Songs like Violin Sonata No. 1 in D Minor, Op. 75: IV. Allegro molto by Camille Saint-Saëns
Based on a tempo of (+/- 10%) and a similar genre
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Violin Sonata No. 1 in D Minor, Op. 75: ...
88 bpm • D Maj • 05:56 • -19.09db
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
10% Popularity • 35% Danceability • 19% Energy • 9% Liveness
4% Instrumentalness • 36% Positiveness
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AntonÃn Dvořák
Dvořák: Piano Trio No. 4 in E Minor, O...
88 bpm • E Maj • 04:50 • -21.13db
12% Popularity • 19% Danceability • 11% Energy • 38% Liveness
9% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 11% Energy • 38% Liveness
9% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Sonata for Cello and Piano, Op. 40: III....
88 bpm • G Maj • 09:25 • -26.65db
7% Popularity • 17% Danceability • 1% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Piano Quintet No. 2 in C Minor, Op. 115:...
88 bpm • G Maj • 10:16 • -25.01db
13% Popularity • 10% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 5% Energy • 8% Liveness
28% Instrumentalness • 4% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
88 bpm • C# min • 02:23 • -31.14db
50% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
50% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
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Jean Sibelius
Tempo di valse in F-Sharp Minor, JS 194,...
88 bpm • A Maj • 00:53 • -33.26db
24% Popularity • 15% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
24% Popularity • 15% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Symphony No. 2 in A Minor, Op. 55: IV. P...
88 bpm • A Maj • 07:25 • -24.11db
13% Popularity • 30% Danceability • 11% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 11% Energy • 12% Liveness
75% Instrumentalness • 21% Positiveness
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Claude Debussy
Sonata in D Minor for Cello & Piano, L.1...
88 bpm • D Maj • 03:30 • -21.58db
7% Popularity • 38% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
7% Popularity • 38% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Édouard Lalo
Cello Concerto in D Minor: II. Intermezz...
88 bpm • G Maj • 06:18 • -33db
9% Popularity • 12% Danceability • 2% Energy • 9% Liveness
48% Instrumentalness • 8% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 9% Liveness
48% Instrumentalness • 8% Positiveness
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Pablo de Sarasate
Sarasate : Zigeunerweisen Op.20
87 bpm • C Maj • 07:15 • -21.87db
7% Popularity • 33% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 33% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
II. Adagio - Presto
87 bpm • G min • 01:53 • -30.98db
31% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Märchenbilder, Op. 113: IV. L...
87 bpm • D Maj • 04:50 • -27.5db
22% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Duo concertant: I. Cantilene
87 bpm • G min • 03:07 • -22.14db
13% Popularity • 34% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 16% Energy • 11% Liveness
52% Instrumentalness • 16% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act II: Mon co...
87 bpm • C# Maj • 05:41 • -18.18db
2% Popularity • 17% Danceability • 13% Energy • 52% Liveness
0% Instrumentalness • 10% Positiveness
2% Popularity • 17% Danceability • 13% Energy • 52% Liveness
0% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade. Al...
87 bpm • F Maj • 01:40 • -23.53db
11% Popularity • 60% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 42% Positiveness
11% Popularity • 60% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 42% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
89 bpm • E min • 14:00 • -17db
15% Popularity • 24% Danceability • 17% Energy • 9% Liveness
10% Instrumentalness • 10% Positiveness
15% Popularity • 24% Danceability • 17% Energy • 9% Liveness
10% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Chopin: Piano Concerto No. 2 in F Minor,...
87 bpm • G# Maj • 09:27 • -29.68db
5% Popularity • 22% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
5% Popularity • 22% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Jean-Louis Duport
Duport : Duo for 2 cellos in G major, Op...
87 bpm • G Maj • 04:50 • -24.47db
36% Popularity • 36% Danceability • 12% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
36% Popularity • 36% Danceability • 12% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
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Florence Beatrice Price
String Quartet No. 2 in A Minor: II. And...
87 bpm • A Maj • 07:06 • -30.53db
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
48% Popularity • 15% Danceability • 3% Energy • 16% Liveness
56% Instrumentalness • 3% Positiveness
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Robert Schumann
Dichterliebe, Op. 48, Arr. for Cello and...
