Songs like Waiting on the Roof by Sachal Vasandani
Based on a tempo of (+/- 10%) and a similar genre
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Kristin Korb
Something to Celebrate
93 bpm • C min • 03:02 • -12db
12% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 60% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Lucy Yeghiazaryan
Only the Lonely
93 bpm • F Maj • 03:12 • -15.26db
22% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Sinne Eeg
Remembering You
93 bpm • A# Maj • 06:14 • -18.74db
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Emma Smith
Nice Girls Don't Stay for Breakfast
93 bpm • C Maj • 03:37 • -15.21db
37% Popularity • 55% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
37% Popularity • 55% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Sachal Vasandani
Waiting on the Roof
93 bpm • C# Maj • 03:03 • -9.49db
5% Popularity • 78% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
5% Popularity • 78% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Karen Rosenberg
Who Needs Paris
94 bpm • F Maj • 04:00 • -11.86db
35% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 44% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Bria Skonberg
Sway
94 bpm • A min • 03:15 • -13db
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Rigmor Gustafsson
Close to You
94 bpm • C# Maj • 04:03 • -15.55db
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lisa Bassenge
Still Crazy After All These Years
94 bpm • G Maj • 03:37 • -11.47db
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Deelee Dube
Cherokee
94 bpm • G# Maj • 05:38 • -11.13db
37% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Sachal Vasandani
I Could Have Told You
92 bpm • A# min • 06:25 • -14.48db
6% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 43% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Robin Mckelle
No Ordinary Love
92 bpm • F min • 05:25 • -10.9db
19% Popularity • 36% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 36% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Connie Lansberg
You Hit the Spot
92 bpm • C Maj • 02:14 • -11db
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 68% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Benack III
Won't You Be My Neighbor
92 bpm • F Maj • 03:45 • -12.98db
33% Popularity • 61% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
33% Popularity • 61% Danceability • 28% Energy • 7% Liveness
1% Instrumentalness • 48% Positiveness
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Roberta Gambarini
Lover Man
92 bpm • F Maj • 05:58 • -13.55db
16% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jan Harbeck Quartet
Tangorrus Field
91 bpm • E min • 07:24 • -17.86db
31% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
31% Popularity • 47% Danceability • 12% Energy • 15% Liveness
75% Instrumentalness • 16% Positiveness
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Sachal Vasandani
That's All I Want from You
94 bpm • F Maj • 03:57 • -14.06db
3% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Nnenna Freelon
The Very Thought of You
91 bpm • D# Maj • 06:01 • -16.03db
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 42% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Connie Lansberg
What'll I Do
91 bpm • A# Maj • 04:05 • -14db
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 35% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Claire Martin
It's Only a Paper Moon
91 bpm • B min • 04:25 • -13.8db
15% Popularity • 30% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Lina Nyberg
Trial
90 bpm • G Maj • 05:40 • -18db
22% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 35% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Joe Farnsworth
Ojos Cariñosos
96 bpm • G min • 07:44 • -15.3db
37% Popularity • 59% Danceability • 30% Energy • 7% Liveness
68% Instrumentalness • 38% Positiveness
37% Popularity • 59% Danceability • 30% Energy • 7% Liveness
68% Instrumentalness • 38% Positiveness
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Sachal Vasandani
Haystacks
92 bpm • A# min • 04:55 • -9.3db
1% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah McKenzie
Corcovado
96 bpm • A min • 04:59 • -13.9db
16% Popularity • 58% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
16% Popularity • 58% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Robin Mckelle
Come to Me
90 bpm • A min • 05:29 • -14.12db
25% Popularity • 68% Danceability • 31% Energy • 5% Liveness
51% Instrumentalness • 41% Positiveness
25% Popularity • 68% Danceability • 31% Energy • 5% Liveness
51% Instrumentalness • 41% Positiveness
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Suss von Ahn
What a Difference a Day Made
96 bpm • C min • 02:49 • -10db
31% Popularity • 75% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 75% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Silva & Steini
It Might As Well Be Spring
96 bpm • E Maj • 03:07 • -19.41db
34% Popularity • 42% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 42% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 16% Positiveness
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Tierney Sutton
You're Nearer
90 bpm • D# Maj • 03:12 • -22.01db
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
14% Popularity • 43% Danceability • 3% Energy • 11% Liveness
48% Instrumentalness • 15% Positiveness
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Sachal Vasandani
Can't Talk
95 bpm • A Maj • 03:22 • -12.34db
0% Popularity • 79% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 79% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Katrine Madsen
From a Mother to a Child
90 bpm • G# Maj • 07:28 • -16db
