Songs like Waist Deep In The Big Muddy - Live by Pete Seeger
Based on a tempo of (+/- 10%) and a similar genre
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Scrapper Blackwell
Nobody Knows When You're Down and Out
89 bpm • E min • 03:11 • -10.1db
10% Popularity • 68% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 68% Danceability • 49% Energy • 69% Liveness
0% Instrumentalness • 68% Positiveness
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Steve Goodman
City of New Orleans
89 bpm • C Maj • 03:50 • -5.32db
39% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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The Almanac Singers
I Don't Want Your Millions, Mister (All ...
89 bpm • C# Maj • 03:00 • -13.26db
22% Popularity • 56% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 56% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Pete Seeger
Last Train to Nuremberg
89 bpm • A# min • 02:44 • -11db
14% Popularity • 37% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 37% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Jean Ritchie
Let the Sun Shine Down on Me - Remastere...
88 bpm • C Maj • 02:22 • -17.77db
18% Popularity • 51% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 51% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Harry McClintock
The Big Rock Candy Mountain
90 bpm • C Maj • 05:03 • -19db
16% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Gordon Lightfoot
Steel Rail Blues
88 bpm • C# Maj • 02:53 • -12.57db
36% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Goodman
City of New Orleans (Studio Cut)
89 bpm • C Maj • 03:52 • -13.6db
11% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Phil Ochs
Here's to the State of Mississippi
88 bpm • F# Maj • 05:54 • -11.5db
27% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Pete Seeger
Waist Deep In The Big Muddy - Live
89 bpm • F min • 02:54 • -13.48db
22% Popularity • 76% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 76% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Andersen
Violets Of Dawn
88 bpm • D Maj • 03:50 • -17.8db
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 40% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ewan MacColl
Go Down Ye Murderers
88 bpm • D# Maj • 03:27 • -15.34db
11% Popularity • 73% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 73% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Fairport Convention
Matty Groves
91 bpm • D Maj • 08:09 • -13.64db
19% Popularity • 41% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 74% Positiveness
19% Popularity • 41% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 74% Positiveness
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Ola Belle Reed
High on a Mountain
87 bpm • C Maj • 05:30 • -16.81db
14% Popularity • 42% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Randy Newman
Old Kentucky Home
91 bpm • A Maj • 02:39 • -14.26db
20% Popularity • 57% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 57% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Snooks Eaglin
Saint James Infirmary
91 bpm • D Maj • 02:23 • -14.56db
35% Popularity • 73% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 62% Positiveness
35% Popularity • 73% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 62% Positiveness
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The Flying Burrito Brothers
Six Days On The Road
87 bpm • A Maj • 02:56 • -11.26db
34% Popularity • 54% Danceability • 80% Energy • 5% Liveness
34% Instrumentalness • 72% Positiveness
34% Popularity • 54% Danceability • 80% Energy • 5% Liveness
34% Instrumentalness • 72% Positiveness
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Barbara Dane
I Hate the Capitalist System
87 bpm • F Maj • 03:16 • -16db
25% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 45% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Simon & Garfunkel
A Simple Desultory Philippic
91 bpm • D Maj • 02:13 • -9db
36% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 58% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Tom Paxton
The Willing Conscript
92 bpm • A# Maj • 02:33 • -15.03db
19% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Pete Seeger
The Big Rock Candy Mountain
92 bpm • C Maj • 03:08 • -13.71db
17% Popularity • 67% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 67% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Blind Willie McTell
Searchin' the Desert for the Blues
92 bpm • C Maj • 03:09 • -12db
21% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The Foc'sle Singers
Rio Grande
92 bpm • D Maj • 02:46 • -9.75db
13% Popularity • 64% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 64% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Warren Zevon
Frank and Jesse James
92 bpm • F Maj • 04:37 • -16.16db
26% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 66% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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John Jacob Niles
Go 'Way from My Window
92 bpm • C# min • 02:09 • -16.02db
20% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 40% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Dock Boggs
Oh Death
93 bpm • F# Maj • 03:22 • -13db
30% Popularity • 55% Danceability • 20% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 55% Danceability • 20% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Pete Seeger
This Land is Your Land
86 bpm • A min • 02:50 • -12.87db
11% Popularity • 65% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 47% Positiveness
11% Popularity • 65% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 47% Positiveness
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Tom Paxton
Bottle of Wine
86 bpm • G Maj • 02:22 • -13.93db
24% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 56% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Clayton
The Dying Sailor To His Shipmates
85 bpm • C Maj • 01:05 • -21db
19% Popularity • 57% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 57% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jean Ritchie
The L and N Don't Stop Here Anymore - Re...
