Songs like Waldorf Blues - Master Take by Lester Young
Based on a tempo of (+/- 10%) and a similar genre
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Clifford Jordan
Bo-Fill - Rudy Van Gelder 24Bit Masterin...
88 bpm • A# Maj • 05:56 • -11db
38% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Cannonball Adderley Quintet
You're A Weaver Of Dreams
88 bpm • C min • 05:34 • -14db
37% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Thelonious Monk Septet
Well You Needn't - Opening
88 bpm • F min • 01:26 • -20db
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 50% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Lovano
Stella By Starlight
88 bpm • C min • 05:47 • -17db
43% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
43% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Illinois Jacquet
Star Dust
87 bpm • C# Maj • 03:44 • -12.76db
15% Popularity • 49% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 27% Positiveness
15% Popularity • 49% Danceability • 11% Energy • 10% Liveness
64% Instrumentalness • 27% Positiveness
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Lester Young
Pennies From Heaven
89 bpm • G min • 05:17 • -14.19db
15% Popularity • 72% Danceability • 24% Energy • 12% Liveness
48% Instrumentalness • 68% Positiveness
15% Popularity • 72% Danceability • 24% Energy • 12% Liveness
48% Instrumentalness • 68% Positiveness
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Sonny Clark
All Of You
89 bpm • F min • 03:53 • -15.28db
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
38% Popularity • 63% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 59% Positiveness
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Bud Shank
Just In Time
89 bpm • C min • 03:45 • -12.34db
35% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
35% Popularity • 60% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 55% Positiveness
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Red Garland Trio
Little Girl Blue - Instrumental
89 bpm • D# Maj • 05:04 • -19.08db
29% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
29% Popularity • 55% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Thelonious Monk Septet
Epistrophy - Fragment
87 bpm • G# Maj • 01:46 • -12.05db
37% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Charlie Parker And His Orchestra
Why Do I Love You - Alternate Take 6
90 bpm • C min • 02:59 • -14db
30% Popularity • 54% Danceability • 36% Energy • 13% Liveness
71% Instrumentalness • 68% Positiveness
30% Popularity • 54% Danceability • 36% Energy • 13% Liveness
71% Instrumentalness • 68% Positiveness
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Lester Young
Prisoner Of Love
86 bpm • C min • 07:40 • -16db
30% Popularity • 49% Danceability • 17% Energy • 12% Liveness
76% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 17% Energy • 12% Liveness
76% Instrumentalness • 49% Positiveness
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The Paul Desmond Quintet
Garden In The Rain
86 bpm • G# Maj • 02:48 • -17.08db
16% Popularity • 55% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 37% Positiveness
16% Popularity • 55% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 37% Positiveness
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Otis Williams
I'm Waiting Just For You
90 bpm • D# Maj • 03:49 • -12.01db
20% Popularity • 66% Danceability • 29% Energy • 21% Liveness
1% Instrumentalness • 71% Positiveness
20% Popularity • 66% Danceability • 29% Energy • 21% Liveness
1% Instrumentalness • 71% Positiveness
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Dexter Gordon
Darn That Dream - Remastered 2015
85 bpm • G Maj • 07:31 • -22db
40% Popularity • 43% Danceability • 3% Energy • 13% Liveness
26% Instrumentalness • 27% Positiveness
40% Popularity • 43% Danceability • 3% Energy • 13% Liveness
26% Instrumentalness • 27% Positiveness
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Joe Henderson
Recorda Me
91 bpm • C Maj • 06:01 • -10.18db
38% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
38% Popularity • 65% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 62% Positiveness
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Billy Strayhorn
Take The "A" Train
91 bpm • C Maj • 03:16 • -19db
27% Popularity • 46% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
27% Popularity • 46% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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John Coltrane Quartet
Bessie's Blues
91 bpm • F min • 03:35 • -10db
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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McCoy Tyner
Groove Waltz
91 bpm • F Maj • 05:31 • -17db
32% Popularity • 48% Danceability • 30% Energy • 8% Liveness
66% Instrumentalness • 47% Positiveness
32% Popularity • 48% Danceability • 30% Energy • 8% Liveness
66% Instrumentalness • 47% Positiveness
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The Ben Webster Quintet
Time On My Hands
85 bpm • D Maj • 04:19 • -20.78db
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 22% Positiveness