87 bpm • E Maj • 01:40 • -27.34db
12% Popularity • 27% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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George Gershwin
3 Preludes (Arr. for Cello & Piano): No....
87 bpm • C min • 01:39 • -21.66db
14% Popularity • 41% Danceability • 15% Energy • 16% Liveness
89% Instrumentalness • 30% Positiveness
14% Popularity • 41% Danceability • 15% Energy • 16% Liveness
89% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnival of the Animals (version for cel...
89 bpm • A min • 03:03 • -29db
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Manuel de Falla
Nana (Bercuese) from Siete conciones pop...
89 bpm • A Maj • 02:07 • -23db
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
90 bpm • C# min • 02:50 • -30.07db
15% Popularity • 25% Danceability • 3% Energy • 7% Liveness
64% Instrumentalness • 5% Positiveness
15% Popularity • 25% Danceability • 3% Energy • 7% Liveness
64% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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César Franck
Sonata in A Major for Violin and Piano, ...
86 bpm • A Maj • 05:46 • -26.08db
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Cello Sonata No. 2 in F Major, Op. 123: ...
87 bpm • A# Maj • 07:15 • -25.62db
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Luigi Boccherini
Cello Concerto in B-Flat Major, G. 482: ...
90 bpm • G min • 06:20 • -26.33db
27% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: All...
90 bpm • A Maj • 01:25 • -10.16db
15% Popularity • 39% Danceability • 55% Energy • 32% Liveness
94% Instrumentalness • 36% Positiveness
15% Popularity • 39% Danceability • 55% Energy • 32% Liveness
94% Instrumentalness • 36% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1
86 bpm • G min • 02:45 • -19.03db
16% Popularity • 22% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
33% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 11. Pian...
87 bpm • C Maj • 01:20 • -23.61db
36% Popularity • 32% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 43% Positiveness
36% Popularity • 32% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 43% Positiveness
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Sergei Rachmaninoff
Vocalise Opus 34 No. 14
90 bpm • C# min • 06:11 • -20.88db
18% Popularity • 20% Danceability • 12% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 12% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
22% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
22% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Dmitri Shostakovich
Symphony No. 10 in E Minor, Op. 93: II. ...
86 bpm • B Maj • 04:12 • -15.17db
0% Popularity • 45% Danceability • 31% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
0% Popularity • 45% Danceability • 31% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: 3. Po...
86 bpm • C min • 06:39 • -27.07db
17% Popularity • 9% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Robert Schumann
Cello Concerto in A Minor, Op. 129: II. ...
86 bpm • F Maj • 04:47 • -33.86db
17% Popularity • 10% Danceability • 1% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 1% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
86 bpm • C Maj • 09:10 • -23.86db
11% Popularity • 12% Danceability • 7% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 7% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Claude Debussy
La plus que lente, L. 121 (Arr. Roques)
86 bpm • G Maj • 04:03 • -21.74db
9% Popularity • 22% Danceability • 11% Energy • 5% Liveness
10% Instrumentalness • 13% Positiveness
9% Popularity • 22% Danceability • 11% Energy • 5% Liveness
10% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Saint-Saëns / Arr. Hazell: Le carnaval ...
86 bpm • C Maj • 03:18 • -25db
32% Popularity • 12% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
45% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D major, BWV 1...
91 bpm • D Maj • 04:52 • -16.16db
38% Popularity • 19% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
38% Popularity • 19% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
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Fritz Kreisler
3 Old Viennese Dances: II. Liebesleid
85 bpm • A Maj • 03:35 • -26.03db
22% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 3. Cadenz...
85 bpm • F Maj • 06:05 • -34.9db
9% Popularity • 22% Danceability • 1% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 1% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Maurice Ravel
Vocalise - Étude (en forme de habañera...
91 bpm • C min • 03:29 • -27.77db
10% Popularity • 18% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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César Franck
Franck: Violin Sonata in A Major, FWV 8:...
