Songs like Wake Me Up Before You Go-Go by Meg Birch
Based on a tempo of (+/- 10%) and a similar genre
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Olivia Keast
Wake Me up Before You Go-Go
133 bpm • C Maj • 03:51 • -7.34db
11% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Rachelle Spring
Staying Alive
133 bpm • G Maj • 03:48 • -11db
34% Popularity • 76% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 76% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Meg Birch
Bad Romance
133 bpm • F Maj • 03:39 • -7.08db
11% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Lisa Östergren
Crazy in Love
133 bpm • C# Maj • 03:41 • -12.27db
31% Popularity • 75% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Moleskins
I'm Still Standing
133 bpm • A# min • 04:12 • -9.39db
23% Popularity • 76% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 76% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Landa
Is This Love
133 bpm • G Maj • 04:16 • -7.13db
7% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 59% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Stephanie Domet
Catwoman
132 bpm • F# min • 03:31 • -7.65db
31% Popularity • 59% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 59% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Olivia Keast
Dark Horse
132 bpm • A# min • 03:16 • -6.94db
12% Popularity • 77% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 77% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Meg Birch
Wake Me Up Before You Go-Go
133 bpm • C Maj • 03:59 • -9.59db
17% Popularity • 55% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 55% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Keiko
Manic Monday - Bossa Version
134 bpm • E Maj • 04:11 • -15.52db
11% Popularity • 80% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 80% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Claudia Rezende
Freedom - Bossa Version
134 bpm • C Maj • 04:05 • -10.25db
20% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Summer Cocktail Crew
Red Red Wine
132 bpm • A# Maj • 04:00 • -14.56db
45% Popularity • 78% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
45% Popularity • 78% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Ivy Grove
Shivers
134 bpm • E Maj • 03:17 • -7.8db
4% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 70% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Talisha Karrer
Wake Me up Before You Go-Go
134 bpm • C Maj • 03:52 • -11.31db
19% Popularity • 65% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 65% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Meg Birch
Dark Horse
132 bpm • A# min • 03:19 • -9.99db
14% Popularity • 77% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 77% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Keiko
Manic Monday
134 bpm • E Maj • 04:13 • -11.07db
15% Popularity • 83% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 83% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Samantha Emme
Rolling in the Deep
132 bpm • F# min • 04:47 • -9.32db
13% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Softband
Somebody To Love
135 bpm • G# Maj • 03:43 • -12db
18% Popularity • 48% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Emilie Schiøtt
King or Clown
131 bpm • A# Maj • 03:03 • -5.97db
48% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 68% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Talisha Karrer
All About That Bass
131 bpm • A Maj • 04:06 • -14.34db
33% Popularity • 72% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
33% Popularity • 72% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 56% Positiveness
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Katja Petri
All About That Bass (Acoustic Version)
135 bpm • A Maj • 02:38 • -12.22db
22% Popularity • 82% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 82% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Meg Birch
Hold My Hand
132 bpm • B Maj • 03:38 • -10.39db
12% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Les Crossaders
Physical
135 bpm • C Maj • 03:49 • -11.94db
23% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 69% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley Jones
Bad Guy
135 bpm • C Maj • 03:10 • -13.97db
44% Popularity • 88% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 88% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Parry Ray
She Used To Be Mine
131 bpm • D# Maj • 04:24 • -10.73db
33% Popularity • 63% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 63% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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The Northern Lights Quintet
As It Was
136 bpm • C# Maj • 03:27 • -16.34db
52% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 59% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Olivia Keast
You’re Still the One
131 bpm • D# Maj • 03:50 • -12.57db
11% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 67% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Meg Birch
All About That Bass
131 bpm • A Maj • 04:08 • -11.05db
21% Popularity • 77% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 77% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luchia
Moondance
130 bpm • A min • 03:43 • -10.38db
13% Popularity • 71% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 71% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Brazil XXI
Like a Virgin
130 bpm • B Maj • 04:09 • -10db
36% Popularity • 79% Danceability • 48% Energy • 17% Liveness
24% Instrumentalness • 84% Positiveness
36% Popularity • 79% Danceability • 48% Energy • 17% Liveness
24% Instrumentalness • 84% Positiveness
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Marcelo Rezende
Let It Be - Bossa Version
130 bpm • A Maj • 02:39 • -9.37db
23% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Luca Giacco
That's When I Think of You
130 bpm • G Maj • 03:34 • -12.03db
36% Popularity • 81% Danceability • 57% Energy • 20% Liveness
3% Instrumentalness • 32% Positiveness
36% Popularity • 81% Danceability • 57% Energy • 20% Liveness
3% Instrumentalness • 32% Positiveness
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Dual Sessions
I'm Yours
130 bpm • B Maj • 02:52 • -11.56db
48% Popularity • 84% Danceability • 43% Energy • 11% Liveness
14% Instrumentalness • 64% Positiveness
48% Popularity • 84% Danceability • 43% Energy • 11% Liveness
14% Instrumentalness • 64% Positiveness
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Meg Birch
You’re Still the One
131 bpm • D# Maj • 02:43 • -8.27db
17% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hailey Tuck
It Must Be Love
136 bpm • C Maj • 03:41 • -14.89db
40% Popularity • 72% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 72% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Juis de Fora
Whole Again
130 bpm • G# min • 02:41 • -8.85db
45% Popularity • 89% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 89% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Freed
Thunder
130 bpm • F# min • 03:24 • -13db
45% Popularity • 86% Danceability • 31% Energy • 11% Liveness
22% Instrumentalness • 64% Positiveness
45% Popularity • 86% Danceability • 31% Energy • 11% Liveness
22% Instrumentalness • 64% Positiveness
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Junity
Rocket Man (I Think It's Going To Be A L...
