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Waiting For The Sun
Songs like
Waiting For The Sun
by
Powderfinger
Based on a tempo of (+/- 10%) and a similar genre
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
45% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Silverchair
Cemetery
109 bpm • C Maj • 04:01 • -7.29db
41% Popularity • 34% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Powderfinger
Waiting For The Sun
109 bpm • D Maj • 03:54 • -5.23db
43% Popularity • 20% Danceability • 96% Energy • 33% Liveness
29% Instrumentalness • 15% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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28 Days
Song For Jasmine
108 bpm • B min • 04:01 • -4.48db
23% Popularity • 50% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
36% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Children Collide
Sword To A Gunfight
110 bpm • C Maj • 03:24 • -5.84db
17% Popularity • 56% Danceability • 65% Energy • 13% Liveness
29% Instrumentalness • 49% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Powderfinger
Roll Right By You
109 bpm • G# Maj • 04:15 • -4.54db
25% Popularity • 44% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Angels
Be With You
110 bpm • E Maj • 03:43 • -15.92db
32% Popularity • 61% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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28 Days
Rip It Up
110 bpm • B min • 03:39 • -4db
47% Popularity • 53% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Something For Kate
Monsters
111 bpm • C# Maj • 03:39 • -6.09db
41% Popularity • 42% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Powderfinger
Feels Like Something - Demo
109 bpm • C Maj • 04:08 • -10.5db
23% Popularity • 28% Danceability • 53% Energy • 38% Liveness
62% Instrumentalness • 11% Positiveness
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Thirsty Merc
Emancipate Myself
111 bpm • B Maj • 04:11 • -3.72db
28% Popularity • 74% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Spiderbait
Outta My Head
107 bpm • B Maj • 02:32 • -5.01db
30% Popularity • 52% Danceability • 91% Energy • 26% Liveness
41% Instrumentalness • 65% Positiveness
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Crowded House
Distant Sun
111 bpm • D# Maj • 03:49 • -7.97db
54% Popularity • 41% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
43% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Even
Black Umbrella
111 bpm • D Maj • 03:22 • -7db
23% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
31% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Powderfinger
Jc
110 bpm • A Maj • 02:50 • -12.23db
28% Popularity • 52% Danceability • 50% Energy • 14% Liveness
48% Instrumentalness • 42% Positiveness
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The Cruel Sea
Woman With Soul
106 bpm • G Maj • 03:51 • -9.78db
32% Popularity • 79% Danceability • 57% Energy • 23% Liveness
30% Instrumentalness • 66% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
40% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Noiseworks
Freedom
105 bpm • G Maj • 03:18 • -9.48db
14% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Frenzal Rhomb
Never Had So Much Fun
105 bpm • G Maj • 02:01 • -4.8db
41% Popularity • 40% Danceability • 96% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Powderfinger
d.a.f
106 bpm • D Maj • 03:30 • -7.15db
44% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Cruel Sea
Cocaine
105 bpm • G Maj • 03:48 • -3.61db
24% Popularity • 59% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
50% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Mutton Birds
The Heater
114 bpm • C Maj • 03:43 • -5.65db
17% Popularity • 43% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Noiseworks
Miles And Miles
105 bpm • C min • 04:15 • -8.36db
21% Popularity • 52% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Skunkhour
Sunstone
114 bpm • C Maj • 04:28 • -8.26db
16% Popularity • 76% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Racing
Party Slow
104 bpm • B min • 03:02 • -7.76db
28% Popularity • 53% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Ammonia
Ken Carter
115 bpm • A Maj • 03:55 • -5.68db
17% Popularity • 25% Danceability • 90% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Silverchair
Abuse Me
104 bpm • A min • 03:59 • -8.21db
45% Popularity • 48% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Regurgitator
! (The Song Formerly Known As)
115 bpm • B Maj • 03:26 • -4db
43% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Gyroscope
Dream vs. Scream
115 bpm • D Maj • 03:35 • -5.18db
18% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Skunkhour
Weightlessness
103 bpm • F min • 03:57 • -7.55db
27% Popularity • 61% Danceability • 88% Energy • 21% Liveness
45% Instrumentalness • 72% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
42% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Powderfinger
Odyssey # 5
116 bpm • G Maj • 01:44 • -7.73db
31% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Living End
Wake Up
116 bpm • B min • 04:31 • -5.49db
37% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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Little Birdy
Beautiful To Me
116 bpm • C Maj • 03:29 • -3.77db
35% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Lee
Catch My Disease
116 bpm • B Maj • 04:14 • -6.27db
46% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Machine Gun Fellatio
What the Fuck
116 bpm • E Maj • 04:11 • -7.64db
21% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ammonia
Drugs
116 bpm • A Maj • 03:27 • -8.27db
33% Popularity • 62% Danceability • 59% Energy • 7% Liveness
6% Instrumentalness • 89% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Children Collide
Farewell Rocketship
116 bpm • E Maj • 03:45 • -5.14db