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Coleman Hawkins Quartet
Quintessence
85 bpm • F Maj • 04:44 • -16db
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
49% Popularity • 44% Danceability • 13% Energy • 9% Liveness
5% Instrumentalness • 13% Positiveness
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Dexter Gordon
I'm A Fool To Want You
91 bpm • F min • 06:42 • -16db
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
41% Popularity • 47% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 29% Positiveness
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Freddie Hubbard
Body And Soul
91 bpm • C# Maj • 06:29 • -17.48db
29% Popularity • 41% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 41% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Johnny Hartman
Stairway To The Stars
84 bpm • A# Maj • 03:05 • -23.95db
38% Popularity • 39% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
38% Popularity • 39% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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John Coltrane Quartet
All Or Nothing At All
92 bpm • G Maj • 03:35 • -11.89db
38% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Coleman Hawkins
Wrapped Tight
92 bpm • F Maj • 03:28 • -17db
36% Popularity • 66% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 66% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Hank Mobley
Little Girl Blue
92 bpm • G# Maj • 08:43 • -20db
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Fats Navarro
John's Delight
84 bpm • F Maj • 02:58 • -13.57db
35% Popularity • 55% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 57% Positiveness
35% Popularity • 55% Danceability • 30% Energy • 9% Liveness
77% Instrumentalness • 57% Positiveness
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Art Blakey & The Jazz Messengers
Quick Trick
83 bpm • D Maj • 04:43 • -18.39db
42% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Lennie Tristano
Inflight
93 bpm • F min • 02:05 • -17db
51% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
51% Popularity • 52% Danceability • 10% Energy • 12% Liveness
79% Instrumentalness • 54% Positiveness
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Thad Jones
I've Got A Crush On You
83 bpm • A# Maj • 07:36 • -10.91db
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Coleman Hawkins
Cocktails For Two
84 bpm • C Maj • 02:39 • -14.43db
45% Popularity • 59% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
45% Popularity • 59% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 40% Positiveness
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Johnny Hodges
Warm Valley
93 bpm • F Maj • 03:20 • -12db
45% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
45% Popularity • 29% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 16% Positiveness
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Lester Young
There Will Never Be Another You
83 bpm • C min • 03:25 • -17.94db
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
60% Popularity • 59% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 34% Positiveness
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Wayne Shorter
Black Orpheus
83 bpm • F min • 04:35 • -15db
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
32% Popularity • 41% Danceability • 36% Energy • 23% Liveness
3% Instrumentalness • 46% Positiveness
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The Ben Webster Quintet
Makin' Whoopee
93 bpm • G# Maj • 04:31 • -19.13db
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
43% Popularity • 53% Danceability • 6% Energy • 12% Liveness
12% Instrumentalness • 36% Positiveness
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Sonny Clark
Melody For C
83 bpm • C Maj • 07:45 • -13db
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 63% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Coleman Hawkins
Sweet Loraine
93 bpm • A min • 04:22 • -8.98db
23% Popularity • 53% Danceability • 38% Energy • 19% Liveness
91% Instrumentalness • 79% Positiveness
23% Popularity • 53% Danceability • 38% Energy • 19% Liveness
91% Instrumentalness • 79% Positiveness
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Jackie McLean
Yams
83 bpm • C min • 08:00 • -11.91db
46% Popularity • 57% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
46% Popularity • 57% Danceability • 29% Energy • 11% Liveness
18% Instrumentalness • 23% Positiveness
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Lester Young
Thou Swell
93 bpm • C min • 02:54 • -18.99db
27% Popularity • 60% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 72% Positiveness
27% Popularity • 60% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 72% Positiveness
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Billy Taylor
Solace
83 bpm • G# Maj • 02:35 • -19db
42% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
42% Popularity • 58% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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The Ben Webster Quintet
Where Are You?
