Songs like Vincent - Harp Guitar Duet by Muriel Anderson
Based on a tempo of (+/- 10%) and a similar genre
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Ottmar Liebert
Fireopal - Acoustic Version
86 bpm • D min • 05:04 • -8.43db
24% Popularity • 59% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
24% Popularity • 59% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
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Muriel Anderson
Vincent - Harp Guitar Duet
86 bpm • A# Maj • 05:03 • -16.58db
19% Popularity • 48% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
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Florie Brown
Once I Loved
86 bpm • A Maj • 02:51 • -6.67db
27% Popularity • 25% Danceability • 29% Energy • 5% Liveness
3% Instrumentalness • 38% Positiveness
27% Popularity • 25% Danceability • 29% Energy • 5% Liveness
3% Instrumentalness • 38% Positiveness
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Daniel Kaede
Unspoken Peace
86 bpm • G# Maj • 03:13 • -12.49db
31% Popularity • 76% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
31% Popularity • 76% Danceability • 32% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Peter Janson
A Clear Stillness
86 bpm • D Maj • 05:09 • -14.57db
9% Popularity • 41% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
9% Popularity • 41% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 39% Positiveness
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Ben Woolman
Sorrow Floats
86 bpm • A Maj • 04:22 • -20.69db
20% Popularity • 43% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
20% Popularity • 43% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 34% Positiveness
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Bernward Koch
A Little Ode
87 bpm • A min • 02:42 • -16.86db
41% Popularity • 25% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 25% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Muriel Anderson
I'm Sailing, I'm Sailing
86 bpm • F# Maj • 03:06 • -12.08db
4% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Georg Erixon
Eternal Flame
85 bpm • A min • 03:17 • -13db
46% Popularity • 62% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
46% Popularity • 62% Danceability • 29% Energy • 12% Liveness
94% Instrumentalness • 36% Positiveness
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Lisa Lynne
Majestica
87 bpm • C Maj • 05:26 • -16.55db
25% Popularity • 68% Danceability • 22% Energy • 29% Liveness
87% Instrumentalness • 20% Positiveness
25% Popularity • 68% Danceability • 22% Energy • 29% Liveness
87% Instrumentalness • 20% Positiveness
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Tony Sandate
Simple Song
87 bpm • B min • 05:44 • -21.82db
10% Popularity • 41% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
10% Popularity • 41% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Anila Mirela
Three Trees
85 bpm • F Maj • 02:28 • -19.27db
28% Popularity • 65% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
28% Popularity • 65% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Henry Mancini
It's Easy to Say
87 bpm • C Maj • 03:39 • -20db
6% Popularity • 43% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
6% Popularity • 43% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Muriel Anderson
When the Stars Come Out - Harp Guitar Du...
85 bpm • E min • 04:17 • -19.17db
6% Popularity • 29% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
6% Popularity • 29% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Chris Embers
Awaiting
87 bpm • A Maj • 02:15 • -14.26db
37% Popularity • 41% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
37% Popularity • 41% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Ed Gerhard
Junk
88 bpm • C Maj • 02:07 • -18.9db
15% Popularity • 48% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 21% Positiveness
15% Popularity • 48% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 21% Positiveness
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Tony Sandate
Irish Blessing
87 bpm • C Maj • 03:41 • -21.77db
10% Popularity • 45% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 41% Positiveness
10% Popularity • 45% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 41% Positiveness
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John Doan
Where Horses of Faery Hide
88 bpm • F# min • 05:38 • -12.36db
26% Popularity • 52% Danceability • 37% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
26% Popularity • 52% Danceability • 37% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
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Alain LaFontaine
Four Green Fields
88 bpm • G Maj • 02:04 • -24.7db
38% Popularity • 62% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 57% Positiveness
38% Popularity • 62% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 57% Positiveness
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Muriel Anderson
Why Worry - Harp Guitar Duet
87 bpm • G Maj • 03:53 • -16.28db
11% Popularity • 65% Danceability • 19% Energy • 15% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 65% Danceability • 19% Energy • 15% Liveness
94% Instrumentalness • 20% Positiveness
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Eric Tingstad
Darlin'
88 bpm • A Maj • 03:05 • -15.2db
11% Popularity • 66% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 72% Positiveness
11% Popularity • 66% Danceability • 25% Energy • 13% Liveness
95% Instrumentalness • 72% Positiveness
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Ed Gerhard
I'm So Lonesome I Could Cry
88 bpm • D# Maj • 03:06 • -16.59db
13% Popularity • 46% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
13% Popularity • 46% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Jürgen Saalmann
Harmonic
88 bpm • G Maj • 03:11 • -13.32db
32% Popularity • 58% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 58% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 21% Positiveness
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Wayne Jones
Sweet Memories
84 bpm • A Maj • 03:25 • -19.28db
20% Popularity • 48% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
20% Popularity • 48% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Robin Bullock
Down by the Salley Gardens
84 bpm • D Maj • 03:26 • -16.77db
27% Popularity • 52% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
27% Popularity • 52% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Muriel Anderson
Rumores de la Caleta
87 bpm • A Maj • 03:43 • -16.65db
4% Popularity • 35% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
4% Popularity • 35% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
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William Ellwood