38% Popularity • 53% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
52% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
39% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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The Dissociatives
Somewhere Down The Barrel
102 bpm • G# Maj • 04:39 • -4.15db
17% Popularity • 46% Danceability • 73% Energy • 71% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Lee
We're All In This Together
102 bpm • C# min • 04:39 • -8.94db
35% Popularity • 78% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 66% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
40% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Grinspoon
Hard Act To Follow
117 bpm • A Maj • 03:27 • -5db
47% Popularity • 59% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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The Mutton Birds
Nature
117 bpm • D Maj • 03:42 • -14.67db
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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Little Birdy
Excited
117 bpm • A# min • 03:37 • -4.41db
14% Popularity • 56% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Machine Gun Fellatio
My Ex Girlfriend's Boyfriend
117 bpm • C Maj • 03:02 • -10.14db
22% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Head Like A Hole
A Crying Shame
101 bpm • G# Maj • 04:40 • -9.71db
27% Popularity • 53% Danceability • 65% Energy • 32% Liveness
7% Instrumentalness • 53% Positiveness
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Crowded House
Locked Out
118 bpm • C# min • 03:17 • -5.67db
41% Popularity • 46% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
51% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Children Collide
Future Monks
118 bpm • D Maj • 03:17 • -5.41db
25% Popularity • 70% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Silverchair
Freak
118 bpm • F# min • 03:46 • -6.61db
58% Popularity • 54% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Machine Gun Fellatio
100 Fresh Disciples
101 bpm • B Maj • 03:04 • -5.22db
20% Popularity • 57% Danceability • 96% Energy • 35% Liveness
20% Instrumentalness • 69% Positiveness
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Faker
Sleepwalking
118 bpm • A min • 05:01 • -4.85db
25% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Custard
Girls Like That (Don't Go for Guys Like ...
118 bpm • F# Maj • 03:10 • -7db
36% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Grinspoon
Just Ace
100 bpm • D Maj • 01:48 • -6.83db
48% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
55% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Skunkhour
Breathing Through My Eyes
119 bpm • E min • 04:12 • -13.59db
18% Popularity • 57% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sidewinder
Titanic Days
100 bpm • E min • 03:40 • -2.22db
17% Popularity • 42% Danceability • 96% Energy • 33% Liveness
52% Instrumentalness • 56% Positiveness
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Bernard Fanning
Believe
119 bpm • A Maj • 03:07 • -8db
37% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Stereo Bus
birthday
100 bpm • C# Maj • 03:26 • -5.69db
22% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Exponents
Erotic
120 bpm • G Maj • 04:59 • -7.77db
19% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Weta
Calling On
119 bpm • A# Maj • 05:26 • -7.21db
26% Popularity • 55% Danceability • 71% Energy • 18% Liveness
3% Instrumentalness • 70% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Thirsty Merc
Wasting Time
120 bpm • A Maj • 03:55 • -5.58db
21% Popularity • 68% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Lee
Nothing Much Happens
120 bpm • C# Maj • 03:38 • -5.99db
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Regurgitator
Superstraight
120 bpm • E Maj • 04:04 • -3.2db
22% Popularity • 69% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Jet
Black Hearts (On Fire)
120 bpm • G min • 03:13 • -2.82db
36% Popularity • 59% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Crowded House
Private Universe
120 bpm • A min • 05:39 • -13.97db
39% Popularity • 68% Danceability • 73% Energy • 16% Liveness
48% Instrumentalness • 70% Positiveness
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Spiderbait
On My Way
120 bpm • A Maj • 03:23 • -4.46db
30% Popularity • 57% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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ICEHOUSE
Great Southern Land
120 bpm • A Maj • 05:17 • -5.6db
60% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Regurgitator
Superstraight
120 bpm • E Maj • 04:18 • -2.34db
15% Popularity • 70% Danceability • 96% Energy • 69% Liveness
0% Instrumentalness • 81% Positiveness
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Gyroscope
Fast Girl
120 bpm • E min • 03:18 • -5db
31% Popularity • 62% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Pollyanna
Brittle Then Broken
120 bpm • G# min • 04:23 • -6.23db
21% Popularity • 43% Danceability • 75% Energy • 12% Liveness
5% Instrumentalness • 36% Positiveness
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Head Like A Hole
Cornbag
121 bpm • B Maj • 03:47 • -3.7db
22% Popularity • 32% Danceability • 98% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Nick Barker
Time Bomb
121 bpm • E Maj • 04:59 • -9.35db
22% Popularity • 40% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Powderfinger
Who Really Cares
121 bpm • A min • 05:10 • -6.96db
21% Popularity • 46% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Crowded House
Everything Is Good For You
121 bpm • D Maj • 03:55 • -9.3db
27% Popularity • 59% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Gyroscope
Safe Forever
121 bpm • A min • 03:41 • -3.69db
25% Popularity • 41% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Waiting For The Sun