Songs like Wade in the Water - Public Domain Song - Jazz Version by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Martin Winch
Kiss From A Rose
133 bpm • D Maj • 04:33 • -16.55db
8% Popularity • 57% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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RW Muzyka antystresowa
Śpiący Pies
133 bpm • C# Maj • 04:09 • -25.1db
13% Popularity • 45% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
13% Popularity • 45% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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RW Anti-Angst-Musik
Schlafender Hund
133 bpm • C# Maj • 04:09 • -25.1db
11% Popularity • 45% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
11% Popularity • 45% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Traditional
Wade in the Water - Public Domain Song -...
133 bpm • A min • 02:17 • -21.64db
19% Popularity • 76% Danceability • 14% Energy • 12% Liveness
52% Instrumentalness • 56% Positiveness
19% Popularity • 76% Danceability • 14% Energy • 12% Liveness
52% Instrumentalness • 56% Positiveness
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Christopher Dominique
Salut D´Amour
133 bpm • F Maj • 02:23 • -17.44db
17% Popularity • 21% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 21% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Souther
Alles, was in mir ist
133 bpm • E Maj • 04:37 • -18.59db
10% Popularity • 42% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
133 bpm • C min • 02:24 • -25.15db
19% Popularity • 42% Danceability • 5% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness
19% Popularity • 42% Danceability • 5% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness
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Terry
Contact
133 bpm • D Maj • 02:06 • -35.01db
11% Popularity • 42% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
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Sinfonia Of London
Best of All
132 bpm • F Maj • 02:25 • -13.76db
14% Popularity • 26% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 26% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Traditional
Auld Lang Syne (Arr. Knigge for Sopranin...
133 bpm • D Maj • 03:21 • -21.44db
26% Popularity • 18% Danceability • 11% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 14% Liveness
60% Instrumentalness • 9% Positiveness
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Luis Cobos
Mexicano - Remasterizado
132 bpm • C Maj • 06:27 • -9db
29% Popularity • 65% Danceability • 59% Energy • 19% Liveness
67% Instrumentalness • 88% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 19% Liveness
67% Instrumentalness • 88% Positiveness
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Johannes Hattingh
Lost Love
134 bpm • G# Maj • 01:24 • -23.36db
15% Popularity • 29% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
15% Popularity • 29% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
134 bpm • D# Maj • 01:57 • -23.53db
20% Popularity • 52% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
20% Popularity • 52% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 26% Positiveness
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Alberto Pizzo
Miyabi
132 bpm • D# Maj • 03:52 • -23.98db
14% Popularity • 32% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
14% Popularity • 32% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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RW Canzoni romantiche
Rannicchiati insieme
132 bpm • C Maj • 03:22 • -19.51db
17% Popularity • 61% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
17% Popularity • 61% Danceability • 14% Energy • 14% Liveness
93% Instrumentalness • 18% Positiveness
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Murat Tugsuz
Love Spell
132 bpm • C Maj • 03:14 • -17.01db
11% Popularity • 58% Danceability • 25% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
11% Popularity • 58% Danceability • 25% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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RW Música para estimular o cérebro
Terapia musical
132 bpm • F Maj • 03:08 • -20db
20% Popularity • 74% Danceability • 28% Energy • 36% Liveness
89% Instrumentalness • 54% Positiveness
20% Popularity • 74% Danceability • 28% Energy • 36% Liveness
89% Instrumentalness • 54% Positiveness
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Jay Soto
Breathe Easy
134 bpm • B min • 04:25 • -26.44db
13% Popularity • 74% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
13% Popularity • 74% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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RW Terapia de som
Música de fundo favorita
134 bpm • C Maj • 04:59 • -21.83db
14% Popularity • 67% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
14% Popularity • 67% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Ronny Matthes
Growing Old - Gemafreie Loungemusik
134 bpm • G# Maj • 04:02 • -16.23db
18% Popularity • 66% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 20% Positiveness
18% Popularity • 66% Danceability • 22% Energy • 12% Liveness
81% Instrumentalness • 20% Positiveness
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RW Muzyka do efektywnej pracy
Efektywna praca
132 bpm • E Maj • 04:24 • -24.39db
9% Popularity • 44% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
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スリープミュージック
気持ち(深いリラクゼーション...
