Songs like Violence by Andy Stott
Based on a tempo of (+/- 10%) and a similar genre
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Forest Swords
Raw Language
140 bpm • D# min • 04:28 • -9.69db
27% Popularity • 36% Danceability • 44% Energy • 8% Liveness
74% Instrumentalness • 25% Positiveness
27% Popularity • 36% Danceability • 44% Energy • 8% Liveness
74% Instrumentalness • 25% Positiveness
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White Ring
IxC999
140 bpm • E min • 05:07 • -7.29db
38% Popularity • 67% Danceability • 55% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
38% Popularity • 67% Danceability • 55% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
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Amnesia Scanner
AS Truth
140 bpm • F min • 04:04 • -7.12db
9% Popularity • 60% Danceability • 66% Energy • 7% Liveness
39% Instrumentalness • 50% Positiveness
9% Popularity • 60% Danceability • 66% Energy • 7% Liveness
39% Instrumentalness • 50% Positiveness
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Sky H1
Air
140 bpm • C Maj • 04:02 • -8.49db
14% Popularity • 57% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
14% Popularity • 57% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 6% Positiveness
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![Amo Bishop Roden [Chosen by Warp co-founder Steve Beckett] cover art](https://i.scdn.co/image/ab67616d00001e02d3d11f5fd4ca73e13cf2a973)
Boards of Canada
Amo Bishop Roden [Chosen by Warp co-foun...
140 bpm • G# min • 06:13 • -11db
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 29% Positiveness
37% Popularity • 58% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 29% Positiveness
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Coil
Triple Sun - Remastered
140 bpm • F Maj • 03:46 • -13db
32% Popularity • 55% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 55% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Andy Stott
Violence
140 bpm • C# Maj • 06:37 • -13db
36% Popularity • 36% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 36% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Demdike Stare
Animal Style
140 bpm • C# Maj • 07:09 • -10.22db
13% Popularity • 72% Danceability • 49% Energy • 10% Liveness
64% Instrumentalness • 48% Positiveness
13% Popularity • 72% Danceability • 49% Energy • 10% Liveness
64% Instrumentalness • 48% Positiveness
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The Bug
Void
140 bpm • C# Maj • 03:48 • -10db
19% Popularity • 45% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 45% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 6% Positiveness
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Panda Bear
Boys Latin - Andy Stott remix
140 bpm • C# Maj • 06:16 • -5.83db
6% Popularity • 59% Danceability • 97% Energy • 25% Liveness
40% Instrumentalness • 11% Positiveness
6% Popularity • 59% Danceability • 97% Energy • 25% Liveness
40% Instrumentalness • 11% Positiveness
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Stone Giants
Metropole
140 bpm • B Maj • 03:40 • -10.29db
31% Popularity • 22% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
31% Popularity • 22% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Zomby
Tears in the Rain
139 bpm • F# Maj • 04:34 • -8db
27% Popularity • 61% Danceability • 76% Energy • 66% Liveness
80% Instrumentalness • 35% Positiveness
27% Popularity • 61% Danceability • 76% Energy • 66% Liveness
80% Instrumentalness • 35% Positiveness
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Andy Stott
Dismantle
140 bpm • C# Maj • 04:16 • -15.85db
24% Popularity • 44% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
24% Popularity • 44% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Bowery Electric
Without Stopping
141 bpm • A Maj • 05:13 • -16.59db
34% Popularity • 70% Danceability • 49% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
34% Popularity • 70% Danceability • 49% Energy • 10% Liveness
72% Instrumentalness • 67% Positiveness
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Arca
Brokeup
139 bpm • A# min • 02:52 • -7.63db
40% Popularity • 70% Danceability • 58% Energy • 9% Liveness
12% Instrumentalness • 51% Positiveness
40% Popularity • 70% Danceability • 58% Energy • 9% Liveness
12% Instrumentalness • 51% Positiveness
