Songs like VXOMEG by Bill Kouligas
Based on a tempo of (+/- 10%) and a similar genre
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Bill Kouligas
VXOMEG
125 bpm • A# min • 03:36 • -16.53db
14% Popularity • 18% Danceability • 37% Energy • 9% Liveness
26% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 37% Energy • 9% Liveness
26% Instrumentalness • 5% Positiveness
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Tim Hecker
October Pt. 1
125 bpm • B min • 03:35 • -23.48db
26% Popularity • 24% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
26% Popularity • 24% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Tujiko Noriko
Romi and Kuro
125 bpm • F min • 02:16 • -28.51db
16% Popularity • 17% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Space Afrika
<>
125 bpm • G Maj • 01:53 • -13.47db
13% Popularity • 27% Danceability • 31% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 31% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Vegyn
Desktop Speaker 003 (130 BPM)
125 bpm • G# Maj • 01:07 • -10.56db
22% Popularity • 38% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
22% Popularity • 38% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 13% Positiveness
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GAS
Königsforst 8
124 bpm • D# min • 07:11 • -19.8db
16% Popularity • 50% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
16% Popularity • 50% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Rainforest Spiritual Enslavement
Phosphorescence On Rowing Oars At Night
124 bpm • A# Maj • 06:47 • -23db
13% Popularity • 27% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
13% Popularity • 27% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Lucrecia Dalt
Antiform
124 bpm • G Maj • 02:11 • -31db
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 38% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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7038634357
Back Yard
126 bpm • C min • 03:56 • -7.28db
17% Popularity • 62% Danceability • 51% Energy • 25% Liveness
17% Instrumentalness • 8% Positiveness
17% Popularity • 62% Danceability • 51% Energy • 25% Liveness
17% Instrumentalness • 8% Positiveness
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Boards of Canada
The Smallest Weird Number
126 bpm • F Maj • 01:17 • -20.69db
40% Popularity • 19% Danceability • 18% Energy • 30% Liveness
78% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 18% Energy • 30% Liveness
78% Instrumentalness • 4% Positiveness
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Amnesia Scanner
Lexachast II
126 bpm • D min • 04:40 • -17.13db
7% Popularity • 34% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 34% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 27% Positiveness
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Felicia Atkinson
And The Flower Have Time For Me
126 bpm • A Maj • 05:42 • -21db
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 27% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Carmen Villain
Things That Are Solid
123 bpm • A Maj • 04:34 • -17db
10% Popularity • 48% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 46% Positiveness
10% Popularity • 48% Danceability • 60% Energy • 12% Liveness
85% Instrumentalness • 46% Positiveness
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Autechre
gr4
127 bpm • D# min • 03:21 • -18.7db
15% Popularity • 21% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 64% Positiveness
15% Popularity • 21% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 64% Positiveness
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Space Afrika
U+00b1
127 bpm • D# min • 03:37 • -17.82db
12% Popularity • 50% Danceability • 53% Energy • 29% Liveness
98% Instrumentalness • 55% Positiveness
12% Popularity • 50% Danceability • 53% Energy • 29% Liveness
98% Instrumentalness • 55% Positiveness
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Jefre Cantu-Ledesma
Stained Glass Body
127 bpm • C Maj • 05:28 • -9.43db
21% Popularity • 16% Danceability • 47% Energy • 35% Liveness
77% Instrumentalness • 24% Positiveness
21% Popularity • 16% Danceability • 47% Energy • 35% Liveness
77% Instrumentalness • 24% Positiveness
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Sofie Birch
Portal Of
127 bpm • G min • 01:42 • -20db
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Flora Yin-Wong
Tirta Empul
127 bpm • G# min • 04:00 • -20.61db
7% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
7% Popularity • 36% Danceability • 12% Energy • 9% Liveness
70% Instrumentalness • 13% Positiveness
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Croatian Amor
With Eyes Unclouded By Longing
127 bpm • E Maj • 02:45 • -12.88db
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Oval
Shhh
127 bpm • C min • 01:21 • -12db
28% Popularity • 30% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 30% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Space Afrika
Bly
127 bpm • E min • 07:10 • -24db
15% Popularity • 19% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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![My Life Is Bracketed [Mixed] cover art](https://i.scdn.co/image/ab67616d00001e02f1c283499a33f8a752807377)
The Black Dog
My Life Is Bracketed [Mixed]
123 bpm • G min • 01:20 • -21.21db
39% Popularity • 45% Danceability • 52% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
39% Popularity • 45% Danceability • 52% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Sky H1
Silk
127 bpm • D# min • 02:53 • -17.44db
19% Popularity • 26% Danceability • 31% Energy • 12% Liveness
83% Instrumentalness • 15% Positiveness
19% Popularity • 26% Danceability • 31% Energy • 12% Liveness
83% Instrumentalness • 15% Positiveness