132 bpm • B min • 02:10 • -23.17db
13% Popularity • 64% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
13% Popularity • 64% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Hennie Bekker
Old Friends
132 bpm • B Maj • 03:56 • -18.77db
7% Popularity • 46% Danceability • 11% Energy • 11% Liveness
34% Instrumentalness • 7% Positiveness
7% Popularity • 46% Danceability • 11% Energy • 11% Liveness
34% Instrumentalness • 7% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
134 bpm • D# Maj • 01:52 • -18.9db
21% Popularity • 38% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 38% Danceability • 17% Energy • 15% Liveness
92% Instrumentalness • 5% Positiveness
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RW רוגע מבפנים
זמן שקט
132 bpm • G Maj • 04:51 • -21db
10% Popularity • 74% Danceability • 10% Energy • 24% Liveness
92% Instrumentalness • 5% Positiveness
10% Popularity • 74% Danceability • 10% Energy • 24% Liveness
92% Instrumentalness • 5% Positiveness
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Melodien zum Lernen
Ruhige Hintergrundmusik
134 bpm • E Maj • 03:07 • -24.61db
14% Popularity • 35% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
14% Popularity • 35% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Ave Maria (Klavier Variation) - Gemafrei...
134 bpm • F# Maj • 12:08 • -26.85db
14% Popularity • 47% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
14% Popularity • 47% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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WordHarmonic
Until The Bluebirds
132 bpm • A Maj • 04:09 • -13.95db
5% Popularity • 26% Danceability • 9% Energy • 7% Liveness
8% Instrumentalness • 14% Positiveness
5% Popularity • 26% Danceability • 9% Energy • 7% Liveness
8% Instrumentalness • 14% Positiveness
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Luis Cobos
Mexicano. Guadalajara y Otras - Remaster...
132 bpm • C Maj • 02:29 • -9db
30% Popularity • 63% Danceability • 50% Energy • 30% Liveness
50% Instrumentalness • 79% Positiveness
30% Popularity • 63% Danceability • 50% Energy • 30% Liveness
50% Instrumentalness • 79% Positiveness
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William Henry Monk
Abide with Me (Eventide) - Piano Version...
134 bpm • C# min • 02:56 • -26.02db
19% Popularity • 36% Danceability • 2% Energy • 18% Liveness
88% Instrumentalness • 19% Positiveness
19% Popularity • 36% Danceability • 2% Energy • 18% Liveness
88% Instrumentalness • 19% Positiveness
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Gandalf
Starshine of Ever
131 bpm • A# Maj • 07:13 • -19.48db
14% Popularity • 29% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 29% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Joseph Parry
Jesus, Lover of My Soul - Christian Wors...
131 bpm • D# min • 02:30 • -25.75db
21% Popularity • 45% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 45% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Johann Crüger
Ah, Holy Jesus, How Hast Thou Offended -...
131 bpm • G min • 02:32 • -21.02db
19% Popularity • 50% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
19% Popularity • 50% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Klaus
Recognize
135 bpm • C# Maj • 02:11 • -34.89db
11% Popularity • 42% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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William Howard Doane
Jesus, Keep Me Near the Cross - Christia...
131 bpm • D# Maj • 02:10 • -22db
26% Popularity • 41% Danceability • 4% Energy • 18% Liveness
88% Instrumentalness • 31% Positiveness
26% Popularity • 41% Danceability • 4% Energy • 18% Liveness
88% Instrumentalness • 31% Positiveness
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RW Beroligende vuggesanger
Slapp av før leggetid
131 bpm • B min • 04:17 • -23.35db
8% Popularity • 48% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
8% Popularity • 48% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Uwe Hager
What the World Needs Now Is Love
135 bpm • E min • 01:36 • -25.8db
20% Popularity • 53% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
20% Popularity • 53% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Arel
Another Night
135 bpm • B Maj • 02:22 • -31.88db
15% Popularity • 52% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 35% Positiveness
15% Popularity • 52% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 35% Positiveness
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Gabriel Fauré
Gabriel Faurés Pavane in F-Sharp Minor,...