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Mala
Changes - James Blake Harmonimix
139 bpm • G Maj • 05:24 • -7db
27% Popularity • 22% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 57% Energy • 10% Liveness
64% Instrumentalness • 8% Positiveness
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oOoOO
Mumbai
138 bpm • C# Maj • 02:12 • -9.18db
28% Popularity • 47% Danceability • 38% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
28% Popularity • 47% Danceability • 38% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Seefeel
Starethrough - Transition Mix
142 bpm • D Maj • 05:04 • -15db
17% Popularity • 47% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 47% Danceability • 32% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Vatican Shadow
Ziad Jarrah Studied Mathematics
142 bpm • A min • 04:50 • -14.44db
17% Popularity • 50% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 50% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Holy Other
(W)here
142 bpm • G# Maj • 03:49 • -9.15db
17% Popularity • 34% Danceability • 72% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
17% Popularity • 34% Danceability • 72% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Amnesia Scanner
AS Crust
142 bpm • A# min • 03:15 • -5.98db
23% Popularity • 40% Danceability • 84% Energy • 5% Liveness
7% Instrumentalness • 15% Positiveness
23% Popularity • 40% Danceability • 84% Energy • 5% Liveness
7% Instrumentalness • 15% Positiveness
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Kaitlyn Aurelia Smith
First Flight
143 bpm • C min • 04:38 • -14db
22% Popularity • 32% Danceability • 54% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
22% Popularity • 32% Danceability • 54% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
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Andy Stott
Faith in Strangers
137 bpm • G Maj • 06:29 • -10db
43% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
43% Popularity • 66% Danceability • 69% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Fatima Al Qadiri
Vatican Vibes
144 bpm • B min • 05:16 • -4.67db
10% Popularity • 62% Danceability • 86% Energy • 39% Liveness
40% Instrumentalness • 22% Positiveness
10% Popularity • 62% Danceability • 86% Energy • 39% Liveness
40% Instrumentalness • 22% Positiveness
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Filmmaker
Lust Riders
136 bpm • D Maj • 05:18 • -5.17db
36% Popularity • 65% Danceability • 100% Energy • 21% Liveness
58% Instrumentalness • 72% Positiveness
36% Popularity • 65% Danceability • 100% Energy • 21% Liveness
58% Instrumentalness • 72% Positiveness
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Demdike Stare
Hashshashin Chant
144 bpm • F min • 06:20 • -13.62db
10% Popularity • 38% Danceability • 82% Energy • 20% Liveness
91% Instrumentalness • 7% Positiveness
10% Popularity • 38% Danceability • 82% Energy • 20% Liveness
91% Instrumentalness • 7% Positiveness
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Burial
Rival Dealer
136 bpm • A# Maj • 10:42 • -8.39db
23% Popularity • 30% Danceability • 91% Energy • 14% Liveness
62% Instrumentalness • 17% Positiveness
23% Popularity • 30% Danceability • 91% Energy • 14% Liveness
62% Instrumentalness • 17% Positiveness
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SHXCXCHCXSH
Lttlwlf
136 bpm • G min • 05:54 • -8.31db
15% Popularity • 60% Danceability • 73% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
15% Popularity • 60% Danceability • 73% Energy • 12% Liveness
91% Instrumentalness • 32% Positiveness
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Aïsha Devi
Inner State of Alchemy
136 bpm • F# Maj • 03:25 • -10.39db
9% Popularity • 36% Danceability • 52% Energy • 12% Liveness
24% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 52% Energy • 12% Liveness
24% Instrumentalness • 12% Positiveness
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HTRK
Bendin
144 bpm • G Maj • 05:33 • -11.94db
13% Popularity • 53% Danceability • 45% Energy • 14% Liveness
30% Instrumentalness • 59% Positiveness
13% Popularity • 53% Danceability • 45% Energy • 14% Liveness
30% Instrumentalness • 59% Positiveness
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Kode9
Glass
145 bpm • B Maj • 04:30 • -12.38db
11% Popularity • 65% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