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Arovane
Lithh
127 bpm • A min • 01:21 • -19.79db
25% Popularity • 28% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 28% Danceability • 28% Energy • 13% Liveness
94% Instrumentalness • 5% Positiveness
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Andy Stott
Submission
123 bpm • C# min • 04:50 • -12db
14% Popularity • 45% Danceability • 88% Energy • 43% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 45% Danceability • 88% Energy • 43% Liveness
95% Instrumentalness • 4% Positiveness
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7038634357
Not So Scared
122 bpm • D# min • 04:38 • -20.37db
8% Popularity • 28% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
8% Popularity • 28% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Flora Yin-Wong
Bitterness
127 bpm • D min • 03:56 • -18.06db
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
8% Popularity • 32% Danceability • 46% Energy • 15% Liveness
82% Instrumentalness • 9% Positiveness
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Kara-Lis Coverdale
Informant
128 bpm • D Maj • 07:06 • -15.18db
8% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Sarah Davachi
Auster
128 bpm • D Maj • 08:35 • -24db
8% Popularity • 19% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 4% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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GAS
Zauberberg 4
122 bpm • C# Maj • 05:53 • -19.58db
21% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
21% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Yves Tumor
When Man Fails You
128 bpm • F min • 04:34 • -13.63db
12% Popularity • 21% Danceability • 70% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 70% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Pan Daijing
The Goat
129 bpm • C min • 03:46 • -22.36db
11% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Organ Tapes
Dogs Running Free
121 bpm • F Maj • 01:46 • -13.17db
16% Popularity • 35% Danceability • 32% Energy • 71% Liveness
95% Instrumentalness • 19% Positiveness
16% Popularity • 35% Danceability • 32% Energy • 71% Liveness
95% Instrumentalness • 19% Positiveness
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LI YILEI
XUN / 旬
129 bpm • A Maj • 03:49 • -13.75db
13% Popularity • 20% Danceability • 40% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 40% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Loke Rahbek
Call Me By My True Names
129 bpm • D Maj • 02:45 • -15.87db
7% Popularity • 42% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
7% Popularity • 42% Danceability • 16% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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GAS
Zauberberg 6
122 bpm • C Maj • 10:58 • -17.25db
12% Popularity • 44% Danceability • 50% Energy • 10% Liveness
77% Instrumentalness • 23% Positiveness
12% Popularity • 44% Danceability • 50% Energy • 10% Liveness
77% Instrumentalness • 23% Positiveness
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Tim Hecker
Boreal Kiss Pt. 3
121 bpm • B min • 01:59 • -26.43db
34% Popularity • 25% Danceability • 15% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 25% Danceability • 15% Energy • 17% Liveness
96% Instrumentalness • 8% Positiveness
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Huerco S.
Cubist Camouflage
121 bpm • F# Maj • 02:40 • -17.93db
32% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Vanity Productions
Faith Alone
121 bpm • C# min • 05:20 • -7.92db
8% Popularity • 18% Danceability • 77% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 77% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Autechre
lux 106 mod
129 bpm • A Maj • 05:06 • -18.85db
12% Popularity • 23% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
12% Popularity • 23% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Delroy Edwards
Safe Places, Pt. 2
129 bpm • C Maj • 01:38 • -16.76db
12% Popularity • 33% Danceability • 60% Energy • 14% Liveness
97% Instrumentalness • 12% Positiveness
12% Popularity • 33% Danceability • 60% Energy • 14% Liveness
97% Instrumentalness • 12% Positiveness
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GAS
Königsforst 1
122 bpm • C Maj • 09:38 • -18db
26% Popularity • 40% Danceability • 51% Energy • 18% Liveness
97% Instrumentalness • 18% Positiveness
26% Popularity • 40% Danceability • 51% Energy • 18% Liveness
97% Instrumentalness • 18% Positiveness
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DJ Lostboi
Last Call
121 bpm • C# min • 02:00 • -22.95db
22% Popularity • 17% Danceability • 16% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 16% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Tim Hecker
7000 Miles
121 bpm • A# min • 05:43 • -18.76db
23% Popularity • 17% Danceability • 53% Energy • 76% Liveness
99% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 53% Energy • 76% Liveness
99% Instrumentalness • 4% Positiveness
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Shed
Xtra
130 bpm • C Maj • 02:48 • -20.02db
33% Popularity • 21% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 21% Danceability • 17% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Aphex Twin
Prep Gwarek 36
130 bpm • D Maj • 01:19 • -19.48db
31% Popularity • 71% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
31% Popularity • 71% Danceability • 28% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Casino Versus Japan
Border of Your Place
120 bpm • C Maj • 05:27 • -10.76db
14% Popularity • 68% Danceability • 84% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
14% Popularity • 68% Danceability • 84% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
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Barker
