Songs like Våken by Audun Skanke
Based on a tempo of (+/- 10%) and a similar genre
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Trinity Music
Good Days, Bad Days, Weird Days, Sad Day...
90 bpm • A# Maj • 02:48 • -11.56db
8% Popularity • 66% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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John Kenny
Who I Am Afro
90 bpm • E min • 05:01 • -9.69db
23% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Healing Places of Worship
Go Back
90 bpm • G Maj • 03:06 • -7.25db
20% Popularity • 57% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 57% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Leat Sabbah
Thoughts of Peace
90 bpm • G# min • 03:48 • -14.33db
10% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Audun Skanke
VÃ¥ken
90 bpm • A Maj • 03:32 • -7.88db
0% Popularity • 52% Danceability • 81% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
0% Popularity • 52% Danceability • 81% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
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Stina Helene Lande
Preges av Deg
90 bpm • A# Maj • 04:03 • -10.04db
10% Popularity • 35% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 35% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Silent Land
Crying Heart
90 bpm • C Maj • 03:42 • -8.97db
35% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ghost Coach
In Plain Sight
90 bpm • G Maj • 04:01 • -12.88db
10% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Scottish Psalmist
Psalm 91 (Hide in You)
90 bpm • E Maj • 04:50 • -11.6db
16% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 51% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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TALI
deep blue
91 bpm • A min • 03:23 • -12.55db
10% Popularity • 41% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 41% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Melissa Rogers
Let There Be Light
89 bpm • G Maj • 04:01 • -7.9db
18% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Second Harmony
Drømmeland
89 bpm • E min • 04:10 • -13.46db
16% Popularity • 14% Danceability • 15% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 15% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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John Smith
Dividing Line
91 bpm • F Maj • 03:56 • -11.83db
27% Popularity • 54% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 54% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Lemie
DRAMA
89 bpm • A# Maj • 02:50 • -15.84db
9% Popularity • 39% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 39% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Emily Linge
Eternal Flame
91 bpm • G Maj • 04:11 • -13.08db
19% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Catholic Music Initiative
Palm Sunday of the Lord's Passion (Psalm...
88 bpm • E min • 04:02 • -10.7db
8% Popularity • 39% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 39% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Madeleine Buer
Me And My Rose
88 bpm • D Maj • 04:41 • -9.6db
12% Popularity • 35% Danceability • 36% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
12% Popularity • 35% Danceability • 36% Energy • 11% Liveness
8% Instrumentalness • 22% Positiveness
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Second Harmony
Vuggesang
91 bpm • A min • 03:44 • -14.7db
18% Popularity • 19% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Willia Woodfill
Abandonment Wound
88 bpm • C# Maj • 03:04 • -18.1db
12% Popularity • 33% Danceability • 30% Energy • 10% Liveness
47% Instrumentalness • 27% Positiveness
12% Popularity • 33% Danceability • 30% Energy • 10% Liveness
47% Instrumentalness • 27% Positiveness
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Vineyard Worship
Real Thing
92 bpm • A# Maj • 04:34 • -9.8db
29% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 55% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Jeremy Gibson
Turned Over
92 bpm • D min • 03:30 • -7.73db
10% Popularity • 48% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 48% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Lobpreishaus Dresden
Wir singen
88 bpm • G# Maj • 05:15 • -10.65db
10% Popularity • 47% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 47% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Audun Skanke
Mayday
88 bpm • E min • 04:09 • -7.34db
0% Popularity • 36% Danceability • 88% Energy • 10% Liveness
19% Instrumentalness • 18% Positiveness
0% Popularity • 36% Danceability • 88% Energy • 10% Liveness
19% Instrumentalness • 18% Positiveness
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Second Harmony
Lille venn
88 bpm • G# min • 03:41 • -16.79db
17% Popularity • 17% Danceability • 24% Energy • 32% Liveness
61% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 24% Energy • 32% Liveness