11% Popularity • 65% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Floating Points
Last Bloom
135 bpm • C# Maj • 05:53 • -11.71db
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
37% Popularity • 71% Danceability • 65% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Andy Stott
Selfish
135 bpm • G Maj • 04:34 • -5.23db
15% Popularity • 85% Danceability • 83% Energy • 17% Liveness
3% Instrumentalness • 21% Positiveness
15% Popularity • 85% Danceability • 83% Energy • 17% Liveness
3% Instrumentalness • 21% Positiveness
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Aphex Twin
Tha
135 bpm • E min • 09:07 • -19.88db
52% Popularity • 60% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
52% Popularity • 60% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Seefeel
Moodswing
146 bpm • C# min • 05:47 • -19.22db
28% Popularity • 35% Danceability • 36% Energy • 38% Liveness
97% Instrumentalness • 6% Positiveness
28% Popularity • 35% Danceability • 36% Energy • 38% Liveness
97% Instrumentalness • 6% Positiveness
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Boards of Canada
Julie And Candy
146 bpm • C# Maj • 05:30 • -8db
39% Popularity • 68% Danceability • 62% Energy • 21% Liveness
93% Instrumentalness • 10% Positiveness
39% Popularity • 68% Danceability • 62% Energy • 21% Liveness
93% Instrumentalness • 10% Positiveness
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µ-Ziq
Brace Yourself Jason
146 bpm • G Maj • 06:22 • -8.81db
38% Popularity • 55% Danceability • 73% Energy • 5% Liveness
93% Instrumentalness • 45% Positiveness
38% Popularity • 55% Danceability • 73% Energy • 5% Liveness
93% Instrumentalness • 45% Positiveness
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Kelly Lee Owens
8
146 bpm • D min • 09:39 • -14db
26% Popularity • 48% Danceability • 85% Energy • 32% Liveness
82% Instrumentalness • 4% Positiveness
26% Popularity • 48% Danceability • 85% Energy • 32% Liveness
82% Instrumentalness • 4% Positiveness
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Andy Stott
Dark Details
135 bpm • D# min • 06:04 • -17.02db
15% Popularity • 78% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
15% Popularity • 78% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Floating Points
Bias
146 bpm • C# min • 05:08 • -12.03db
41% Popularity • 60% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
41% Popularity • 60% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Seefeel
Time to Find Me - AFX Slow Mix
134 bpm • B min • 09:35 • -17db
18% Popularity • 79% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
18% Popularity • 79% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 43% Positiveness
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Fatima Al Qadiri
How Can I Resist U
147 bpm • D Maj • 03:33 • -9.54db
11% Popularity • 53% Danceability • 65% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
11% Popularity • 53% Danceability • 65% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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Amnesia Scanner
AS Symmetribal
147 bpm • A# Maj • 04:28 • -5.14db
13% Popularity • 21% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 21% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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HTRK
Poison
133 bpm • G min • 03:41 • -8.74db
13% Popularity • 43% Danceability • 71% Energy • 22% Liveness
79% Instrumentalness • 46% Positiveness
13% Popularity • 43% Danceability • 71% Energy • 22% Liveness
79% Instrumentalness • 46% Positiveness
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Andy Stott
It Should Be Us
146 bpm • C# Maj • 05:26 • -12.12db
19% Popularity • 63% Danceability • 62% Energy • 15% Liveness
74% Instrumentalness • 60% Positiveness
19% Popularity • 63% Danceability • 62% Energy • 15% Liveness
74% Instrumentalness • 60% Positiveness
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Boards of Canada
1969
147 bpm • C# min • 04:20 • -10.05db
43% Popularity • 67% Danceability • 73% Energy • 34% Liveness
54% Instrumentalness • 21% Positiveness
43% Popularity • 67% Danceability • 73% Energy • 34% Liveness
54% Instrumentalness • 21% Positiveness
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Scanner
Insulation Mix (after G.F. Handel's Mess...