136 bpm • C Maj • 04:22 • -14.15db
53% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 68% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Carol Kay
Rocket Man
130 bpm • C# Maj • 03:53 • -9.74db
33% Popularity • 75% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 75% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Meg Birch
Here Comes the Sun
130 bpm • F Maj • 02:58 • -11.18db
30% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Talisha Karrer
Rolling in the Deep
129 bpm • A# min • 03:32 • -9.48db
15% Popularity • 64% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 64% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kandace Springs
Breakdown
137 bpm • F# min • 03:18 • -10.13db
39% Popularity • 57% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 57% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Chloe Le Page
Highway to Hell
129 bpm • D Maj • 02:50 • -6.14db
12% Popularity • 69% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Law
Tainted Love - Acoustic
137 bpm • C Maj • 02:40 • -13.45db
47% Popularity • 71% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 71% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Carol Kay
Tiny Dancer
130 bpm • C Maj • 02:51 • -13db
36% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Meg Birch
Have a Nice Day
129 bpm • E Maj • 03:48 • -12.14db
12% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Northern Lights Quintet
Blinding Lights
138 bpm • F# Maj • 03:48 • -13.63db
53% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Olivia Keast
The Girl from Ipanema
129 bpm • F Maj • 05:41 • -9.7db
24% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Blue Versions
Creep
138 bpm • A# Maj • 03:38 • -15.13db
51% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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White Noon
Take on Me - Acoustic Lounge
138 bpm • A Maj • 04:10 • -9.23db
18% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Farell
Mood - Bossa Nova
138 bpm • C# Maj • 02:58 • -9.47db
45% Popularity • 76% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 76% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Meg Birch
Sweet Dreams
129 bpm • C min • 02:52 • -8.93db
14% Popularity • 63% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 63% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Brazilian Jazz Cuts
Ebony and Ivory
138 bpm • E Maj • 03:39 • -16db
45% Popularity • 84% Danceability • 45% Energy • 10% Liveness
10% Instrumentalness • 84% Positiveness
45% Popularity • 84% Danceability • 45% Energy • 10% Liveness
10% Instrumentalness • 84% Positiveness
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The Molsbees
Sea of Love
138 bpm • G Maj • 03:42 • -16db
45% Popularity • 75% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 51% Positiveness
45% Popularity • 75% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 51% Positiveness
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Groove Messengers
Dreams
128 bpm • D Maj • 04:08 • -14.51db
36% Popularity • 57% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
36% Popularity • 57% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Thom Cooper
Cake by the Ocean
128 bpm • A# min • 03:01 • -10db
15% Popularity • 84% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 84% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Juliana Aquino
Stayin' alive
128 bpm • A min • 04:36 • -11db
48% Popularity • 72% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Meg Birch
Rolling in the Deep
129 bpm • A# min • 03:35 • -10.63db
20% Popularity • 67% Danceability • 43% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 67% Danceability • 43% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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Landa
Don't You Want Me
128 bpm • C Maj • 03:15 • -9.15db
3% Popularity • 65% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 65% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Corcovado Frequency
Forget You
127 bpm • G Maj • 04:06 • -9db
25% Popularity • 79% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 79% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Olivia Keast
Night and Day
128 bpm • C Maj • 04:01 • -8.79db
9% Popularity • 65% Danceability • 39% Energy • 46% Liveness
2% Instrumentalness • 41% Positiveness
9% Popularity • 65% Danceability • 39% Energy • 46% Liveness
2% Instrumentalness • 41% Positiveness
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Rio Bossa Trio
Crazy in Love
139 bpm • F Maj • 03:38 • -10.18db
48% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 75% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Petra Vlková & Band
Twist and Shout
139 bpm • C Maj • 03:31 • -7.77db
22% Popularity • 67% Danceability • 66% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
22% Popularity • 67% Danceability • 66% Energy • 30% Liveness
1% Instrumentalness • 80% Positiveness
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Meg Birch
Summer of '69
127 bpm • D Maj • 04:26 • -8.66db
10% Popularity • 78% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 78% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Georgeana Bonow
I Can See Clearly Now - Bossa Version
127 bpm • C Maj • 02:48 • -13db
29% Popularity • 85% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 85% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Mack Myles
Easy - Acoustic
139 bpm • G# Maj • 03:03 • -12db
46% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 62% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Junity
Imagine
139 bpm • D# Maj • 03:35 • -17db
51% Popularity • 49% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 49% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Thom Cooper
