Songs like Vola il tempo by Antonio Caldara
Based on a tempo of (+/- 10%) and a similar genre
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
142 bpm • B min • 02:05 • -19db
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
14% Popularity • 20% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: I. ...
143 bpm • G min • 08:10 • -19db
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Antonio Caldara
Sinfonia No. 1 in re maggiore (Il martir...
141 bpm • F Maj • 00:56 • -16.95db
23% Popularity • 33% Danceability • 4% Energy • 11% Liveness
41% Instrumentalness • 6% Positiveness
23% Popularity • 33% Danceability • 4% Energy • 11% Liveness
41% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell: The Tempest, Z. 631, Act 3: Son...
141 bpm • G# min • 06:08 • -24.35db
9% Popularity • 23% Danceability • 5% Energy • 15% Liveness
17% Instrumentalness • 23% Positiveness
9% Popularity • 23% Danceability • 5% Energy • 15% Liveness
17% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 7. Domini fil...
143 bpm • E Maj • 02:09 • -12.36db
9% Popularity • 26% Danceability • 52% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
9% Popularity • 26% Danceability • 52% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: IV. G...
140 bpm • F# min • 01:13 • -13db
25% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
25% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
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Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 43 Ari...
141 bpm • C# Maj • 03:40 • -18.8db
4% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Sinfo...
140 bpm • D# min • 01:24 • -28.03db
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Marc-Antoine Charpentier
Charpentier: Sans frayeur dans ce bois, ...
139 bpm • F# Maj • 02:56 • -21db
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 35% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
13% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
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Antonio Caldara
Gianguir: “Tanto e con sì gran pena�...
140 bpm • C# Maj • 06:28 • -17db
5% Popularity • 39% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 50% Positiveness
5% Popularity • 39% Danceability • 25% Energy • 8% Liveness
3% Instrumentalness • 50% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più instrumenti in D Major,...
139 bpm • C# Maj • 03:56 • -15db
14% Popularity • 44% Danceability • 36% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
14% Popularity • 44% Danceability • 36% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
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Franz Benda
Violin Sonata in E-Flat Major: III. Alle...
139 bpm • A Maj • 03:11 • -23.09db
19% Popularity • 43% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
19% Popularity • 43% Danceability • 5% Energy • 36% Liveness
2% Instrumentalness • 69% Positiveness
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Antonio Vivaldi
Lauda Jerusalem (Salmo 147), RV 609
138 bpm • E min • 06:28 • -15db
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Jean-Féry Rebel
Les Caractères de la Danse: XIV. Sonate
138 bpm • C# Maj • 01:21 • -14db
11% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
11% Popularity • 51% Danceability • 61% Energy • 12% Liveness
64% Instrumentalness • 37% Positiveness
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Antonio Caldara
Stabat Mater: II. Cujus animam gementem
139 bpm • B min • 01:53 • -23.79db
23% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
23% Popularity • 19% Danceability • 4% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: III....
137 bpm • C min • 05:24 • -19db
17% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
17% Popularity • 47% Danceability • 9% Energy • 9% Liveness
34% Instrumentalness • 61% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: I. Overture
137 bpm • D min • 02:08 • -17.89db
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
21% Popularity • 34% Danceability • 20% Energy • 18% Liveness
70% Instrumentalness • 30% Positiveness
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Johann Stamitz
Symphony in G Major, Op. 3 No. 3, WolS G...
147 bpm • C# Maj • 03:07 • -17db
24% Popularity • 54% Danceability • 35% Energy • 6% Liveness
73% Instrumentalness • 80% Positiveness
24% Popularity • 54% Danceability • 35% Energy • 6% Liveness
73% Instrumentalness • 80% Positiveness
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Antonio Vivaldi
Gloria, RV 589: VII. Domine Deus Agnus D...
137 bpm • D min • 04:39 • -22.01db
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 28 Due...
138 bpm • G# min • 02:23 • -15.21db
11% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 34% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: IV. All...
148 bpm • E Maj • 02:52 • -21db
12% Popularity • 46% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 56% Positiveness
12% Popularity • 46% Danceability • 13% Energy • 12% Liveness
59% Instrumentalness • 56% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: IX. Sancta Mate...