Die-Hards Of The Darwinian Order
130 bpm • C# Maj • 09:07 • -15.13db
21% Popularity • 40% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
21% Popularity • 40% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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7038634357
Menu
130 bpm • C Maj • 03:00 • -21.21db
24% Popularity • 60% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
24% Popularity • 60% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
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Tim Hecker
Aerial Light-Pollution Orange
121 bpm • D min • 03:09 • -16.44db
16% Popularity • 17% Danceability • 34% Energy • 53% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 17% Danceability • 34% Energy • 53% Liveness
92% Instrumentalness • 16% Positiveness
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Dylan Henner
The Lake Was Covered In Lilypads
120 bpm • C Maj • 05:24 • -15.09db
14% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 56% Danceability • 82% Energy • 5% Liveness
90% Instrumentalness • 4% Positiveness
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oqbqbo
The Way of Tea
120 bpm • C# min • 02:18 • -20.97db
20% Popularity • 24% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
20% Popularity • 24% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Kara-Lis Coverdale
Subfall (to)
120 bpm • F min • 06:12 • -16.42db
9% Popularity • 19% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Body Sculptures
A Body Turns To Eden
120 bpm • G# min • 04:03 • -13.1db
15% Popularity • 33% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 33% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Amnesia Scanner
Lexachast III
120 bpm • A# Maj • 01:00 • -21.28db
7% Popularity • 48% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 48% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Hecker
I'm Transmitting Tonight
130 bpm • C min • 05:16 • -20db
34% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
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Aphex Twin
Ruglen Holon
120 bpm • C Maj • 01:49 • -22.21db
33% Popularity • 78% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 44% Positiveness
33% Popularity • 78% Danceability • 19% Energy • 8% Liveness
89% Instrumentalness • 44% Positiveness
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Internazionale
Bells of Addiction (Recalled)
130 bpm • C Maj • 02:51 • -14.24db
15% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Cremation Lily
Quiet Preparation (Timetable)
120 bpm • E min • 05:56 • -13.36db
14% Popularity • 19% Danceability • 39% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 39% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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William Basinski
Melancholia X
131 bpm • G min • 01:07 • -32.18db
30% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Actress
Galya Beat
120 bpm • F# Maj • 04:33 • -9.21db
7% Popularity • 28% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
7% Popularity • 28% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Toshimaru Nakamura
NIMB #8
120 bpm • F# Maj • 03:06 • -30.82db
10% Popularity • 68% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
10% Popularity • 68% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Amnesia Scanner
Lexachast I
131 bpm • G# Maj • 04:23 • -14.23db
6% Popularity • 44% Danceability • 51% Energy • 18% Liveness
9% Instrumentalness • 3% Positiveness
6% Popularity • 44% Danceability • 51% Energy • 18% Liveness
9% Instrumentalness • 3% Positiveness
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Perila
Floor Position
131 bpm • G# min • 02:56 • -22.9db
24% Popularity • 25% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
24% Popularity • 25% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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upsammy
Melt in My Heated Hands
119 bpm • D# Maj • 03:43 • -14.5db
11% Popularity • 30% Danceability • 52% Energy • 36% Liveness
93% Instrumentalness • 22% Positiveness
11% Popularity • 30% Danceability • 52% Energy • 36% Liveness
93% Instrumentalness • 22% Positiveness
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DJ Lostboi
Wide Eyed
131 bpm • C# Maj • 02:26 • -22.65db
18% Popularity • 16% Danceability • 35% Energy • 16% Liveness
89% Instrumentalness • 6% Positiveness
18% Popularity • 16% Danceability • 35% Energy • 16% Liveness
89% Instrumentalness • 6% Positiveness
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Roméo Poirier
Apella
119 bpm • G# Maj • 05:16 • -20.11db
10% Popularity • 35% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
10% Popularity • 35% Danceability • 44% Energy • 11% Liveness
97% Instrumentalness • 22% Positiveness
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舒眠频率
小宝宝,快睡觉 - 羊水声+白噪�...
119 bpm • D Maj • 01:37 • -14.31db
24% Popularity • 22% Danceability • 56% Energy • 39% Liveness
81% Instrumentalness • 16% Positiveness
24% Popularity • 22% Danceability • 56% Energy • 39% Liveness
81% Instrumentalness • 16% Positiveness
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Aphex Twin
#11
119 bpm • B Maj • 07:18 • -30.24db
36% Popularity • 67% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 67% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Felicia Atkinson
And All The Spirals Of The World
132 bpm • A min • 06:08 • -26.8db
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Varg²™
Archive 1 "Spit Sugar Free Red Bull Into...
118 bpm • G min • 09:54 • -16.25db
7% Popularity • 30% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 30% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 10% Positiveness
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Actress
R.I.P.