131 bpm • G Maj • 06:12 • -27.4db
19% Popularity • 50% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
19% Popularity • 50% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Traditional
Waltzing Matilda (Arr. Koncz)
131 bpm • D Maj • 03:16 • -14db
31% Popularity • 31% Danceability • 24% Energy • 10% Liveness
21% Instrumentalness • 16% Positiveness
31% Popularity • 31% Danceability • 24% Energy • 10% Liveness
21% Instrumentalness • 16% Positiveness
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Simon Lowy
The Perfect Year
131 bpm • F Maj • 02:53 • -26.21db
13% Popularity • 28% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Melih Çelenk
Improvisation About Prague
135 bpm • C min • 01:29 • -25.86db
15% Popularity • 43% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 39% Positiveness
15% Popularity • 43% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 39% Positiveness
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Joachim Neander
God Himself Is with Us - Piano Version, ...
136 bpm • B Maj • 02:08 • -23.58db
21% Popularity • 52% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
21% Popularity • 52% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Chris Geith
Storyteller
136 bpm • D Maj • 03:18 • -16.93db
10% Popularity • 67% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 67% Danceability • 13% Energy • 13% Liveness
87% Instrumentalness • 16% Positiveness
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Jessica Baran-Surel
Saltarello
130 bpm • D min • 04:45 • -9db
28% Popularity • 51% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 46% Positiveness
28% Popularity • 51% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Ave Maria - Gemafrei - Chrles Gounod / J...
130 bpm • A Maj • 07:55 • -17.34db
15% Popularity • 40% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
15% Popularity • 40% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Jozef Holly
St. Elmo's Fire
130 bpm • G# Maj • 03:53 • -11.31db
7% Popularity • 59% Danceability • 35% Energy • 14% Liveness
10% Instrumentalness • 27% Positiveness
7% Popularity • 59% Danceability • 35% Energy • 14% Liveness
10% Instrumentalness • 27% Positiveness
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Gary Prim
Morning Sunrise
130 bpm • D# Maj • 03:12 • -22.09db
13% Popularity • 38% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 17% Positiveness
13% Popularity • 38% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 17% Positiveness
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Gabriel Fauré
Gabriel Faurés Pavane, Op. 50 - Instrum...
130 bpm • G# Maj • 04:25 • -17.71db
21% Popularity • 60% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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RW Canzoni romantiche
Io sogno e mi manchi
136 bpm • C# min • 02:56 • -21db
18% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
18% Popularity • 51% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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The Gaelforce Orchestra
An Eriskay Love Lilt
130 bpm • F Maj • 02:57 • -22.78db
7% Popularity • 50% Danceability • 8% Energy • 12% Liveness
46% Instrumentalness • 27% Positiveness
7% Popularity • 50% Danceability • 8% Energy • 12% Liveness
46% Instrumentalness • 27% Positiveness
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Mack Wilberg
Beautiful Savior (Arr. M. Wilberg)
130 bpm • E Maj • 03:21 • -26db
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 6% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Simon Lowy
Song for Guy - 2021 Remaster
136 bpm • F Maj • 02:58 • -22.57db
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
12% Popularity • 40% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 5% Positiveness
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Arel
Effect
137 bpm • D Maj • 02:00 • -32.21db
10% Popularity • 39% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
10% Popularity • 39% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Brad Jacobsen
The Water Is Wide / Shenandoah
129 bpm • D# Maj • 04:50 • -22.18db
14% Popularity • 30% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Per-Olov Kindgren
Preludio de tristeza
137 bpm • G Maj • 04:27 • -20.79db
14% Popularity • 30% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 25% Positiveness
14% Popularity • 30% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 25% Positiveness
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Richard Sully
Could It Be Magic
129 bpm • C Maj • 03:18 • -22.16db
27% Popularity • 36% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
27% Popularity • 36% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Lowell Mason
Nearer, My God, to Thee - Piano Version,...
