Songs like Waitin' On The Wonderful by Aaron Lines
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Lines
Waitin' On The Wonderful
117 bpm • G Maj • 03:57 • -4.64db
7% Popularity • 59% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 59% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Terri Clark
Everytime I Cry
116 bpm • D# Maj • 03:48 • -6.22db
27% Popularity • 66% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 66% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Trick Pony
On a Night Like This
118 bpm • F Maj • 03:30 • -5db
34% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Aaron Pritchett
My Way
118 bpm • E Maj • 03:44 • -7.17db
14% Popularity • 55% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 55% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Dean
Crazy Beautiful
116 bpm • F# Maj • 04:08 • -5.75db
8% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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John Berry
She's Taken a Shine
118 bpm • A# Maj • 03:43 • -3.86db
23% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Rachel Proctor
Me And Emily
116 bpm • G# Maj • 03:41 • -5.98db
22% Popularity • 60% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 60% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Brooks & Dunn
That's What It's All About
118 bpm • A Maj • 03:59 • -3.06db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Mindy McCready
The Other Side Of This Kiss
116 bpm • E Maj • 03:04 • -5.75db
21% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Dean
It's What I Do
116 bpm • G# Maj • 03:26 • -10.91db
9% Popularity • 55% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
9% Popularity • 55% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Chris Cummings
The Kind of Heart That Breaks
119 bpm • D Maj • 02:37 • -5.51db
20% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Boy Howdy
They Don't Make Them Like That Anymore
119 bpm • A Maj • 03:26 • -6.13db
26% Popularity • 69% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 69% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Andy Griggs
Waitin' On Sundown
115 bpm • G# Maj • 03:48 • -7.45db
15% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 75% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Carolyn Dawn Johnson
Head Over High Heels
119 bpm • D Maj • 03:15 • -4.13db
9% Popularity • 57% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 57% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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David Nail
The Sound Of A Million Dreams
120 bpm • E Maj • 03:55 • -7.33db
32% Popularity • 56% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 56% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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John Berry
Standing On the Edge Of Goodbye
119 bpm • A# Maj • 04:02 • -4.26db
26% Popularity • 67% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 67% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Pritchett
Done You Wrong
120 bpm • D Maj • 04:13 • -5.76db
10% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Adam Gregory
The World Could Use A Cowboy
120 bpm • G Maj • 03:48 • -5.21db
11% Popularity • 63% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 63% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Darryl Worley
Family Tree
120 bpm • A Maj • 03:22 • -6.79db
14% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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DJ Garth
Baby Let's Lay Down and Dance
114 bpm • G Maj • 02:53 • -7.52db
19% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Steve Holy
Put Your Best Dress On
114 bpm • E Maj • 03:18 • -6.79db
10% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Deana Carter
I've Loved Enough To Know
120 bpm • G# Maj • 03:23 • -8db
27% Popularity • 64% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 64% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Andy Griggs
I Don't Know A Thing
114 bpm • D Maj • 03:36 • -6.29db
13% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 71% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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JT Hodges
Sleepy Little Town
114 bpm • D Maj • 03:34 • -5db
26% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Wilkinsons
Don't I Have a Heart
121 bpm • B Maj • 02:38 • -7db
13% Popularity • 73% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 73% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Kira Isabella
A Real Good Radio
121 bpm • G Maj • 03:32 • -5.23db
15% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Young
Center Of My World
113 bpm • E Maj • 03:33 • -3.41db
37% Popularity • 67% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 67% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Kevin Sharp
Measure of a Man
121 bpm • D Maj • 03:08 • -5.4db
16% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Steve Wariner
Two Teardrops
121 bpm • F Maj • 04:29 • -9db
37% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Terri Clark
No Fear
113 bpm • A# Maj • 03:58 • -6.17db
27% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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The Wilkinsons
It Was Only a Kiss
113 bpm • A min • 03:55 • -4.91db
10% Popularity • 75% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 75% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Lila McCann
I Wanna Fall in Love
112 bpm • F# Maj • 04:18 • -6.39db
38% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Jason Blaine
Cool
122 bpm • A Maj • 03:08 • -3.89db
22% Popularity • 62% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 62% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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LeAnn Rimes
Nothin' Bout Love Makes Sense
122 bpm • A Maj • 02:57 • -3.24db
26% Popularity • 66% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 66% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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James Wesley
Didn't I
122 bpm • B Maj • 03:26 • -3.96db
20% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Blue County
Good Little Girls
122 bpm • D Maj • 03:01 • -5db
18% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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The Wilkinsons
Nothing but Love - Standing in the Way
122 bpm • D Maj • 03:16 • -6.17db
9% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 68% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Aaron Lines
You Get The Picture
122 bpm • D Maj • 03:35 • -5.83db
1% Popularity • 66% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
1% Popularity • 66% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Aaron Pritchett
Big Wheel
122 bpm • G# Maj • 04:40 • -4.69db
13% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Trick Pony
Just What I Do
122 bpm • F Maj • 03:22 • -5.65db
29% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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James Otto
Let's Just Let Go
123 bpm • C# Maj • 03:42 • -7db
13% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Chad Brock
The Visit
112 bpm • D Maj • 03:22 • -6.5db
12% Popularity • 63% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 63% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Deric Ruttan
First Time in a Long Time
123 bpm • F Maj • 04:19 • -4.05db
13% Popularity • 58% Danceability • 88% Energy • 41% Liveness
2% Instrumentalness • 45% Positiveness
13% Popularity • 58% Danceability • 88% Energy • 41% Liveness
2% Instrumentalness • 45% Positiveness
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Love and Theft
Thinking Of You (And Me)
123 bpm • G# Maj • 03:25 • -7.45db
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 66% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Turner
Another Try
123 bpm • A# Maj • 03:45 • -8db
44% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bobby Wills
Somebody Will
111 bpm • D Maj • 03:10 • -8db
12% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 62% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Andy Griggs
I'll Go Crazy
111 bpm • D Maj • 03:04 • -9.03db
25% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Julian Austin
Forever Loving You
124 bpm • D Maj • 04:39 • -10.37db
12% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 61% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Mindy McCready
All That I Am
124 bpm • G Maj • 03:23 • -7db
21% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 74% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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James Otto
For You
124 bpm • D Maj • 03:24 • -6.15db
21% Popularity • 56% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 56% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Heartland
Judge A Man By The Woman
124 bpm • D# Maj • 04:22 • -8.98db
14% Popularity • 65% Danceability • 43% Energy • 28% Liveness
2% Instrumentalness • 20% Positiveness
14% Popularity • 65% Danceability • 43% Energy • 28% Liveness
2% Instrumentalness • 20% Positiveness
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Chris Young
She's Got This Thing About Her
124 bpm • C Maj • 03:02 • -9.18db
40% Popularity • 48% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
40% Popularity • 48% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Craig Campbell
Love Is You
110 bpm • G Maj • 03:39 • -4.68db
11% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Jamie O'Neal
Sanctuary
110 bpm • G Maj • 03:47 • -4db
10% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 76% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Mindy McCready
You'll Never Know
124 bpm • D Maj • 04:02 • -7db
30% Popularity • 63% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Cummings
That'll Teach Her
125 bpm • E Maj • 02:32 • -4.12db
17% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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James Otto
Where Angels Hang Around
124 bpm • F# Maj • 04:18 • -8.81db
14% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Aaron Lines
Love Changes Everything
125 bpm • G Maj • 03:13 • -6.39db
11% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Chad Brock
Ordinary Life
125 bpm • D# Maj • 03:56 • -9db
20% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Joe Nichols
Better Than Beautiful
125 bpm • B Maj • 03:38 • -9.07db
24% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Mindy McCready
Maybe He'll Notice Her Now
110 bpm • D# Maj • 03:59 • -6.42db
35% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 58% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Chapmans
I Wanna Be Loved Like That
109 bpm • G# Maj • 03:48 • -11.4db
23% Popularity • 38% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 38% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Doc Walker
Whoever Made Those Rules
109 bpm • G Maj • 03:31 • -5.9db
9% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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LeAnn Rimes
Something's Gotta Give
109 bpm • D Maj • 03:56 • -3.46db
31% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Gregory
Only Know I Do
109 bpm • E Maj • 03:37 • -5.8db
15% Popularity • 61% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 61% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Cummings
I Waited
126 bpm • C Maj • 03:15 • -10.43db
16% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jason McCoy
Ten Million Teardrops
126 bpm • A Maj • 03:15 • -6db
13% Popularity • 72% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 72% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Aaron Lines
Knock On Wood
126 bpm • G Maj • 03:27 • -5.99db
2% Popularity • 57% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 57% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Doc Walker
That's How I Like It
109 bpm • A Maj • 03:00 • -7.22db
14% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Luke Bryan
Love In The First Degree
108 bpm • G Maj • 03:23 • -4.85db
19% Popularity • 58% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 58% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Bobby Wills
Never Didn’t Love You
108 bpm • B min • 03:13 • -6db
27% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 67% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Big & Rich
I Pray for You
108 bpm • E Maj • 03:58 • -3.87db
19% Popularity • 62% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 62% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Chris Young
Love Don't Let Me Down
127 bpm • C Maj • 02:57 • -4.45db
31% Popularity • 58% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 58% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Lines
Lovers On The Run
108 bpm • F# Maj • 03:46 • -5.62db
1% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Collins
Just Another Girl
108 bpm • D Maj • 03:28 • -5.3db
26% Popularity • 65% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 65% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Doc Walker
She Hasn't Always Been This Way
126 bpm • G Maj • 03:27 • -5db
21% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Reba McEntire
I Keep On Lovin' You
127 bpm • A# Maj • 03:15 • -6.03db
33% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 54% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Kevin Sharp
She's Sure Taking It Well
108 bpm • G Maj • 03:20 • -7db
28% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 61% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Aaron Lines
Turn It Up (I LIke The Sound Of That)
108 bpm • C# Maj • 03:50 • -8db
22% Popularity • 52% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 52% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Jason McCoy
This Used to Be Our Town
127 bpm • D Maj • 03:47 • -7.3db
15% Popularity • 71% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 71% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Carolyn Dawn Johnson
One Day Closer to You
107 bpm • F Maj • 03:11 • -5db
18% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 63% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lila McCann
With You
128 bpm • E Maj • 03:32 • -6db
27% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Steve Wariner
I'm Already Taken
128 bpm • G Maj • 03:20 • -10db
28% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Reba McEntire
That's When I Knew
128 bpm • F# Maj • 04:03 • -6.81db
23% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 55% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Walker Hayes
Pants
107 bpm • G Maj • 03:39 • -6db
32% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 66% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Pritchett
You Can't Say That I Didn't Love You
128 bpm • A Maj • 04:12 • -4.99db
5% Popularity • 56% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 56% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
Apologize
128 bpm • D# Maj • 02:52 • -5.07db
35% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron Lines
Dance To The Radio
106 bpm • D# Maj • 03:19 • -4.72db
0% Popularity • 65% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 65% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Little Texas
Southern Grace
129 bpm • E min • 05:44 • -10.38db
20% Popularity • 60% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 60% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Joey + Rory
Born To Be Your Woman
129 bpm • B Maj • 03:17 • -8db
32% Popularity • 54% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 54% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Ann Womack
Why They Call It Falling
129 bpm • E Maj • 03:35 • -10.38db
29% Popularity • 56% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 56% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Carolyn Dawn Johnson
Just Another Girl
106 bpm • D Maj • 03:33 • -6.12db
3% Popularity • 61% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
3% Popularity • 61% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Trace Adkins
All I Ask For Anymore
130 bpm • D Maj • 03:57 • -8.53db
20% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