133 bpm • E min • 06:30 • -22db
12% Popularity • 20% Danceability • 22% Energy • 78% Liveness
80% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 78% Liveness
80% Instrumentalness • 4% Positiveness
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Demdike Stare
Caged in Stammheim
133 bpm • F# Maj • 05:18 • -14.2db
8% Popularity • 56% Danceability • 46% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
8% Popularity • 56% Danceability • 46% Energy • 18% Liveness
95% Instrumentalness • 12% Positiveness
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James Holden
The Caterpillar's Intervention
133 bpm • G Maj • 04:04 • -8.11db
18% Popularity • 53% Danceability • 71% Energy • 44% Liveness
79% Instrumentalness • 27% Positiveness
18% Popularity • 53% Danceability • 71% Energy • 44% Liveness
79% Instrumentalness • 27% Positiveness
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Raime
Passed over Trail
133 bpm • G Maj • 04:30 • -19.51db
27% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Fennesz
Transit
132 bpm • D Maj • 04:59 • -14db
24% Popularity • 31% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
24% Popularity • 31% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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HTRK
Love is Distraction
148 bpm • G Maj • 07:18 • -16.33db
19% Popularity • 60% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
19% Popularity • 60% Danceability • 52% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
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Lusine
Witness
132 bpm • A# min • 04:23 • -11db
30% Popularity • 71% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
30% Popularity • 71% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 38% Positiveness
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Blanck Mass
John Doe's Carnival of Error
149 bpm • G# Maj • 02:35 • -7.85db
20% Popularity • 38% Danceability • 58% Energy • 48% Liveness
93% Instrumentalness • 23% Positiveness
20% Popularity • 38% Danceability • 58% Energy • 48% Liveness
93% Instrumentalness • 23% Positiveness
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SALEM
King Night
132 bpm • C# Maj • 03:50 • -7db
40% Popularity • 43% Danceability • 84% Energy • 49% Liveness
81% Instrumentalness • 17% Positiveness
40% Popularity • 43% Danceability • 84% Energy • 49% Liveness
81% Instrumentalness • 17% Positiveness
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Raime
Front Running
132 bpm • A# min • 04:24 • -15db
9% Popularity • 52% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 52% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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Actress
R.I.P.
132 bpm • A Maj • 01:16 • -12.69db
37% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
37% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Coil
Going Up - Remastered
131 bpm • A min • 08:29 • -18.44db
27% Popularity • 18% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Forest Swords
Sjurvival
131 bpm • A min • 02:26 • -20.05db
39% Popularity • 31% Danceability • 62% Energy • 91% Liveness
88% Instrumentalness • 19% Positiveness
39% Popularity • 31% Danceability • 62% Energy • 91% Liveness
88% Instrumentalness • 19% Positiveness
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COUCOU CHLOE
Flip U
150 bpm • G Maj • 03:53 • -7.59db
21% Popularity • 52% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 52% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Aphex Twin
Heliosphan
131 bpm • C min • 04:53 • -14.16db
52% Popularity • 34% Danceability • 61% Energy • 9% Liveness
96% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 61% Energy • 9% Liveness
96% Instrumentalness • 13% Positiveness
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Raime
Glassed
131 bpm • A Maj • 05:15 • -17.86db
8% Popularity • 69% Danceability • 24% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
8% Popularity • 69% Danceability • 24% Energy • 11% Liveness
73% Instrumentalness • 7% Positiveness
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Smerz
You See?