129 bpm • G# Maj • 02:37 • -24.3db
21% Popularity • 44% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
21% Popularity • 44% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
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Innisfree Ceoil
She Lived Beside the Anner
129 bpm • G Maj • 02:43 • -19.17db
8% Popularity • 36% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
8% Popularity • 36% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Johann Crüger
Wie soll ich Dich empfangen - Piano Vari...
138 bpm • G Maj • 03:40 • -21db
22% Popularity • 45% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
22% Popularity • 45% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Traditional
Tune from Norra Rada
138 bpm • C Maj • 02:13 • -11db
31% Popularity • 56% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 70% Positiveness
31% Popularity • 56% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 70% Positiveness
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Johann Sebastian Bach
Ave Maria - Gemafrei - Piano Version
128 bpm • F# Maj • 02:17 • -24.69db
22% Popularity • 45% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
22% Popularity • 45% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 38% Positiveness
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Gandalf
Bridge of Confidence
128 bpm • D Maj • 05:30 • -13.88db
18% Popularity • 35% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 9% Positiveness
18% Popularity • 35% Danceability • 22% Energy • 15% Liveness
86% Instrumentalness • 9% Positiveness
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Christopher Dominique
The Bonniest Lass I´ve Ever Seen (Was a...
138 bpm • F Maj • 01:48 • -15.6db
14% Popularity • 59% Danceability • 19% Energy • 9% Liveness
17% Instrumentalness • 46% Positiveness
14% Popularity • 59% Danceability • 19% Energy • 9% Liveness
17% Instrumentalness • 46% Positiveness
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Wayne Burton
There Is Hope
128 bpm • F Maj • 03:41 • -15.43db
11% Popularity • 41% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
11% Popularity • 41% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Lee Il-ho
웬말인가 날 위하여
128 bpm • G# Maj • 03:41 • -18.8db
11% Popularity • 60% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
11% Popularity • 60% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Traditional
Jasmine Flower (Arr. E.H. Jiang for Pian...
128 bpm • G min • 01:24 • -32.12db
25% Popularity • 38% Danceability • 2% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
25% Popularity • 38% Danceability • 2% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
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Lowell Mason
Nearer, My God, to Thee - Christian Wors...
138 bpm • G Maj • 02:16 • -23db
25% Popularity • 47% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
25% Popularity • 47% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
Bist du bei mir - Klassische Klaviermusi...
128 bpm • D# Maj • 04:11 • -25.13db
21% Popularity • 56% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
21% Popularity • 56% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Kenny Kirby
Rainy Days & Mondays
128 bpm • C Maj • 02:40 • -10.28db
8% Popularity • 63% Danceability • 33% Energy • 13% Liveness
85% Instrumentalness • 28% Positiveness
8% Popularity • 63% Danceability • 33% Energy • 13% Liveness
85% Instrumentalness • 28% Positiveness
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Ed Muirhead
Propelled by Tears and Tunnocks
128 bpm • A# Maj • 03:07 • -15.41db
7% Popularity • 80% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
7% Popularity • 80% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 34% Positiveness
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Chester Tan
No Place In My Heart
138 bpm • D min • 03:11 • -17.3db
21% Popularity • 42% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 42% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ivana Soro
Presto Agitato
138 bpm • C Maj • 01:23 • -31.14db
17% Popularity • 59% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 34% Positiveness
17% Popularity • 59% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 34% Positiveness
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RW רוגע מבפנים
רגעים של הפוגה
128 bpm • C# Maj • 05:23 • -20.45db
16% Popularity • 68% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 68% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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John Bacchus Dykes
Holy, Holy, Holy - Christian Worship Son...
