Songs like Wagner: Rienzi, WWV 49, Act 5 Scene 4: No. 16, Finale, "Herbei! Herbei!" (Chorus, Rienzi, Baroncelli, Cecco, Adriano) by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
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Maurice Ravel
Shéhérazade, M. 41: 1. Asie
101 bpm • C# min • 09:15 • -20.2db
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
101 bpm • G Maj • 04:12 • -18.93db
8% Popularity • 51% Danceability • 10% Energy • 27% Liveness
50% Instrumentalness • 42% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 27% Liveness
50% Instrumentalness • 42% Positiveness
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Richard Wagner
Die Meistersinger von Nurnberg (The Mast...
101 bpm • C Maj • 17:06 • -19db
18% Popularity • 27% Danceability • 17% Energy • 24% Liveness
59% Instrumentalness • 16% Positiveness
18% Popularity • 27% Danceability • 17% Energy • 24% Liveness
59% Instrumentalness • 16% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
19% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
19% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • E min • 05:20 • -21.77db
26% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
26% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Gioachino Rossini
La gazza ladra: Overture
99 bpm • E Maj • 08:55 • -18db
22% Popularity • 35% Danceability • 20% Energy • 26% Liveness
24% Instrumentalness • 39% Positiveness
22% Popularity • 35% Danceability • 20% Energy • 26% Liveness
24% Instrumentalness • 39% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
102 bpm • F# Maj • 04:49 • -17.75db
0% Popularity • 25% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
98 bpm • C min • 07:22 • -15.61db
62% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
62% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act III Scene 1: ...
97 bpm • G Maj • 07:36 • -16.45db
7% Popularity • 30% Danceability • 28% Energy • 48% Liveness
1% Instrumentalness • 14% Positiveness
7% Popularity • 30% Danceability • 28% Energy • 48% Liveness
1% Instrumentalness • 14% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Modest Mussorgsky
Boris Godounov - Moussorgsky after Pushk...
105 bpm • G Maj • 04:06 • -15.79db
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 4: "Deh ...
97 bpm • F Maj • 03:40 • -32.72db
25% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
102 bpm • C Maj • 09:02 • -15db
19% Popularity • 26% Danceability • 27% Energy • 44% Liveness
91% Instrumentalness • 23% Positiveness
19% Popularity • 26% Danceability • 27% Energy • 44% Liveness
91% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
106 bpm • A# min • 09:51 • -10.03db
23% Popularity • 28% Danceability • 52% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
23% Popularity • 28% Danceability • 52% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Georges Bizet
Carmen Suite No. 2: 1. Marche des contre...
106 bpm • C min • 04:13 • -27.19db
17% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
17% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Richard Wagner
Siegfried, WWV 86C, Act III: Siegfried! ...
103 bpm • F Maj • 06:46 • -19.15db
19% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31: Moderato in modo...
106 bpm • A# min • 09:49 • -19db
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
25% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
25% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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César Franck
Symphony In D Minor: 2. Allegretto
95 bpm • F# Maj • 09:44 • -26db
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
37% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
37% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
14% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von Nurnberg (The Mast...
107 bpm • C Maj • 09:12 • -9.33db
3% Popularity • 26% Danceability • 44% Energy • 31% Liveness
87% Instrumentalness • 30% Positiveness
3% Popularity • 26% Danceability • 44% Energy • 31% Liveness
87% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
34% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
34% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
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Luigi Cherubini
Cherubini: Medea: Sinfonia
94 bpm • F min • 06:57 • -16.59db
12% Popularity • 32% Danceability • 16% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 16% Energy • 14% Liveness
69% Instrumentalness • 18% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
37% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
37% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Richard Wagner
Tristan und Isolde / Act 1: "Frisch weht...
94 bpm • C Maj • 09:27 • -21.18db
22% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
► Preview
Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: 1. M...
92 bpm • G min • 08:55 • -16.76db
28% Popularity • 33% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
28% Popularity • 33% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
► Preview
Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 3, ...
111 bpm • D Maj • 03:17 • -20.39db
12% Popularity • 33% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 33% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Gustav Mahler
Symphony No. 3 in D Minor: V. Lustig im ...
111 bpm • F Maj • 04:18 • -23.21db
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 12% Energy • 19% Liveness
4% Instrumentalness • 18% Positiveness
► Preview
Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
97 bpm • C Maj • 09:53 • -14db
3% Popularity • 21% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
3% Popularity • 21% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
33% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
33% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
► Preview
Slovak Radio Symphony Orchestra
Die Meistersinger Von Nurnberg (The Mast...
112 bpm • G Maj • 02:28 • -17db
24% Popularity • 19% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 11% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
Richard Wagner
Götterdämmerung, WWV 86D / Act 3: Flie...
95 bpm • C# Maj • 08:43 • -13db
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
91 bpm • D Maj • 03:15 • -19db
34% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
34% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
► Preview
Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
90 bpm • F Maj • 02:34 • -17db
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act II Scene 4: Geseg...
94 bpm • D# Maj • 05:32 • -21.54db
8% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 8% Energy • 42% Liveness
93% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Nikolai Rimsky-Korsakov
The Tsar's Bride - original version Tsar...
114 bpm • D Maj • 07:07 • -18.63db
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 21% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Gustav Mahler
Symphony No. 8 in E-Flat Major "Symphony...
114 bpm • F min • 06:43 • -15.17db
21% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 25% Energy • 31% Liveness
21% Instrumentalness • 3% Positiveness
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Hector Berlioz
Roman Carnival Overture, Op. 9, H. 95
90 bpm • A Maj • 08:06 • -17.52db
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 4, ...
114 bpm • D min • 05:46 • -21.31db
10% Popularity • 28% Danceability • 8% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, Act III Scene 1: Hojotoho!...
93 bpm • G Maj • 08:11 • -12.57db
22% Popularity • 28% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
88 bpm • C min • 04:47 • -22.49db
29% Popularity • 30% Danceability • 8% Energy • 70% Liveness
24% Instrumentalness • 25% Positiveness
29% Popularity • 30% Danceability • 8% Energy • 70% Liveness
24% Instrumentalness • 25% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
34% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
93 bpm • C Maj • 09:28 • -15db
2% Popularity • 19% Danceability • 28% Energy • 79% Liveness
88% Instrumentalness • 19% Positiveness
2% Popularity • 19% Danceability • 28% Energy • 79% Liveness
88% Instrumentalness • 19% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Richard Wagner
Das Rheingold, Scene 1: Weia! Waga! Woge...
110 bpm • D# Maj • 01:12 • -19db
20% Popularity • 30% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 30% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: Intro...
88 bpm • E Maj • 03:31 • -15.31db
12% Popularity • 10% Danceability • 17% Energy • 31% Liveness
79% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 17% Energy • 31% Liveness
79% Instrumentalness • 6% Positiveness
