Songs like Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones) by Philippe de Vitry
Based on a tempo of (+/- 10%) and a similar genre
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Esteban Daza
Quien te hizo, Juan Pastor
101 bpm • A min • 03:23 • -24db
11% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Orlando Consort
Encounter
101 bpm • D# Maj • 03:26 • -10.19db
2% Popularity • 36% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 36% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Sergei Rachmaninoff
Come, Let Us Worship
102 bpm • C Maj • 02:07 • -22.77db
12% Popularity • 15% Danceability • 7% Energy • 22% Liveness
78% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 22% Liveness
78% Instrumentalness • 6% Positiveness
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Mathieu Gascongne
Missa, "Myn herte heeft altyt verlanghen...
100 bpm • G min • 03:46 • -20db
9% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Josquin des Prez
Tu solus qui facis mirabilia: I. Prima p...
103 bpm • G min • 03:05 • -28.1db
11% Popularity • 17% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Lupi
Motet: Vidi speciosam
103 bpm • D min • 05:27 • -23.24db
0% Popularity • 15% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 15% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Antoine Busnois
Amours nous traitte honnestement / Je m�...
103 bpm • G min • 01:32 • -18.15db
0% Popularity • 26% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 26% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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William Byrd
Mass for 5 Voices, T. 3: IIb. Domine Deu...
103 bpm • B min • 03:08 • -21.85db
15% Popularity • 16% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 8% Positiveness
15% Popularity • 16% Danceability • 8% Energy • 12% Liveness
31% Instrumentalness • 8% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Introitu...
103 bpm • F# Maj • 01:29 • -19.23db
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Aprés Se Badarà ...
103 bpm • F Maj • 02:08 • -27.09db
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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![Veritas arpie (Roman de Fauvel, 14th century) [Arr. F. Reinecke & H. Slaatto for Violin & Double Bass] cover art](https://i.scdn.co/image/ab67616d00001e0201eb489a9c328f293dd53764)
Philippe de Vitry
Veritas arpie (Roman de Fauvel, 14th cen...
99 bpm • G Maj • 01:30 • -23.34db
2% Popularity • 20% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
2% Popularity • 20% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Orlando Consort
Quae est ista
98 bpm • B Maj • 05:16 • -10.48db
0% Popularity • 14% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 14% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Guillaume de Machaut
Donnez, signeurs, Ballade 26 a 3: II. A ...
104 bpm • E Maj • 01:44 • -20.86db
6% Popularity • 24% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 24% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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S. Serafimovich
Peaceful Light (Valaam Monestary Chant)
104 bpm • C Maj • 02:13 • -29.63db
19% Popularity • 27% Danceability • 4% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 4% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
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Philippe de Vitry
In mari miserere (Arr. F. Reinecke & H. ...
104 bpm • C Maj • 01:05 • -25.87db
0% Popularity • 21% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
0% Popularity • 21% Danceability • 6% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 4, Graduel...
105 bpm • A min • 03:03 • -26.33db
17% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: III...
105 bpm • A min • 06:26 • -19.02db
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Francisco Guerrero
Motet: Quasi cedrus
97 bpm • G min • 05:32 • -23.95db
0% Popularity • 19% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 19% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Marchetto Cara
Mal un muta per effecto
97 bpm • A min • 02:15 • -19.88db
23% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 44% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Philippe de Vitry
Apta caro - Flos virginum (Arr. Harre-Jo...
97 bpm • G Maj • 02:57 • -19.04db
2% Popularity • 14% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 14% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Francisco de Peñalosa
Sancta Maria succure miseris
106 bpm • A min • 02:28 • -19.32db
9% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Pierre Clereau
Cléreau: Les Odes de Pierre de Ronsard ...
107 bpm • D min • 04:18 • -21db
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 26% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Dominique Phinot
Motet: Ecce tu pulcher es
96 bpm • G Maj • 06:38 • -22.47db
0% Popularity • 12% Danceability • 15% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
0% Popularity • 12% Danceability • 15% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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Jacques Arcadelt
La pastorella mia
96 bpm • A min • 02:57 • -25db
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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John Dunstable
O rosa bella - Quodlibet: O rosa bella (...