35% Popularity • 31% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 31% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Emma Smith
Makin' Whoopee
96 bpm • F min • 04:24 • -16db
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 48% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Karen Rosenberg
Behind Me
96 bpm • D min • 06:20 • -14db
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Johanna Linnea Jakobsson
Bewitched, Bothered and Bewildered
97 bpm • F Maj • 06:43 • -16.95db
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Marek Johnson
Hommage
89 bpm • C Maj • 03:34 • -15.47db
37% Popularity • 27% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
37% Popularity • 27% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Cécile McLorin Salvant
Easy Come, Easy Go Blues
89 bpm • A Maj • 02:32 • -15.94db
35% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 56% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Lara Louise
Golden Earrings
97 bpm • G Maj • 03:18 • -12.93db
48% Popularity • 71% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
48% Popularity • 71% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 54% Positiveness
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Sachal Vasandani
Hourglass Sea
97 bpm • F# Maj • 04:24 • -14.17db
3% Popularity • 32% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
3% Popularity • 32% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Karen Rosenberg
Move
97 bpm • G Maj • 04:48 • -13db
22% Popularity • 36% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 36% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Massimo Faraò
Isn't It a Pity
97 bpm • D# Maj • 05:48 • -17.08db
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 49% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Flora Martínez
Mrs. Cold
97 bpm • F min • 03:03 • -16db
42% Popularity • 74% Danceability • 34% Energy • 14% Liveness
25% Instrumentalness • 50% Positiveness
42% Popularity • 74% Danceability • 34% Energy • 14% Liveness
25% Instrumentalness • 50% Positiveness
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Lauren Coleman
"Moon River"
97 bpm • G Maj • 02:52 • -14.06db
45% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Silje Nergaard
Velvet Curtains
98 bpm • D# Maj • 06:11 • -14.34db
22% Popularity • 24% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 24% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Susannah McCorkle
I Don't Want To Set The World On Fire
89 bpm • A# min • 03:27 • -14db
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Spencer Day
If I Loved You
98 bpm • G Maj • 04:10 • -11db
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
48% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Sachal Vasandani
I Was Just One More For You
98 bpm • A# min • 03:59 • -10.58db
17% Popularity • 69% Danceability • 45% Energy • 9% Liveness
40% Instrumentalness • 69% Positiveness
17% Popularity • 69% Danceability • 45% Energy • 9% Liveness
40% Instrumentalness • 69% Positiveness
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Silje Nergaard
Every Time We Say Goodbye
98 bpm • A# Maj • 05:18 • -12.07db
22% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Sarah McKenzie
You Only Live Twice
88 bpm • F Maj • 04:39 • -15.36db
26% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jim Snidero
It's the Talk of the Town
98 bpm • F Maj • 07:04 • -9db
14% Popularity • 38% Danceability • 22% Energy • 33% Liveness
62% Instrumentalness • 24% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 33% Liveness
62% Instrumentalness • 24% Positiveness
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Sophie Wellington
Duke Ellington's Sound of Love
88 bpm • B Maj • 04:49 • -14.01db
11% Popularity • 35% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
11% Popularity • 35% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Isabella Lundgren
Fly Me to the Moon
88 bpm • F Maj • 03:32 • -12.88db
22% Popularity • 21% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Sachal Vasandani
I Concentrate on You
98 bpm • D Maj • 04:18 • -8.79db
3% Popularity • 52% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 52% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Kaiak
Flowers
98 bpm • F min • 02:56 • -15.9db
44% Popularity • 40% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 40% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Cécile McLorin Salvant
Monday
88 bpm • F min • 02:01 • -15.47db
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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David Tixier Piano Solo
Through the Window
99 bpm • D# Maj • 05:00 • -16.41db
0% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 44% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ellen Andersson
Once Upon a Summertime
88 bpm • B Maj • 04:39 • -16.83db
33% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Sophia HP
Carry On
88 bpm • B Maj • 03:48 • -14.03db
37% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 48% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sachal Vasandani
The Very Thought of You
88 bpm • A Maj • 04:00 • -10.64db
5% Popularity • 54% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 54% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Ruth Cameron
The Night We Called It A Day - Live
87 bpm • G min • 03:07 • -21.87db
14% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Estelle Perrault
You Must Believe In Spring
87 bpm • G# min • 04:16 • -11.74db
32% Popularity • 51% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 51% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Ann Hampton Callaway
Blusette
99 bpm • G# Maj • 03:37 • -12.09db