61% Instrumentalness • 4% Positiveness
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Nick Pike
Sarah's Theme
88 bpm • C Maj • 04:17 • -15.15db
8% Popularity • 17% Danceability • 34% Energy • 11% Liveness
71% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 34% Energy • 11% Liveness
71% Instrumentalness • 5% Positiveness
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Citizen of the World
Done
87 bpm • G Maj • 03:17 • -10.45db
13% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Armstrong Cowper
What Have You Done
93 bpm • G min • 03:54 • -15.64db
24% Popularity • 51% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 51% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Ingrid Helene
Soloppgang
93 bpm • A Maj • 04:02 • -12.99db
9% Popularity • 47% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 47% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Leanna Sabatini
Something Is Coming
93 bpm • G Maj • 02:39 • -14.56db
12% Popularity • 56% Danceability • 40% Energy • 11% Liveness
20% Instrumentalness • 14% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 11% Liveness
20% Instrumentalness • 14% Positiveness
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Hansen/Randow
Lost
93 bpm • A min • 02:55 • -11.88db
8% Popularity • 54% Danceability • 42% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
8% Popularity • 54% Danceability • 42% Energy • 10% Liveness
19% Instrumentalness • 9% Positiveness
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Harald Høidahl
Kyrie Eleison
94 bpm • C min • 01:59 • -17.7db
9% Popularity • 23% Danceability • 7% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
9% Popularity • 23% Danceability • 7% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
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ULLSEN
Find Me
94 bpm • F min • 06:22 • -10.88db
10% Popularity • 34% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 34% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Fold & Fellow
city
94 bpm • E Maj • 03:43 • -15.7db
7% Popularity • 43% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 43% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Adam Chance
Mrs. Potter's Lullaby
94 bpm • A# Maj • 08:01 • -16.58db
18% Popularity • 34% Danceability • 44% Energy • 11% Liveness
36% Instrumentalness • 30% Positiveness
18% Popularity • 34% Danceability • 44% Energy • 11% Liveness
36% Instrumentalness • 30% Positiveness
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Norheimsund og Øystese Ungdomskor
PÃ¥skedag
94 bpm • C min • 03:35 • -7.82db
11% Popularity • 48% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 48% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Simon Astley
Sunset Avenue
94 bpm • A Maj • 02:28 • -8.54db
13% Popularity • 50% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 50% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Blake Flattley
Broken Souls
94 bpm • A Maj • 02:49 • -11.01db
9% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 60% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cortina
Waiting For You
94 bpm • A# Maj • 04:39 • -8.01db
14% Popularity • 33% Danceability • 71% Energy • 11% Liveness
28% Instrumentalness • 31% Positiveness
14% Popularity • 33% Danceability • 71% Energy • 11% Liveness
28% Instrumentalness • 31% Positiveness
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That Guy Again
Lift Me Up
86 bpm • F# min • 04:35 • -10.1db
9% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 32% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jim Brickman
If I Could Turn Back Time
94 bpm • G Maj • 03:45 • -12.21db
23% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Janzen
When I Was Brought Low (Psalm 116)
95 bpm • G Maj • 03:54 • -12.01db
8% Popularity • 27% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 27% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Dane Maxwell
Where Lovers Go
85 bpm • D Maj • 04:30 • -6.74db
10% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 56% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Mercy Divine
The Queen Stands
95 bpm • A# Maj • 03:44 • -9.99db
10% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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James Hunter Crossley
Chasing Cars
95 bpm • G Maj • 04:59 • -14.22db
11% Popularity • 65% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
11% Popularity • 65% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Trygve Skaug
Preludium: Bølgene
95 bpm • C Maj • 03:34 • -14.44db
10% Popularity • 24% Danceability • 18% Energy • 34% Liveness
91% Instrumentalness • 10% Positiveness
10% Popularity • 24% Danceability • 18% Energy • 34% Liveness
91% Instrumentalness • 10% Positiveness
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C3 SYD
Turn Over The Tables (Tear Down Any Idol...
