Songs like Volcano Songs: Duets: Walking Song by Meredith Monk
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Arvo Pärt
Tabula Rasa: I. Ludus
112 bpm • F Maj • 10:07 • -15.43db
25% Popularity • 36% Danceability • 30% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
25% Popularity • 36% Danceability • 30% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Sheila Chandra
Speaking in Tongues I
112 bpm • F min • 01:48 • -16.8db
16% Popularity • 69% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
16% Popularity • 69% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 72% Positiveness
► Preview
Nonesuch Explorer Series
Izlel je Delyo hajdutin
112 bpm • A min • 05:10 • -10.47db
14% Popularity • 17% Danceability • 38% Energy • 36% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 38% Energy • 36% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Park Woojae
Abyss
111 bpm • D min • 05:10 • -18.01db
9% Popularity • 24% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Meredith Monk
Volcano Songs: Duets: Walking Song
112 bpm • F# Maj • 02:58 • -25.01db
24% Popularity • 64% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
24% Popularity • 64% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
► Preview
Group of male singers, Nyangumarda
Untitled Song
111 bpm • A Maj • 01:31 • -28.84db
14% Popularity • 54% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
14% Popularity • 54% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
► Preview
Alejandro Jodorowsky
Trance Mutation
111 bpm • G Maj • 03:31 • -21.22db
14% Popularity • 24% Danceability • 21% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 21% Energy • 14% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Jonny Greenwood
Time Hole
111 bpm • F# Maj • 01:41 • -18db
21% Popularity • 37% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
21% Popularity • 37% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Márta Sebestyén
Szerelem, szerelem (Love, Love)
111 bpm • D Maj • 04:37 • -20db
24% Popularity • 36% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 36% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
John Tavener
The Veil of the Temple: Mother of God, H...
111 bpm • G Maj • 06:04 • -27db
9% Popularity • 39% Danceability • 1% Energy • 6% Liveness
48% Instrumentalness • 15% Positiveness
9% Popularity • 39% Danceability • 1% Energy • 6% Liveness
48% Instrumentalness • 15% Positiveness
► Preview
Meredith Monk
Monk: Railroad (Travel Song)
111 bpm • E min • 02:06 • -21.31db
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Kodo
Miyake
113 bpm • E min • 06:25 • -33.94db
9% Popularity • 45% Danceability • 6% Energy • 8% Liveness
6% Instrumentalness • 7% Positiveness
9% Popularity • 45% Danceability • 6% Energy • 8% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
14% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
► Preview
Pérotin
Beata viscera
111 bpm • A Maj • 08:20 • -27.59db
20% Popularity • 19% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Prelude (Re Mineur) (Abel)
110 bpm • D min • 02:43 • -28.18db
32% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
32% Popularity • 29% Danceability • 5% Energy • 9% Liveness
82% Instrumentalness • 18% Positiveness
► Preview
![Largo [Harpsichord Concerto No. 5 in F minor BWV 1056] cover art](https://i.scdn.co/image/ab67616d00001e02ed9b4f10e876ae7120ae4231)
The Swingle Singers
Largo [Harpsichord Concerto No. 5 in F m...