83 bpm • G# min • 04:43 • -21.06db
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
28% Popularity • 44% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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Red Garland
Almost Like Being In Love
94 bpm • C min • 04:50 • -12.6db
56% Popularity • 56% Danceability • 35% Energy • 10% Liveness
40% Instrumentalness • 70% Positiveness
56% Popularity • 56% Danceability • 35% Energy • 10% Liveness
40% Instrumentalness • 70% Positiveness
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Curtis Fuller Quintet
Love, Your Spell Is Everywhere
83 bpm • F min • 07:09 • -22.02db
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
27% Popularity • 58% Danceability • 14% Energy • 10% Liveness
53% Instrumentalness • 51% Positiveness
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John Coltrane Quartet
All Or Nothing At All - Take 2
94 bpm • G Maj • 03:41 • -14.02db
36% Popularity • 54% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 54% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Lester Young
Tea For Two - Remastered 1995
83 bpm • G# Maj • 04:48 • -17.21db
13% Popularity • 56% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
13% Popularity • 56% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Bud Powell Trio
Off Minor - 1990 Remaster
94 bpm • D# Maj • 02:23 • -17db
43% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
43% Popularity • 53% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 53% Positiveness
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Sonny Clark
Somebody Loves Me
82 bpm • D min • 04:15 • -14db
32% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 64% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Anita O'Day
Beautiful Love
83 bpm • F min • 02:40 • -17.68db
47% Popularity • 65% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 65% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Miles Davis Quintet
It Could Happen To You
94 bpm • F min • 06:36 • -11db
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 62% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 63% Positiveness
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Red Garland Trio
Rain
94 bpm • G# Maj • 04:14 • -13.33db
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
39% Popularity • 59% Danceability • 38% Energy • 14% Liveness
55% Instrumentalness • 62% Positiveness
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Joe Henderson
Blue Bossa - Remastered
82 bpm • F min • 08:02 • -11.7db
49% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
49% Popularity • 53% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Chet Baker Quartet
But Not for Me (Instrumental)
82 bpm • F min • 03:05 • -11.85db
34% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
34% Popularity • 62% Danceability • 21% Energy • 10% Liveness
29% Instrumentalness • 70% Positiveness
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Coleman Hawkins
Body and Soul
95 bpm • A# min • 03:02 • -16.76db
53% Popularity • 66% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 74% Positiveness
53% Popularity • 66% Danceability • 11% Energy • 18% Liveness
88% Instrumentalness • 74% Positiveness
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Lennie Tristano
All the Things You Are
95 bpm • G# Maj • 06:11 • -15.68db
19% Popularity • 56% Danceability • 32% Energy • 72% Liveness
1% Instrumentalness • 73% Positiveness
19% Popularity • 56% Danceability • 32% Energy • 72% Liveness
1% Instrumentalness • 73% Positiveness
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Duke Jordan
Two Lovers
95 bpm • C Maj • 03:07 • -21.54db
35% Popularity • 51% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Lester Young
This Years Kisses
95 bpm • D# Maj • 06:44 • -12.34db
36% Popularity • 68% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 37% Positiveness
36% Popularity • 68% Danceability • 18% Energy • 14% Liveness
23% Instrumentalness • 37% Positiveness
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Joe Henderson
Tetragon
95 bpm • C Maj • 05:39 • -13.3db
39% Popularity • 41% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 50% Positiveness
39% Popularity • 41% Danceability • 43% Energy • 24% Liveness
1% Instrumentalness • 50% Positiveness
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Elvin Jones
Anthropology
95 bpm • G# Maj • 04:11 • -20.19db
28% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 67% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Hank Mobley
My Sin - Remastered 2000/Rudy Van Gelder...
