Songs like Wade In The Water by Eva Cassidy
Based on a tempo of (+/- 10%) and a similar genre
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Melody Gardot
Baby I'm A Fool
113 bpm • A# min • 03:30 • -13.13db
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
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Beth Nielsen Chapman
Sand and Water
113 bpm • F# Maj • 04:08 • -10.61db
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 46% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jasmine Thompson
Sweet Child O' Mine
113 bpm • D# Maj • 03:41 • -12.89db
53% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Fairground Attraction
Whispers
113 bpm • D Maj • 03:50 • -20db
30% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Bruce Springsteen
If I Should Fall Behind
113 bpm • D Maj • 02:57 • -14.94db
53% Popularity • 72% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 72% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Oleta Adams
New York State Of Mind
114 bpm • F Maj • 05:33 • -10db
37% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Sarah McLachlan
Answer
114 bpm • C Maj • 03:46 • -15db
20% Popularity • 36% Danceability • 7% Energy • 73% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 73% Liveness
0% Instrumentalness • 23% Positiveness
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Cassandra Wilson
Harvest Moon
112 bpm • A# Maj • 05:01 • -22db
40% Popularity • 40% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 4% Positiveness
40% Popularity • 40% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 4% Positiveness
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Shindig Society
Philadelphia
114 bpm • F Maj • 04:08 • -11db
31% Popularity • 59% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
31% Popularity • 59% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Dionne Warwick
What the World Needs Now (Is Love)
112 bpm • B min • 03:09 • -12.75db
53% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 59% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Carla Bruni
The Winner Takes It All
114 bpm • D Maj • 03:31 • -12.33db
59% Popularity • 68% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 68% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Emilie Schiøtt
After the Rain
112 bpm • A Maj • 03:58 • -8.32db
46% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Nils Landgren Funk Unit
Thank You for the Music
114 bpm • G Maj • 03:29 • -12.05db
33% Popularity • 73% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
33% Popularity • 73% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Marc Cohn
True Companion
115 bpm • A Maj • 04:09 • -18.03db
43% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Rea
Heaven
115 bpm • E Maj • 04:09 • -12db
44% Popularity • 52% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
44% Popularity • 52% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Stevie Ann
One Year Of Love (Acoustic)
115 bpm • A# min • 03:56 • -7.91db
30% Popularity • 65% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 65% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Yusuf / Cat Stevens
Oh Very Young
111 bpm • A Maj • 02:36 • -11.19db
62% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 73% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Gretchen Peters
Sunday Morning (Up and Down My Street)
115 bpm • C Maj • 04:10 • -8.92db
25% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 63% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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The Webb Sisters
Show Me the Place - Orchestrated Version
115 bpm • A# Maj • 04:08 • -12.62db
15% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Tom Waits
Take Me Home
116 bpm • G# Maj • 01:35 • -16db
40% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Tina Turner
On Silent Wings
116 bpm • D Maj • 06:17 • -6.9db
45% Popularity • 52% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 52% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Thea Gilmore
I Will Not Disappoint You
110 bpm • B Maj • 04:04 • -12.28db
10% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Marc Cohn
Nowhere Fast
116 bpm • F Maj • 03:06 • -12.93db
37% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sarah McLachlan
The Sound That Love Makes
116 bpm • C Maj • 02:15 • -10.39db
32% Popularity • 76% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 76% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sinéad Lohan
If I Go
110 bpm • A Maj • 03:55 • -19.45db
30% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Nina Simone
Here Comes the Sun
117 bpm • C# Maj • 03:34 • -12.81db
56% Popularity • 42% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 42% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Harry Belafonte
Skin To Skin
117 bpm • F# Maj • 04:08 • -8.14db
35% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Fairground Attraction
Do You Want To Know A Secret?
117 bpm • F Maj • 02:33 • -21.47db
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Rachael Hawnt
I'm Gonna Be (500 Miles)
109 bpm • G Maj • 04:27 • -15.06db
12% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah McLachlan
Angel
117 bpm • C# Maj • 04:30 • -16.09db
67% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tracy Chapman
If Not Now...