110 bpm • C# Maj • 03:00 • -15.13db
31% Popularity • 46% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Meredith Monk
Mapping
113 bpm • C Maj • 02:07 • -21.27db
9% Popularity • 48% Danceability • 22% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 48% Danceability • 22% Energy • 31% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Kodo
O-Daiko
110 bpm • B Maj • 06:16 • -27.24db
17% Popularity • 41% Danceability • 27% Energy • 12% Liveness
27% Instrumentalness • 5% Positiveness
17% Popularity • 41% Danceability • 27% Energy • 12% Liveness
27% Instrumentalness • 5% Positiveness
► Preview
Anon
Misa Yaroma Wewak
114 bpm • G# Maj • 03:05 • -14.81db
14% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
John Lurie
Car Florida
114 bpm • D Maj • 03:04 • -21.66db
10% Popularity • 86% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
10% Popularity • 86% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
► Preview
William Tyler
An Opening
114 bpm • C Maj • 02:12 • -8.61db
22% Popularity • 58% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
22% Popularity • 58% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
John Cage
Experiences No. 2
115 bpm • E min • 04:46 • -19.63db
12% Popularity • 37% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
David Byrne
Road Song
110 bpm • D# min • 03:19 • -17.53db
11% Popularity • 51% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
11% Popularity • 51% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
► Preview
Marc Ribot
Delancey Waltz
115 bpm • B min • 03:17 • -20.15db
18% Popularity • 57% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
18% Popularity • 57% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Young girl
Song of Marriage
115 bpm • G Maj • 02:57 • -16.46db
12% Popularity • 75% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 75% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Gnomus
116 bpm • E Maj • 02:27 • -25.64db
21% Popularity • 34% Danceability • 5% Energy • 55% Liveness
71% Instrumentalness • 12% Positiveness
21% Popularity • 34% Danceability • 5% Energy • 55% Liveness
71% Instrumentalness • 12% Positiveness
► Preview
John Surman
Edges Of Illusion
116 bpm • D min • 10:09 • -17.77db
32% Popularity • 53% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
32% Popularity • 53% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
► Preview
Meredith Monk
Folkdance
116 bpm • D min • 04:03 • -16db
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 64% Positiveness
► Preview
Colleen
Everyone Alive Wants Answers
108 bpm • F# min • 03:31 • -7db
20% Popularity • 44% Danceability • 83% Energy • 28% Liveness
58% Instrumentalness • 20% Positiveness
20% Popularity • 44% Danceability • 83% Energy • 28% Liveness
58% Instrumentalness • 20% Positiveness
► Preview
Julia Wolfe
Reeling
116 bpm • C Maj • 05:49 • -8.67db
9% Popularity • 57% Danceability • 65% Energy • 20% Liveness
5% Instrumentalness • 80% Positiveness
9% Popularity • 57% Danceability • 65% Energy • 20% Liveness
5% Instrumentalness • 80% Positiveness
► Preview
Nam June Paik
Hommage À John Cage - 1958-59
116 bpm • C# Maj • 04:13 • -17.56db
8% Popularity • 46% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 21% Positiveness
8% Popularity • 46% Danceability • 15% Energy • 17% Liveness
13% Instrumentalness • 21% Positiveness
► Preview
Max Richter
The Blue Notebooks
108 bpm • G Maj • 01:19 • -28.74db
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
20% Instrumentalness • 58% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
20% Instrumentalness • 58% Positiveness
► Preview
Arvo Pärt
My Heart's In The Highlands (2000)
107 bpm • C# Maj • 07:36 • -30.82db
13% Popularity • 20% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Meredith Monk
Urban March (Light)
117 bpm • G Maj • 06:05 • -14.51db
2% Popularity • 46% Danceability • 31% Energy • 6% Liveness
22% Instrumentalness • 7% Positiveness
2% Popularity • 46% Danceability • 31% Energy • 6% Liveness
22% Instrumentalness • 7% Positiveness
► Preview
Harry Partch
2 Studies on Ancient Greek Scales (Arr. ...
117 bpm • G min • 01:13 • -24.14db
22% Popularity • 56% Danceability • 12% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
22% Popularity • 56% Danceability • 12% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
► Preview
Ernst Reijseger
Longing for a Frozen Sky
117 bpm • C min • 02:08 • -18.47db
30% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
30% Popularity • 55% Danceability • 24% Energy • 60% Liveness
61% Instrumentalness • 18% Positiveness
► Preview
Jóhann Jóhannsson
melodia - i