93 bpm • E min • 03:14 • -20.01db
19% Popularity • 50% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 50% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Mungo Jerry
Peace In The Country
93 bpm • A Maj • 03:01 • -10.95db
1% Popularity • 46% Danceability • 43% Energy • 15% Liveness
2% Instrumentalness • 83% Positiveness
1% Popularity • 46% Danceability • 43% Energy • 15% Liveness
2% Instrumentalness • 83% Positiveness
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Scott Walker
The Rope And The Colt
94 bpm • C min • 01:57 • -9.31db
25% Popularity • 50% Danceability • 51% Energy • 53% Liveness
3% Instrumentalness • 91% Positiveness
25% Popularity • 50% Danceability • 51% Energy • 53% Liveness
3% Instrumentalness • 91% Positiveness
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Loudon Wainwright III
I Am the Way (New York Town)
84 bpm • G Maj • 03:10 • -12.03db
21% Popularity • 40% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 40% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Paxton
My Son John
85 bpm • A# Maj • 02:47 • -16.46db
11% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 56% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Clayton
The Devil's Question
85 bpm • D Maj • 02:29 • -13.66db
23% Popularity • 55% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 55% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Mississippi Sheiks
Sitting On Top Of The World
94 bpm • F# Maj • 03:05 • -13.07db
17% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 52% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Randy Newman
Kingfish - 2002 Remaster
94 bpm • F Maj • 02:44 • -8.92db
23% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 39% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Seeger
Fare Thee Well
94 bpm • A Maj • 03:15 • -13.17db
12% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Norman Blake
Little Sadie
94 bpm • F Maj • 01:50 • -14.85db
29% Popularity • 70% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Tom Paxton
I Can't Help but Wonder Where I'm Bound
84 bpm • D Maj • 03:41 • -9db
32% Popularity • 61% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 61% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Steve Goodman
The Dutchman
84 bpm • G Maj • 04:19 • -9.33db
26% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 47% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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John Prine
Linda Goes To Mars
83 bpm • D Maj • 03:06 • -19.11db
15% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Country Joe & The Fish
An Untitled Protest
95 bpm • E Maj • 02:49 • -19.63db
8% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Pete Seeger
Draft Dodger Rag
95 bpm • G Maj • 02:08 • -7.2db
15% Popularity • 72% Danceability • 56% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 72% Danceability • 56% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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C.W. Stoneking
Talkin' Lion Blues
95 bpm • C Maj • 04:33 • -10.92db
25% Popularity • 67% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 67% Danceability • 17% Energy • 60% Liveness
0% Instrumentalness • 38% Positiveness
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The Carter Family
Wildwood Flower
95 bpm • E Maj • 03:15 • -12db
38% Popularity • 70% Danceability • 30% Energy • 21% Liveness
2% Instrumentalness • 42% Positiveness
38% Popularity • 70% Danceability • 30% Energy • 21% Liveness
2% Instrumentalness • 42% Positiveness
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Jack White
Matrimonial Intentions
83 bpm • A Maj • 03:08 • -11.97db
15% Popularity • 56% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 56% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Steve Goodman
Lincoln Park Pirates
96 bpm • A min • 03:35 • -7.87db
16% Popularity • 59% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 59% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Spider John Koerner
Rattlesnake
96 bpm • B Maj • 01:37 • -16.96db
11% Popularity • 84% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 84% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Pete Seeger
My Oklahoma Home Blowed Away - Live
95 bpm • G# Maj • 04:42 • -15.78db
9% Popularity • 62% Danceability • 21% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 62% Danceability • 21% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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Loudon Wainwright III
Talking New Bob Dylan
96 bpm • G Maj • 03:35 • -16.27db
9% Popularity • 61% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 61% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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The Flying Burrito Brothers
My Uncle
96 bpm • D Maj • 02:37 • -11.72db
35% Popularity • 54% Danceability • 63% Energy • 2% Liveness