95 bpm • G# min • 06:53 • -17.37db
41% Popularity • 50% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 8% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Benny Golson
Thursday's Theme
81 bpm • C Maj • 07:38 • -22.11db
33% Popularity • 48% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
33% Popularity • 48% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Sonny Clark
Dancing In The Dark
96 bpm • D# Maj • 03:29 • -14db
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 58% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Lester Young
Tenderly
81 bpm • G min • 03:29 • -10.64db
5% Popularity • 58% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 58% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Bobby Timmons Trio
They Didn't Believe Me
96 bpm • G# Maj • 06:47 • -25.93db
31% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
31% Popularity • 52% Danceability • 12% Energy • 12% Liveness
80% Instrumentalness • 35% Positiveness
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Lennie Tristano
Ghost of a Chance
81 bpm • C Maj • 06:05 • -24.63db
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
36% Popularity • 51% Danceability • 4% Energy • 69% Liveness
79% Instrumentalness • 30% Positiveness
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Stan Getz
A Nightingale Sang In Berkeley Square
96 bpm • C# Maj • 06:59 • -24.86db
57% Popularity • 42% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 26% Positiveness
57% Popularity • 42% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 26% Positiveness
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Chet Baker Quartet
Maid In Mexico
96 bpm • D# Maj • 02:56 • -11.48db
39% Popularity • 58% Danceability • 28% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
39% Popularity • 58% Danceability • 28% Energy • 17% Liveness
82% Instrumentalness • 85% Positiveness
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Charlie Parker Quartet
Chi Chi
96 bpm • G# Maj • 03:02 • -10db
45% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 48% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Lester Young
I Want A Little Girl (Take 1)
95 bpm • F Maj • 02:54 • -16.24db
19% Popularity • 71% Danceability • 3% Energy • 15% Liveness
38% Instrumentalness • 64% Positiveness
19% Popularity • 71% Danceability • 3% Energy • 15% Liveness
38% Instrumentalness • 64% Positiveness
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Miles Davis Quintet
Trane's Blues
81 bpm • C min • 08:32 • -10.21db
35% Popularity • 55% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 55% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sonny Clark
Deep In A Dream
96 bpm • F Maj • 06:42 • -18.68db
44% Popularity • 45% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
44% Popularity • 45% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Cliff Jordan
Sophisticated Lady
96 bpm • G# Maj • 06:46 • -16db
35% Popularity • 59% Danceability • 9% Energy • 22% Liveness
85% Instrumentalness • 25% Positiveness
35% Popularity • 59% Danceability • 9% Energy • 22% Liveness
85% Instrumentalness • 25% Positiveness
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Hank Mobley
The More I See You - Rudy Van Gelder Edi...
80 bpm • G# Maj • 06:47 • -13.21db
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 66% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Bud Powell Trio
Embraceable You - 1990 Remaster
97 bpm • D min • 02:51 • -22db
35% Popularity • 56% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
35% Popularity • 56% Danceability • 2% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Sonny Rollins Quartet
My Reverie
97 bpm • C Maj • 06:05 • -14db
30% Popularity • 55% Danceability • 15% Energy • 21% Liveness
29% Instrumentalness • 38% Positiveness
30% Popularity • 55% Danceability • 15% Energy • 21% Liveness
29% Instrumentalness • 38% Positiveness
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Donald Byrd
I'm A Fool To Want You - 2006 Digital Re...
97 bpm • F min • 06:12 • -14.12db
48% Popularity • 39% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
48% Popularity • 39% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Charlie Parker Quartet
Laird Baird
80 bpm • C min • 02:46 • -13db
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
56% Popularity • 55% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 56% Positiveness
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Red Garland Trio
Makin' Whoopee - Instrumental
97 bpm • D min • 04:12 • -17.76db
33% Popularity • 63% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
33% Popularity • 63% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Thad Jones
Tariff - Rudy Van Gelder Edition/2006 Di...
