Songs like Walk On The Wild Side by Lou Reed
Based on a tempo of (+/- 10%) and a similar genre
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The Who
My Generation - Shel Talmy Stereo Versio...
95 bpm • C min • 03:21 • -5.7db
31% Popularity • 44% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 44% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Maria McKee
If Love Is A Red Dress (Hang Me In Rags)...
95 bpm • D Maj • 04:57 • -9.61db
40% Popularity • 32% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 32% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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R.E.M.
Discoverer
95 bpm • E Maj • 03:31 • -4.21db
27% Popularity • 24% Danceability • 93% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 24% Danceability • 93% Energy • 55% Liveness
0% Instrumentalness • 37% Positiveness
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Lou Reed
Walk On The Wild Side
95 bpm • F Maj • 04:52 • -17.53db
28% Popularity • 57% Danceability • 45% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 57% Danceability • 45% Energy • 71% Liveness
0% Instrumentalness • 50% Positiveness
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Antony and the Johnsons
Thank You For Your Love
95 bpm • D# Maj • 04:14 • -8.95db
26% Popularity • 46% Danceability • 44% Energy • 7% Liveness
29% Instrumentalness • 19% Positiveness
26% Popularity • 46% Danceability • 44% Energy • 7% Liveness
29% Instrumentalness • 19% Positiveness
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Tom Waits
(Looking For) The Heart Of Saturday Nigh...
94 bpm • D Maj • 03:53 • -12.67db
46% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 63% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Leonard Cohen
I'm Your Man
94 bpm • B min • 04:25 • -16db
56% Popularity • 71% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 71% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Elvis Costello
Don't Let Me Be Misunderstood
94 bpm • B min • 03:21 • -9.27db
41% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 68% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Verlaine
Postcard From Waterloo
96 bpm • A Maj • 03:33 • -5.83db
14% Popularity • 60% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 60% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Lou Reed
Satellite of Love - Live at the Bottom L...
94 bpm • G Maj • 07:07 • -7.73db
11% Popularity • 41% Danceability • 69% Energy • 91% Liveness
3% Instrumentalness • 42% Positiveness
11% Popularity • 41% Danceability • 69% Energy • 91% Liveness
3% Instrumentalness • 42% Positiveness
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Bob Geldof
Dazzled By You
94 bpm • G Maj • 02:41 • -5.92db
11% Popularity • 50% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 50% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Love
Maybe the People Would Be the Times or B...
94 bpm • A min • 03:41 • -10.19db
8% Popularity • 66% Danceability • 73% Energy • 36% Liveness
2% Instrumentalness • 90% Positiveness
8% Popularity • 66% Danceability • 73% Energy • 36% Liveness
2% Instrumentalness • 90% Positiveness
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Leonard Cohen
Different Sides
94 bpm • B Maj • 04:05 • -13.26db
29% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Moby
Find My Baby
94 bpm • G Maj • 03:59 • -6.82db
49% Popularity • 66% Danceability • 73% Energy • 24% Liveness
8% Instrumentalness • 58% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 24% Liveness
8% Instrumentalness • 58% Positiveness
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Eels
Love Of The Loveless
96 bpm • F Maj • 03:31 • -7.12db
40% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
40% Popularity • 78% Danceability • 48% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
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The Stranglers
Golden Brown
94 bpm • F# Maj • 03:26 • -15.47db
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
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The Boomtown Rats
Banana Republic
94 bpm • C Maj • 05:03 • -6.73db
33% Popularity • 53% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 53% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Yusuf / Cat Stevens
The First Cut Is The Deepest - Stereo Ve...
96 bpm • G Maj • 03:00 • -7db
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 59% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Dire Straits
Love Over Gold
96 bpm • F Maj • 06:15 • -14.06db
51% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
51% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
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Jethro Tull
A Song for Jeffrey - Mono
93 bpm • C Maj • 03:24 • -14.48db
43% Popularity • 52% Danceability • 52% Energy • 9% Liveness
34% Instrumentalness • 86% Positiveness
43% Popularity • 52% Danceability • 52% Energy • 9% Liveness
34% Instrumentalness • 86% Positiveness
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Janis Joplin
Me and Bobby McGee
93 bpm • D Maj • 04:31 • -10.96db
69% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
69% Popularity • 43% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Edwyn Collins
You'll Never Know (My Love)
94 bpm • C Maj • 03:37 • -9.91db
13% Popularity • 73% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 73% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Lou Reed
Walk on the Wild Side - Live in New York...
93 bpm • C Maj • 05:55 • -7.38db
20% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Cave
I'm Your Man - Live
97 bpm • B min • 04:31 • -7.84db
33% Popularity • 47% Danceability • 57% Energy • 78% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 47% Danceability • 57% Energy • 78% Liveness
0% Instrumentalness • 57% Positiveness
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Them
Baby Please Don't Go
93 bpm • A Maj • 04:50 • -11.32db
28% Popularity • 26% Danceability • 89% Energy • 11% Liveness
5% Instrumentalness • 39% Positiveness
28% Popularity • 26% Danceability • 89% Energy • 11% Liveness
5% Instrumentalness • 39% Positiveness
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Ian Dury
Clevor Trever
93 bpm • A Maj • 04:55 • -13.24db
34% Popularity • 83% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 83% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Heaven is Shining
Riot in Cell Block Number Nine
97 bpm • F Maj • 03:12 • -8db
28% Popularity • 73% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 73% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Clash
Rudie Can't Fail - Remastered
97 bpm • F# min • 03:28 • -9db
51% Popularity • 64% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 64% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Lou Reed
Make Up
97 bpm • A# Maj • 02:58 • -13.49db
41% Popularity • 74% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 74% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Gorillaz
Some Kind of Nature
97 bpm • A# Maj • 02:59 • -5.09db
53% Popularity • 77% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
53% Popularity • 77% Danceability • 75% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Dire Straits
The Man's Too Strong
98 bpm • G Maj • 04:38 • -10db
47% Popularity • 61% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 61% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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RodrÃguez
A Most Disgusting Song
97 bpm • E Maj • 04:49 • -7.64db
38% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Screamin' Jay Hawkins
Heart Attack and Vine - Remastered
98 bpm • A min • 04:27 • -11.81db
30% Popularity • 62% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 62% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Lou Reed
How Do You Think It Feels
97 bpm • C Maj • 03:41 • -6.74db
32% Popularity • 38% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
32% Popularity • 38% Danceability • 66% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
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Fun Lovin' Criminals
We Have All the Time in the World
92 bpm • A Maj • 03:41 • -9db
41% Popularity • 69% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
41% Popularity • 69% Danceability • 59% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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10cc
The Wall Street Shuffle
98 bpm • C Maj • 03:56 • -4.37db
45% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Van Morrison
Goodbye Baby (Baby Goodbye)
99 bpm • E Maj • 02:57 • -9.21db
32% Popularity • 64% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 79% Positiveness
32% Popularity • 64% Danceability • 76% Energy • 18% Liveness
1% Instrumentalness • 79% Positiveness
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RodrÃguez
Sugar Man
98 bpm • F Maj • 03:49 • -6.54db
62% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Lou Reed
NYC Man
98 bpm • C# Maj • 04:56 • -16.26db
23% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Nina Simone
To Love Somebody
91 bpm • A Maj • 02:38 • -10.93db
54% Popularity • 55% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 55% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Dire Straits
Follow Me Home
99 bpm • B min • 05:50 • -18db
46% Popularity • 73% Danceability • 40% Energy • 35% Liveness
60% Instrumentalness • 57% Positiveness
46% Popularity • 73% Danceability • 40% Energy • 35% Liveness
60% Instrumentalness • 57% Positiveness
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Pretenders
Precious
91 bpm • D Maj • 03:36 • -12.16db
10% Popularity • 47% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 47% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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The Paul Butterfield Blues Band