1% Instrumentalness • 94% Positiveness
35% Popularity • 54% Danceability • 63% Energy • 2% Liveness
1% Instrumentalness • 94% Positiveness
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Robert Johnson
Hell Hound On My Trail
96 bpm • A Maj • 02:37 • -12.15db
36% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Steve Goodman
Vegematic
83 bpm • B Maj • 02:59 • -11.32db
13% Popularity • 64% Danceability • 33% Energy • 96% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 64% Danceability • 33% Energy • 96% Liveness
0% Instrumentalness • 59% Positiveness
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Phil Ochs
Draft Dodger Rag
96 bpm • F Maj • 02:11 • -13db
34% Popularity • 73% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 73% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Pete Seeger
We Shall Overcome - Live
83 bpm • B Maj • 05:56 • -14.34db
14% Popularity • 23% Danceability • 51% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 23% Danceability • 51% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
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Loudon Wainwright III
Unrequited To The Nth Degree
82 bpm • G Maj • 03:59 • -11.94db
13% Popularity • 52% Danceability • 66% Energy • 80% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 66% Energy • 80% Liveness
0% Instrumentalness • 47% Positiveness
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The New Lost City Ramblers
How Can a Poor Man Stand Such Times and ...
96 bpm • G Maj • 03:35 • -17.71db
12% Popularity • 63% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 63% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Johnson
Hellhound on My Trail
96 bpm • F# min • 02:34 • -13.85db
31% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 55% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Tom Paxton
The Last Thing on My Mind
82 bpm • A Maj • 03:06 • -15db
42% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Phil Ochs
Love Me I'm a Liberal - Live Version
96 bpm • E Maj • 04:37 • -14db
23% Popularity • 49% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 49% Danceability • 27% Energy • 69% Liveness
0% Instrumentalness • 44% Positiveness
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Pete Seeger
Study War No More (Down by the Riverside...
83 bpm • E Maj • 03:16 • -20.69db
11% Popularity • 56% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
11% Popularity • 56% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
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John Lee Hooker
I Don't Wanna Go To Vietnam
82 bpm • G Maj • 05:39 • -15.99db
12% Popularity • 36% Danceability • 29% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
12% Popularity • 36% Danceability • 29% Energy • 8% Liveness
9% Instrumentalness • 37% Positiveness
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Malvina Reynolds
The Money Crop
97 bpm • C# min • 01:31 • -17.89db
19% Popularity • 60% Danceability • 4% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
19% Popularity • 60% Danceability • 4% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Warren Zevon
Veracruz
97 bpm • C Maj • 03:31 • -11.34db
32% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 60% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Carter Family
When the World's On Fire
97 bpm • D Maj • 03:09 • -12.73db
13% Popularity • 68% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 68% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Don McLean
Homeless Brother
81 bpm • G Maj • 04:21 • -14.75db
25% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Pete Seeger
The Sinking of the Reuben James
97 bpm • A Maj • 02:42 • -12.53db
9% Popularity • 64% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 64% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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The Almanac Singers
Union Train
97 bpm • D Maj • 02:20 • -10.52db
10% Popularity • 56% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Memphis Minnie
When The Levee Breaks
97 bpm • D Maj • 03:12 • -12.21db
10% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
10% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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The Louvin Brothers
The Great Atomic Power
97 bpm • A Maj • 02:42 • -9.5db
37% Popularity • 68% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 68% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Loudon Wainwright III
Samson and the Warden
97 bpm • C Maj • 03:07 • -15.63db
10% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 56% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gordon Lightfoot
Steel Rail Blues
97 bpm • C# Maj • 02:49 • -16.78db
41% Popularity • 57% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 57% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 52% Positiveness
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Kate & Anna McGarrigle
