Songs like Wagner: Rienzi, WWV 49, Act 2 Scene 3: Pantomime, 3. Gladiatoren Kampf by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
Symphony No. 2: II. Allegro molto
146 bpm • F Maj • 09:49 • -26db
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
32% Popularity • 27% Danceability • 10% Energy • 22% Liveness
87% Instrumentalness • 13% Positiveness
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Georges Bizet
Symphony in C Major: IV. Allegro Vivace
146 bpm • G Maj • 08:43 • -22.13db
18% Popularity • 34% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 40% Positiveness
18% Popularity • 34% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 40% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
145 bpm • F min • 03:19 • -29.41db
21% Popularity • 17% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Bedřich Smetana
The Bartered Bride: Overture
145 bpm • F Maj • 06:35 • -19.47db
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 7% Liveness
86% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
Carnival Overture, Op. 92
145 bpm • D Maj • 08:49 • -15db
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 34% Energy • 35% Liveness
72% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588: Overture
145 bpm • C Maj • 04:09 • -22.2db
27% Popularity • 33% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
27% Popularity • 33% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
145 bpm • G min • 02:18 • -16db
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
63% Popularity • 36% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act I: No. 2 C...
148 bpm • C Maj • 04:58 • -15.22db
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
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Vincenzo Bellini
Norma: Overture
144 bpm • G Maj • 05:32 • -16db
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 26% Danceability • 18% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Hou, hou, hou,...
149 bpm • A Maj • 04:35 • -18.83db
21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act I: "Wein und Bro...
143 bpm • F Maj • 10:12 • -23.7db
4% Popularity • 16% Danceability • 5% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 5% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
143 bpm • E Maj • 04:20 • -23.9db
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Le Nozze di Figaro, K. 492: Sinfonia
142 bpm • D Maj • 04:11 • -19db
54% Popularity • 38% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
54% Popularity • 38% Danceability • 7% Energy • 16% Liveness
95% Instrumentalness • 17% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Alfred Scholz
The Marriage Of Figaro KV.592
142 bpm • D Maj • 04:15 • -21.11db
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
152 bpm • B Maj • 01:03 • -18.33db
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
52% Popularity • 12% Danceability • 13% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde: Act I Scene 3: O Wun...
141 bpm • B Maj • 05:29 • -21db
16% Popularity • 33% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 33% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Georges Bizet
Carmen Suite No. 2: 5. Danse bohème
142 bpm • E Maj • 04:35 • -21.22db
18% Popularity • 36% Danceability • 5% Energy • 6% Liveness
1% Instrumentalness • 30% Positiveness
18% Popularity • 36% Danceability • 5% Energy • 6% Liveness
1% Instrumentalness • 30% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 5 in E Minor, Op. 64: III. ...
139 bpm • A Maj • 05:57 • -29.47db
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
36% Popularity • 23% Danceability • 5% Energy • 15% Liveness
85% Instrumentalness • 22% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
153 bpm • D Maj • 03:06 • -15.46db
36% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
36% Popularity • 40% Danceability • 17% Energy • 34% Liveness
87% Instrumentalness • 36% Positiveness
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Gioachino Rossini
L'italiana in Algeri: Overture
154 bpm • C Maj • 07:44 • -19db
24% Popularity • 34% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
139 bpm • G Maj • 10:04 • -19db
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 30% Liveness
92% Instrumentalness • 9% Positiveness
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Richard Wagner
Das Liebesverbot, WWV 38, Act II: Act II...
140 bpm • D Maj • 03:19 • -17.99db
0% Popularity • 42% Danceability • 46% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 42% Danceability • 46% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
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Modest Mussorgsky
Boris Godunov: Opera in Four Acts With a...
138 bpm • C# min • 01:49 • -30db
20% Popularity • 22% Danceability • 3% Energy • 24% Liveness
68% Instrumentalness • 25% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 24% Liveness
68% Instrumentalness • 25% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: IV....
155 bpm • A# Maj • 07:01 • -25db
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 39% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Scene 4: Schwules Gedunst...
152 bpm • F Maj • 02:50 • -18.1db
0% Popularity • 22% Danceability • 29% Energy • 11% Liveness
63% Instrumentalness • 9% Positiveness
0% Popularity • 22% Danceability • 29% Energy • 11% Liveness
63% Instrumentalness • 9% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Old Castl...
136 bpm • G# Maj • 04:30 • -34.52db
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
136 bpm • D min • 04:35 • -14.46db
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
34% Popularity • 48% Danceability • 46% Energy • 15% Liveness
86% Instrumentalness • 35% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
137 bpm • E Maj • 06:22 • -23.46db
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
27% Popularity • 28% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Alexander Borodin
Symphony No. 2 in B minor: 3. Andante
135 bpm • C# Maj • 08:49 • -23.14db
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
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Richard Wagner
Das Rheingold, WWV 86A / Erste Szene: Vo...