150 bpm • B min • 04:05 • -11.38db
17% Popularity • 58% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
17% Popularity • 58% Danceability • 76% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
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Andy Stott
No Surrender
150 bpm • G min • 04:58 • -7.43db
19% Popularity • 29% Danceability • 82% Energy • 8% Liveness
32% Instrumentalness • 12% Positiveness
19% Popularity • 29% Danceability • 82% Energy • 8% Liveness
32% Instrumentalness • 12% Positiveness
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Demdike Stare
Trapped Dervish
150 bpm • G Maj • 01:11 • -10.89db
24% Popularity • 47% Danceability • 85% Energy • 38% Liveness
94% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 85% Energy • 38% Liveness
94% Instrumentalness • 36% Positiveness
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Carla dal Forno
Clusters
150 bpm • F min • 04:29 • -11.92db
31% Popularity • 54% Danceability • 30% Energy • 12% Liveness
71% Instrumentalness • 22% Positiveness
31% Popularity • 54% Danceability • 30% Energy • 12% Liveness
71% Instrumentalness • 22% Positiveness
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Forest Swords
War It
130 bpm • F# min • 05:54 • -11db
28% Popularity • 27% Danceability • 45% Energy • 26% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 27% Danceability • 45% Energy • 26% Liveness
90% Instrumentalness • 6% Positiveness
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Klein
Claim It
150 bpm • B Maj • 06:30 • -9.64db
20% Popularity • 53% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
20% Popularity • 53% Danceability • 59% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Nosaj Thing
Get Like
130 bpm • C# min • 03:04 • -14.09db
23% Popularity • 76% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
23% Popularity • 76% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Andy Stott
Damage
150 bpm • G Maj • 04:35 • -6.97db
19% Popularity • 72% Danceability • 99% Energy • 25% Liveness
88% Instrumentalness • 31% Positiveness
19% Popularity • 72% Danceability • 99% Energy • 25% Liveness
88% Instrumentalness • 31% Positiveness
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Oneohtrix Point Never
I Don't Love Me Anymore
130 bpm • D# min • 02:54 • -6db
44% Popularity • 60% Danceability • 84% Energy • 13% Liveness
60% Instrumentalness • 46% Positiveness
44% Popularity • 60% Danceability • 84% Energy • 13% Liveness
60% Instrumentalness • 46% Positiveness
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HTRK
Give it Up
130 bpm • B min • 03:48 • -18.77db
26% Popularity • 76% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
26% Popularity • 76% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 23% Positiveness
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Forest Swords
Panic
130 bpm • C# Maj • 04:48 • -13db
35% Popularity • 49% Danceability • 43% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
35% Popularity • 49% Danceability • 43% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
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Anna Domino
With the Day Comes the Dawn - Mixed
151 bpm • F# min • 04:33 • -12.84db
14% Popularity • 62% Danceability • 55% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
14% Popularity • 62% Danceability • 55% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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Raime
Dialling In, Falling out
130 bpm • C# Maj • 04:57 • -17.87db
10% Popularity • 83% Danceability • 30% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
10% Popularity • 83% Danceability • 30% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Andy Stott
Ballroom
130 bpm • G# Maj • 04:02 • -12.35db
12% Popularity • 78% Danceability • 65% Energy • 9% Liveness
6% Instrumentalness • 26% Positiveness
12% Popularity • 78% Danceability • 65% Energy • 9% Liveness
6% Instrumentalness • 26% Positiveness
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trentemøller
Candy Tongue - Jenny Wilson Version
130 bpm • E min • 05:31 • -8.06db
15% Popularity • 53% Danceability • 86% Energy • 37% Liveness
92% Instrumentalness • 30% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 37% Liveness
92% Instrumentalness • 30% Positiveness
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DjRUM
Sparrows
130 bpm • C min • 04:40 • -14.65db
26% Popularity • 24% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 24% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jon Hopkins
We Disappear - Remaster 2023
130 bpm • C# Maj • 04:49 • -10.87db
36% Popularity • 69% Danceability • 53% Energy • 10% Liveness
43% Instrumentalness • 11% Positiveness
36% Popularity • 69% Danceability • 53% Energy • 10% Liveness
43% Instrumentalness • 11% Positiveness
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µ-Ziq
Goodbye, Goodbye
130 bpm • G Maj • 04:07 • -10.09db