A Thousand Smiles
84 bpm • G# min • 04:47 • -16.04db
11% Popularity • 54% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 25% Positiveness
11% Popularity • 54% Danceability • 27% Energy • 12% Liveness
82% Instrumentalness • 25% Positiveness
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John Doan
Tra Amici
83 bpm • E min • 05:39 • -16.13db
11% Popularity • 23% Danceability • 28% Energy • 10% Liveness
46% Instrumentalness • 23% Positiveness
11% Popularity • 23% Danceability • 28% Energy • 10% Liveness
46% Instrumentalness • 23% Positiveness
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Jürgen Saalmann
Snow
84 bpm • A min • 03:57 • -18db
21% Popularity • 37% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 27% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 27% Positiveness
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Wayne Jones
Sangria
88 bpm • E min • 04:46 • -17.89db
19% Popularity • 44% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 21% Positiveness
19% Popularity • 44% Danceability • 9% Energy • 11% Liveness
81% Instrumentalness • 21% Positiveness
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Ann Sweeten
A Place in the Sun
83 bpm • C Maj • 03:52 • -19.25db
22% Popularity • 21% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 19% Positiveness
22% Popularity • 21% Danceability • 22% Energy • 11% Liveness
98% Instrumentalness • 19% Positiveness
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Muriel Anderson
The Gathering - Harp Guitar Duet
84 bpm • G Maj • 03:55 • -13.43db
6% Popularity • 42% Danceability • 20% Energy • 8% Liveness
82% Instrumentalness • 21% Positiveness
6% Popularity • 42% Danceability • 20% Energy • 8% Liveness
82% Instrumentalness • 21% Positiveness
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Richard Elliott
Spanish Ballad
89 bpm • E min • 01:50 • -16.86db
41% Popularity • 29% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
41% Popularity • 29% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Mr & Mrs Cello
Sound of Silence - Arr. for Two Cellos
83 bpm • G Maj • 05:13 • -12.17db
30% Popularity • 19% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Stephen Wake
Inisheer
90 bpm • E Maj • 03:24 • -9.6db
32% Popularity • 37% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
32% Popularity • 37% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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Georg Erixon
Right Here Waiting
89 bpm • C Maj • 04:04 • -11.99db
45% Popularity • 64% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
45% Popularity • 64% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Shivpreet Singh
Unplanned Mool Mantra
82 bpm • A Maj • 07:19 • -18.44db
7% Popularity • 36% Danceability • 7% Energy • 14% Liveness
69% Instrumentalness • 15% Positiveness
7% Popularity • 36% Danceability • 7% Energy • 14% Liveness
69% Instrumentalness • 15% Positiveness
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Muriel Anderson
Always on My Way Home - Harp Guitar Duet
89 bpm • F Maj • 04:13 • -16.3db
8% Popularity • 37% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 24% Positiveness
8% Popularity • 37% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 24% Positiveness
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Ann Sweeten
Where Butterflies Dance
90 bpm • C Maj • 05:26 • -19db
25% Popularity • 30% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
25% Popularity • 30% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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![Abbie Marie (Cello and Piano) [feat. Emil Miland] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
Abbie Marie (Cello and Piano)
90 bpm • G# Maj • 03:28 • -22.04db
26% Popularity • 17% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
26% Popularity • 17% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
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Kathryn Toyama
True Friends
82 bpm • G min • 01:32 • -16.26db
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
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Georg Erixon
One of Us
82 bpm • G Maj • 03:00 • -15db
41% Popularity • 66% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
41% Popularity • 66% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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King Coleman New Trio
Islands in the Stream
90 bpm • C Maj • 03:22 • -21db
41% Popularity • 67% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
41% Popularity • 67% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Muriel Anderson
Waiting for Matthew
89 bpm • A min • 06:12 • -19.18db
3% Popularity • 28% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
3% Popularity • 28% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Eric Tingstad
Shadow Dancer
90 bpm • A# Maj • 03:42 • -15.53db
35% Popularity • 47% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
35% Popularity • 47% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Roberto Dalla Vecchia
Why Worry
90 bpm • D Maj • 02:52 • -18.33db
40% Popularity • 52% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
40% Popularity • 52% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Lance Takamiya
You've Got a Friend
90 bpm • A Maj • 03:07 • -13.44db
35% Popularity • 72% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
35% Popularity • 72% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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August Flendahl
La Rosa Blanca
82 bpm • B min • 02:07 • -16.44db
34% Popularity • 69% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
34% Popularity • 69% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 12% Positiveness
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Andrea Valeri
White Nights in St. Petersburg
90 bpm • D Maj • 04:45 • -15.29db
0% Popularity • 38% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 16% Positiveness
0% Popularity • 38% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 16% Positiveness
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Muriel Anderson
Why Worry
90 bpm • E Maj • 04:17 • -18.74db
8% Popularity • 59% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
8% Popularity • 59% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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Larry Pattis
Through The Eyes Of A Child
82 bpm • B Maj • 02:58 • -17.04db
26% Popularity • 37% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
26% Popularity • 37% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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Fiona Joy Hawkins
Ciney's Theme (Wedding March)
90 bpm • A Maj • 02:41 • -22db
35% Popularity • 31% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