One Night Stand
91 bpm • C Maj • 03:04 • -10.97db
44% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Page
Wah Wah
99 bpm • A min • 03:59 • -13.1db
22% Popularity • 44% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 44% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Lou Reed
Rock and Roll Heart
99 bpm • C Maj • 03:06 • -4.71db
23% Popularity • 53% Danceability • 78% Energy • 50% Liveness
56% Instrumentalness • 95% Positiveness
23% Popularity • 53% Danceability • 78% Energy • 50% Liveness
56% Instrumentalness • 95% Positiveness
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The Police
The Bed's Too Big Without You
91 bpm • B min • 04:25 • -11.27db
53% Popularity • 74% Danceability • 75% Energy • 5% Liveness
19% Instrumentalness • 88% Positiveness
53% Popularity • 74% Danceability • 75% Energy • 5% Liveness
19% Instrumentalness • 88% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:45 • -8.34db
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Leonard Cohen
Darkness
100 bpm • F min • 04:29 • -13.97db
42% Popularity • 64% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
42% Popularity • 64% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 55% Positiveness
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Bob Geldof
The Beat Of The Night
100 bpm • E min • 04:56 • -17.59db
16% Popularity • 78% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
16% Popularity • 78% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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![Love The One You're With [1970 Demo] cover art](https://i.scdn.co/image/ab67616d00001e0286a4347c9f2cbdc9db014d73)
Stephen Stills
Love The One You're With [1970 Demo]
100 bpm • B min • 03:13 • -11.99db
16% Popularity • 51% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 51% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Lou Reed
Sick of You
91 bpm • D Maj • 03:25 • -14.37db
31% Popularity • 66% Danceability • 68% Energy • 11% Liveness
20% Instrumentalness • 66% Positiveness
31% Popularity • 66% Danceability • 68% Energy • 11% Liveness
20% Instrumentalness • 66% Positiveness
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The Doors
The Crystal Ship - Mono; 2017 Remaster
90 bpm • A# Maj • 02:34 • -11.98db
24% Popularity • 49% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 49% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Gabriel
Lovetown - Remastered
90 bpm • C# min • 05:23 • -11.57db
36% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Leonard Cohen
Tower of Song
100 bpm • E Maj • 05:39 • -21db
43% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 80% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Van Morrison
Spanish Rose
90 bpm • G Maj • 03:05 • -11.28db
37% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Primal Scream
Jailbird
101 bpm • D Maj • 03:44 • -5.16db
39% Popularity • 56% Danceability • 82% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
39% Popularity • 56% Danceability • 82% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
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Lou Reed
I Love You
91 bpm • D Maj • 02:18 • -12.03db
35% Popularity • 62% Danceability • 45% Energy • 19% Liveness
14% Instrumentalness • 73% Positiveness
35% Popularity • 62% Danceability • 45% Energy • 19% Liveness
14% Instrumentalness • 73% Positiveness
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Jeff Beck
You Shook Me
90 bpm • E Maj • 02:32 • -12.38db
15% Popularity • 32% Danceability • 58% Energy • 17% Liveness
72% Instrumentalness • 53% Positiveness
15% Popularity • 32% Danceability • 58% Energy • 17% Liveness
72% Instrumentalness • 53% Positiveness
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Syd Barrett
Bob Dylan Blues - 2010 Remaster
89 bpm • C Maj • 03:08 • -11.14db
18% Popularity • 50% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 50% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Waterboys
Old England - 2004 Remaster
101 bpm • C Maj • 05:31 • -10db
32% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 49% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sting
Englishman In New York - Symphonicities ...