107 bpm • G min • 01:56 • -23db
19% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
► Preview
Michael Galasso
Scene 1
117 bpm • A min • 03:00 • -11.98db
29% Popularity • 47% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 47% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Popol Vuh
Aguirre I (L'Acrime Di Rei)
107 bpm • G min • 07:22 • -18.97db
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Kaija Saariaho
7 Papillons: No. 2. —
117 bpm • D Maj • 01:30 • -25db
31% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
31% Popularity • 36% Danceability • 8% Energy • 5% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
John Hollenbeck
Line 3 And Prisoner
107 bpm • D min • 05:23 • -25.31db
2% Popularity • 35% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
2% Popularity • 35% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Colleen
Going Forth by Day
107 bpm • G# min • 04:18 • -16db
14% Popularity • 40% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
14% Popularity • 40% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Maddalena Fagandini
Interval Signal
118 bpm • F min • 01:39 • -21.51db
13% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Kyungso Park
ì €ë§Œì¹˜ 함께 Proximate Distance
106 bpm • A min • 04:46 • -9.04db
8% Popularity • 57% Danceability • 29% Energy • 6% Liveness
91% Instrumentalness • 28% Positiveness
8% Popularity • 57% Danceability • 29% Energy • 6% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Henri Texier
L'éléphant
106 bpm • A Maj • 03:14 • -18.91db
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 72% Positiveness
► Preview
Jonny Greenwood
Able-Bodied Seamen
119 bpm • A# min • 03:54 • -13.62db
19% Popularity • 56% Danceability • 27% Energy • 11% Liveness
71% Instrumentalness • 24% Positiveness
19% Popularity • 56% Danceability • 27% Energy • 11% Liveness
71% Instrumentalness • 24% Positiveness
► Preview
Vladimir Ussachevsky
Sonic Contours
106 bpm • C Maj • 01:13 • -48db
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Steve Reich
Nagoya Marimba
106 bpm • A min • 04:35 • -23db
18% Popularity • 53% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 79% Positiveness
18% Popularity • 53% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 79% Positiveness
► Preview
John Cage
Sonata and Interludes for Prepared Piano...
119 bpm • E min • 01:28 • -31db
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
35% Popularity • 37% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 54% Positiveness
► Preview
Angelo Badalamenti
The Straight Story: Rose's Theme
119 bpm • F Maj • 05:18 • -21.61db
27% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Alberto Iglesias
Los Vestidos Desgarrados
105 bpm • C min • 02:33 • -13.59db
25% Popularity • 33% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 62% Positiveness
25% Popularity • 33% Danceability • 28% Energy • 12% Liveness
59% Instrumentalness • 62% Positiveness
► Preview
Simon Boswell
Triste
119 bpm • E Maj • 01:45 • -26.92db
31% Popularity • 44% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
31% Popularity • 44% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Jozef Van Wissem
In Templum Dei
119 bpm • F# min • 02:56 • -11db
33% Popularity • 29% Danceability • 20% Energy • 17% Liveness
68% Instrumentalness • 3% Positiveness
33% Popularity • 29% Danceability • 20% Energy • 17% Liveness
68% Instrumentalness • 3% Positiveness
► Preview
Michael Nyman
Sheep And Tides - 2004 Digital Remaster
105 bpm • D# Maj • 01:44 • -15.9db
26% Popularity • 40% Danceability • 20% Energy • 27% Liveness
73% Instrumentalness • 49% Positiveness
26% Popularity • 40% Danceability • 20% Energy • 27% Liveness
73% Instrumentalness • 49% Positiveness
► Preview
Meredith Monk
Pavement Steps
105 bpm • A# Maj • 02:04 • -15.2db
9% Popularity • 89% Danceability • 29% Energy • 5% Liveness
4% Instrumentalness • 44% Positiveness
9% Popularity • 89% Danceability • 29% Energy • 5% Liveness
4% Instrumentalness • 44% Positiveness
► Preview
Steve Reich
Music for Pieces of Wood
105 bpm • C# Maj • 11:41 • -27db
13% Popularity • 50% Danceability • 44% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
13% Popularity • 50% Danceability • 44% Energy • 10% Liveness
97% Instrumentalness • 32% Positiveness
► Preview
Alejandro Jodorowsky
Pissed And Passed Out
105 bpm • G min • 01:47 • -13.16db
15% Popularity • 66% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 96% Positiveness
15% Popularity • 66% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 96% Positiveness
► Preview
Paul Pena
Kongurey (Where Has My Country Gone?)
105 bpm • A# Maj • 06:30 • -15.52db
13% Popularity • 35% Danceability • 19% Energy • 7% Liveness
5% Instrumentalness • 28% Positiveness
13% Popularity • 35% Danceability • 19% Energy • 7% Liveness
5% Instrumentalness • 28% Positiveness
► Preview
David Lang
Increase
120 bpm • C# Maj • 10:15 • -12db
19% Popularity • 40% Danceability • 37% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
19% Popularity • 40% Danceability • 37% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Zoë Keating
The Last Bird
120 bpm • G# Maj • 01:56 • -10db
40% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
40% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Meredith Monk
Phantom Waltz
120 bpm • C Maj • 07:14 • -25.32db
12% Popularity • 43% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 5% Positiveness
12% Popularity • 43% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
John Cage
Music for Marcel Duchamp
120 bpm • D# Maj • 05:55 • -38db
11% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Ry Cooder & V.M. Bhatt
A Meeting by the River
104 bpm • D Maj • 10:08 • -32db
30% Popularity • 32% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
30% Popularity • 32% Danceability • 13% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
► Preview
Osvaldo Golijov
Ainadamar: Water and Horse Prelude
121 bpm • C min • 02:42 • -23.37db
12% Popularity • 82% Danceability • 44% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
12% Popularity • 82% Danceability • 44% Energy • 10% Liveness
72% Instrumentalness • 12% Positiveness
► Preview
Chapelier Fou
Antivalse
120 bpm • F Maj • 02:47 • -14.57db
39% Popularity • 43% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 43% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
28% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Pérotin
Beata viscera (monophonic conductus)
104 bpm • C# min • 06:14 • -24.83db
35% Popularity • 26% Danceability • 7% Energy • 28% Liveness
12% Instrumentalness • 3% Positiveness
35% Popularity • 26% Danceability • 7% Energy • 28% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
John Cage
Apartment House 1776: Harmony No. 1, Coo...
104 bpm • G Maj • 01:33 • -27db
30% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
30% Popularity • 15% Danceability • 1% Energy • 13% Liveness
70% Instrumentalness • 8% Positiveness
► Preview
Marisa Anderson
In the Valley of the Sun
121 bpm • B Maj • 04:12 • -17.02db
14% Popularity • 34% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
14% Popularity • 34% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Alejandro Jodorowsky
Rainbow Room
104 bpm • G Maj • 04:40 • -23.17db
10% Popularity • 33% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
10% Popularity • 33% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
► Preview
Igor Stravinsky
The Firebird: Berceuse (Arr. For theremi...
104 bpm • B Maj • 03:10 • -27.78db
12% Popularity • 14% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 8% Positiveness
► Preview
George Frideric Handel
Dank sei dir Gott
104 bpm • A Maj • 04:19 • -9.03db
12% Popularity • 20% Danceability • 44% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 44% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
► Preview
Meara O'Reilly
Hockets for Two Voices: II. —
121 bpm • D# min • 01:42 • -16.98db
19% Popularity • 78% Danceability • 12% Energy • 13% Liveness
47% Instrumentalness • 80% Positiveness
19% Popularity • 78% Danceability • 12% Energy • 13% Liveness
47% Instrumentalness • 80% Positiveness
► Preview
Mark Orton
Herbert's Story
121 bpm • A# Maj • 01:59 • -19.02db
23% Popularity • 47% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
23% Popularity • 47% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Huun-Huur-Tu
Chyraa-Khoor (Yellow Pacer)
103 bpm • C# Maj • 05:42 • -12db
32% Popularity • 44% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
32% Popularity • 44% Danceability • 68% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
► Preview
Tom Waits
New York Mood (New Haircut and a Busted ...
122 bpm • A min • 02:38 • -35.74db
15% Popularity • 38% Danceability • 0% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
15% Popularity • 38% Danceability • 0% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
► Preview
VÃg Mihály
Eső, Pt. 1
103 bpm • A min • 04:24 • -18.95db
12% Popularity • 58% Danceability • 18% Energy • 16% Liveness
24% Instrumentalness • 60% Positiveness
12% Popularity • 58% Danceability • 18% Energy • 16% Liveness
24% Instrumentalness • 60% Positiveness
► Preview
Steve Reich
Reich: Nagoya Marimbas, for 2 Marimbas
103 bpm • A min • 04:54 • -20.68db
25% Popularity • 68% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
25% Popularity • 68% Danceability • 26% Energy • 8% Liveness
93% Instrumentalness • 67% Positiveness
► Preview
Alejandro Jodorowsky
Tarot Will Teach You/Burn Your Money
122 bpm • C Maj • 08:44 • -18.09db
19% Popularity • 33% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
19% Popularity • 33% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
► Preview
Ernst Reijseger
Forgotten Dreams #4
123 bpm • G Maj • 04:11 • -22.87db
16% Popularity • 38% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
16% Popularity • 38% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Meredith Monk
The Politics of Quiet: Waltz in 5s (Arr....