Use Somebody
140 bpm • A# Maj • 03:46 • -10.66db
9% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Carol Kay
Ain't No Sunshine
140 bpm • B min • 02:10 • -13db
37% Popularity • 48% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 48% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Meg Birch
Heaven
140 bpm • C Maj • 02:56 • -10.91db
26% Popularity • 64% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 64% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Luchia
Sorry Seems to Be the Hardest Word
140 bpm • G min • 03:40 • -12.46db
11% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Custom 7
I Deserve So Much More (Than You Give)
140 bpm • A min • 05:19 • -13.9db
1% Popularity • 57% Danceability • 35% Energy • 14% Liveness
32% Instrumentalness • 21% Positiveness
1% Popularity • 57% Danceability • 35% Energy • 14% Liveness
32% Instrumentalness • 21% Positiveness
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Marcelo Rezende
Mrs. Robinson (Bossa version)
140 bpm • D Maj • 04:35 • -14.48db
51% Popularity • 76% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 76% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Roses & Frey
Dance Monkey - Bossa Nova Remix
140 bpm • C min • 03:18 • -15.22db
42% Popularity • 63% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 63% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Harrison Craig
My Eyes Adored You
140 bpm • C Maj • 03:53 • -6.81db
34% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Meg Birch
True Colors
140 bpm • G Maj • 03:05 • -10.02db
8% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 54% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Chloe Le Page
Sweet Child o' Mine
126 bpm • G Maj • 03:10 • -7.46db
26% Popularity • 63% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 63% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Softband
Roxanne
126 bpm • E min • 03:29 • -12.8db
16% Popularity • 74% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 74% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Deborah Dixon
She Loves You
140 bpm • D Maj • 02:13 • -10.93db
28% Popularity • 51% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 51% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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World Mestizo Ensemble
Roxanne
126 bpm • E min • 03:27 • -6db
17% Popularity • 74% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 74% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Landa
Your Song
126 bpm • D Maj • 04:35 • -10.41db
17% Popularity • 50% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 50% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Meg Birch
Lately
140 bpm • C# Maj • 04:31 • -14.48db
14% Popularity • 40% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 40% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Calore Amore
Somebody That I Used to Know
126 bpm • C Maj • 04:14 • -11.82db
54% Popularity • 79% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 79% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Geneviève Leclerc
What's up
125 bpm • E min • 03:27 • -7.34db
40% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 45% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Eduardo Braga
You Are the Sunshine of My Life
126 bpm • A Maj • 03:37 • -13.71db
49% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Adam Dunning
The Girl Is Mine - Bossa Version
141 bpm • C Maj • 04:44 • -14.56db
21% Popularity • 73% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 73% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Orleya
Baby, I Love Your Way
125 bpm • G Maj • 04:43 • -10.3db
20% Popularity • 27% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 27% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Shannon & Keast
Forget You
125 bpm • A min • 03:28 • -10.42db
17% Popularity • 87% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 87% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Ginnie
I Want You Back
141 bpm • G Maj • 03:18 • -8.61db
20% Popularity • 52% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 52% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Ivy Grove
Copycat
125 bpm • E min • 03:33 • -9.3db
0% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Rachelle Spring
I Feel for You
125 bpm • A Maj • 03:47 • -7.79db
24% Popularity • 85% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 85% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Claudia Rezende
Kiss From a Rose - Bossa Version
125 bpm • A# min • 03:46 • -13db
33% Popularity • 78% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
33% Popularity • 78% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Barbara Mendes
Dancing in the Moonlight - Bossa Version
125 bpm • F min • 03:13 • -8.46db
26% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Lisa Östergren
Cold Heart
125 bpm • A min • 03:15 • -16.74db
40% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 72% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Lúc
All Shook Up
142 bpm • D Maj • 01:44 • -9db
37% Popularity • 62% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Shannon & Keast
Dream a Little Dream of Me
125 bpm • E Maj • 02:03 • -11db
23% Popularity • 71% Danceability • 23% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 71% Danceability • 23% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Plamina
Don't Dream It's Over - Acoustic
142 bpm • D# Maj • 03:17 • -9.95db
52% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Talisha Karrer
Locked out of Heaven
142 bpm • F Maj • 03:52 • -7.74db
12% Popularity • 62% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 62% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