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Benjamin Herman
A Place I Don’t Know
99 bpm • G# Maj • 02:32 • -11.03db
42% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Sachal Vasandani
Love Is a Losing Game
87 bpm • G# Maj • 03:46 • -11.47db
15% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dudli & Herring's Soul Jazz Alliance
True Paradise
99 bpm • G# Maj • 04:30 • -12.07db
0% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kaiak
Take on Me
99 bpm • A# Maj • 04:30 • -19db
43% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 32% Danceability • 20% Energy • 91% Liveness
0% Instrumentalness • 14% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
56% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Judy Whitmore
I Remember You
100 bpm • C# Maj • 04:05 • -11db
32% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Sachal Vasandani
When I Grow Too Old
87 bpm • D Maj • 04:56 • -12.86db
4% Popularity • 59% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
4% Popularity • 59% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
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Dudli & Herring's Soul Jazz Alliance
Why Are You Lonely
100 bpm • A# Maj • 04:06 • -12.52db
0% Popularity • 35% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 35% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Fredy Guzman
Limphina
100 bpm • G# Maj • 06:01 • -15.36db
0% Popularity • 45% Danceability • 16% Energy • 9% Liveness
28% Instrumentalness • 16% Positiveness
0% Popularity • 45% Danceability • 16% Energy • 9% Liveness
28% Instrumentalness • 16% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Cécile McLorin Salvant
Moon Song
86 bpm • F min • 03:04 • -14db
39% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 34% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Fabian Kallerdahl
Only Love Can Break Your Heart - Live
100 bpm • D min • 06:04 • -23.11db
30% Popularity • 54% Danceability • 22% Energy • 71% Liveness
60% Instrumentalness • 25% Positiveness
30% Popularity • 54% Danceability • 22% Energy • 71% Liveness
60% Instrumentalness • 25% Positiveness
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Sachal Vasandani
Blue in Green
100 bpm • G# Maj • 03:46 • -21.64db
38% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
38% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Nikki Yanofsky
Crazy He Calls Me
100 bpm • C# Maj • 02:30 • -11.79db
36% Popularity • 55% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 55% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Ellas Kapell
Cheek to Cheek
100 bpm • G# Maj • 07:03 • -10.85db
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Vicki Burns
Siren Song
100 bpm • A# min • 06:20 • -12.99db
31% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 60% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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VARITDA
By the Time I Get to Phoenix
100 bpm • A Maj • 04:38 • -9db
36% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 40% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jim Snidero
Theme for Ernie
86 bpm • G# Maj • 07:14 • -10.81db
37% Popularity • 37% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
37% Popularity • 37% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Madeleine Peyroux
The Way You Look Tonight
101 bpm • G# Maj • 03:02 • -12.26db
52% Popularity • 57% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
52% Popularity • 57% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Yotam Ishay
I Fall In Love Too Easily
86 bpm • D min • 05:28 • -24.11db
36% Popularity • 29% Danceability • 5% Energy • 9% Liveness
63% Instrumentalness • 18% Positiveness
36% Popularity • 29% Danceability • 5% Energy • 9% Liveness
63% Instrumentalness • 18% Positiveness
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Roberta Gambarini
Porgy, I's Your Woman Now/I Loves You , ...
85 bpm • C min • 07:24 • -15.44db
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Nikki Yanofsky
Quiet Nights Of Quiet Stars (Corcovado)
86 bpm • C min • 03:04 • -18.11db
31% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sinne Eeg
My One and Only Love
102 bpm • F# min • 05:07 • -18.99db
20% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Sachal Vasandani
That's All
85 bpm • C# min • 04:11 • -11db
20% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 60% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Cécile McLorin Salvant
One Step Ahead
85 bpm • C min • 02:09 • -16db
45% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Stína Ágústsdóttir
When Sunny Gets Blue
85 bpm • C Maj • 04:24 • -12.72db
38% Popularity • 45% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 45% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Cincotti
Lovers, Secrets, Lies
102 bpm • G Maj • 03:45 • -13db
41% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Louis Amanti
H I M
102 bpm • A# Maj • 03:40 • -12db
34% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sachal Vasandani
Love Away
102 bpm • A# min • 03:08 • -15.71db
5% Popularity • 46% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
5% Popularity • 46% Danceability • 17% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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David Tixier Piano Solo
Imaginary Landscapes
102 bpm • F Maj • 04:36 • -19.83db
0% Popularity • 32% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
0% Popularity • 32% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Hailey Tuck
Tell Him No
102 bpm • C min • 03:19 • -10db
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
53% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
