Songs like Waiting for You by David Gerard Lawrence
Based on a tempo of (+/- 10%) and a similar genre
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Mara Necia
So Cold
168 bpm • A min • 02:56 • -11.75db
10% Popularity • 56% Danceability • 41% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 9% Liveness
4% Instrumentalness • 13% Positiveness
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Timothy Elliott Larcombe
Rags To Riches
169 bpm • F# min • 03:06 • -10.69db
24% Popularity • 21% Danceability • 41% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
24% Popularity • 21% Danceability • 41% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
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David Gerard Lawrence
Waiting for You
168 bpm • F# min • 03:45 • -14.87db
1% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 46% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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LÃ¥psley
Build A Man
170 bpm • D min • 02:27 • -13.47db
27% Popularity • 29% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 29% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Nina Lee
River
169 bpm • C Maj • 02:49 • -8.02db
25% Popularity • 34% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 34% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Vaiteani
Waters
170 bpm • C Maj • 05:30 • -11.51db
9% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Rob Cass
It's All About That Feeling
170 bpm • F Maj • 03:21 • -7.7db
12% Popularity • 45% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 45% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Alexander Bayly
Runaway Home
170 bpm • G# Maj • 03:05 • -7.22db
1% Popularity • 50% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 50% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Charles Morton
All Smiles
166 bpm • C# Maj • 02:00 • -8.89db
0% Popularity • 58% Danceability • 72% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
0% Popularity • 58% Danceability • 72% Energy • 10% Liveness
80% Instrumentalness • 89% Positiveness
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Aurélien Vivos
The Show Must Go On
170 bpm • G# min • 03:33 • -8.78db
17% Popularity • 19% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 19% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Wave System
How Do You Feel
171 bpm • E min • 03:30 • -10.03db
36% Popularity • 34% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
36% Popularity • 34% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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David Gerard Lawrence
Childhood Home Coda
172 bpm • F Maj • 00:54 • -14.04db
0% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Ellis
We Are
165 bpm • B min • 02:05 • -9.45db
0% Popularity • 37% Danceability • 64% Energy • 39% Liveness
93% Instrumentalness • 23% Positiveness
0% Popularity • 37% Danceability • 64% Energy • 39% Liveness
93% Instrumentalness • 23% Positiveness
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Emilie McAll Pinard
Who'll Take My Hand
172 bpm • A min • 03:35 • -14.29db
7% Popularity • 32% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 32% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mereba
Space and Time
172 bpm • A# Maj • 05:15 • -14.62db
30% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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CLOUD
DUI
172 bpm • A# Maj • 04:07 • -13.04db
33% Popularity • 59% Danceability • 50% Energy • 10% Liveness
13% Instrumentalness • 14% Positiveness
33% Popularity • 59% Danceability • 50% Energy • 10% Liveness
13% Instrumentalness • 14% Positiveness
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Enny Owl
Shannon
172 bpm • B min • 02:55 • -12db
21% Popularity • 36% Danceability • 38% Energy • 32% Liveness
32% Instrumentalness • 8% Positiveness
21% Popularity • 36% Danceability • 38% Energy • 32% Liveness
32% Instrumentalness • 8% Positiveness
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Empyrean Fields
I Got You
172 bpm • G Maj • 03:45 • -7.87db
15% Popularity • 30% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 30% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Roisin El Cherif
Siúil a Rúin
173 bpm • D min • 05:18 • -11.86db
18% Popularity • 24% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Les Soignantes
Unstoppable
174 bpm • F# min • 03:36 • -7.25db
24% Popularity • 45% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 45% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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David Gerard Lawrence
All These Fine Lines
174 bpm • F# Maj • 02:45 • -7.82db
2% Popularity • 54% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
2% Popularity • 54% Danceability • 70% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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Old Friends, New Friends
Now That You're Older
162 bpm • E Maj • 04:01 • -14.52db
29% Popularity • 40% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Beth De Bacci