37% Popularity • 54% Danceability • 44% Energy • 17% Liveness
89% Instrumentalness • 12% Positiveness
37% Popularity • 54% Danceability • 44% Energy • 17% Liveness
89% Instrumentalness • 12% Positiveness
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Sophia Loizou
Shadows of Futurity
130 bpm • G# Maj • 04:46 • -9.88db
12% Popularity • 28% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
12% Popularity • 28% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Carla dal Forno
Fast Moving Cars
129 bpm • D# min • 03:31 • -16.01db
24% Popularity • 35% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 44% Positiveness
24% Popularity • 35% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 44% Positiveness
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Arca
Urchin
130 bpm • F# Maj • 04:00 • -10.72db
34% Popularity • 19% Danceability • 50% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 50% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Telefon Tel Aviv
I dream of it often:
129 bpm • D min • 04:58 • -13db
17% Popularity • 30% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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The Field
Everyday
129 bpm • A Maj • 06:59 • -11.07db
31% Popularity • 66% Danceability • 81% Energy • 5% Liveness
93% Instrumentalness • 36% Positiveness
31% Popularity • 66% Danceability • 81% Energy • 5% Liveness
93% Instrumentalness • 36% Positiveness
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Raime
Stammer
129 bpm • D Maj • 04:47 • -16db
22% Popularity • 82% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
22% Popularity • 82% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Aphex Twin
T69 collapse
152 bpm • G Maj • 05:22 • -9.76db
30% Popularity • 44% Danceability • 93% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
30% Popularity • 44% Danceability • 93% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
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SHXCXCHCXSH
Monolithic Conclusion
128 bpm • A min • 04:49 • -11.96db
16% Popularity • 43% Danceability • 65% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 43% Danceability • 65% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Max Cooper
Order from Chaos
152 bpm • A min • 07:41 • -10.07db
34% Popularity • 59% Danceability • 88% Energy • 34% Liveness
90% Instrumentalness • 20% Positiveness
34% Popularity • 59% Danceability • 88% Energy • 34% Liveness
90% Instrumentalness • 20% Positiveness
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Eartheater
High Tide
153 bpm • C# Maj • 02:59 • -8db
46% Popularity • 50% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
46% Popularity • 50% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 13% Positiveness
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Massive Attack
Come Near Me
128 bpm • C Maj • 04:54 • -11.81db
39% Popularity • 72% Danceability • 35% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
39% Popularity • 72% Danceability • 35% Energy • 11% Liveness
20% Instrumentalness • 9% Positiveness
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Moderat
Rusty Nails - Shackleton Remix
128 bpm • C# Maj • 09:38 • -14db
25% Popularity • 50% Danceability • 66% Energy • 16% Liveness
40% Instrumentalness • 3% Positiveness
25% Popularity • 50% Danceability • 66% Energy • 16% Liveness
40% Instrumentalness • 3% Positiveness
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Aphex Twin
Nannou
152 bpm • A min • 04:15 • -16db
35% Popularity • 71% Danceability • 60% Energy • 8% Liveness
94% Instrumentalness • 47% Positiveness
35% Popularity • 71% Danceability • 60% Energy • 8% Liveness
94% Instrumentalness • 47% Positiveness
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SHXCXCHCXSH
SsSs
128 bpm • A min • 04:37 • -7.3db
13% Popularity • 40% Danceability • 81% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
13% Popularity • 40% Danceability • 81% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Lapalux
Reverence
128 bpm • G# min • 03:07 • -10.65db
24% Popularity • 32% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
24% Popularity • 32% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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The Field
Over The Ice
127 bpm • E min • 06:56 • -13db
30% Popularity • 66% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
30% Popularity • 66% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Mount Kimbie
Four Years and One Day
127 bpm • B Maj • 03:17 • -12db
39% Popularity • 29% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
39% Popularity • 29% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Fatima Al Qadiri
Hip Hop Spa
127 bpm • C# min • 04:24 • -8.53db
21% Popularity • 72% Danceability • 37% Energy • 12% Liveness
46% Instrumentalness • 54% Positiveness
21% Popularity • 72% Danceability • 37% Energy • 12% Liveness
46% Instrumentalness • 54% Positiveness
