Songs like Violin Concerto No.1 in A minor, BWV 1041: III. Allegro by Bamberg Symphony
Based on a tempo of (+/- 10%) and a similar genre
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Hector Berlioz
Harold en Italie, Op. 16: III. Allegro A...
84 bpm • C Maj • 06:50 • -34.59db
8% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: III. Anit...
84 bpm • D min • 03:18 • -34.16db
36% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
36% Popularity • 44% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Franz Schubert
Piano Quintet in A Major, Op. 114, D 667...
84 bpm • D Maj • 06:45 • -24.35db
23% Popularity • 27% Danceability • 7% Energy • 19% Liveness
48% Instrumentalness • 36% Positiveness
23% Popularity • 27% Danceability • 7% Energy • 19% Liveness
48% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Élégie, Op. 24 (Version for Cello & Or...
84 bpm • G# Maj • 07:59 • -23.79db
4% Popularity • 14% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
4% Popularity • 14% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:40 • -23.01db
24% Popularity • 45% Danceability • 14% Energy • 57% Liveness
85% Instrumentalness • 49% Positiveness
24% Popularity • 45% Danceability • 14% Energy • 57% Liveness
85% Instrumentalness • 49% Positiveness
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Domenico Cimarosa
Oboe Concerto in C Major: III. Siciliana...
84 bpm • A min • 02:59 • -16.38db
11% Popularity • 18% Danceability • 22% Energy • 10% Liveness
72% Instrumentalness • 9% Positiveness
11% Popularity • 18% Danceability • 22% Energy • 10% Liveness
72% Instrumentalness • 9% Positiveness
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Max Reger
Psalm 100, Op. 106: 1. "Jauchzet dem Her...
84 bpm • A Maj • 11:30 • -19.92db
0% Popularity • 12% Danceability • 20% Energy • 10% Liveness
57% Instrumentalness • 5% Positiveness
0% Popularity • 12% Danceability • 20% Energy • 10% Liveness
57% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620: Overture
84 bpm • D# Maj • 07:04 • -23.35db
9% Popularity • 30% Danceability • 6% Energy • 27% Liveness
23% Instrumentalness • 14% Positiveness
9% Popularity • 30% Danceability • 6% Energy • 27% Liveness
23% Instrumentalness • 14% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
84 bpm • E min • 07:43 • -19.05db
20% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
20% Popularity • 16% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Shylock, Op. 57: V. Nocturne
84 bpm • G Maj • 02:50 • -36db
23% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 7 in E Major, WAB...
83 bpm • F Maj • 08:53 • -17.76db
24% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Béla Bartók
Rhapsody No. 1, Sz. 87: II. Friss. Alleg...
83 bpm • A Maj • 05:42 • -19.4db
3% Popularity • 37% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 24% Positiveness
3% Popularity • 37% Danceability • 21% Energy • 12% Liveness
82% Instrumentalness • 24% Positiveness
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Richard Strauss
Die Liebe der Danae, Op. 83, TrV 278: Wi...
83 bpm • F Maj • 04:30 • -16.09db
9% Popularity • 18% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Max Reger
Suite In A Minor For Violin And Orchestr...
85 bpm • A# Maj • 05:08 • -27.1db
0% Popularity • 20% Danceability • 5% Energy • 13% Liveness
16% Instrumentalness • 20% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 13% Liveness
16% Instrumentalness • 20% Positiveness
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Ottorino Respighi
The Birds, P. 154: IV. The Nightingale (...
85 bpm • C Maj • 03:53 • -33.31db
12% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
12% Popularity • 27% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
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Hans Pfitzner
Symphony in C Major, Op. 46: III. Presto
83 bpm • G Maj • 06:05 • -18.34db
0% Popularity • 20% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
0% Popularity • 20% Danceability • 18% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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Robert Schumann
Piano Concerto in A Minor, Op. 54: III. ...
85 bpm • A Maj • 10:39 • -21db
12% Popularity • 22% Danceability • 23% Energy • 69% Liveness
84% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 23% Energy • 69% Liveness
84% Instrumentalness • 17% Positiveness
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Edvard Grieg
2 Elegiac Melodies, Op. 34: II. The Last...
85 bpm • G Maj • 04:43 • -27.23db
16% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 3% Energy • 16% Liveness
82% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Max Reger
Suite In Olden Style, Op. 93: 1. Prälud...