109 bpm • G Maj • 03:01 • -18.15db
53% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Sinéad Lohan
Who Do You Think I Am
117 bpm • D# Maj • 04:24 • -20.18db
29% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Joe Sample
When I Need You
109 bpm • C# Maj • 04:13 • -13db
37% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 71% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Melody Gardot
Sweet Memory
108 bpm • D Maj • 03:21 • -13.19db
44% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kristina Train
I'm Wanderin'
118 bpm • A Maj • 03:02 • -12db
40% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sarah McLachlan
Answer
109 bpm • C Maj • 03:57 • -14.45db
41% Popularity • 35% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 35% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jinder
Keep Me in Your Heart
108 bpm • G Maj • 03:26 • -11.48db
33% Popularity • 34% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 34% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Fygi
And I Love Him
108 bpm • G min • 02:55 • -11.8db
42% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Rosanne Cash
500 Miles
108 bpm • A# Maj • 03:04 • -13db
36% Popularity • 41% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 41% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Maria Mena
I Was Made for Loving You
118 bpm • B min • 04:34 • -10db
40% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 74% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Patti Scialfa
Spanish Dancer
108 bpm • G# Maj • 04:49 • -10db
31% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sarah McLachlan
Angel - Live
108 bpm • D Maj • 05:30 • -16db
27% Popularity • 32% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 32% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 25% Positiveness
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Kurt Elling
Washing of the Water
108 bpm • G# Maj • 04:08 • -17db
20% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 42% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Mark Knopfler
True Love Will Never Fade
118 bpm • C Maj • 04:21 • -11.37db
53% Popularity • 74% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 62% Positiveness
53% Popularity • 74% Danceability • 40% Energy • 10% Liveness
4% Instrumentalness • 62% Positiveness
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Kristina Train
How Long Will I Love You
119 bpm • G Maj • 02:20 • -13.69db
40% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 47% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sinéad Lohan
Sailing By
119 bpm • A# Maj • 03:35 • -17.64db
38% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 63% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Clapton
River of Tears
108 bpm • C Maj • 07:22 • -9db
44% Popularity • 68% Danceability • 32% Energy • 27% Liveness
17% Instrumentalness • 15% Positiveness
44% Popularity • 68% Danceability • 32% Energy • 27% Liveness
17% Instrumentalness • 15% Positiveness
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Ray LaMontagne
Let It Be Me
108 bpm • C Maj • 04:40 • -8db
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Little Willies
Love Me
108 bpm • C Maj • 03:51 • -9.19db
49% Popularity • 51% Danceability • 33% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
49% Popularity • 51% Danceability • 33% Energy • 13% Liveness
5% Instrumentalness • 55% Positiveness
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Karla Bonoff
Goodbye My Friend
119 bpm • C Maj • 03:45 • -14.38db
31% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
31% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Oleta Adams
Get Here
107 bpm • A# Maj • 04:34 • -16.05db
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 48% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Sinéad Lohan
This Time the Difference Is
119 bpm • A# Maj • 03:13 • -21db
28% Popularity • 72% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 72% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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David Gray
The One I Love
107 bpm • C Maj • 03:29 • -4db
56% Popularity • 60% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
56% Popularity • 60% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Beth Hart
As Long As I Have A Song
119 bpm • G Maj • 03:25 • -11db
25% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Livingston Taylor
Isn't She Lovely
120 bpm • A Maj • 04:37 • -22.2db
30% Popularity • 54% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 54% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Imaginary Future
God Only Knows
107 bpm • G# Maj • 02:16 • -15.9db
54% Popularity • 66% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 66% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Sarah McLachlan
Broken Heart
120 bpm • A# Maj • 03:17 • -11.66db
34% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Gordon Haskell
All in the Scheme of Things
120 bpm • E min • 04:51 • -10.12db
17% Popularity • 61% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 61% Danceability • 50% Energy • 29% Liveness
1% Instrumentalness • 23% Positiveness
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Renee Olstead
Hold Me Now
120 bpm • F Maj • 04:02 • -9db
33% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 64% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ray Charles
Sorry Seems To Be The Hardest Word
120 bpm • F min • 03:59 • -8.78db
54% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 50% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Peter Cincotti
Some Kind Of Wonderful
106 bpm • F Maj • 03:32 • -12.56db
52% Popularity • 77% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 77% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Kristina Train
Waltz With Me Under The Sun
106 bpm • D min • 03:42 • -17db
36% Popularity • 48% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Tracy Chapman
Crossroads
106 bpm • C Maj • 04:11 • -14.73db
61% Popularity • 79% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
61% Popularity • 79% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Roberta Flack
The First Time Ever I Saw Your Face
121 bpm • C Maj • 04:20 • -21.64db
64% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
64% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Van Morrison
When the Saints Go Marching In
121 bpm • G Maj • 06:01 • -14.4db
25% Popularity • 72% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 41% Positiveness
