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Songs like
Wait a Minute
by
Aisha
Based on a tempo of (+/- 10%) and a similar genre
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The Twinkle Brothers
Give Rasta Praise
136 bpm • E min • 03:42 • -9.32db
9% Popularity • 91% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Vibronics
Sound System Girl
136 bpm • F# min • 02:59 • -4.55db
15% Popularity • 77% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Dread
Wonderful Feeling
136 bpm • A# min • 03:50 • -5db
11% Popularity • 82% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Senya
Roots Man
136 bpm • A min • 03:15 • -8.78db
13% Popularity • 70% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Prince Alla
Lot's Wife
136 bpm • G# Maj • 03:26 • -7.62db
22% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Little John
Bushmaster Connection
136 bpm • G# Maj • 04:53 • -6.52db
16% Popularity • 78% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Love Joys
Stranger Get Up
136 bpm • A min • 04:10 • -8.69db
13% Popularity • 89% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Aisha
Wait a Minute
136 bpm • D min • 04:01 • -6db
12% Popularity • 90% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Misty In Roots
Dance Hall Babylon
136 bpm • F# min • 05:42 • -9db
27% Popularity • 84% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Martin Campbell
Love Has Left the Land
136 bpm • G Maj • 04:01 • -5.3db
27% Popularity • 95% Danceability • 44% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
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Sly Dunbar
Mr Bassie
136 bpm • B min • 03:26 • -13.13db
9% Popularity • 76% Danceability • 63% Energy • 7% Liveness
54% Instrumentalness • 95% Positiveness
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Johnny Clarke
Crazy Baldhead
136 bpm • B min • 03:40 • -14.27db
29% Popularity • 92% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Lacksley Castell
Be My Princess
136 bpm • B min • 03:38 • -7db
22% Popularity • 78% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Aisha
Wait a Minute - Extended Mix 2
136 bpm • A min • 07:46 • -6.53db
1% Popularity • 90% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Earl Sixteen
No Mash Up the Dance
137 bpm • A# Maj • 02:53 • -8.48db
11% Popularity • 88% Danceability • 72% Energy • 6% Liveness
5% Instrumentalness • 78% Positiveness
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Sylford Walker
Cleanliness Is Godliness
137 bpm • F# min • 02:50 • -6db
32% Popularity • 87% Danceability • 54% Energy • 5% Liveness
52% Instrumentalness • 81% Positiveness
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Freddie McKay
Rock a Bye Woman
137 bpm • G min • 04:49 • -6.82db
12% Popularity • 77% Danceability • 67% Energy • 9% Liveness
19% Instrumentalness • 95% Positiveness
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Johnny Clarke
Legalize It - 2001 Digital Remaster
137 bpm • D Maj • 03:51 • -9.06db
25% Popularity • 89% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Hempress Sativa
Rock It Ina Dance
137 bpm • B min • 04:09 • -4.55db
36% Popularity • 82% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Aisha
Oh Africa
136 bpm • F# min • 08:36 • -5.14db
1% Popularity • 85% Danceability • 79% Energy • 13% Liveness
5% Instrumentalness • 96% Positiveness
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The Jay Tees
Forward to Jah
135 bpm • D min • 03:10 • -10db
13% Popularity • 83% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Sylford Walker
Babylonians
137 bpm • F# min • 03:05 • -7.18db
29% Popularity • 89% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Capital Letters
Uk Skanking - 12" Mix
135 bpm • G# min • 08:14 • -6.53db
14% Popularity • 82% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 94% Positiveness
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Christine
Saturday Night
137 bpm • A min • 02:27 • -10.32db
14% Popularity • 85% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Junior Byles
The Long Way
137 bpm • E min • 04:02 • -11.59db
32% Popularity • 88% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Aisha
Wait a Minute - Extended Mix
136 bpm • A min • 07:30 • -6.77db
6% Popularity • 89% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Bim Sherman
Golden Locks
135 bpm • A min • 03:20 • -10.86db
21% Popularity • 82% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 90% Positiveness
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Scientist
Rock It Ina Dub
137 bpm • B min • 04:12 • -8.12db
24% Popularity • 85% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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PRINCE JAMO
Sheep to the Shepherd
135 bpm • G min • 03:58 • -12.23db
16% Popularity • 81% Danceability • 35% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
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Dubkasm
Love and Overstanding
135 bpm • C Maj • 03:54 • -7.46db
26% Popularity • 80% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Dub Dynasty
Monsoon Come
135 bpm • B min • 04:23 • -6.04db
29% Popularity • 84% Danceability • 71% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness
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Aisha
Glorify His Name
135 bpm • D min • 03:36 • -7.75db
0% Popularity • 83% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Ranking Joe
STEP IT DOWN SHEPHERDS BUSH
137 bpm • C# min • 02:33 • -10.88db
9% Popularity • 77% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Martin Campbell
Give Me the Money
135 bpm • F# min • 03:52 • -18.79db
31% Popularity • 93% Danceability • 8% Energy • 8% Liveness