102 bpm • A# Maj • 03:54 • -11.79db
9% Popularity • 31% Danceability • 15% Energy • 38% Liveness
44% Instrumentalness • 14% Positiveness
9% Popularity • 31% Danceability • 15% Energy • 38% Liveness
44% Instrumentalness • 14% Positiveness
► Preview
Tom Waits
Los Angeles Mood (Chromium Descensions) ...
122 bpm • A min • 02:35 • -31.76db
21% Popularity • 36% Danceability • 1% Energy • 12% Liveness
64% Instrumentalness • 23% Positiveness
21% Popularity • 36% Danceability • 1% Energy • 12% Liveness
64% Instrumentalness • 23% Positiveness
► Preview
Philip Glass Ensemble
Knee 1
102 bpm • G Maj • 08:04 • -30.63db
29% Popularity • 57% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 57% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sandy Bull
Carmina Burana Fantasy
123 bpm • D Maj • 04:43 • -16.84db
13% Popularity • 55% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 58% Positiveness
13% Popularity • 55% Danceability • 27% Energy • 5% Liveness
79% Instrumentalness • 58% Positiveness
► Preview
Gunild Keetman
Orff-Schulwerk: Gassenhauer
101 bpm • C Maj • 03:05 • -24db
28% Popularity • 56% Danceability • 9% Energy • 5% Liveness
93% Instrumentalness • 35% Positiveness
28% Popularity • 56% Danceability • 9% Energy • 5% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Hildur Guðnadóttir
Heyr Himnasmiður
124 bpm • G Maj • 03:09 • -23.99db
25% Popularity • 19% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Meredith Monk
Braid 1 And Leaping Song
124 bpm • A min • 08:14 • -17.7db
5% Popularity • 33% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 6% Positiveness
5% Popularity • 33% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 6% Positiveness
► Preview
Maurice Ravel
Piece en forme de habanera: Vocalise-etu...
101 bpm • G min • 02:45 • -28.58db
12% Popularity • 25% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Nino Rota
L'Uccello Magico
101 bpm • A# Maj • 02:11 • -12db
10% Popularity • 62% Danceability • 26% Energy • 9% Liveness
6% Instrumentalness • 41% Positiveness
10% Popularity • 62% Danceability • 26% Energy • 9% Liveness
6% Instrumentalness • 41% Positiveness
► Preview
Iannis Xenakis
Rebonds B
124 bpm • C Maj • 05:46 • -11.81db
16% Popularity • 55% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
16% Popularity • 55% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Pulses
101 bpm • F# min • 05:26 • -17db
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
31% Popularity • 58% Danceability • 61% Energy • 13% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Huun-Huur-Tu
Prayer
124 bpm • B Maj • 02:30 • -13.43db
30% Popularity • 29% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 29% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Krzysztof Penderecki
Threnody to the Victims of Hiroshima (19...
101 bpm • G min • 10:03 • -15.32db
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
Jozef Van Wissem
Only Lovers Left Alive
101 bpm • A Maj • 03:28 • -19.73db
23% Popularity • 51% Danceability • 35% Energy • 50% Liveness
91% Instrumentalness • 56% Positiveness
23% Popularity • 51% Danceability • 35% Energy • 50% Liveness
91% Instrumentalness • 56% Positiveness
► Preview
Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
► Preview
Meredith Monk
Liquid Air
125 bpm • A min • 03:53 • -31.77db
6% Popularity • 17% Danceability • 0% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 0% Energy • 7% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Michael Galasso
Scene 3
126 bpm • G Maj • 01:45 • -18.07db
17% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Satyajit Ray
Title Music From Satyajit Ray's film TEE...
99 bpm • A Maj • 01:25 • -7.88db
21% Popularity • 35% Danceability • 44% Energy • 36% Liveness
93% Instrumentalness • 84% Positiveness
21% Popularity • 35% Danceability • 44% Energy • 36% Liveness
93% Instrumentalness • 84% Positiveness
