
Ostinato
128 bpm • D min • 04:28 • -19db
36% Popularity • 29% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Ian Hawgood
Waves
129 bpm • A min • 02:17 • -29.64db
20% Popularity • 21% Danceability • 3% Energy • 33% Liveness
95% Instrumentalness • 8% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 33% Liveness
95% Instrumentalness • 8% Positiveness
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Ann Annie
さまよう
129 bpm • E min • 03:16 • -28.67db
38% Popularity • 29% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 29% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Alaskan Tapes
On Deer Island
129 bpm • E Maj • 03:22 • -26.8db
32% Popularity • 16% Danceability • 3% Energy • 19% Liveness
67% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 19% Liveness
67% Instrumentalness • 3% Positiveness
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Kyle McEvoy
Red
129 bpm • A min • 02:57 • -22.61db
40% Popularity • 17% Danceability • 19% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
40% Popularity • 17% Danceability • 19% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
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Halftribe
For The Summer, Or Forever
130 bpm • D Maj • 04:01 • -22db
41% Popularity • 18% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 18% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Geotic
Into Some Spirit World
130 bpm • F Maj • 03:04 • -24db
32% Popularity • 16% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 16% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Black Brunswicker
The Ghosts we keep Inside Ourselves
130 bpm • D Maj • 03:50 • -25.43db
32% Popularity • 21% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Teodor Wolgers
Abandoned Places
130 bpm • D min • 05:43 • -16db
34% Popularity • 38% Danceability • 28% Energy • 22% Liveness
54% Instrumentalness • 4% Positiveness
34% Popularity • 38% Danceability • 28% Energy • 22% Liveness
54% Instrumentalness • 4% Positiveness
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Ebb & Flod
Owls
110 bpm • G Maj • 02:26 • -20.41db
45% Popularity • 21% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Kyle McEvoy
Greylock
110 bpm • E Maj • 03:25 • -22.72db
27% Popularity • 17% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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The Field Tapes
you're just visiting
110 bpm • C Maj • 01:46 • -20.91db
39% Popularity • 45% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 22% Positiveness
39% Popularity • 45% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 22% Positiveness
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Neighborhood Libraries
Postcards for the Backyard
110 bpm • A# Maj • 04:15 • -21.64db
24% Popularity • 48% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 48% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Clem Leek
Under The Stars
131 bpm • G# Maj • 02:22 • -27db
51% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
51% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Julia Gjertsen
Out of Square
131 bpm • F# Maj • 03:23 • -15.68db
35% Popularity • 58% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 58% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Helios
Nothing It Can
110 bpm • C# Maj • 04:47 • -12.33db
42% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Water And Birds
110 bpm • E Maj • 06:29 • -24.16db
35% Popularity • 19% Danceability • 39% Energy • 37% Liveness
87% Instrumentalness • 41% Positiveness
35% Popularity • 19% Danceability • 39% Energy • 37% Liveness
87% Instrumentalness • 41% Positiveness
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Niklas Paschburg
Sunrise
131 bpm • C Maj • 01:17 • -25.19db
45% Popularity • 23% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 23% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Kazuma Okabayashi
Breeze
132 bpm • A# Maj • 03:19 • -23.41db
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Clem Leek
In The Fields
110 bpm • G Maj • 01:42 • -33.41db
46% Popularity • 49% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 41% Positiveness
46% Popularity • 49% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 41% Positiveness
► Preview
Alaskan Tapes
Oh, Sleeper
132 bpm • F# Maj • 02:06 • -29.69db
43% Popularity • 19% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 5% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Ian Hawgood
Life Lived in the Echoes of Emptiness
109 bpm • C# Maj • 02:48 • -34.01db
25% Popularity • 16% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Good Weather For An Airstrike
Truth Breathes
132 bpm • A# Maj • 03:01 • -25.29db
30% Popularity • 41% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 41% Danceability • 5% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
The Slow Descent Has Begun
109 bpm • A min • 04:55 • -21db
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Clariloops
Adrift In Memory
132 bpm • G min • 02:55 • -25.94db
27% Popularity • 50% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 50% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Thrupence
Composite 03
109 bpm • D Maj • 03:43 • -27.52db
39% Popularity • 42% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
39% Popularity • 42% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Shuta Yasukochi
Home
109 bpm • G Maj • 02:22 • -24.49db
33% Popularity • 32% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 16% Positiveness
33% Popularity • 32% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 16% Positiveness
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Alaskan Tapes
Dustlight
132 bpm • G# Maj • 03:34 • -26.48db
27% Popularity • 18% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Haruhisa Tanaka
Floating
109 bpm • D# Maj • 02:16 • -27.58db
34% Popularity • 24% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 24% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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Desolate Horizons
Prudence
109 bpm • A# Maj • 03:37 • -20db
32% Popularity • 16% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
32% Popularity • 16% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Ann Annie
恋の予感
133 bpm • C# Maj • 02:48 • -19.09db
39% Popularity • 36% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 36% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Thrupence
Forth of the Forth
132 bpm • C# Maj • 02:19 • -34.09db
21% Popularity • 28% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
21% Popularity • 28% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
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From Somewhere Quiet
Wander
133 bpm • D Maj • 02:48 • -19db
35% Popularity • 30% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 18% Positiveness
35% Popularity • 30% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 18% Positiveness
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Felix Rösch
Interlude III
108 bpm • C min • 01:39 • -22.27db
36% Popularity • 49% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
36% Popularity • 49% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
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kita kouhei
Gold Dust
108 bpm • C min • 03:16 • -20.66db
34% Popularity • 29% Danceability • 22% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
34% Popularity • 29% Danceability • 22% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Foam and Sand
Circle 37
133 bpm • D min • 03:19 • -21.54db
37% Popularity • 17% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kyle Bobby Dunn
In Praise of Tears
133 bpm • F# Maj • 05:20 • -25.89db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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John Hayes
Sweet Solitude
133 bpm • C# Maj • 02:35 • -21.28db
35% Popularity • 42% Danceability • 13% Energy • 34% Liveness
94% Instrumentalness • 28% Positiveness
35% Popularity • 42% Danceability • 13% Energy • 34% Liveness
94% Instrumentalness • 28% Positiveness
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Ava Rasti
Music For The Motion Picture Double Life
133 bpm • E Maj • 06:43 • -25.91db
31% Popularity • 17% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
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Alaskan Tapes
Places
134 bpm • D# Maj • 02:45 • -32.27db
32% Popularity • 24% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Peter Bark
Emerald Bubbles
134 bpm • C Maj • 03:30 • -24.22db
34% Popularity • 20% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 20% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Haruhisa Tanaka
Lakeside
134 bpm • A min • 01:12 • -27db
54% Popularity • 18% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
54% Popularity • 18% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Abstract Aprils
Radius
134 bpm • C Maj • 04:05 • -23.49db
34% Popularity • 49% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 49% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