138 bpm • G# Maj • 05:12 • -16db
21% Popularity • 47% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
21% Popularity • 47% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 10% Positiveness
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Traditional
Last Post
128 bpm • A# Maj • 01:27 • -16.9db
20% Popularity • 68% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
20% Popularity • 68% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 79% Positiveness
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Gary Remal Malkin
Mountain Majesty
138 bpm • G Maj • 05:33 • -18.21db
12% Popularity • 22% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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David Osborne
She's Like the Wind
127 bpm • E min • 03:26 • -15.7db
17% Popularity • 37% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
17% Popularity • 37% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Fluffy crazy puppy
ちょっときつい
139 bpm • C Maj • 01:03 • -27.16db
16% Popularity • 40% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
16% Popularity • 40% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
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Keith Martinson
A Time to Love
127 bpm • C Maj • 03:52 • -19db
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Jesus Raymond
Halleujah
127 bpm • F# Maj • 04:46 • -17.35db
15% Popularity • 43% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
15% Popularity • 43% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Traditional
Danny Boy (Arr. Pacey)
128 bpm • D# Maj • 04:34 • -21.03db
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 11% Energy • 10% Liveness
39% Instrumentalness • 4% Positiveness
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George R. Poulton
Aure Lee / Love Me Tender - Jazz Version
127 bpm • C# Maj • 02:20 • -16.06db
19% Popularity • 62% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 56% Positiveness
19% Popularity • 62% Danceability • 26% Energy • 13% Liveness
89% Instrumentalness • 56% Positiveness
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Johann Crüger
Ah, Holy Jesus, How Hast Thou Offended -...
139 bpm • G# Maj • 01:57 • -19db
19% Popularity • 66% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
19% Popularity • 66% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Ed Muirhead
The Sky's the Limit
127 bpm • D# min • 02:43 • -16.25db
7% Popularity • 73% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 49% Positiveness
7% Popularity • 73% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 49% Positiveness
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RW Muzyka do efektywnej pracy
Skupienie na pracy
140 bpm • C# Maj • 05:18 • -19db
9% Popularity • 41% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 41% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Fluffy crazy puppy
こすこすこすい
140 bpm • A min • 01:03 • -24.06db
11% Popularity • 63% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 71% Positiveness
11% Popularity • 63% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 71% Positiveness
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Traditional
A Londonderry Air (Danny Boy) - Royalty ...
127 bpm • C# Maj • 02:25 • -28.98db
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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KINGZ OF BEATZ
GODS PLANS OF ME
140 bpm • C Maj • 01:39 • -25.53db
20% Popularity • 57% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
20% Popularity • 57% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
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Ronny Matthes
Fairytale - Gemafreie Klaviermusik
140 bpm • B Maj • 03:10 • -22.7db
20% Popularity • 33% Danceability • 7% Energy • 42% Liveness
86% Instrumentalness • 20% Positiveness
20% Popularity • 33% Danceability • 7% Energy • 42% Liveness
86% Instrumentalness • 20% Positiveness
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Ed Muirhead
Ba Cottage, On Rannoch Moor (West Highla...
140 bpm • A# Maj • 03:30 • -19.76db
15% Popularity • 18% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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RW Gemütliche Herbsttage
Regnerische Schläfrigkeit
140 bpm • D# Maj • 05:06 • -25.16db
9% Popularity • 62% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 62% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jessica Baran-Surel
Laridé
140 bpm • A# Maj • 02:03 • -7db
41% Popularity • 54% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 76% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 76% Positiveness
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Traditional
Hatikvah - The Hope (National Anthem of ...
139 bpm • C min • 02:48 • -21db
21% Popularity • 23% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
21% Popularity • 23% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Keith Routledge
You Are the Mighty King/We Rest On Thee ...
140 bpm • F Maj • 05:26 • -26.9db
12% Popularity • 48% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
12% Popularity • 48% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Kyle Paul
End of Summer
126 bpm • G Maj • 02:32 • -27.36db
8% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
8% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Hernan Daniel Vallejo
C.L.D.M.A. (The Magic Clock)
140 bpm • D Maj • 01:36 • -15.22db
12% Popularity • 42% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
12% Popularity • 42% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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RW Muzyka do efektywnej pracy
Praca w domu
140 bpm • C Maj • 03:51 • -18.95db
11% Popularity • 58% Danceability • 13% Energy • 12% Liveness
79% Instrumentalness • 23% Positiveness
11% Popularity • 58% Danceability • 13% Energy • 12% Liveness
79% Instrumentalness • 23% Positiveness