107 bpm • D min • 03:54 • -26db
9% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Johannes Ockeghem
Requiem: Introitus
108 bpm • G Maj • 04:26 • -23.46db
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 12% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 159: Non So...
108 bpm • B min • 05:02 • -21.5db
9% Popularity • 54% Danceability • 7% Energy • 7% Liveness
33% Instrumentalness • 40% Positiveness
9% Popularity • 54% Danceability • 7% Energy • 7% Liveness
33% Instrumentalness • 40% Positiveness
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Jacques Arcadelt
Missa Noe Noe: I. Kyrie
108 bpm • G min • 03:15 • -25.5db
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
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Walter Frye
Missa: Flos Regalis: Agnus Dei
94 bpm • A# Maj • 05:04 • -25.18db
1% Popularity • 13% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
1% Popularity • 13% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Piffaro
Vilana, Che Sa Tu Far?
108 bpm • G Maj • 01:32 • -18db
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Peter Abelard
Dolorum solatium, "Planctus David super ...
94 bpm • G Maj • 09:35 • -19.58db
10% Popularity • 30% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit (Arr. H...
109 bpm • G min • 02:46 • -18.39db
4% Popularity • 20% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
4% Popularity • 20% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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Cipriano de Rore
Rore: Descendi in hortum meum - 2. Rever...
94 bpm • F Maj • 01:45 • -21db
14% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
14% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Philippe Verdelot
Se l'ardor foss'equale
109 bpm • G# min • 02:49 • -18.69db
15% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Josquin des Prez
Josquin: Missa Hercules Dux Ferrarie - 1...
109 bpm • F Maj • 01:06 • -24.47db
19% Popularity • 25% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 13% Positiveness
19% Popularity • 25% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 13% Positiveness
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Johannes Ockeghem
Missa "De plus en plus": Gloria
109 bpm • C Maj • 07:21 • -21.4db
0% Popularity • 18% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 18% Danceability • 13% Energy • 28% Liveness
0% Instrumentalness • 10% Positiveness
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Ensemble Project Ars Nova
Contre dolour
94 bpm • A min • 04:10 • -29.88db
8% Popularity • 22% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Philippe de Vitry
Impudenter circumivi - Virtutibus laudab...
94 bpm • F Maj • 03:10 • -23.54db
0% Popularity • 18% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 9% Positiveness
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Thibaut de Champagne
Chançon ferai, que talenz m’en est pr...
94 bpm • C# Maj • 05:51 • -21db
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Luca Marenzio
All'imperio d'Amore: 6. La dipartita e a...
109 bpm • G min • 02:13 • -19db
14% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Josquin des Prez
Josquin: Missa Hercules Dux Ferrarie - 2...
109 bpm • A min • 02:04 • -21.7db
10% Popularity • 18% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 18% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Aimeric de Peguilhan
En amor trob alques en que'm refraing
94 bpm • A min • 11:07 • -23.94db
4% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 21% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
93 bpm • C min • 04:15 • -19.66db
5% Popularity • 18% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 18% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Gaucelm Faidit
Fortz chausa es que tot lo major dan
110 bpm • C Maj • 04:29 • -25.68db
8% Popularity • 41% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 41% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Trebor
Chanson: Passerose de beauté
93 bpm • F Maj • 02:43 • -25.4db
0% Popularity • 16% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 16% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Johann Walter
Jesus Christus, unser Heiland
111 bpm • G min • 01:25 • -20db
12% Popularity • 24% Danceability • 14% Energy • 6% Liveness
6% Instrumentalness • 9% Positiveness
12% Popularity • 24% Danceability • 14% Energy • 6% Liveness
6% Instrumentalness • 9% Positiveness
► Preview
Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
► Preview
Philippe de Vitry
Floret cum vana gloria - Florens vigor u...