Swimming Song
97 bpm • C Maj • 02:29 • -11.14db
38% Popularity • 68% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 75% Positiveness
38% Popularity • 68% Danceability • 35% Energy • 8% Liveness
2% Instrumentalness • 75% Positiveness
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The Almanac Singers
The Ballad of October 16
97 bpm • A min • 02:49 • -18.33db
11% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 57% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Don McLean
General Store
98 bpm • D Maj • 02:59 • -22.3db
27% Popularity • 44% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 44% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Skip James
Crow Jane
81 bpm • B min • 02:23 • -15db
29% Popularity • 44% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 44% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Jefferson Airplane
Third Week in the Chelsea
98 bpm • E Maj • 04:35 • -16.64db
24% Popularity • 42% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
24% Popularity • 42% Danceability • 34% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Buffy Sainte-Marie
Universal Soldier
98 bpm • G# Maj • 02:20 • -15.61db
42% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 51% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Paul Robeson
Scandalize My Name
81 bpm • E min • 02:03 • -14.24db
13% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Kossoy Sisters
I'll Fly Away
98 bpm • G Maj • 02:32 • -8db
39% Popularity • 56% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 56% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Ian & Sylvia
Darcy Farrow
98 bpm • F Maj • 03:29 • -20.49db
20% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Steeleye Span
The Blackleg Miner
98 bpm • C# min • 02:45 • -8.92db
24% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Tom Paxton
Daily News
98 bpm • A Maj • 02:17 • -6db
19% Popularity • 68% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 68% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Mimi And Richard Farina
Pack Up Your Sorrows
98 bpm • C# Maj • 03:02 • -12db
32% Popularity • 47% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 47% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Pete Seeger
If I Had a Hammer (Hammer Song)
81 bpm • C Maj • 01:55 • -17.07db
27% Popularity • 58% Danceability • 20% Energy • 6% Liveness
2% Instrumentalness • 88% Positiveness
27% Popularity • 58% Danceability • 20% Energy • 6% Liveness
2% Instrumentalness • 88% Positiveness
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Memphis Minnie
When the Levee Breaks
98 bpm • F min • 03:11 • -10.81db
26% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 64% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Ian & Sylvia
Early Morning Rain
98 bpm • E Maj • 03:58 • -22.93db
40% Popularity • 47% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
40% Popularity • 47% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Simon & Garfunkel
Richard Cory
81 bpm • B Maj • 02:55 • -10.93db
39% Popularity • 56% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 56% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Charlie Poole
If the River Was Whiskey
98 bpm • D# Maj • 03:10 • -10.53db
28% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Warren Zevon
Roland the Headless Thompson Gunner
80 bpm • D Maj • 03:49 • -9db
46% Popularity • 68% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
46% Popularity • 68% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Pete Seeger
Bring Them Home
81 bpm • C Maj • 03:03 • -8.62db
10% Popularity • 33% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 33% Danceability • 63% Energy • 83% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Glazer
Dump the Bosses Off Your Back
80 bpm • D Maj • 02:35 • -16db
19% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Memphis Minnie
When the Levee Breaks - Alternate Take
98 bpm • G min • 03:09 • -14.35db
19% Popularity • 65% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 61% Positiveness
19% Popularity • 65% Danceability • 27% Energy • 12% Liveness
8% Instrumentalness • 61% Positiveness
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Phil Ochs
When I'm Gone
80 bpm • D# Maj • 04:13 • -19.04db
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 40% Danceability • 9% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Ralph McTell
Hesitation Blues
80 bpm • E Maj • 02:46 • -15.71db
19% Popularity • 66% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 66% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Alan Lomax
Rosie
80 bpm • E Maj • 02:49 • -8.41db
26% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 47% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Pete Seeger
The Power And The Glory
99 bpm • C# Maj • 02:29 • -15.91db
15% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness