Songs like Voice In The Darkness by Dora Jar
Based on a tempo of (+/- 10%) and a similar genre
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Sjowgren
twenty
155 bpm • B Maj • 04:19 • -6.3db
35% Popularity • 64% Danceability • 85% Energy • 25% Liveness
92% Instrumentalness • 94% Positiveness
35% Popularity • 64% Danceability • 85% Energy • 25% Liveness
92% Instrumentalness • 94% Positiveness
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girlpuppy
As Much As I Can
155 bpm • F Maj • 03:28 • -8.12db
27% Popularity • 63% Danceability • 68% Energy • 8% Liveness
49% Instrumentalness • 82% Positiveness
27% Popularity • 63% Danceability • 68% Energy • 8% Liveness
49% Instrumentalness • 82% Positiveness
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Dora Jar
Voice In The Darkness
155 bpm • C Maj • 02:23 • -6.07db
23% Popularity • 34% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 34% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Wallice
Wisdom Tooth
155 bpm • A Maj • 02:36 • -4.13db
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 48% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Hana Vu
Gutter
154 bpm • G Maj • 03:21 • -7.43db
28% Popularity • 45% Danceability • 82% Energy • 6% Liveness
15% Instrumentalness • 40% Positiveness
28% Popularity • 45% Danceability • 82% Energy • 6% Liveness
15% Instrumentalness • 40% Positiveness
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Annie DiRusso
Nine Months
156 bpm • E Maj • 04:31 • -6.7db
37% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Lunar Vacation
Where Is Everyone
152 bpm • D Maj • 02:58 • -7.02db
5% Popularity • 60% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 60% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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girlpuppy
Denver
158 bpm • F Maj • 02:39 • -4.8db
11% Popularity • 41% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 41% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Maude Latour
No Rush
157 bpm • B Maj • 02:12 • -4.74db
36% Popularity • 67% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 67% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Kristiane
State Lines
152 bpm • C Maj • 02:32 • -8.64db
23% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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quinnie
talk abt
159 bpm • A# Maj • 03:28 • -21.06db
24% Popularity • 47% Danceability • 6% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
24% Popularity • 47% Danceability • 6% Energy • 7% Liveness
80% Instrumentalness • 26% Positiveness
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Wallice
Best Friend
160 bpm • D Maj • 02:43 • -5.06db
39% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Hana Vu
World's Worst
160 bpm • D Maj • 03:05 • -12.43db
24% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Venus & the Flytraps
19-90
150 bpm • G# Maj • 02:37 • -7.65db
31% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 62% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Maude Latour
Lola
159 bpm • D# Maj • 02:41 • -7.57db
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Raffaella
GROWN UP
160 bpm • G Maj • 03:15 • -6.78db
31% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 67% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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girlhouse
eleventh grade
150 bpm • E Maj • 03:18 • -7.93db
11% Popularity • 41% Danceability • 55% Energy • 34% Liveness
7% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 55% Energy • 34% Liveness
7% Instrumentalness • 21% Positiveness
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quinnie
buggin
150 bpm • C Maj • 02:52 • -19.04db
26% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Oscar Lang
I've Never Been To LA
161 bpm • E Maj • 03:06 • -4db
39% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
39% Popularity • 46% Danceability • 73% Energy • 44% Liveness
2% Instrumentalness • 54% Positiveness
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Harriette
Black and Blue
149 bpm • C Maj • 02:33 • -7.44db
21% Popularity • 76% Danceability • 65% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
21% Popularity • 76% Danceability • 65% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
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CRITTER
Knuckles
162 bpm • D# Maj • 03:55 • -7.48db
14% Popularity • 33% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 33% Danceability • 52% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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Carol Ades
Crying During Sex
162 bpm • G Maj • 03:40 • -7.67db
37% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
37% Popularity • 46% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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girlhouse
cool guy
150 bpm • B Maj • 03:16 • -6.51db
22% Popularity • 57% Danceability • 61% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
22% Popularity • 57% Danceability • 61% Energy • 15% Liveness
10% Instrumentalness • 71% Positiveness
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Chrissy
Feminine Feelings
148 bpm • E Maj • 03:09 • -9.34db
39% Popularity • 55% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 55% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Raffaella
LIPSTICK
148 bpm • D Maj • 03:19 • -6.53db
25% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Etta Marcus
Provider
148 bpm • D Maj • 03:05 • -9.35db
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Susannah Joffe
In Your Room
148 bpm • D Maj • 03:26 • -7.88db
27% Popularity • 51% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
27% Popularity • 51% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 68% Positiveness
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Dora Jar
Look Back
147 bpm • E Maj • 02:58 • -13.6db
22% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
22% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Genevieve Stokes
Can I
163 bpm • C Maj • 03:00 • -8.83db
38% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 52% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Eliza McLamb
Modern Woman
147 bpm • E Maj • 04:09 • -10.32db
35% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 61% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Remi Wolf
Michael
164 bpm • E Maj • 02:45 • -4.47db
45% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 56% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Savannah Conley
Always Gonna Happen
164 bpm • D Maj • 03:59 • -8.13db
20% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 43% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Greeting Committee
Make Out
164 bpm • C# Maj • 02:23 • -5db
38% Popularity • 52% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 52% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Lucy Dacus
VBS
146 bpm • C Maj • 03:56 • -7.64db
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 55% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Hank Heaven
Your Ex, Man
164 bpm • A Maj • 03:30 • -7.81db
16% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Eliza McLamb
Older
147 bpm • B min • 04:36 • -12.56db
30% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
30% Popularity • 64% Danceability • 38% Energy • 9% Liveness
67% Instrumentalness • 46% Positiveness
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Devon Again
Broke Mine Too
146 bpm • G# Maj • 03:48 • -5.66db
29% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kate Bollinger
Look at it in the Light
146 bpm • C Maj • 02:46 • -7.74db
30% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Harriette
Fucking Married
146 bpm • G Maj • 03:13 • -7.75db
36% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 58% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Haley Blais
Someone Called While You Were Out
165 bpm • C Maj • 02:29 • -6db
27% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 46% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Annie DiRusso
Judgements From The World's Greatest Ban...
165 bpm • F min • 03:34 • -9.41db
26% Popularity • 42% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 42% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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spill tab
Velcro
145 bpm • E Maj • 03:12 • -6.98db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Devon Again
Maybe That's Why
145 bpm • G# Maj • 03:58 • -7.96db
27% Popularity • 33% Danceability • 42% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 33% Danceability • 42% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
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Ha Vay
Angel! Wild! Superstar!
145 bpm • C min • 03:16 • -8.67db
28% Popularity • 59% Danceability • 64% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 59% Danceability • 64% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Wallice
disappear
145 bpm • E min • 02:17 • -5.13db
28% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 66% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Dora Jar
Puppet
145 bpm • D Maj • 03:17 • -9.74db
42% Popularity • 73% Danceability • 82% Energy • 12% Liveness
48% Instrumentalness • 57% Positiveness
42% Popularity • 73% Danceability • 82% Energy • 12% Liveness
48% Instrumentalness • 57% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Deanna Petcoff
Failing Upwards
166 bpm • A# Maj • 04:03 • -4db
18% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 50% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Harriette
bc i love you
166 bpm • C Maj • 03:57 • -6.37db
30% Popularity • 55% Danceability • 76% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
30% Popularity • 55% Danceability • 76% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
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Celia
Mott St
166 bpm • D# Maj • 02:55 • -7.38db
19% Popularity • 46% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 46% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Rachel Chinouriri
Better Off Without
144 bpm • E min • 02:58 • -5.56db
30% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dora Jar
Bump
145 bpm • C# min • 03:22 • -10.14db
33% Popularity • 64% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
33% Popularity • 64% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Lucy Dacus
First Time
144 bpm • G# Maj • 04:14 • -5.95db
47% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Alaska Reid
Quake
144 bpm • C# Maj • 03:27 • -7.15db
22% Popularity • 54% Danceability • 62% Energy • 61% Liveness
1% Instrumentalness • 36% Positiveness
22% Popularity • 54% Danceability • 62% Energy • 61% Liveness
1% Instrumentalness • 36% Positiveness
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Etta Marcus
Heart-Shaped Bruise
144 bpm • A Maj • 04:04 • -11db
26% Popularity • 47% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
26% Popularity • 47% Danceability • 40% Energy • 15% Liveness
4% Instrumentalness • 26% Positiveness
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Sarah Kinsley
Oh No Darling!