91 bpm • A# Maj • 08:18 • -19.87db
9% Popularity • 18% Danceability • 15% Energy • 38% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 38% Liveness
5% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Havanaise, Op. 83
91 bpm • E Maj • 09:31 • -23db
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
39% Instrumentalness • 9% Positiveness
25% Popularity • 26% Danceability • 10% Energy • 7% Liveness
39% Instrumentalness • 9% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: Impromptu ...
91 bpm • F# Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 9% Energy • 16% Liveness
92% Instrumentalness • 24% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 16% Liveness
92% Instrumentalness • 24% Positiveness
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Henri Vieuxtemps
Concerto For Violin and Orchestra No. 5 ...
91 bpm • A Maj • 03:27 • -20db
14% Popularity • 24% Danceability • 11% Energy • 31% Liveness
81% Instrumentalness • 6% Positiveness
14% Popularity • 24% Danceability • 11% Energy • 31% Liveness
81% Instrumentalness • 6% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
85 bpm • A# Maj • 05:42 • -38.63db
6% Popularity • 8% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
6% Popularity • 8% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
85 bpm • C# Maj • 06:00 • -25.95db
7% Popularity • 10% Danceability • 5% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 5% Energy • 22% Liveness
47% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
91 bpm • G Maj • 07:32 • -15db
20% Popularity • 34% Danceability • 18% Energy • 5% Liveness
25% Instrumentalness • 28% Positiveness
20% Popularity • 34% Danceability • 18% Energy • 5% Liveness
25% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Dieu! D...
85 bpm • E min • 09:30 • -19db
2% Popularity • 16% Danceability • 16% Energy • 39% Liveness
6% Instrumentalness • 5% Positiveness
2% Popularity • 16% Danceability • 16% Energy • 39% Liveness
6% Instrumentalness • 5% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: Piano Trio No. 4 in E Minor, O...
84 bpm • A Maj • 06:51 • -25.34db
9% Popularity • 21% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Arnold Schoenberg
Verklärte Nacht, Op. 4: 1. Sehr langsam...
92 bpm • D min • 06:41 • -20db
9% Popularity • 13% Danceability • 12% Energy • 44% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 12% Energy • 44% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
92 bpm • D# Maj • 08:38 • -23db
5% Popularity • 16% Danceability • 10% Energy • 28% Liveness
19% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 28% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47: Act I: Maudite...
92 bpm • C# Maj • 02:13 • -16.52db
2% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
2% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Hector Berlioz
Harold en Italie, Op. 16: III. Allegro A...
84 bpm • C Maj • 06:50 • -34.59db
7% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 1% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
No. 1, Der Engel (Arr. for Cello and Orc...
92 bpm • A Maj • 03:13 • -22.59db
10% Popularity • 11% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Vals (Walt...
84 bpm • A Maj • 01:51 • -27.54db
26% Popularity • 50% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
26% Popularity • 50% Danceability • 8% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
► Preview
Jean Sibelius
Nocturne Op. 51, No. 3
84 bpm • E min • 03:10 • -21.13db
12% Popularity • 24% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Kol Nidrei, Op. 47
92 bpm • D Maj • 09:51 • -22.12db
17% Popularity • 11% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
17% Popularity • 11% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
► Preview
Stuttgart Piano Trio
Piano Trio In E Flat Major, Op. 148, D. ...
92 bpm • A# Maj • 10:09 • -22.15db
16% Popularity • 19% Danceability • 4% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 11% Liveness
37% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Elégie, Op. 24
84 bpm • G# Maj • 07:11 • -28.54db
10% Popularity • 9% Danceability • 2% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Niccolò Paganini
Paganini: Cantabile in D Major, Op. 17
92 bpm • D Maj • 03:38 • -23.97db
25% Popularity • 19% Danceability • 13% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
25% Popularity • 19% Danceability • 13% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
► Preview
Anonymous
Carnival of the Animals: XIII. The Swan ...
84 bpm • G Maj • 02:23 • -23db
27% Popularity • 11% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 7% Positiveness
27% Popularity • 11% Danceability • 9% Energy • 7% Liveness
10% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
84 bpm • G# Maj • 06:39 • -25db
19% Popularity • 25% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
19% Popularity • 25% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Barcarolle in F Major, Op. 108
85 bpm • F Maj • 09:08 • -22db
19% Popularity • 20% Danceability • 8% Energy • 9% Liveness
47% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 8% Energy • 9% Liveness
47% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Petrouchka - Three Movements for Piano (...