97 bpm • G# Maj • 05:30 • -7.36db
34% Popularity • 64% Danceability • 46% Energy • 8% Liveness
7% Instrumentalness • 59% Positiveness
34% Popularity • 64% Danceability • 46% Energy • 8% Liveness
7% Instrumentalness • 59% Positiveness
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Coleman Hawkins
You'd Be So Nice To Come Home To
80 bpm • A min • 04:15 • -14db
48% Popularity • 66% Danceability • 24% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
48% Popularity • 66% Danceability • 24% Energy • 18% Liveness
38% Instrumentalness • 50% Positiveness
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Ben Webster
That's All
80 bpm • G min • 03:47 • -13db
46% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Coleman Hawkins Quartet
Don't Sit Under The Apple Tree
80 bpm • F Maj • 04:29 • -12.4db
36% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
36% Popularity • 59% Danceability • 34% Energy • 14% Liveness
18% Instrumentalness • 62% Positiveness
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Dave Brubeck Trio
Let's Fall In Love
97 bpm • C Maj • 02:41 • -19db
44% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Freddie Hubbard
The Things We Did Last Summer
79 bpm • F Maj • 07:19 • -20db
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
44% Popularity • 31% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 16% Positiveness
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Hank Mobley
Deep In A Dream
98 bpm • A# Maj • 05:58 • -16.71db
35% Popularity • 44% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 41% Positiveness
35% Popularity • 44% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 41% Positiveness
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Tommy Flanagan Trio
In A Sentimental Mood
79 bpm • D min • 06:39 • -20.51db
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 54% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Wes Montgomery Trio
Ecaroh
98 bpm • C Maj • 02:56 • -19.55db
46% Popularity • 42% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 42% Danceability • 19% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Jackie McLean
Greasy
79 bpm • D# Maj • 07:25 • -14.2db
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 62% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Golson
My Romance
98 bpm • A# Maj • 07:27 • -23.08db
36% Popularity • 46% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
36% Popularity • 46% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 31% Positiveness
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Stanley Turrentine
Journey Into The Melody
98 bpm • F Maj • 04:58 • -21db
38% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 17% Liveness
26% Instrumentalness • 19% Positiveness
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Red Garland Trio
September In The Rain - Instrumental
98 bpm • D# Maj • 04:45 • -16db
29% Popularity • 66% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 66% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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John Coltrane
I'm Old Fashioned - Remastered 2003/Rudy...
78 bpm • D# Maj • 07:57 • -10.48db
46% Popularity • 39% Danceability • 23% Energy • 7% Liveness
50% Instrumentalness • 36% Positiveness
46% Popularity • 39% Danceability • 23% Energy • 7% Liveness
50% Instrumentalness • 36% Positiveness
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Lester Young
They Can't Take That Away From Me
78 bpm • A min • 06:00 • -15.12db
19% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 60% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Oscar Peterson Trio
Georgia On My Mind
99 bpm • G# Maj • 03:43 • -24.02db
54% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
54% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Freddie Hubbard
Up Jumped Spring
78 bpm • G min • 06:41 • -22db
28% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
28% Popularity • 51% Danceability • 15% Energy • 18% Liveness
34% Instrumentalness • 55% Positiveness
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John Coltrane Quartet
Soul Eyes
78 bpm • F min • 05:23 • -11.86db
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 9% Liveness
17% Instrumentalness • 20% Positiveness
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Miles Davis Quintet
Four
99 bpm • C min • 07:13 • -7.11db
44% Popularity • 48% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 48% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Stanley Turrentine
Dorene Don't Cry, I - Remastered
78 bpm • A# Maj • 06:14 • -11db
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness
42% Popularity • 36% Danceability • 14% Energy • 24% Liveness
29% Instrumentalness • 14% Positiveness