167 bpm • A Maj • 03:23 • -7db
53% Popularity • 47% Danceability • 77% Energy • 22% Liveness
29% Instrumentalness • 53% Positiveness
53% Popularity • 47% Danceability • 77% Energy • 22% Liveness
29% Instrumentalness • 53% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Ellie Bleach
Doing Really Well Thanks
168 bpm • G min • 04:43 • -10db
34% Popularity • 53% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 53% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Tasha
Dream Still
168 bpm • G# Maj • 03:05 • -10.18db
13% Popularity • 25% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 25% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Susannah Joffe
The Punch
143 bpm • D Maj • 03:23 • -9.48db
15% Popularity • 59% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 59% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Maude Latour
I am not the sun
168 bpm • C# Maj • 03:33 • -5.68db
43% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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girlhouse
concussion
168 bpm • B Maj • 04:37 • -8.34db
47% Popularity • 55% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
47% Popularity • 55% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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ISADORA
Kill Your Local Indie Softboy
168 bpm • G Maj • 03:54 • -8.68db
30% Popularity • 51% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Nasty Cherry
Six Six Six
143 bpm • A# min • 02:19 • -4.14db
20% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 69% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Lucy Dacus
Partner in Crime
143 bpm • C Maj • 04:38 • -6.19db
43% Popularity • 44% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 44% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Wallice
Off the Rails
168 bpm • C# Maj • 02:20 • -4.21db
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 48% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Hana Vu
Maker
143 bpm • E min • 03:32 • -14db
28% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Annie DiRusso
Everything is Free (OurVinyl Sessions)
143 bpm • D Maj • 03:54 • -9.47db
12% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 38% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Babygirl
Starlight
143 bpm • D Maj • 03:09 • -9.6db
27% Popularity • 67% Danceability • 52% Energy • 26% Liveness
9% Instrumentalness • 64% Positiveness
27% Popularity • 67% Danceability • 52% Energy • 26% Liveness
9% Instrumentalness • 64% Positiveness
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Dora Jar
Spell
143 bpm • E min • 04:07 • -15db
41% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
41% Popularity • 34% Danceability • 17% Energy • 12% Liveness
43% Instrumentalness • 14% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
44% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
44% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Wallice
Little League
142 bpm • G Maj • 02:49 • -7.35db
29% Popularity • 55% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
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Mim Jensen
Pause Button
142 bpm • G Maj • 03:49 • -6.97db
18% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Hannah Cole
Space Between the Bed and the Wall
142 bpm • D Maj • 03:19 • -11.2db
23% Popularity • 49% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 49% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Lennie Rayen
Waste Your Time
170 bpm • E Maj • 03:28 • -7.47db
11% Popularity • 42% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 42% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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fanclubwallet
You Have Got to Be Kidding Me
170 bpm • E Maj • 03:36 • -7.73db
27% Popularity • 75% Danceability • 48% Energy • 12% Liveness
71% Instrumentalness • 96% Positiveness
27% Popularity • 75% Danceability • 48% Energy • 12% Liveness
71% Instrumentalness • 96% Positiveness
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NOVA ONE
violet dreams
170 bpm • D Maj • 03:12 • -7.41db
29% Popularity • 34% Danceability • 58% Energy • 11% Liveness
77% Instrumentalness • 45% Positiveness
29% Popularity • 34% Danceability • 58% Energy • 11% Liveness
77% Instrumentalness • 45% Positiveness
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Leezy
Girls Like You
141 bpm • D# Maj • 03:56 • -10.07db
22% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 34% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Babygirl
Always
170 bpm • E Maj • 02:52 • -10.99db
34% Popularity • 69% Danceability • 40% Energy • 13% Liveness
19% Instrumentalness • 77% Positiveness
34% Popularity • 69% Danceability • 40% Energy • 13% Liveness
19% Instrumentalness • 77% Positiveness
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CRITTER
LEMME
141 bpm • C Maj • 02:40 • -6.83db
14% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Squirrel Flower
So Hot You're Hurting My Feelings
141 bpm • F Maj • 03:29 • -7db
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kristiane
Better On Your Own
141 bpm • D Maj • 02:23 • -8.15db
25% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ally Evenson
Bite My Tongue
171 bpm • E Maj • 04:28 • -7.37db
17% Popularity • 39% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 39% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Superfan
Someone to Hold
171 bpm • D# Maj • 03:03 • -12.37db
16% Popularity • 35% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
16% Popularity • 35% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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See You Next Year
Mean Girl
140 bpm • G Maj • 02:32 • -6db
41% Popularity • 71% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 71% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
24% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy Dacus
Kissing Lessons
140 bpm • C# Maj • 01:54 • -7.07db
53% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
53% Popularity • 55% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Haley Blais
Concrete
140 bpm • A Maj • 03:09 • -16.05db
30% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 56% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bestfriend
Hannah in the City
140 bpm • C# min • 03:48 • -6.52db
19% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Hannah Jadagu
Six Months
172 bpm • E Maj • 03:04 • -8.53db
22% Popularity • 48% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 48% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Claud
Rocks At Your Window
140 bpm • A# Maj • 01:36 • -8.46db
17% Popularity • 50% Danceability • 43% Energy • 37% Liveness
1% Instrumentalness • 15% Positiveness
17% Popularity • 50% Danceability • 43% Energy • 37% Liveness
1% Instrumentalness • 15% Positiveness
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Hana Eid
Dancing to The Smiths
140 bpm • D Maj • 04:19 • -9.45db
33% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 53% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Superfan
Insomnia
140 bpm • B Maj • 04:52 • -8db
44% Popularity • 59% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
44% Popularity • 59% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