Leave Me Behind
162 bpm • B min • 04:38 • -8.56db
13% Popularity • 56% Danceability • 58% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
13% Popularity • 56% Danceability • 58% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
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Marlene Oak
Big Time
162 bpm • C# Maj • 03:17 • -9.57db
9% Popularity • 37% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 37% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Texada
Walk You Home
176 bpm • A Maj • 04:34 • -14db
28% Popularity • 32% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 32% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Pop Goes Ambient
The Night We Met
161 bpm • G min • 02:58 • -21.49db
38% Popularity • 21% Danceability • 13% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 13% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Thomas Ellis
Falling Sustain
160 bpm • D# Maj • 02:03 • -10.9db
1% Popularity • 26% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
1% Popularity • 26% Danceability • 43% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
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Amy Stroup
Fallout
160 bpm • G# min • 03:57 • -8.07db
23% Popularity • 49% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 49% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Elly Cooke
The Storm
160 bpm • G Maj • 05:56 • -9.77db
17% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Egil Franzen
The Castle / Where Is My Mind
160 bpm • F# Maj • 02:12 • -12.83db
12% Popularity • 18% Danceability • 45% Energy • 20% Liveness
36% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 45% Energy • 20% Liveness
36% Instrumentalness • 4% Positiveness
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Philippe Kelly
Truth in Your Lies
160 bpm • F Maj • 02:36 • -12.21db
9% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Marie Sarah
Dark Black
160 bpm • C Maj • 03:00 • -6.62db
46% Popularity • 32% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 32% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Ellis
Going
160 bpm • G Maj • 02:23 • -8.3db
1% Popularity • 41% Danceability • 81% Energy • 6% Liveness
5% Instrumentalness • 24% Positiveness
1% Popularity • 41% Danceability • 81% Energy • 6% Liveness
5% Instrumentalness • 24% Positiveness
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Mia Mormino
Feel the Light
177 bpm • G# min • 03:32 • -8.26db
9% Popularity • 24% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jessie Ka
Mr. Moon
178 bpm • D Maj • 04:10 • -10db
9% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jordy Burns
Walls
178 bpm • C min • 04:05 • -8.01db
14% Popularity • 31% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 31% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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David Gerard Lawrence
Positive In Nature
158 bpm • E Maj • 02:35 • -12.17db
0% Popularity • 52% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
0% Popularity • 52% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 21% Positiveness
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Nicole Serrano
Someone For You
158 bpm • C Maj • 03:00 • -14.57db
23% Popularity • 25% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 25% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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RØSIE
Simply the Best
180 bpm • F# Maj • 04:18 • -11.05db
8% Popularity • 35% Danceability • 24% Energy • 9% Liveness
54% Instrumentalness • 7% Positiveness
8% Popularity • 35% Danceability • 24% Energy • 9% Liveness
54% Instrumentalness • 7% Positiveness
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your friend juniper
This Season
158 bpm • E Maj • 02:46 • -11.58db
9% Popularity • 58% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Luke Sital-Singh
Walk Alone
180 bpm • D Maj • 03:40 • -13.45db
9% Popularity • 33% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 33% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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SMOLIK / KEV FOX
Truth In Your Eyes
157 bpm • F Maj • 04:21 • -9.95db
25% Popularity • 64% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
25% Popularity • 64% Danceability • 60% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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David Gerard Lawrence
Night Time Reflections
180 bpm • G min • 02:23 • -12.21db
1% Popularity • 43% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
1% Popularity • 43% Danceability • 41% Energy • 13% Liveness
90% Instrumentalness • 14% Positiveness
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Oliver Holmes
So Damn Close
180 bpm • A# min • 03:34 • -7.68db
2% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 43% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Tauese Tofa
Lies
180 bpm • A min • 03:47 • -8.74db
13% Popularity • 43% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 43% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Piro Tones
R.e.m.
156 bpm • G min • 03:29 • -9.73db
34% Popularity • 41% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 41% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Katie Hargrove
Empty Promises
156 bpm • D# min • 03:36 • -7.48db
14% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Hälla
On Our Way
155 bpm • C Maj • 02:10 • -12.91db
7% Popularity • 37% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
7% Popularity • 37% Danceability • 30% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
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David Gerard Lawrence
Still Standing
156 bpm • E Maj • 02:50 • -6.35db
0% Popularity • 50% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 50% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Reaven
A Place Where You Belong - Radio Edit
155 bpm • F# Maj • 03:35 • -10.68db
20% Popularity • 54% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 54% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Tom Rhodes
Santa Fe
155 bpm • F# Maj • 04:17 • -8.15db
16% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 45% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Remember Summer
The American Dream - Acoustic Version
182 bpm • A Maj • 04:48 • -12.97db
10% Popularity • 20% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Vanacore Music
Our Time To Rise
182 bpm • B min • 02:01 • -9.8db
11% Popularity • 44% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
11% Popularity • 44% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Power Trackz 4.0
Quietly Yours
154 bpm • C# Maj • 03:48 • -13.26db
11% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 42% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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David Gerard Lawrence
I'm Coming Home
155 bpm • G# Maj • 02:34 • -11.97db
1% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
1% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Winter Woods
On My Own
154 bpm • F Maj • 03:12 • -10.47db
24% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 42% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Dream A Lot
As Long As You Love Me - Reimagine
153 bpm • C Maj • 03:15 • -10.72db
12% Popularity • 23% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 23% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Lavie
Sweet Harmony
184 bpm • F# min • 02:46 • -7.82db
21% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jane in flames
Safe Haven
152 bpm • C min • 03:06 • -7.69db
21% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 59% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Katie Thompson
Do You Think Of Me?
152 bpm • F# min • 03:18 • -6.61db
26% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 50% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Silly Boy Blue
Stay Tonight
186 bpm • D# Maj • 02:41 • -12.46db
33% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 44% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Rhodes
Stay in Dreams
151 bpm • D Maj • 04:21 • -7.17db
14% Popularity • 49% Danceability • 61% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
14% Popularity • 49% Danceability • 61% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
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Minute Taker
Wait For Me - Single Edit
151 bpm • F min • 03:27 • -10.07db
12% Popularity • 52% Danceability • 66% Energy • 11% Liveness
67% Instrumentalness • 13% Positiveness
12% Popularity • 52% Danceability • 66% Energy • 11% Liveness
67% Instrumentalness • 13% Positiveness
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Asaf Avidan
To Love Another - In A Box III Version
151 bpm • D Maj • 04:04 • -13.29db
29% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Önnu Jónu Son
Big Boy Boots
150 bpm • F# Maj • 03:52 • -13.46db
11% Popularity • 32% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
11% Popularity • 32% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Vicki Vox
Midnight Hour
150 bpm • B min • 03:58 • -10.29db
24% Popularity • 35% Danceability • 29% Energy • 20% Liveness
19% Instrumentalness • 30% Positiveness
24% Popularity • 35% Danceability • 29% Energy • 20% Liveness
19% Instrumentalness • 30% Positiveness
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Ella Joy Meir
Running Slow
150 bpm • A# Maj • 03:16 • -11.98db
11% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Tremelo
Fly Free
150 bpm • C Maj • 02:14 • -17.36db
21% Popularity • 51% Danceability • 40% Energy • 12% Liveness
21% Instrumentalness • 7% Positiveness
21% Popularity • 51% Danceability • 40% Energy • 12% Liveness
21% Instrumentalness • 7% Positiveness
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Charles Morton
Happy Hearts
150 bpm • E Maj • 01:50 • -8.17db
0% Popularity • 63% Danceability • 85% Energy • 10% Liveness
55% Instrumentalness • 98% Positiveness
0% Popularity • 63% Danceability • 85% Energy • 10% Liveness
55% Instrumentalness • 98% Positiveness
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Scarlett Sullivan
Remembering
150 bpm • D Maj • 04:43 • -9.75db
18% Popularity • 46% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 46% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Docherty