85 bpm • G Maj • 01:40 • -14.96db
8% Popularity • 26% Danceability • 24% Energy • 22% Liveness
6% Instrumentalness • 27% Positiveness
8% Popularity • 26% Danceability • 24% Energy • 22% Liveness
6% Instrumentalness • 27% Positiveness
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Starless
Stepping Out Slowly
85 bpm • A# Maj • 04:01 • -14.68db
9% Popularity • 19% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 19% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Vala
BÃum bÃum bambaló
96 bpm • C min • 03:08 • -26.14db
15% Popularity • 33% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 33% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Audun Skanke
Fri
96 bpm • F Maj • 03:18 • -4.72db
0% Popularity • 41% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 41% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Fold & Fellow
waves
96 bpm • E Maj • 03:57 • -9.84db
8% Popularity • 50% Danceability • 36% Energy • 18% Liveness
15% Instrumentalness • 56% Positiveness
8% Popularity • 50% Danceability • 36% Energy • 18% Liveness
15% Instrumentalness • 56% Positiveness
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Jen Smale
Castles & Kingdoms (A Lament)
84 bpm • C min • 02:46 • -16.98db
18% Popularity • 34% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 34% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Janine John
Father, Son & Holy Spirit
96 bpm • C# min • 04:19 • -7.4db
7% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Tim Holcombe
In the Garden
96 bpm • G Maj • 02:47 • -12.44db
11% Popularity • 42% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 42% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Resound Worship
O Downcast Soul
84 bpm • B min • 04:48 • -10.03db
12% Popularity • 63% Danceability • 46% Energy • 38% Liveness
4% Instrumentalness • 30% Positiveness
12% Popularity • 63% Danceability • 46% Energy • 38% Liveness
4% Instrumentalness • 30% Positiveness
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Stuart Roberts
The Aurora Borealis
96 bpm • G Maj • 04:39 • -12.73db
9% Popularity • 63% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 29% Positiveness
9% Popularity • 63% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 29% Positiveness
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Leslie Lovelady
Stuck With Chance
84 bpm • A# Maj • 04:10 • -14.1db
25% Popularity • 17% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 17% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Audun Skanke
Var
84 bpm • G Maj • 02:37 • -5.57db
0% Popularity • 33% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 33% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Mathias Sæbø
Mitt barn
97 bpm • D Maj • 04:41 • -10.65db
14% Popularity • 22% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 22% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Praise Worship Songs
Reckless Love
83 bpm • E min • 05:47 • -9.91db
13% Popularity • 29% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 29% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Verna Ehresmann
Wake Me Up
98 bpm • A# Maj • 03:02 • -12.48db
25% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sorgente
She Is
97 bpm • G Maj • 04:08 • -12.55db
11% Popularity • 30% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 30% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Willia Woodfill
False Anchor
83 bpm • C# Maj • 02:54 • -15.42db
12% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 50% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Klyda
White Noise
83 bpm • F Maj • 03:01 • -8.26db
12% Popularity • 28% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 28% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Scottish Psalmist
Psalm 40 (Here I Am)
82 bpm • C# Maj • 04:31 • -11.25db
17% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 59% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Gilmore Lucassen
Hurricane Hearted
82 bpm • G Maj • 03:34 • -5.78db
27% Popularity • 24% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 24% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bárður Johannesen
LÃtli Eingil
82 bpm • D Maj • 04:42 • -9.94db
8% Popularity • 33% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 33% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Garness
Overture
82 bpm • G Maj • 01:54 • -18.32db
18% Popularity • 31% Danceability • 6% Energy • 12% Liveness
63% Instrumentalness • 6% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 12% Liveness
63% Instrumentalness • 6% Positiveness
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Adam Cliff
Time Was On My Side
82 bpm • E Maj • 03:31 • -13.66db
12% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Audun Skanke
Hjemma igjen
82 bpm • A min • 04:18 • -7.86db
0% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 53% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Bob Schneider
Seeing Through Everything (Song Club)
99 bpm • A min • 04:18 • -11.07db
20% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 61% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Second Harmony
Fjellsang
99 bpm • F min • 03:31 • -14.08db
17% Popularity • 16% Danceability • 19% Energy • 16% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 19% Energy • 16% Liveness
40% Instrumentalness • 4% Positiveness
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Rebecka Ekerby
Jag släpper taget
82 bpm • B Maj • 02:38 • -10.47db
14% Popularity • 35% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 35% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Hannah Miller
Morning Bird
82 bpm • A Maj • 04:23 • -14.24db
9% Popularity • 29% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 29% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Shurhonda Murray
Friendly Relative
81 bpm • B Maj • 02:16 • -13.39db
9% Popularity • 25% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 25% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Christian Welde
Atmosphere 1
100 bpm • D Maj • 05:48 • -22.49db
8% Popularity • 21% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 10% Positiveness
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Giardina
STARPLAYER
81 bpm • G# Maj • 02:10 • -17.81db
12% Popularity • 18% Danceability • 12% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 12% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Carpark North
A Wonder
100 bpm • F# min • 03:05 • -11.55db
28% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 29% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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SalmeKlang
Se, vi går opp til Jerusalem
100 bpm • C min • 03:42 • -11.39db
11% Popularity • 50% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 50% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Devan Crist
Out
100 bpm • F Maj • 05:10 • -15.19db
27% Popularity • 59% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
27% Popularity • 59% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 12% Positiveness
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Hege Turøy
Side Om Side
81 bpm • D# Maj • 03:14 • -9.64db
37% Popularity • 50% Danceability • 62% Energy • 16% Liveness
25% Instrumentalness • 21% Positiveness
37% Popularity • 50% Danceability • 62% Energy • 16% Liveness
25% Instrumentalness • 21% Positiveness
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Love to Cube
The City
100 bpm • G Maj • 01:48 • -7.73db
25% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Audun Skanke
Vind i seilå
100 bpm • C min • 03:55 • -7.08db
0% Popularity • 49% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 49% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 13% Positiveness
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Red Barnett
Out of Season
100 bpm • G# Maj • 03:23 • -12.55db
19% Popularity • 63% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 63% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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John Robert
Meet Again
100 bpm • C Maj • 04:48 • -7.95db
11% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Nate Goering
I Can Make Colors
100 bpm • E Maj • 05:00 • -10.16db
9% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Bárður Johannesen
Nowhere
100 bpm • A Maj • 03:15 • -11db
11% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Wounded
Bridge
100 bpm • D min • 02:22 • -12.62db
8% Popularity • 61% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 61% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Peyton McMahon
These Days
81 bpm • D# Maj • 04:10 • -9.16db
13% Popularity • 43% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 43% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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The Hello Darlins
Reasons to Cry
81 bpm • C Maj • 03:44 • -17.25db
16% Popularity • 26% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 26% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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We Are Bread & Wine
God Is With Us
81 bpm • B Maj • 05:37 • -8.31db
16% Popularity • 26% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 26% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Garness
Husk på oss
81 bpm • C Maj • 03:54 • -11.95db
18% Popularity • 36% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 36% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Wallace Woods
Wishing Tree
101 bpm • D Maj • 04:03 • -15db
21% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Holsten
Etasjen over (Live fra Oslo Spektrum)
80 bpm • A# Maj • 03:04 • -4.64db
27% Popularity • 44% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 44% Danceability • 72% Energy • 96% Liveness
0% Instrumentalness • 22% Positiveness
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Ingunn
NEAR
80 bpm • E min • 04:36 • -14.98db
15% Popularity • 26% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 26% Danceability • 12% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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David Cassell
Living Waters
80 bpm • A# Maj • 02:53 • -12.54db
17% Popularity • 36% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
17% Popularity • 36% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Alex Rubolin
Into the Deep
80 bpm • G Maj • 04:42 • -8.26db
8% Popularity • 22% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 22% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Garness
Jeg tror på langfredags Gud
80 bpm • F# Maj • 03:56 • -12.3db
20% Popularity • 34% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
20% Popularity • 34% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Faith Chapel Worship
Turning Toward the Light
80 bpm • A Maj • 04:25 • -10.39db
7% Popularity • 45% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 45% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