5% Instrumentalness • 48% Positiveness
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Sylford Walker
Deuteronomy
135 bpm • B Maj • 07:19 • -10.23db
21% Popularity • 76% Danceability • 71% Energy • 18% Liveness
40% Instrumentalness • 85% Positiveness
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Dubkasm
Jah Victory
137 bpm • D Maj • 04:10 • -7db
32% Popularity • 78% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Dub Dynasty
Holy Cow
137 bpm • B Maj • 03:09 • -8.2db
20% Popularity • 90% Danceability • 70% Energy • 7% Liveness
5% Instrumentalness • 56% Positiveness
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Earl Zero
Please Officer
137 bpm • E min • 07:06 • -8.83db
18% Popularity • 72% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 58% Positiveness
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Love Joys
Are You Ready
135 bpm • D Maj • 03:50 • -5.72db
9% Popularity • 82% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Martin Campbell
Babylon Come
137 bpm • B Maj • 03:27 • -13db
33% Popularity • 77% Danceability • 29% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
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Sister Audrey
English Girl
137 bpm • C Maj • 08:24 • -18db
11% Popularity • 86% Danceability • 34% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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Aisha
Silent Listener
137 bpm • E min • 07:00 • -7.74db
1% Popularity • 80% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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King Tubby
Conversation Dub (Bonus Track)
137 bpm • B min • 03:08 • -6.5db
32% Popularity • 80% Danceability • 82% Energy • 6% Liveness
82% Instrumentalness • 59% Positiveness
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Augustus Pablo
Pablo In Moonlight City
137 bpm • E min • 07:02 • -8.47db
15% Popularity • 64% Danceability • 72% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
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Love Joys
Studio Man
137 bpm • A min • 03:46 • -7.36db
15% Popularity • 77% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 89% Positiveness
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Leroy Sibbles
No, No, No
137 bpm • D Maj • 03:49 • -5.87db
8% Popularity • 79% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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The Twinkle Brothers
Mountains Of Dub
134 bpm • C# Maj • 03:41 • -9.66db
24% Popularity • 75% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 54% Positiveness
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Yami Bolo
Free Mandela
138 bpm • D# min • 03:38 • -8.4db
24% Popularity • 85% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Micah Shemaiah
Legal
134 bpm • G# Maj • 03:31 • -4.04db
14% Popularity • 86% Danceability • 69% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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Mikey Dread
Problems
138 bpm • F min • 04:49 • -6.31db
15% Popularity • 87% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Riley
Give Thanks And Praise - Extended Mix
134 bpm • G min • 07:22 • -9.35db
14% Popularity • 85% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Sharon Little
Don't Mash Up Creation
138 bpm • G min • 04:55 • -13.53db
25% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Prince Alla
Stone
138 bpm • A Maj • 03:05 • -8db
25% Popularity • 86% Danceability • 70% Energy • 22% Liveness
3% Instrumentalness • 80% Positiveness
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Barry Brown
Lead Us Jah Jah
134 bpm • C# Maj • 03:42 • -9.97db
11% Popularity • 92% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Michael Prophet
You Are A No Good
138 bpm • G Maj • 03:19 • -6.26db
26% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Althea And Donna
Jah Rastafari - Remastered 2001
134 bpm • A min • 03:46 • -7.86db
45% Popularity • 92% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Sylford Walker
I Can't Understand
134 bpm • D# min • 02:48 • -10.59db
29% Popularity • 89% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lloyd Parks
Mafia
134 bpm • G min • 02:56 • -9.62db
24% Popularity • 85% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Wayne Wade
Poor and Humble
134 bpm • G min • 03:52 • -11.05db
8% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Naggo Morris
Flour Power
138 bpm • C# Maj • 04:01 • -14.52db
15% Popularity • 90% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Black Uhuru
Guess Who's Coming To Dinner
134 bpm • C# Maj • 04:54 • -7.66db
29% Popularity • 86% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Martin Campbell
Jah Love
134 bpm • C# Maj • 04:08 • -17.84db
42% Popularity • 94% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Ranking Joe
River Jordan
138 bpm • A min • 04:20 • -10db
17% Popularity • 86% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Sonya Spence
Peace & Unity
138 bpm • F min • 03:45 • -12.42db
26% Popularity • 87% Danceability • 34% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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The Dynamic Four
Let's Make Love
134 bpm • E min • 03:07 • -8.59db
13% Popularity • 86% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Barry Brown
Natty Dread Nah Run
138 bpm • B min • 06:01 • -11.31db
3% Popularity • 76% Danceability • 47% Energy • 9% Liveness
16% Instrumentalness • 67% Positiveness
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Black Uhuru
Plastic Smile
134 bpm • C# Maj • 07:12 • -11.87db
31% Popularity • 82% Danceability • 42% Energy • 5% Liveness
6% Instrumentalness • 87% Positiveness
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Ernest Wilson
I Know Myself
134 bpm • E min • 03:22 • -6db
21% Popularity • 73% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Triston Palma
Lover Man
133 bpm • A# min • 04:00 • -8.28db
16% Popularity • 70% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Pablo Moses
Proverbs Extractions
139 bpm • C Maj • 04:32 • -9.95db
33% Popularity • 81% Danceability • 46% Energy • 23% Liveness
3% Instrumentalness • 82% Positiveness
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Toyan
African Ting
139 bpm • G min • 02:37 • -5.68db
15% Popularity • 85% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Sylford Walker
Eternal Day
133 bpm • C# Maj • 07:13 • -9.13db
17% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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MIlton Henry
This World
133 bpm • A min • 03:09 • -9.63db
25% Popularity • 95% Danceability • 42% Energy • 9% Liveness
22% Instrumentalness • 95% Positiveness
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Aisha
This Battle
133 bpm • A Maj • 03:30 • -15.53db
2% Popularity • 94% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Freddie McKay
I'm A Free Man
133 bpm • B min • 03:22 • -8.76db
29% Popularity • 86% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Michael Prophet
Just Talking 12" Mix
139 bpm • A min • 05:12 • -10.86db
9% Popularity • 69% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Cornell Campbell
100lbs Of Collie
139 bpm • G# min • 02:50 • -8.78db
24% Popularity • 80% Danceability • 53% Energy • 31% Liveness
34% Instrumentalness • 84% Positiveness
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Sceptre
Ina Dif'rent Styley
139 bpm • B min • 05:14 • -7.88db
9% Popularity • 72% Danceability • 55% Energy • 7% Liveness
2% Instrumentalness • 74% Positiveness
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Althea And Donna
If You Don't Love Jah - Remastered 2001
133 bpm • A min • 02:57 • -10db
52% Popularity • 88% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Soul Syndicate
Red Gold and Green
133 bpm • F Maj • 04:19 • -11.14db
17% Popularity • 85% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Vibronics
Searching for Jah
139 bpm • D# min • 03:53 • -7.89db
26% Popularity • 63% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
► Preview
Triston Palma
Joker Smoker
140 bpm • A# min • 03:37 • -8.14db
32% Popularity • 70% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Prince Alla
Youthman in the Ghetto (in Disco Style)
140 bpm • C Maj • 07:55 • -8db
13% Popularity • 79% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Bim Sherman
Slummy Ghetto
132 bpm • F# Maj • 04:27 • -9.03db
18% Popularity • 81% Danceability • 62% Energy • 8% Liveness
42% Instrumentalness • 78% Positiveness
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Johnny Clarke
Strickly Reggae Music
140 bpm • A# min • 03:18 • -9.7db
6% Popularity • 90% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Cornell Campbell
Natty Don't Go
140 bpm • E min • 03:08 • -8db
28% Popularity • 80% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Manasseh
Skenga 12" Mix
132 bpm • D# min • 03:59 • -7.04db
23% Popularity • 78% Danceability • 82% Energy • 23% Liveness
23% Instrumentalness • 97% Positiveness
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Jah Shaka
Africa Dub
132 bpm • A# min • 03:29 • -12.78db
25% Popularity • 80% Danceability • 38% Energy • 7% Liveness
81% Instrumentalness • 80% Positiveness
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Hempress Sativa
Skin Teeth
140 bpm • G Maj • 03:57 • -4.4db
24% Popularity • 82% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Lee
Battlefield
140 bpm • F# Maj • 03:26 • -9.46db
9% Popularity • 82% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Dub Dynasty
Blessed Ithiopia
140 bpm • C Maj • 03:39 • -7.92db
34% Popularity • 72% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
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Dubdadda
Jah Music Is the Key
140 bpm • G# min • 04:02 • -7.87db
12% Popularity • 69% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Pablo Moses
Dubbing Is a Must, Pt. 1 - 2010 Remaster...
132 bpm • C# Maj • 04:50 • -7.98db
47% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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MIlton Henry
Hold My Hands
140 bpm • D min • 03:34 • -6.07db
27% Popularity • 81% Danceability • 52% Energy • 4% Liveness
32% Instrumentalness • 75% Positiveness
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Stalawa
Different Style
140 bpm • B min • 03:57 • -12.23db
11% Popularity • 90% Danceability • 54% Energy • 7% Liveness
71% Instrumentalness • 84% Positiveness
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Vivian Jones
Jah Works
132 bpm • C# min • 04:29 • -11.91db
13% Popularity • 89% Danceability • 46% Energy • 7% Liveness
38% Instrumentalness • 90% Positiveness
► Preview
Dub Dynasty
Ithiopia Dub
140 bpm • F min • 03:30 • -10.31db
18% Popularity • 72% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Dubmatix
Pull up Selector
140 bpm • E min • 03:36 • -9.34db
11% Popularity • 73% Danceability • 73% Energy • 25% Liveness
3% Instrumentalness • 52% Positiveness
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Eva Keyes
Tired of the City
140 bpm • B min • 02:41 • -6.32db
16% Popularity • 81% Danceability • 57% Energy • 26% Liveness
1% Instrumentalness • 64% Positiveness
► Preview
MIlton Henry
Crisis
132 bpm • C Maj • 03:33 • -7.67db
38% Popularity • 85% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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