35% Popularity • 31% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
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Gabriel Lee
Summer Morning
90 bpm • G# Maj • 01:48 • -24db
33% Popularity • 27% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
33% Popularity • 27% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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El McMeen
Tennessee Waltz
82 bpm • D# Maj • 03:29 • -22db
22% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
22% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Chris Proctor
California Dreamin'/Paint It Black/Runaw...
81 bpm • G min • 07:29 • -16.65db
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Muriel Anderson
Velzoe's Garden - Harp Guitar Duet
82 bpm • A Maj • 02:59 • -17.8db
5% Popularity • 58% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
5% Popularity • 58% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Oscar Lopez
Loving You
81 bpm • E min • 04:35 • -9.92db
36% Popularity • 45% Danceability • 35% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
36% Popularity • 45% Danceability • 35% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
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Fiona Joy Hawkins
Calling County Clare
81 bpm • D Maj • 05:06 • -15db
38% Popularity • 51% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
38% Popularity • 51% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Joanie Madden
The Immigrant
91 bpm • C Maj • 06:03 • -9.93db
35% Popularity • 32% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 18% Positiveness
35% Popularity • 32% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 18% Positiveness
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Mike Howe
Heading West
92 bpm • A Maj • 03:11 • -16.35db
31% Popularity • 39% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
31% Popularity • 39% Danceability • 16% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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Acoustic Alchemy
Ballad For Kay
92 bpm • E Maj • 02:59 • -16.4db
29% Popularity • 49% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
29% Popularity • 49% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
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Muriel Anderson
Great Blue Heron
81 bpm • D min • 03:12 • -19.17db
3% Popularity • 29% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
3% Popularity • 29% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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John Doan
Farewell
92 bpm • E Maj • 04:01 • -15.32db
28% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
28% Popularity • 31% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Andrea Moro
Ti addormenterai
80 bpm • G Maj • 03:06 • -10.34db
27% Popularity • 75% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
27% Popularity • 75% Danceability • 33% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Ryan Stewart
Old Irish Piano
80 bpm • B min • 02:47 • -20.45db
37% Popularity • 40% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 40% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Mike Howe
The River May Rise
81 bpm • G# Maj • 04:17 • -18.51db
17% Popularity • 49% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 15% Positiveness
17% Popularity • 49% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 15% Positiveness
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Back to Earth
From Inside Yourself
80 bpm • D# Maj • 02:36 • -19.85db
48% Popularity • 24% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
48% Popularity • 24% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Muriel Anderson
Dandelions - Instrumental
81 bpm • G Maj • 03:16 • -22db
27% Popularity • 42% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
27% Popularity • 42% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Eric Tingstad
Emerald Pavane - Remastered
92 bpm • A Maj • 04:07 • -15.99db
26% Popularity • 47% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
26% Popularity • 47% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
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Will Ackerman
I Know This River
92 bpm • A min • 03:55 • -21.93db
21% Popularity • 27% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
21% Popularity • 27% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Andrea Moro
Il Riflesso dell'Acqua
80 bpm • C Maj • 03:18 • -14.66db
20% Popularity • 57% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 37% Positiveness
20% Popularity • 57% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 37% Positiveness
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Emilio Bonito
Daydreamer
93 bpm • A min • 02:56 • -14.13db
38% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
38% Popularity • 36% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 24% Positiveness
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Bernward Koch
Little Moritz
80 bpm • F Maj • 03:06 • -16.93db
36% Popularity • 25% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
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Muriel Anderson
Avocado Minuet - Harp Guitar Duet
80 bpm • C min • 02:30 • -11db
6% Popularity • 62% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 47% Positiveness
6% Popularity • 62% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 47% Positiveness
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Roberto Dalla Vecchia
Scarborough Fair
80 bpm • B min • 02:52 • -15.67db
34% Popularity • 54% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
34% Popularity • 54% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Eric Tingstad
Torna a Surriento
80 bpm • C min • 04:01 • -16.47db
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
25% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Triona NÃ Dhomhnaill
A Different Shore
93 bpm • D min • 05:39 • -20db
25% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
25% Popularity • 38% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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King Coleman New Trio
Don't Stop Believin'
93 bpm • E Maj • 03:01 • -22.06db
45% Popularity • 67% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
45% Popularity • 67% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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John Doan
Gazing On the Face of the Sea
93 bpm • D Maj • 04:02 • -25db
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
30% Popularity • 36% Danceability • 3% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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Muriel Anderson
The Old Church of Kilronan - Harp Guitar...