132 bpm • A Maj • 01:16 • -12.69db
37% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
37% Popularity • 23% Danceability • 48% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Mya Gomez
Justforu
118 bpm • D min • 05:30 • -11.4db
17% Popularity • 17% Danceability • 53% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 53% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
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Pan Daijing
Act Of The Empress
132 bpm • G Maj • 04:58 • -10.69db
13% Popularity • 18% Danceability • 65% Energy • 35% Liveness
80% Instrumentalness • 12% Positiveness
13% Popularity • 18% Danceability • 65% Energy • 35% Liveness
80% Instrumentalness • 12% Positiveness
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Sharp Veins
Don't Forget
132 bpm • A# Maj • 03:06 • -22db
19% Popularity • 18% Danceability • 13% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 13% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Whatever The Weather
2°C (Intermittent Rain)
118 bpm • G Maj • 01:32 • -19.56db
18% Popularity • 23% Danceability • 24% Energy • 46% Liveness
92% Instrumentalness • 50% Positiveness
18% Popularity • 23% Danceability • 24% Energy • 46% Liveness
92% Instrumentalness • 50% Positiveness
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Pan-American
Are You Ready?
118 bpm • C min • 05:01 • -18.6db
8% Popularity • 35% Danceability • 57% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 57% Energy • 7% Liveness
92% Instrumentalness • 18% Positiveness
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Croatian Amor
Generations
118 bpm • A min • 04:42 • -6.84db
14% Popularity • 23% Danceability • 53% Energy • 48% Liveness
83% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 53% Energy • 48% Liveness
83% Instrumentalness • 3% Positiveness
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Raime
Passed over Trail
133 bpm • G Maj • 04:30 • -19.51db
26% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Huerco S.
Quivira
118 bpm • C# Maj • 05:01 • -10db
10% Popularity • 59% Danceability • 79% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 59% Danceability • 79% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Not Waving
Tropic Of Desire
133 bpm • F# min • 06:13 • -13.16db
9% Popularity • 16% Danceability • 61% Energy • 48% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 61% Energy • 48% Liveness
92% Instrumentalness • 8% Positiveness
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PDP III
Calendar of Days
117 bpm • A Maj • 05:39 • -15db
10% Popularity • 17% Danceability • 63% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 63% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Masayoshi Fujita
Cin
133 bpm • F# Maj • 05:33 • -17.49db
20% Popularity • 16% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 32% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Flora Yin-Wong
Aurochs
117 bpm • E min • 02:36 • -17.55db
13% Popularity • 64% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 64% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Eartheater
The Internet Is Handmade
117 bpm • G Maj • 03:36 • -15.22db
16% Popularity • 38% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
16% Popularity • 38% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Laurel Halo
Nahbarkeit
117 bpm • A min • 10:07 • -15.21db
13% Popularity • 17% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 48% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Loke Rahbek
Closure
134 bpm • C Maj • 02:19 • -26.16db
11% Popularity • 52% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 52% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Rachika Nayar
Aurobindo
116 bpm • E min • 08:07 • -16.25db
17% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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DJ Lostboi
Evenings In Belas
116 bpm • C min • 05:27 • -24.75db
14% Popularity • 17% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
14% Popularity • 17% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Sky H1
Labyrinth
135 bpm • A min • 06:54 • -27db
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
20% Popularity • 20% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
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Oneohtrix Point Never
Woe is the Transgression I
135 bpm • A# Maj • 08:44 • -24.92db
20% Popularity • 17% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 2% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 2% Positiveness
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Torus
Omnia
116 bpm • D Maj • 04:52 • -18.72db
12% Popularity • 50% Danceability • 40% Energy • 89% Liveness
79% Instrumentalness • 7% Positiveness
12% Popularity • 50% Danceability • 40% Energy • 89% Liveness
79% Instrumentalness • 7% Positiveness
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Loke Rahbek
Solina
134 bpm • C Maj • 03:34 • -12.38db
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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bod [包家巷]
they told me sleeping alone builds chara...
116 bpm • B Maj • 02:33 • -20.26db
21% Popularity • 20% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 34% Positiveness
21% Popularity • 20% Danceability • 34% Energy • 5% Liveness
95% Instrumentalness • 34% Positiveness
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Perila
Amorphous Absorption
135 bpm • G Maj • 03:52 • -27db
13% Popularity • 21% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
13% Popularity • 21% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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William Basinski
Passio
135 bpm • F# Maj • 06:21 • -27.64db
17% Popularity • 16% Danceability • 27% Energy • 13% Liveness
87% Instrumentalness • 17% Positiveness
17% Popularity • 16% Danceability • 27% Energy • 13% Liveness
87% Instrumentalness • 17% Positiveness
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Varg²™
Red Line (114 Östermalmstorg - 127 Vår...
115 bpm • G Maj • 07:17 • -13.91db
13% Popularity • 52% Danceability • 62% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 52% Danceability • 62% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