139 bpm • D# Maj • 04:42 • -38.19db
17% Popularity • 14% Danceability • 0% Energy • 20% Liveness
98% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 0% Energy • 20% Liveness
98% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol, Op. 34: III. Alborad...
133 bpm • D# Maj • 01:09 • -19db
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
35% Popularity • 36% Danceability • 23% Energy • 16% Liveness
66% Instrumentalness • 74% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
132 bpm • F Maj • 05:53 • -23.97db
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
16% Popularity • 30% Danceability • 3% Energy • 18% Liveness
26% Instrumentalness • 45% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Romeo
132 bpm • C Maj • 01:23 • -27db
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
38% Popularity • 38% Danceability • 3% Energy • 47% Liveness
81% Instrumentalness • 11% Positiveness
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Carl Maria von Weber
Oberon, J.306: Ouvertüre
131 bpm • D Maj • 08:58 • -19db
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
12% Popularity • 29% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 1: "Seht hin! sie...
139 bpm • E Maj • 03:38 • -30db
3% Popularity • 18% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
3% Popularity • 18% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: IV. Marche...
166 bpm • G min • 06:25 • -18db
18% Popularity • 27% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
18% Popularity • 27% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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Emmanuel Chabrier
España - Rhapsody for Orchestra
129 bpm • F Maj • 06:09 • -17db
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
25% Popularity • 37% Danceability • 29% Energy • 2% Liveness
89% Instrumentalness • 37% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act III: Polov...
128 bpm • G# Maj • 05:00 • -18db
20% Popularity • 54% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 28% Positiveness
20% Popularity • 54% Danceability • 31% Energy • 7% Liveness
95% Instrumentalness • 28% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
138 bpm • D min • 02:10 • -13.6db
1% Popularity • 24% Danceability • 52% Energy • 74% Liveness
1% Instrumentalness • 5% Positiveness
1% Popularity • 24% Danceability • 52% Energy • 74% Liveness
1% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
36% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 3...
126 bpm • D Maj • 07:06 • -17.59db
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 22% Energy • 55% Liveness
49% Instrumentalness • 10% Positiveness
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Hector Berlioz
Grande messe des morts, Op. 5, "Requiem"...
128 bpm • C Maj • 09:59 • -20.94db
11% Popularity • 20% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 11% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 26% Liveness
10% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Richard Wagner
Die Walküre / Erster Aufzug: Szene 1: "...
136 bpm • F Maj • 12:31 • -18.26db
0% Popularity • 23% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
174 bpm • C# Maj • 05:29 • -28db
20% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
178 bpm • G min • 01:21 • -27.44db
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
Der Freischütz, J. 277 / Act I: Walzer
182 bpm • A Maj • 01:13 • -20db
43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act III: P...
203 bpm • G Maj • 04:50 • -13.71db
25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
► Preview
Richard Wagner
Parsifal, WWV 111 / Act 1: "Nun achte wo...
136 bpm • C Maj • 06:59 • -18.83db
6% Popularity • 17% Danceability • 22% Energy • 7% Liveness
66% Instrumentalness • 5% Positiveness
6% Popularity • 17% Danceability • 22% Energy • 7% Liveness
66% Instrumentalness • 5% Positiveness
► Preview
Richard Wagner
Wagner: Tannhäuser, Act 3: "Heil! Heil!...
158 bpm • D# Maj • 02:47 • -17db
13% Popularity • 20% Danceability • 17% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 17% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Die Meistersinger von Nürnberg, WWV 96 ...
135 bpm • C Maj • 10:02 • -18db
24% Popularity • 33% Danceability • 18% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
24% Popularity • 33% Danceability • 18% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
► Preview
Richard Wagner
Götterdämmerung / Prologue: "Zu neuen ...
133 bpm • D# Maj • 13:23 • -13db
0% Popularity • 27% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 27% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Richard Wagner
Das Rheingold: Scene 4: Weiche, Wotan, w...
132 bpm • C# min • 05:03 • -19.35db
0% Popularity • 33% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Das Liebesverbot, WWV 38, Act II: Act II...
132 bpm • C Maj • 02:22 • -25.41db
0% Popularity • 45% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 45% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
133 bpm • B Maj • 06:45 • -13db
5% Popularity • 28% Danceability • 31% Energy • 25% Liveness
42% Instrumentalness • 20% Positiveness
5% Popularity • 28% Danceability • 31% Energy • 25% Liveness
42% Instrumentalness • 20% Positiveness
► Preview
Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Richard Wagner
Tannhauser, Introduction to Act III: Tan...
131 bpm • D# Maj • 07:21 • -23.79db
21% Popularity • 16% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act II Scene 1: Erheb...