80 bpm • E min • 04:14 • -14.17db
6% Popularity • 40% Danceability • 17% Energy • 7% Liveness
25% Instrumentalness • 20% Positiveness
6% Popularity • 40% Danceability • 17% Energy • 7% Liveness
25% Instrumentalness • 20% Positiveness
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Spencer Brewer
Where We Used To Play
93 bpm • B min • 04:05 • -29db
28% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
28% Popularity • 33% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Alex de Grassi
The Rain Is Pouring
79 bpm • G min • 03:35 • -19.97db
11% Popularity • 34% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 34% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Vin Downes
All You Left Behind
79 bpm • C# Maj • 04:02 • -23.73db
18% Popularity • 46% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
18% Popularity • 46% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Ben Woolman
Here, There & Everywhere
79 bpm • G Maj • 03:04 • -21.62db
19% Popularity • 48% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 45% Positiveness
19% Popularity • 48% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 45% Positiveness
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John Doan
Remembering Greensleeves
93 bpm • G Maj • 05:04 • -25.2db
7% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
7% Popularity • 37% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Will Ackerman
In a Region of Clouds
93 bpm • G# Maj • 04:22 • -19.65db
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Muriel Anderson
Night Lights - Instrumental
79 bpm • B min • 04:25 • -13.31db
4% Popularity • 45% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
4% Popularity • 45% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Will Moore
A Space That's Only Just There
79 bpm • D Maj • 03:26 • -15.73db
24% Popularity • 56% Danceability • 17% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
24% Popularity • 56% Danceability • 17% Energy • 11% Liveness
81% Instrumentalness • 22% Positiveness
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Larry Pattis
Ashokan Farewell
79 bpm • D Maj • 02:16 • -17.26db
28% Popularity • 38% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
28% Popularity • 38% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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John Boswell
Skye Boat Song
79 bpm • A Maj • 05:38 • -18.75db
20% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
20% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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William Ellwood
At The World
94 bpm • E min • 02:45 • -19db
36% Popularity • 44% Danceability • 28% Energy • 11% Liveness
73% Instrumentalness • 50% Positiveness
36% Popularity • 44% Danceability • 28% Energy • 11% Liveness
73% Instrumentalness • 50% Positiveness
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John Danley
Auburn Moon
79 bpm • C Maj • 03:29 • -17db
25% Popularity • 51% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
25% Popularity • 51% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Ed Gerhard
If I Fell / My Life
79 bpm • D Maj • 05:33 • -15.3db
10% Popularity • 45% Danceability • 16% Energy • 11% Liveness
53% Instrumentalness • 8% Positiveness
10% Popularity • 45% Danceability • 16% Energy • 11% Liveness
53% Instrumentalness • 8% Positiveness
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Muriel Anderson
Little Sisters Child
94 bpm • A Maj • 02:34 • -25.76db
3% Popularity • 32% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
3% Popularity • 32% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Will Ackerman
Shella's Pictures
79 bpm • F# Maj • 05:18 • -21.28db
28% Popularity • 27% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 27% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Michael Hoppé
Beloved
79 bpm • F Maj • 03:06 • -21.31db
25% Popularity • 36% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
25% Popularity • 36% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Wayne Jones
Piazza Garibaldi
94 bpm • G Maj • 04:26 • -20.41db
19% Popularity • 65% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
19% Popularity • 65% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Billy McLaughlin
The Happy Archer
94 bpm • D Maj • 03:13 • -20.41db
30% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
30% Popularity • 68% Danceability • 14% Energy • 10% Liveness
55% Instrumentalness • 36% Positiveness