136 bpm • D Maj • 05:00 • -18.39db
27% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 25% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Johann Adolf Hasse
Hasse: Demofoonte, Sinfonia: I. Allegro
136 bpm • C# Maj • 02:08 • -16.98db
17% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
17% Popularity • 53% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
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Antonio Vivaldi
Il Giustino, RV 717, Act I, Scene 8: Ved...
135 bpm • A# min • 04:45 • -17.83db
8% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
136 bpm • G min • 01:11 • -14.98db
38% Popularity • 59% Danceability • 41% Energy • 8% Liveness
91% Instrumentalness • 98% Positiveness
38% Popularity • 59% Danceability • 41% Energy • 8% Liveness
91% Instrumentalness • 98% Positiveness
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Antonio Caldara
Sonata da camera, Op. 2 No. 11: IV. Giga
138 bpm • D# Maj • 01:39 • -17.22db
3% Popularity • 52% Danceability • 23% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
3% Popularity • 52% Danceability • 23% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
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Girolamo Frescobaldi
Il primo libro delle canzoni: Toccata (2...
149 bpm • G min • 02:01 • -32.84db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: III. A...
135 bpm • F Maj • 01:39 • -15db
36% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
36% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
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Henry Purcell
Fly, Bold Rebellion, Z. 324: Be Welcome ...
135 bpm • E Maj • 03:34 • -30db
18% Popularity • 24% Danceability • 2% Energy • 13% Liveness
6% Instrumentalness • 20% Positiveness
18% Popularity • 24% Danceability • 2% Energy • 13% Liveness
6% Instrumentalness • 20% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville: In exitu Israel: II. Chœur...
135 bpm • C# Maj • 01:10 • -19.17db
24% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
24% Popularity • 39% Danceability • 30% Energy • 50% Liveness
81% Instrumentalness • 59% Positiveness
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Pietro Locatelli
Concerto Grosso in C Minor, Op. 1 No. 11...
134 bpm • F min • 03:14 • -19.08db
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 33% Liveness
5% Instrumentalness • 12% Positiveness
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Antonio Caldara
Sinfonia No. 8 in si bemolle maggiore (G...
149 bpm • A# Maj • 01:02 • -17.28db
30% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 20% Danceability • 15% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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George Frideric Handel
Serse, HWV 40: Overture
150 bpm • A Maj • 03:24 • -14.79db
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
74% Instrumentalness • 48% Positiveness
9% Popularity • 29% Danceability • 33% Energy • 17% Liveness
74% Instrumentalness • 48% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Henry Purcell
O dive custos Auriacae domus, Z504
134 bpm • F# min • 06:59 • -15.99db
9% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
26% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
26% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Arcangelo Corelli
Sonata in B minor, Op. 4, No. 12: 3. Gig...
133 bpm • A# min • 01:15 • -21.86db
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Giovanni Battista Sammartini
Concerto in C major for violoncello picc...
133 bpm • F# Maj • 04:08 • -20.19db
19% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
19% Popularity • 48% Danceability • 16% Energy • 16% Liveness
71% Instrumentalness • 65% Positiveness
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Nicola Porpora
Porpora: Arianna e Teseo: "Mira in cielo...
132 bpm • E Maj • 05:53 • -18.53db
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 43% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
18% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Antonio Caldara
Sonata da camera in G Minor, Op. 2 No. 4...
132 bpm • F# min • 01:48 • -16.16db
4% Popularity • 32% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
4% Popularity • 32% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Christoph Graupner
Overture for Flute and Bassoon in G Majo...
131 bpm • F# Maj • 01:02 • -19db
29% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
29% Popularity • 63% Danceability • 21% Energy • 22% Liveness
32% Instrumentalness • 96% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: VII. Eia Mater
131 bpm • E min • 02:26 • -19.86db
27% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
131 bpm • G# min • 05:45 • -15db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
10% Instrumentalness • 69% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act I: Rondeau
154 bpm • A Maj • 01:03 • -17.01db
16% Popularity • 32% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 81% Positiveness
16% Popularity • 32% Danceability • 14% Energy • 19% Liveness
74% Instrumentalness • 81% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
130 bpm • C Maj • 01:42 • -17db
33% Popularity • 59% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 74% Positiveness
33% Popularity • 59% Danceability • 22% Energy • 16% Liveness
18% Instrumentalness • 74% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
► Preview
Carl Heinrich Graun
Cleopatra e Cesare, WV B:I:7: Tra le pro...