25% Popularity • 72% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 41% Positiveness
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Sinéad Lohan
Send Me a River
106 bpm • D Maj • 03:27 • -18.36db
35% Popularity • 76% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 76% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Elkie Brooks
Pearl's A Singer
121 bpm • C Maj • 03:38 • -10.19db
44% Popularity • 52% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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The Savage Rose
What Do You Do Now
121 bpm • C Maj • 05:14 • -10db
31% Popularity • 34% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
31% Popularity • 34% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Gordon Haskell
All the Time in the World
122 bpm • A Maj • 04:58 • -13.98db
29% Popularity • 77% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 59% Positiveness
29% Popularity • 77% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 59% Positiveness
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Renee Olstead
Help Me Make It Through the Night
122 bpm • A Maj • 03:23 • -12db
40% Popularity • 51% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
40% Popularity • 51% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Roberta Flack
Killing Me Softly With His Song
122 bpm • F min • 04:46 • -10.24db
74% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Richard Page
The Truth Is Beautiful
122 bpm • D# min • 03:53 • -12db
30% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Simone Kopmajer
Stairway to Heaven
122 bpm • D min • 05:17 • -11.38db
29% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 53% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kristina Train
Stick Together
104 bpm • G Maj • 03:43 • -14.16db
32% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 40% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Joan Armatrading
Willow
122 bpm • C Maj • 04:55 • -22db
42% Popularity • 56% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
42% Popularity • 56% Danceability • 10% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Beth Hart
Mama This One's For You
122 bpm • F Maj • 03:26 • -11db
43% Popularity • 42% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 42% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tracy Chapman
Telling Stories
123 bpm • G Maj • 03:57 • -10db
55% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sting
Fields Of Gold
104 bpm • D Maj • 03:42 • -11.92db
76% Popularity • 65% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
76% Popularity • 65% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 32% Positiveness
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Anne Sofie von Otter
Broken Bicycles (Waits) . Junk (McCartne...
103 bpm • F Maj • 04:05 • -11.01db
27% Popularity • 32% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 32% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Jools Holland
I Think It's Going to Rain Today
124 bpm • G Maj • 02:27 • -9db
36% Popularity • 43% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 43% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Gretchen Peters
When You Love Someone
123 bpm • C Maj • 03:09 • -11db
42% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Lisa Bassenge
It´s Raining
124 bpm • G Maj • 04:30 • -8db
28% Popularity • 63% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
28% Popularity • 63% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Mark Knopfler
Golden Heart
124 bpm • G Maj • 05:01 • -13db
50% Popularity • 59% Danceability • 32% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
50% Popularity • 59% Danceability • 32% Energy • 11% Liveness
36% Instrumentalness • 14% Positiveness
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Sofia Karlsson
From Here to Here (Grey Skies)
125 bpm • G# Maj • 05:07 • -14.37db
13% Popularity • 37% Danceability • 14% Energy • 71% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 37% Danceability • 14% Energy • 71% Liveness
0% Instrumentalness • 16% Positiveness
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Nils Landgren Funk Unit
When All Is Said and Done
102 bpm • D Maj • 03:41 • -11db
27% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Joe Sample
Everybody's Talking
125 bpm • F min • 03:53 • -12db
44% Popularity • 82% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 82% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Dayna Kurtz
You're Not What I Need (But You're All T...
102 bpm • A Maj • 05:44 • -8.65db
11% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 44% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Josh Groban
To Where You Are
125 bpm • F Maj • 03:53 • -9db
54% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 29% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Frances Black
On Grafton Street
102 bpm • D Maj • 05:28 • -16.48db
26% Popularity • 52% Danceability • 11% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
26% Popularity • 52% Danceability • 11% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
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Kristina Train
Dream Of Me
125 bpm • E Maj • 03:35 • -8.87db
33% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jason Gould
Morning Prayer
102 bpm • G Maj • 04:52 • -13.4db
25% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 31% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Till Brönner
Stand By Me
102 bpm • D Maj • 03:34 • -11.13db
50% Popularity • 72% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 72% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Beth Hart
Sister Dear
125 bpm • A Maj • 03:34 • -10.25db
36% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Joan Armatrading
The Weakness In Me
102 bpm • G Maj • 03:33 • -14.78db
50% Popularity • 73% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 73% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Cullum
Gran Torino
125 bpm • C# Maj • 04:32 • -13.82db
36% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 40% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Kristina Train
Don't Leave Me Here Alone
125 bpm • F# Maj • 03:32 • -11.99db
37% Popularity • 51% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 51% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Yusuf / Cat Stevens
How Can I Tell You - Remastered 2021
125 bpm • D Maj • 04:26 • -14.65db
56% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