131 bpm • G Maj • 03:37 • -16db
6% Popularity • 36% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
6% Popularity • 36% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Richard Wagner
Lohengrin, WWV 75, Act III Scene 2: Höc...
130 bpm • E min • 05:49 • -16.69db
4% Popularity • 31% Danceability • 19% Energy • 66% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 31% Danceability • 19% Energy • 66% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Richard Wagner
Wagner: Lohengrin, Act 3: "In fernem Lan...
164 bpm • A Maj • 08:51 • -18.83db
1% Popularity • 21% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 21% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Richard Wagner
Das Liebesverbot, WWV 38, Act I: Act I: ...
130 bpm • C Maj • 04:13 • -19.48db
0% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 32% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Richard Wagner
Tannhauser, Act II: Einzug der Gaste auf...
130 bpm • B Maj • 06:38 • -19.62db
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Richard Wagner
Tristan und Isolde / Act 2: So starben w...
130 bpm • B Maj • 08:01 • -16.66db
17% Popularity • 20% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act 1: "Recht so! Ha...
130 bpm • G min • 06:17 • -25.67db
5% Popularity • 24% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
5% Popularity • 24% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Richard Wagner
Die Walküre / Erster Aufzug: "Friedmund...
129 bpm • C min • 09:37 • -15db
0% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 42% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
166 bpm • D Maj • 01:11 • -16.76db
1% Popularity • 38% Danceability • 22% Energy • 79% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 38% Danceability • 22% Energy • 79% Liveness
0% Instrumentalness • 50% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
128 bpm • D# Maj • 05:22 • -19db
14% Popularity • 30% Danceability • 16% Energy • 15% Liveness
1% Instrumentalness • 16% Positiveness
14% Popularity • 30% Danceability • 16% Energy • 15% Liveness
1% Instrumentalness • 16% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act I, Scene...
128 bpm • F# Maj • 09:39 • -14.73db
1% Popularity • 29% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 29% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 1: "Hört, Grafen...
168 bpm • F Maj • 04:50 • -18.65db
3% Popularity • 30% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 30% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 18% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III Scene 2: Das ...
168 bpm • E Maj • 03:56 • -25db
7% Popularity • 18% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act III: Allmächt'...
168 bpm • F# Maj • 07:33 • -18.71db
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
24% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von Nurnberg (The Mast...
169 bpm • C Maj • 03:35 • -12.52db
1% Popularity • 9% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 9% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Akt I: Er naht, sie bringen ihn getragen
169 bpm • F Maj • 07:02 • -25.9db
17% Popularity • 23% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 23% Danceability • 6% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Richard Wagner
Lohengrin: Act III: Prelude
126 bpm • G Maj • 03:21 • -21.03db
15% Popularity • 24% Danceability • 16% Energy • 35% Liveness
83% Instrumentalness • 10% Positiveness
15% Popularity • 24% Danceability • 16% Energy • 35% Liveness
83% Instrumentalness • 10% Positiveness
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Richard Wagner
Das Rheingold, WWV 86A / Erste Szene: Vo...
170 bpm • D# Maj • 06:44 • -18.81db
11% Popularity • 16% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
11% Popularity • 16% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Richard Wagner
Tannhauser, Act II: Entrance of the Gues...
125 bpm • B Maj • 07:08 • -20db
24% Popularity • 31% Danceability • 12% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
24% Popularity • 31% Danceability • 12% Energy • 4% Liveness
90% Instrumentalness • 30% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I Scene 3: Wenn i...
171 bpm • A Maj • 04:03 • -23.79db
7% Popularity • 19% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 19% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Parsifal / Act 3: Ja, Wehe! Wehe! Weh' �...
172 bpm • D min • 06:34 • -18db
0% Popularity • 17% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Richard Wagner
Wagner: Lohengrin, Act 1: "Einsam in tr�...
172 bpm • G# Maj • 04:16 • -21.22db
3% Popularity • 23% Danceability • 9% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 9% Energy • 66% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Feen, WWV 32, Act I: Act I: Romance ...
172 bpm • G Maj • 03:18 • -25.44db
0% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act II, Scen...
173 bpm • E Maj • 09:30 • -14.34db
1% Popularity • 15% Danceability • 33% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 33% Energy • 7% Liveness
27% Instrumentalness • 4% Positiveness
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Richard Wagner
Der fliegende Holländer, WWV 63, Act II...
175 bpm • C Maj • 05:32 • -17.05db
5% Popularity • 27% Danceability • 31% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 27% Danceability • 31% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
176 bpm • B Maj • 06:50 • -19.15db
1% Popularity • 15% Danceability • 14% Energy • 34% Liveness
15% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 14% Energy • 34% Liveness
15% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser / Act II: "Gar viel und sch�...
176 bpm • G Maj • 06:58 • -22db
6% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness