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Waiting for the Lights
Songs like
Waiting for the Lights - From "Tangled"/Score
by
Alan Menken
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Alan Menken
Waiting for the Lights
143 bpm • E Maj • 02:47 • -16.32db
50% Popularity • 18% Danceability • 12% Energy • 49% Liveness
82% Instrumentalness • 5% Positiveness
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Leigh Harline
Little Wooden Head
144 bpm • D Maj • 05:45 • -14.37db
31% Popularity • 33% Danceability • 19% Energy • 13% Liveness
5% Instrumentalness • 43% Positiveness
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Germaine Franco
It Was Me
142 bpm • B min • 01:20 • -16.63db
42% Popularity • 22% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 20% Positiveness
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John Debney
Main Titles - Jungle Run
142 bpm • F# Maj • 02:25 • -16db
40% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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Dan Romer
Walking Is Just Like Swimming
142 bpm • A Maj • 02:02 • -16.29db
36% Popularity • 61% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Dario Marianelli
Windsor Gardens
142 bpm • G Maj • 04:03 • -15.71db
29% Popularity • 70% Danceability • 31% Energy • 7% Liveness
91% Instrumentalness • 38% Positiveness
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Richard Bellis
Reflections of China Suite
142 bpm • A min • 04:03 • -11.93db
29% Popularity • 24% Danceability • 34% Energy • 38% Liveness
81% Instrumentalness • 20% Positiveness
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Alan Menken
Realization and Escape
141 bpm • G# Maj • 05:50 • -13.66db
39% Popularity • 20% Danceability • 29% Energy • 36% Liveness
87% Instrumentalness • 9% Positiveness
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Patrick Doyle
Merida's Home
142 bpm • D Maj • 01:32 • -10.11db
49% Popularity • 18% Danceability • 50% Energy • 8% Liveness
99% Instrumentalness • 21% Positiveness
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John Debney
Wolves - Law of the Jungle
141 bpm • C# Maj • 02:15 • -24db
30% Popularity • 14% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Mychael Danna
Homecoming
141 bpm • E Maj • 01:24 • -21db
36% Popularity • 16% Danceability • 8% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Professor Umbridge
140 bpm • E min • 02:32 • -17.34db
49% Popularity • 48% Danceability • 27% Energy • 34% Liveness
72% Instrumentalness • 11% Positiveness
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Geoff Zanelli
Sussex
140 bpm • C Maj • 01:12 • -23.74db
40% Popularity • 31% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
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Alan Menken
Flynn Wanted
146 bpm • C# Maj • 02:51 • -11.66db
46% Popularity • 33% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 15% Positiveness
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Mark Mancina
Moves Like an Ape, Looks Like a Man
139 bpm • A# min • 02:57 • -19.69db
34% Popularity • 30% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 10% Positiveness
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Toby Chu
Bao
139 bpm • C min • 06:33 • -13db
32% Popularity • 26% Danceability • 26% Energy • 25% Liveness
33% Instrumentalness • 8% Positiveness
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Mychael Danna
Orphans
140 bpm • D min • 04:39 • -25.51db
23% Popularity • 16% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Randy Newman
Boo's Going Home
138 bpm • B Maj • 03:33 • -19.76db
40% Popularity • 26% Danceability • 10% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Returning to the Hundred Acre Wood
140 bpm • A min • 04:26 • -27db
20% Popularity • 22% Danceability • 4% Energy • 18% Liveness
82% Instrumentalness • 10% Positiveness
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Alan Menken
The Little Mermaid: Part of Your World (...
140 bpm • F Maj • 03:34 • -22.47db
35% Popularity • 17% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 5% Positiveness
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Jóhann Jóhannsson
Rowing
138 bpm • G min • 01:42 • -18db
55% Popularity • 60% Danceability • 27% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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George Bruns
Battle with the Forces of Evil
137 bpm • F min • 05:11 • -11db
20% Popularity • 40% Danceability • 51% Energy • 18% Liveness
69% Instrumentalness • 17% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
64% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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John Debney
The Princess Diaries Waltz - Score
137 bpm • A Maj • 02:09 • -18.08db
48% Popularity • 25% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Bruce Broughton
In the Park - Score Version
137 bpm • D Maj • 03:21 • -27db
34% Popularity • 19% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Randy Newman
Opening
150 bpm • G Maj • 01:28 • -14db
33% Popularity • 19% Danceability • 23% Energy • 52% Liveness
94% Instrumentalness • 20% Positiveness
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Alan Menken
Kingdom Celebration
136 bpm • G# Maj • 01:50 • -10.33db
39% Popularity • 42% Danceability • 44% Energy • 8% Liveness
76% Instrumentalness • 81% Positiveness
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Mychael Danna
The World Was Full Of Wonder
150 bpm • E Maj • 01:37 • -10db
28% Popularity • 32% Danceability • 38% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
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London Pops Orchestra
Arabian Nights
136 bpm • F Maj • 03:22 • -17db
24% Popularity • 19% Danceability • 14% Energy • 13% Liveness
81% Instrumentalness • 8% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
66% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Howard Shore
There And Back Again
135 bpm • D Maj • 04:20 • -20.53db
36% Popularity • 21% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Anne Dudley
Kissing Town
135 bpm • F Maj • 02:16 • -24db
37% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 20% Positiveness
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Alan Menken
Andalasia
135 bpm • C Maj • 01:47 • -14.16db
33% Popularity • 40% Danceability • 16% Energy • 28% Liveness
45% Instrumentalness • 21% Positiveness
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Dan Romer
Vespa è LibertÃ
152 bpm • F# Maj • 01:42 • -14.61db
39% Popularity • 33% Danceability • 15% Energy • 7% Liveness
62% Instrumentalness • 11% Positiveness
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Peter Breiner
Dawn, Fresh and New
135 bpm • D Maj • 01:02 • -14.81db
21% Popularity • 22% Danceability • 12% Energy • 8% Liveness
76% Instrumentalness • 22% Positiveness
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Leigh Harline
Pinocchio: When You Wish Upon A Star (ar...
134 bpm • F Maj • 03:29 • -17.78db
29% Popularity • 16% Danceability • 15% Energy • 13% Liveness
40% Instrumentalness • 6% Positiveness
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Howard Shore
Feast of Starlight
135 bpm • D Maj • 02:48 • -26.99db
55% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Mack David
So This Is Love: Waltz
135 bpm • G Maj • 01:58 • -16.7db
46% Popularity • 19% Danceability • 16% Energy • 27% Liveness
86% Instrumentalness • 32% Positiveness
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Samuel Sim
Most Ardently in Love
153 bpm • G min • 01:24 • -17.51db
32% Popularity • 28% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
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Christian Henson
Milk and Cookies
152 bpm • G min • 01:18 • -26.73db
44% Popularity • 23% Danceability • 5% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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Mark Mancina
Prologue
153 bpm • E min • 02:25 • -14.84db
53% Popularity • 36% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
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Kristen Anderson-Lopez
All Is Found - Kacey Musgraves Version/I...
154 bpm • A min • 03:01 • -19.99db
18% Popularity • 47% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Daniel Pemberton
Marquis
134 bpm • A min • 01:23 • -16.65db
28% Popularity • 27% Danceability • 8% Energy • 10% Liveness
51% Instrumentalness • 14% Positiveness
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Jan A.P. Kaczmarek
Why Does She Have To Die? - Finding Neve...
154 bpm • A Maj • 02:05 • -18.08db
37% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Dan Romer
Telescope
155 bpm • C Maj • 02:46 • -12.55db
37% Popularity • 35% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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John Debney
A New Hope
132 bpm • D# Maj • 01:46 • -25.95db
40% Popularity • 16% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Alan Menken
Kingdom Dance
156 bpm • E Maj • 02:20 • -9.82db
63% Popularity • 24% Danceability • 61% Energy • 13% Liveness
40% Instrumentalness • 47% Positiveness
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Mark Mancina
Te Fiti Restored
132 bpm • F# min • 01:03 • -8.78db
43% Popularity • 35% Danceability • 84% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Daniel Pemberton
Mycroft & Sherlock Holmes
155 bpm • C Maj • 01:02 • -10.81db
33% Popularity • 42% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Michael Kamen
The Wedding (Cup Of Marriage) / Horace A...
131 bpm • G Maj • 07:05 • -19.46db
8% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 8% Positiveness
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Mychael Danna
Critter Problem
131 bpm • C# Maj • 01:04 • -19.58db
36% Popularity • 68% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Howard Shore
The Adventure Begins
156 bpm • D Maj • 02:05 • -12db
43% Popularity • 16% Danceability • 34% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Alan Menken
Triton's Kingdom
131 bpm • B Maj • 02:32 • -13.62db
43% Popularity • 16% Danceability • 33% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Henry Jackman
A Big Strong Man in Need of Rescuing
131 bpm • C# Maj • 01:54 • -12db
24% Popularity • 25% Danceability • 28% Energy • 15% Liveness
80% Instrumentalness • 9% Positiveness
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Mark Mancina
Village Crazy Lady
156 bpm • C Maj • 00:45 • -27.2db
51% Popularity • 51% Danceability • 10% Energy • 14% Liveness
84% Instrumentalness • 30% Positiveness
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Oliver Wallace
Watch The Birdie / Visitors
130 bpm • D Maj • 02:07 • -15.2db
30% Popularity • 48% Danceability • 11% Energy • 12% Liveness
54% Instrumentalness • 38% Positiveness
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Peter Breiner
Green Gables Homestead
130 bpm • A min • 01:16 • -16.78db
20% Popularity • 25% Danceability • 10% Energy • 18% Liveness
62% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Room of Requirements
156 bpm • C Maj • 06:07 • -20.92db
43% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Ashman
Quick Tendu 4/4 Be Our Guest
129 bpm • G Maj • 01:05 • -24.41db
30% Popularity • 64% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 98% Positiveness
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Jerry Goldsmith
Haircut
158 bpm • C min • 01:18 • -8.8db
51% Popularity • 43% Danceability • 90% Energy • 11% Liveness
80% Instrumentalness • 19% Positiveness
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Fernando Velázquez
Buffalo
129 bpm • G Maj • 02:08 • -21.93db
22% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Oliver Wallace
It Has A Ribbon / Lady To Bed / A Few Mo...
129 bpm • F Maj • 03:54 • -18db
23% Popularity • 36% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
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David Arnold
Ship to Shore
128 bpm • D min • 03:52 • -29.02db
27% Popularity • 17% Danceability • 3% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Christian Henson
The Journey to Moonacre
160 bpm • A# min • 01:51 • -16.99db
39% Popularity • 36% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Mychael Danna
Magic Returns
160 bpm • G Maj • 02:48 • -12db
30% Popularity • 52% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 64% Positiveness
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Joseph Trapanese
Welcome to the Family
128 bpm • C Maj • 02:58 • -24db
23% Popularity • 18% Danceability • 7% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Dan Romer
Beyond the Solar System
160 bpm • D Maj • 01:02 • -19.74db
42% Popularity • 48% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
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Disney Peaceful Strings
Something There
127 bpm • D Maj • 02:05 • -11.74db
36% Popularity • 44% Danceability • 27% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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George Bruns
Forbidden Mountain
126 bpm • F Maj • 02:51 • -16.53db
18% Popularity • 40% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Christian Henson
Into the Book
128 bpm • D# Maj • 03:45 • -21.11db
26% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Pepper Story
163 bpm • D# Maj • 01:10 • -24.54db
50% Popularity • 10% Danceability • 6% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
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Emma Thompson
Noble Maiden Fair (A Mhaighdean Bhan Uas...
125 bpm • B min • 02:36 • -23.9db
52% Popularity • 29% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Dan Romer
Take Me, Gravity
128 bpm • A# Maj • 01:44 • -12.35db
37% Popularity • 36% Danceability • 37% Energy • 16% Liveness
90% Instrumentalness • 23% Positiveness
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Bruce Broughton
Honey I Shrunk the Audience Theme
125 bpm • C Maj • 01:47 • -10db
37% Popularity • 74% Danceability • 38% Energy • 10% Liveness
57% Instrumentalness • 77% Positiveness
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Daniel Pemberton
The Game Is Afoot
125 bpm • D Maj • 01:52 • -16.72db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 78% Positiveness
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Randy Newman
This Is Gonna Be Good
125 bpm • C Maj • 03:18 • -14.4db
36% Popularity • 19% Danceability • 20% Energy • 38% Liveness
44% Instrumentalness • 9% Positiveness
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Kristen Anderson-Lopez
Muéstrate - Instrumental
124 bpm • F# Maj • 04:18 • -11.96db
13% Popularity • 38% Danceability • 32% Energy • 5% Liveness
73% Instrumentalness • 12% Positiveness
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Geoff Zanelli
What Is Going on Here?
124 bpm • D Maj • 04:31 • -18.5db
16% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Dan Romer
How to Find the Good Ones
161 bpm • G# Maj • 05:14 • -16db
38% Popularity • 28% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Zbigniew Preisner
Entering The Garden
124 bpm • F Maj • 01:00 • -19db
38% Popularity • 40% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 20% Positiveness
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Minnz Piano
Rapunzel Theme
123 bpm • A# Maj • 02:24 • -24.88db
48% Popularity • 39% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 64% Positiveness
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Patrick Doyle
In Her Heart
123 bpm • A# Maj • 02:36 • -26.73db
33% Popularity • 26% Danceability • 3% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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Leigh Harline
Message from the Blue Fairy
166 bpm • A min • 01:30 • -15.91db
30% Popularity • 10% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Alan Menken
Getting Acquainted
168 bpm • A Maj • 01:30 • -26.59db
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
52% Instrumentalness • 6% Positiveness
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Dan Romer
Did You Hide?
125 bpm • E Maj • 01:04 • -21db
43% Popularity • 94% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
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Rob Lane
The Bond of Sacrifice
168 bpm • F min • 02:17 • -20.63db
45% Popularity • 9% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
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Bruce Broughton
Homeward Bound
167 bpm • A# Maj • 05:04 • -23db
24% Popularity • 18% Danceability • 7% Energy • 9% Liveness
57% Instrumentalness • 11% Positiveness
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Robert B. Sherman
The Jungle Book: I Wanna Be Like You (ar...
168 bpm • C min • 02:57 • -19db
30% Popularity • 32% Danceability • 24% Energy • 20% Liveness
87% Instrumentalness • 60% Positiveness
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Randy Newman
Andy's Birthday
168 bpm • C Maj • 05:57 • -18.75db
43% Popularity • 25% Danceability • 9% Energy • 34% Liveness
74% Instrumentalness • 14% Positiveness
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John Debney
Mia's Makeover - Score
169 bpm • E min • 01:08 • -28.78db
44% Popularity • 11% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Michael Giacchino
Tears of Joy
171 bpm • C Maj • 03:39 • -27.44db
42% Popularity • 15% Danceability • 1% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Alan Menken
The Bell Tower
172 bpm • A Maj • 03:04 • -26.25db
37% Popularity • 8% Danceability • 3% Energy • 21% Liveness
51% Instrumentalness • 6% Positiveness
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Rachel Portman
Bailey
173 bpm • A Maj • 02:17 • -25.97db
41% Popularity • 30% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Geoff Zanelli
But I Found You, Didn't I?
172 bpm • C Maj • 02:35 • -32.91db
24% Popularity • 15% Danceability • 1% Energy • 15% Liveness
72% Instrumentalness • 11% Positiveness
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Ari Posner
Simplest Of Gifts
173 bpm • G Maj • 01:57 • -20.44db
32% Popularity • 11% Danceability • 10% Energy • 17% Liveness
36% Instrumentalness • 17% Positiveness
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The Chamber Orchestra Of London
Such Good Luck
173 bpm • G Maj • 02:30 • -16.05db
33% Popularity • 8% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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David Arnold
Blue Star
176 bpm • A# Maj • 01:03 • -24.01db
24% Popularity • 8% Danceability • 12% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Alan Menken
Finale
174 bpm • G Maj • 02:25 • -13.27db
41% Popularity • 8% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Minnz Piano
If You Love Me for Me
176 bpm • D Maj • 02:44 • -26.58db
43% Popularity • 32% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Waiting for the Lights