85 bpm • D min • 06:04 • -22.21db
0% Popularity • 51% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
0% Popularity • 51% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
83 bpm • D Maj • 08:04 • -21.6db
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
83 bpm • D# Maj • 09:36 • -23.91db
0% Popularity • 11% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 6% Positiveness
0% Popularity • 11% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 6% Positiveness
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Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74, TH 30...
85 bpm • D Maj • 08:06 • -23db
17% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 12% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 46: No. 3 in A-Flat...
85 bpm • G# Maj • 04:35 • -16.9db
0% Popularity • 20% Danceability • 17% Energy • 19% Liveness
87% Instrumentalness • 16% Positiveness
0% Popularity • 20% Danceability • 17% Energy • 19% Liveness
87% Instrumentalness • 16% Positiveness
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Max Reger
Schlichte Weisen, Op. 76: 52. Mariä Wie...
83 bpm • F Maj • 02:30 • -28.2db
0% Popularity • 19% Danceability • 4% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 4% Energy • 10% Liveness
30% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: Horn Concerto No. 2 in E-Fla...
83 bpm • D# Maj • 08:26 • -23.62db
2% Popularity • 14% Danceability • 5% Energy • 22% Liveness
91% Instrumentalness • 17% Positiveness
2% Popularity • 14% Danceability • 5% Energy • 22% Liveness
91% Instrumentalness • 17% Positiveness
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Georges Bizet
Symphony in C: Allegro-vivo
85 bpm • G Maj • 09:44 • -21.8db
13% Popularity • 44% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 44% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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![Wagner : Tristan und Isolde : Act 3 Isoldes Liebestod [Orchestral Version] cover art](https://i.scdn.co/image/ab67616d00001e02d4067c07dca5dd0eed078e71)
Richard Wagner
Wagner : Tristan und Isolde : Act 3 Isol...
85 bpm • E Maj • 06:48 • -22.17db
4% Popularity • 9% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
4% Popularity • 9% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Johann Strauss II
Waltz, Op. 410: Voices of Spring
82 bpm • A# Maj • 06:57 • -24.98db
0% Popularity • 21% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
0% Popularity • 21% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 18% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Max Bruch
Loreley, Op. 16: Overture
86 bpm • E Maj • 05:00 • -19.54db
3% Popularity • 9% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
3% Popularity • 9% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Launy Grøndahl
Trombone Concerto: III. Finale. Maestoso
82 bpm • F# Maj • 04:49 • -18.36db
12% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
12% Popularity • 30% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 1. Prél...
86 bpm • G Maj • 06:21 • -20.49db
21% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 9% Danceability • 7% Energy • 23% Liveness
94% Instrumentalness • 3% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Suite in A Major, Op. 98b, B. 190, "Amer...
82 bpm • A Maj • 03:23 • -23.53db
2% Popularity • 19% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 10% Positiveness
2% Popularity • 19% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 10% Positiveness
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Charles Koechlin
Trois mélodies, Op. 17/3: Épiphanie
82 bpm • C# min • 07:01 • -24.73db
3% Popularity • 20% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 4% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Jean Sibelius
Karelia Suite, Op. 11: II. Ballade (Temp...
87 bpm • A min • 06:01 • -28db
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
82 bpm • G Maj • 08:36 • -12.97db
19% Popularity • 49% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 19% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 19% Positiveness
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Josef Suk
Serenade für Streicher, Op. 6: II. Alle...
81 bpm • F# Maj • 05:46 • -17.38db
8% Popularity • 21% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 7% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
23% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
23% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
38% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Max Bruch
Symphony No. 1 in E-Flat Major, Op. 28: ...
81 bpm • D# min • 07:30 • -23.02db
5% Popularity • 8% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
5% Popularity • 8% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Bamberg Symphony
Violin Concerto No.1 in A minor, BWV 104...
87 bpm • A min • 04:03 • -12.15db
17% Popularity • 57% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
17% Popularity • 57% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
24% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Edward Elgar
Serenade for strings in E Minor, Op. 20:...
81 bpm • E min • 03:27 • -18.56db
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Max Reger
5 Gesänge, Op. 37: 3. Glückes genug
87 bpm • A# Maj • 02:42 • -23.63db
0% Popularity • 23% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 9% Energy • 7% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
28% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Bohuslav Martinů
Suite concertante in D Major, H. 276a: I...
87 bpm • G min • 04:00 • -22.65db
3% Popularity • 62% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 48% Positiveness
3% Popularity • 62% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 48% Positiveness
► Preview
Robert Schumann
Schumann: Symphony No. 3 in E-Flat Major...
81 bpm • C Maj • 06:22 • -25.89db
0% Popularity • 13% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
0% Popularity • 13% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Franz Schubert
Symphony No. 2 in B-Flat Major, D. 125: ...
81 bpm • C min • 02:59 • -18.11db
0% Popularity • 39% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 55% Positiveness
0% Popularity • 39% Danceability • 17% Energy • 21% Liveness
88% Instrumentalness • 55% Positiveness
► Preview
Nikolai Tcherepnin
Narcisse et Echo, Op. 40: No. 14, Un poe...
80 bpm • C Maj • 01:51 • -43.48db
0% Popularity • 15% Danceability • 0% Energy • 13% Liveness
21% Instrumentalness • 16% Positiveness
0% Popularity • 15% Danceability • 0% Energy • 13% Liveness
21% Instrumentalness • 16% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
87 bpm • D Maj • 10:10 • -24.2db
31% Popularity • 36% Danceability • 12% Energy • 11% Liveness
36% Instrumentalness • 19% Positiveness
31% Popularity • 36% Danceability • 12% Energy • 11% Liveness
36% Instrumentalness • 19% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: II. Variazio...
80 bpm • F Maj • 05:05 • -24.61db
16% Popularity • 8% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Hans Pfitzner
Das Fest auf Solhaug: Prelude to Act I
80 bpm • A# min • 11:10 • -26.29db
0% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Georges Bizet
L'Arlésienne Suite No. 2: Intermezzo
88 bpm • D# Maj • 05:18 • -19.92db
23% Popularity • 19% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 5% Energy • 13% Liveness
70% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Bohuslav Martinů
Suite concertante in D Major, H. 276a: I...
88 bpm • D min • 05:46 • -22.77db
2% Popularity • 34% Danceability • 12% Energy • 22% Liveness
83% Instrumentalness • 15% Positiveness
2% Popularity • 34% Danceability • 12% Energy • 22% Liveness
83% Instrumentalness • 15% Positiveness
► Preview
Launy Grøndahl
Trombone Concerto: II. Quasi una leggend...
88 bpm • A# min • 05:43 • -20.44db
13% Popularity • 10% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nikolai Tcherepnin
Narcisse et Echo, Op. 40: No. 1, Les Fau...
88 bpm • C# Maj • 05:52 • -38.14db
1% Popularity • 10% Danceability • 1% Energy • 33% Liveness
87% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 1% Energy • 33% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
31% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
31% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
► Preview
Léo Delibes
Coppelia Ballet Suite: Notturno
80 bpm • G Maj • 02:04 • -34.96db
23% Popularity • 34% Danceability • 0% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
23% Popularity • 34% Danceability • 0% Energy • 6% Liveness
2% Instrumentalness • 4% Positiveness
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Max Bruch
Scottish Fantasy, Op. 46: I. Adagio cant...
80 bpm • D# Maj • 04:48 • -21.28db
3% Popularity • 16% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
3% Popularity • 16% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Hans Pfitzner
Symphony in C Major, Op. 46: I. Allegro ...
89 bpm • C Maj • 06:48 • -25.39db
0% Popularity • 11% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 11% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Pastorale
80 bpm • A Maj • 06:16 • -22db
24% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Violin Concerto in D Major, K053: III. A...