130 bpm • D# Maj • 07:24 • -13.34db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 53% Positiveness
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Georg Philipp Telemann
Overture & Suite in D major for Viola da...
129 bpm • C# Maj • 05:05 • -17.72db
22% Popularity • 38% Danceability • 24% Energy • 14% Liveness
79% Instrumentalness • 36% Positiveness
22% Popularity • 38% Danceability • 24% Energy • 14% Liveness
79% Instrumentalness • 36% Positiveness
► Preview
Antonio Caldara
Adriano in Siria - Act III: Barbaro non ...
129 bpm • G# Maj • 04:26 • -16.78db
2% Popularity • 50% Danceability • 28% Energy • 17% Liveness
30% Instrumentalness • 56% Positiveness
2% Popularity • 50% Danceability • 28% Energy • 17% Liveness
30% Instrumentalness • 56% Positiveness
► Preview
Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
► Preview
Antonio Vivaldi
Nisi Dominus, RV 608: VI. Beatus
128 bpm • A# Maj • 01:02 • -21.42db
29% Popularity • 40% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 40% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Benedetto Marcello
Cello Sonata in F Major, Op. 1, No. 1: I...
128 bpm • E Maj • 01:35 • -17.27db
26% Popularity • 48% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 67% Positiveness
26% Popularity • 48% Danceability • 31% Energy • 30% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
John Blow
Lovely Selina
128 bpm • F# Maj • 02:12 • -27db
24% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
22% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
22% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
► Preview
Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
► Preview
Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Antoine Forqueray
Forqueray, A: Pièces de viole, Suite No...
126 bpm • C# min • 03:46 • -25db
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
11% Popularity • 31% Danceability • 20% Energy • 23% Liveness
92% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: IV. Duet "Tecum p...
160 bpm • G# min • 02:05 • -24.24db
13% Popularity • 27% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
13% Popularity • 27% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Sinfonie a cinque per due violini, alto,...
126 bpm • B Maj • 03:31 • -17db
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 16% Energy • 14% Liveness
42% Instrumentalness • 6% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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William Christie
Purcell : King Arthur : Act 5 Chaconne
125 bpm • D# Maj • 03:29 • -25.92db
14% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 31% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 40% Positiveness
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Johann Adolf Hasse
Marc'Antonio e Cleopatra: Aria "Morte co...
125 bpm • F# min • 04:04 • -16.43db
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Dixit Dominus: Allegro
125 bpm • C# Maj • 02:00 • -20.74db
21% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
21% Popularity • 44% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 44% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 32 Rec...
126 bpm • A Maj • 02:43 • -19.37db
5% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Antonio Lotti
Lotti: Alessandro Severo: Sinfonia - III...
124 bpm • C# Maj • 01:09 • -16.87db
13% Popularity • 48% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 82% Positiveness
13% Popularity • 48% Danceability • 29% Energy • 12% Liveness
96% Instrumentalness • 82% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
21% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
18% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
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Antonio Caldara
Il martirio di Santa Caterina: "Ahi quan...
126 bpm • F# Maj • 03:04 • -18.84db
5% Popularity • 44% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
5% Popularity • 44% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Rondeau
124 bpm • A Maj • 01:40 • -22db
29% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 23% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Benedetto Marcello
Concerto in E Minor: I. Adagio e staccat...
123 bpm • D# min • 02:08 • -21db
25% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
25% Popularity • 35% Danceability • 4% Energy • 14% Liveness
3% Instrumentalness • 17% Positiveness
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William Boyce
Symphony No. 7 in B-Flat Major, Op. 2, "...
122 bpm • A Maj • 02:03 • -23.63db
30% Popularity • 51% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
30% Popularity • 51% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 78% Positiveness
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Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
37% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Johann David Heinichen
Concerto a 7 in G Major - 2 Oboes, 2 Vio...
122 bpm • F# Maj • 02:34 • -17db
10% Popularity • 44% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 66% Positiveness
10% Popularity • 44% Danceability • 33% Energy • 12% Liveness
66% Instrumentalness • 66% Positiveness
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Antonio Caldara
Stabat Mater: V. Tui nati vulnerati
126 bpm • E min • 01:48 • -23.14db
16% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
15% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
37% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