92 bpm • F Maj • 01:45 • -26.08db
2% Popularity • 35% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
2% Popularity • 35% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Jordi Savall
Música Religiosa (Vol. I), II. Ave Mari...
92 bpm • A min • 01:55 • -25.64db
12% Popularity • 15% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 5% Energy • 17% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
William Byrd
Byrd: Sing Joyfully Unto God
111 bpm • D# Maj • 02:59 • -21.58db
13% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 25% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
111 bpm • G# Maj • 02:24 • -25.34db
7% Popularity • 16% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 16% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Orlando Consort
Modus II
111 bpm • D min • 02:02 • -23.09db
0% Popularity • 23% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 23% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Thomas Morley
Now Is the Month of Maying: Now Is the M...
111 bpm • G Maj • 01:50 • -23db
11% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
11% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
► Preview
Miguel de Fuenllana
Vos me matastes
112 bpm • D min • 01:45 • -22.62db
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Pérotin
Viderunt omnes: ...fines terre salutare ...
111 bpm • G# Maj • 00:56 • -22.29db
28% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
28% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
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William Byrd
Mass for 5 Voices: I. Kyrie
111 bpm • C min • 01:15 • -21.53db
13% Popularity • 18% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Jheronimus Vinders
O mors inevitabili
91 bpm • G Maj • 02:44 • -18.84db
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 01:45 • -20db
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Giraut de Bornelh
Reis glorios
112 bpm • A# min • 08:52 • -31db
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 26% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Miguel de Fuenllana
Con que la lavare
91 bpm • C min • 02:48 • -23db
19% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 5% Energy • 12% Liveness
43% Instrumentalness • 9% Positiveness
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Gavin Bryars
Super flumina
91 bpm • G# Maj • 06:35 • -28db
5% Popularity • 13% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 13% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Dunstable
Salve scema sanctitatis - Salve salus se...
91 bpm • F Maj • 06:50 • -22.34db
0% Popularity • 12% Danceability • 14% Energy • 20% Liveness
2% Instrumentalness • 17% Positiveness
0% Popularity • 12% Danceability • 14% Energy • 20% Liveness
2% Instrumentalness • 17% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Easte...
91 bpm • C Maj • 06:06 • -17.19db
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 16% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Philippe de Vitry
Je qui paoir seule ai de conforter (Desc...
90 bpm • F Maj • 06:00 • -24.46db
5% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Adam de la Halle
Le jeu de robin et marion: Scène 1 - ma...
114 bpm • G# Maj • 06:51 • -21db
11% Popularity • 60% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 60% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Alfons V El Magnà nim: Adoramus te (4v.)...
114 bpm • E min • 03:46 • -26db
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Diego Pisador
Si la noche haze escura
89 bpm • G min • 02:46 • -25db
11% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Gabriel Mena
Canción: Aquella mora garrida
89 bpm • F Maj • 02:15 • -22.61db
0% Popularity • 34% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 34% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Philippe de Vitry
Ay, amours! tant me dure (Chanson)
90 bpm • C Maj • 04:16 • -26.54db
3% Popularity • 16% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 16% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Weelkes
Alleluia, I Heard a Voice
115 bpm • B Maj • 02:52 • -20.54db
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Hymnus: Ave maris stella
89 bpm • D Maj • 09:17 • -24.32db
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Adam de la Halle
Mout me fu grief li departir / Robin m'a...
89 bpm • G Maj • 01:01 • -19db
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 18% Danceability • 16% Energy • 47% Liveness
0% Instrumentalness • 28% Positiveness
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Philippe de Vitry
Trahunt in precipicia - Quasi non minist...
113 bpm • F min • 02:38 • -17.25db
2% Popularity • 22% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
2% Popularity • 22% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Tarik O'Regan
Scattered Rhymes: Part II
88 bpm • C Maj • 04:36 • -25.13db
1% Popularity • 14% Danceability • 13% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 13% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