84 bpm • E min • 04:16 • -22.81db
7% Popularity • 33% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
7% Popularity • 33% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Concerto in E Minor for Violin and Orche...
83 bpm • E Maj • 06:26 • -23.81db
10% Popularity • 40% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
10% Popularity • 40% Danceability • 9% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Berliner Symphoniker Orchestra
June" Barcarolle
93 bpm • G min • 04:43 • -39.39db
28% Popularity • 28% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
28% Popularity • 28% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei ...
93 bpm • F Maj • 02:30 • -23.05db
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
28% Popularity • 20% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Franz Liszt
Consolations, S172/R12: No. 3. Lento pla...
93 bpm • C# Maj • 03:30 • -38db
17% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
17% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
84 bpm • G# Maj • 07:23 • -22.66db
15% Popularity • 23% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 23% Positiveness
15% Popularity • 23% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 23% Positiveness
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Heinrich Ignaz Franz von Biber
Passacaglia g-moll
83 bpm • F# min • 06:42 • -22.33db
17% Popularity • 31% Danceability • 6% Energy • 18% Liveness
26% Instrumentalness • 31% Positiveness
17% Popularity • 31% Danceability • 6% Energy • 18% Liveness
26% Instrumentalness • 31% Positiveness
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Dmitry Kabalevsky
Cello Concerto No. 1 in G Minor, Op. 49:...
83 bpm • C min • 06:17 • -17db
8% Popularity • 22% Danceability • 17% Energy • 5% Liveness
72% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 17% Energy • 5% Liveness
72% Instrumentalness • 18% Positiveness
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Fritz Kreisler
Berceuse Romantique (Caprice)
83 bpm • G Maj • 04:30 • -23.9db
12% Popularity • 20% Danceability • 6% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 6% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto in D Major, Op. 35, TH 5...
83 bpm • D Maj • 09:43 • -23.14db
9% Popularity • 32% Danceability • 14% Energy • 15% Liveness
64% Instrumentalness • 19% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 15% Liveness
64% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C Major, Op. 26:...
94 bpm • C Maj • 09:47 • -18.55db
13% Popularity • 30% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • A min • 02:24 • -35.61db
33% Popularity • 21% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Rondo in G Minor, Op. 94, B. 181
94 bpm • G min • 08:09 • -30.01db
12% Popularity • 22% Danceability • 3% Energy • 10% Liveness
39% Instrumentalness • 22% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 10% Liveness
39% Instrumentalness • 22% Positiveness
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Frédéric Chopin
Berceuse, Op. 57
83 bpm • C# Maj • 05:09 • -35.85db
21% Popularity • 29% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
21% Popularity • 29% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Fritz Kreisler
Syncopation
83 bpm • G Maj • 01:52 • -20.89db
16% Popularity • 49% Danceability • 11% Energy • 8% Liveness
39% Instrumentalness • 44% Positiveness
16% Popularity • 49% Danceability • 11% Energy • 8% Liveness
39% Instrumentalness • 44% Positiveness
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Aram Khachaturian
Masquerade - Ballet Suite: Nocturne
83 bpm • G Maj • 03:19 • -23.41db
13% Popularity • 14% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Franz Schubert
Impromptu In G Flat, D.899 No. 3 - Trans...
94 bpm • G Maj • 04:57 • -19.63db
5% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
5% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125: 4. Tortu...
83 bpm • A# Maj • 02:16 • -37db
46% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
46% Popularity • 21% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
94 bpm • E Maj • 02:54 • -24.67db
27% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
27% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Claude Debussy
Sonata in D Minor for Cello & Piano, L.1...
82 bpm • D Maj • 03:03 • -26.69db
7% Popularity • 47% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
7% Popularity • 47% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
Richard Strauss
Strauss: Capriccio, Op. 85: Einleitung
82 bpm • F Maj • 09:37 • -26.14db
14% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
50% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
95 bpm • G Maj • 03:47 • -19.96db
44% Popularity • 21% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 47% Positiveness
44% Popularity • 21% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 47% Positiveness