89 bpm • D Maj • 05:25 • -28.41db
3% Popularity • 14% Danceability • 2% Energy • 38% Liveness
9% Instrumentalness • 4% Positiveness
3% Popularity • 14% Danceability • 2% Energy • 38% Liveness
9% Instrumentalness • 4% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
89 bpm • A Maj • 01:43 • -13.8db
29% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
29% Popularity • 38% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Max Reger
Sinfonietta, Op. 90: 3. Larghetto
89 bpm • B min • 09:03 • -24.24db
0% Popularity • 10% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
89 bpm • G# min • 09:34 • -24.25db
17% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Nikolai Tcherepnin
Narcisse et Echo, Op. 40: No. 6, Danse d...
79 bpm • A min • 02:17 • -36.78db
0% Popularity • 8% Danceability • 1% Energy • 7% Liveness
17% Instrumentalness • 11% Positiveness
0% Popularity • 8% Danceability • 1% Energy • 7% Liveness
17% Instrumentalness • 11% Positiveness
► Preview
Darius Milhaud
Concerto for marimba and vibraphone: 1. ...
89 bpm • D Maj • 04:40 • -23.49db
2% Popularity • 39% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
2% Popularity • 39% Danceability • 10% Energy • 11% Liveness
72% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 5 in F Major, Op. 103...
79 bpm • C Maj • 05:44 • -18db
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 29% Positiveness
17% Popularity • 40% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 29% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
90 bpm • A Maj • 05:11 • -24.56db
25% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
25% Popularity • 12% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
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Max Reger
5 Gesänge, Op. 98: 1. Aus den Himmelsau...
89 bpm • G# Maj • 03:06 • -20.64db
0% Popularity • 18% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
0% Popularity • 18% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
Roman Carnival Overture, Op. 9, H. 95
90 bpm • A Maj • 08:06 • -17.52db
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
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Maurice Ravel
Le Tombeau de Couperin, M. 68: I. Prélu...
78 bpm • E min • 03:22 • -24db
14% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
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Franz Schubert
Symphony No. 4 in C Minor, D. 417, "Trag...
90 bpm • G# Maj • 10:58 • -23.14db
0% Popularity • 32% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 15% Liveness
87% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 38, KV 504 "Prague": I. Ada...
78 bpm • D Maj • 10:08 • -10.74db
7% Popularity • 26% Danceability • 24% Energy • 6% Liveness
87% Instrumentalness • 20% Positiveness
7% Popularity • 26% Danceability • 24% Energy • 6% Liveness
87% Instrumentalness • 20% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
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Max Reger
Psalm 100, Op. 106: 3. "Gehet zu seinen ...
78 bpm • B Maj • 02:46 • -17.49db
0% Popularity • 20% Danceability • 34% Energy • 8% Liveness
62% Instrumentalness • 9% Positiveness
0% Popularity • 20% Danceability • 34% Energy • 8% Liveness
62% Instrumentalness • 9% Positiveness
► Preview
Domenico Cimarosa
Oboe Concerto in C Major: I. Introduzion...
78 bpm • C min • 02:41 • -15.59db
18% Popularity • 17% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
18% Popularity • 17% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Hans Pfitzner
Symphony in C-Sharp Minor, Op. 36a: III....
91 bpm • G Maj • 07:15 • -29.19db
0% Popularity • 12% Danceability • 2% Energy • 10% Liveness
65% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 2% Energy • 10% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Joachim Raff
Symphony No. 10 in F Minor, Op. 213, "Zu...
78 bpm • C# min • 07:49 • -26.38db
3% Popularity • 7% Danceability • 4% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
3% Popularity • 7% Danceability • 4% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Bohuslav Martinů
Suite concertante in D Major, H. 276a: I...
91 bpm • F Maj • 07:18 • -28.97db
3% Popularity • 13% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Max Reger
Piano Concerto In F Minor, Op. 114: 3. A...
78 bpm • F Maj • 09:18 • -22.32db
0% Popularity • 25% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 19% Positiveness
0% Popularity • 25% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Engelbert Humperdinck
Humperdinck: Dornröschen, EHWV 121: Vor...
91 bpm • C Maj • 07:39 • -24.14db
3% Popularity • 14% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
3% Popularity • 14% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