Just Say Aye
150 bpm • F# Maj • 03:38 • -8.18db
46% Popularity • 63% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 63% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Duplex Heart
Love It or Leave It
150 bpm • A# min • 03:53 • -8.82db
13% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Luca Vasta
Sicilian Coast
148 bpm • F min • 03:55 • -9.8db
10% Popularity • 35% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 35% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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David Gerard Lawrence
You've Got a Power
149 bpm • C min • 03:17 • -8.26db
7% Popularity • 52% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 52% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Amy Stroup
Just The Beginning
148 bpm • B Maj • 03:04 • -7.7db
18% Popularity • 62% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
18% Popularity • 62% Danceability • 73% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
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April Snow
I Think I’m Falling For You
148 bpm • A min • 03:24 • -11.24db
21% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 60% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Brandon Watson
Hold Your Breath
148 bpm • B min • 03:00 • -10.88db
17% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Dotan
Heavy
148 bpm • C# Maj • 03:48 • -12.85db
37% Popularity • 52% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 45% Positiveness
37% Popularity • 52% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 45% Positiveness
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Sharing Pluto
Every Day Is A Song
148 bpm • G Maj • 03:21 • -7.73db
21% Popularity • 52% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 52% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Yorina
For Your Sake
148 bpm • E Maj • 04:04 • -11.18db
11% Popularity • 39% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 39% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Celine Cairo
Twilight
147 bpm • D# Maj • 03:12 • -13.07db
24% Popularity • 44% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 44% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 16% Positiveness
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Kristóf Hajós
I'm Making Waves
146 bpm • G min • 03:21 • -12.68db
17% Popularity • 54% Danceability • 50% Energy • 34% Liveness
62% Instrumentalness • 43% Positiveness
17% Popularity • 54% Danceability • 50% Energy • 34% Liveness
62% Instrumentalness • 43% Positiveness
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Timothy Elliott Larcombe
Broken Beauty
147 bpm • A min • 03:18 • -9.4db
16% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Slow Pilot
What You Gonna Do
146 bpm • D Maj • 03:17 • -10.26db
34% Popularity • 66% Danceability • 67% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
34% Popularity • 66% Danceability • 67% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Chøppersaurus
Never Give Up The Fight
146 bpm • C# Maj • 02:56 • -11.65db
9% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Hortator
Eyes Wide
146 bpm • A# min • 03:18 • -10.33db
13% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 35% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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India Electric Co
After the Flood
145 bpm • G min • 03:59 • -15.28db
10% Popularity • 44% Danceability • 33% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
10% Popularity • 44% Danceability • 33% Energy • 11% Liveness
53% Instrumentalness • 19% Positiveness
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Tobias Jensen
Into the Water
145 bpm • B min • 04:14 • -12.11db
11% Popularity • 63% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 16% Positiveness
11% Popularity • 63% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 16% Positiveness
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Julia Westlin
Demons and Angels
145 bpm • G# min • 03:56 • -13.26db
11% Popularity • 33% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
11% Popularity • 33% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Rachel AO
can't handle
144 bpm • F# min • 03:47 • -7.09db
10% Popularity • 57% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 57% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 26% Positiveness
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Rupert Pope
I Saw It Coming
144 bpm • G# min • 03:53 • -8.8db
7% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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IamDayLight
I'm on Your Side
198 bpm • A min • 03:14 • -8.8db
16% Popularity • 46% Danceability • 83% Energy • 21% Liveness
2% Instrumentalness • 13% Positiveness
16% Popularity • 46% Danceability • 83% Energy • 21% Liveness
2% Instrumentalness • 13% Positiveness
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Shuna Lovelle
Three Little Words
199 bpm • F# Maj • 03:24 • -7.81db
14% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 39% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