102 bpm • B min • 04:23 • -11.67db
39% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Primal Scream
Jailbird - Remastered
101 bpm • D Maj • 03:37 • -4.82db
23% Popularity • 55% Danceability • 92% Energy • 30% Liveness
2% Instrumentalness • 63% Positiveness
23% Popularity • 55% Danceability • 92% Energy • 30% Liveness
2% Instrumentalness • 63% Positiveness
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Lou Reed
Goodnight Ladies
89 bpm • A# Maj • 04:20 • -12.53db
39% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 67% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Supertramp
Ain't Nobody But Me
102 bpm • C# Maj • 05:14 • -8.91db
42% Popularity • 51% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 51% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
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Cream
I Feel Free
88 bpm • A Maj • 02:51 • -14.06db
59% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 38% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Lloyd Cole and the Commotions
Forest Fire - Extended Version
102 bpm • A Maj • 05:12 • -9.03db
35% Popularity • 64% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
35% Popularity • 64% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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The Divine Comedy
Neapolitan Girl
88 bpm • D Maj • 02:49 • -8.31db
22% Popularity • 63% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 63% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Duffy
Rockferry
88 bpm • G Maj • 04:12 • -3.65db
38% Popularity • 42% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 38% Positiveness
38% Popularity • 42% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 38% Positiveness
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Alabama 3
Speed Of The Sound Of Loneliness
88 bpm • G Maj • 04:31 • -7.23db
22% Popularity • 64% Danceability • 74% Energy • 65% Liveness
5% Instrumentalness • 95% Positiveness
22% Popularity • 64% Danceability • 74% Energy • 65% Liveness
5% Instrumentalness • 95% Positiveness
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Richard Thompson
Oops! I Did It Again
103 bpm • A min • 03:36 • -6.73db
25% Popularity • 68% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 68% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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George Baker Selection
Little Green Bag - Single Edit
103 bpm • G Maj • 04:03 • -11db
40% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Doors
Indian Summer - 8/19/66 Vocal
103 bpm • D Maj • 02:36 • -22.34db
18% Popularity • 47% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 47% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Lou Reed
Oh Jim
103 bpm • D Maj • 10:40 • -18.5db
14% Popularity • 48% Danceability • 44% Energy • 40% Liveness
26% Instrumentalness • 36% Positiveness
14% Popularity • 48% Danceability • 44% Energy • 40% Liveness
26% Instrumentalness • 36% Positiveness
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Kevin Ayers
Day by Day - 2009 Remaster
87 bpm • B min • 03:50 • -8.94db
10% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 56% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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R.E.M.
Low
103 bpm • B min • 04:56 • -7.73db
40% Popularity • 55% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
40% Popularity • 55% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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The Stranglers
Nice 'N' Sleazy
104 bpm • B min • 03:14 • -8.44db
40% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 56% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Kula Shaker
Govinda - Radio Mix
87 bpm • G Maj • 03:48 • -6.84db
20% Popularity • 38% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 38% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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John Lennon
Watching The Wheels - Acoustic
87 bpm • D Maj • 03:06 • -10.86db
30% Popularity • 57% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 57% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lloyd Cole and the Commotions
Are You Ready To Be Heartbroken?
104 bpm • G Maj • 03:05 • -16db
42% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Harley & Cockney Rebel
Hideaway - 2012 Remaster
104 bpm • E min • 03:52 • -11db
29% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 50% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Supertramp
Sister Moonshine
104 bpm • D Maj • 05:15 • -7db
44% Popularity • 42% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
44% Popularity • 42% Danceability • 82% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
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The Doors
The End
104 bpm • C Maj • 06:30 • -15.79db
43% Popularity • 30% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 30% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Lou Reed
New York Telephone Conversation
87 bpm • D Maj • 01:34 • -15.45db
39% Popularity • 74% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 74% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Ian Dury
Hit Me with Your Rhythm Stick
104 bpm • F min • 03:43 • -16.36db
49% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Leonard Cohen
Everybody Knows
104 bpm • C# min • 05:34 • -13.83db
54% Popularity • 78% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 78% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Waits
Jersey Girl
86 bpm • D Maj • 05:11 • -14.14db
45% Popularity • 48% Danceability • 33% Energy • 8% Liveness
39% Instrumentalness • 24% Positiveness
45% Popularity • 48% Danceability • 33% Energy • 8% Liveness
39% Instrumentalness • 24% Positiveness
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10cc
Dreadlock Holiday
105 bpm • G min • 05:01 • -10db
44% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Sensational Alex Harvey Band
Boston Tea Party - Remastered 2002
86 bpm • G Maj • 04:36 • -12db
24% Popularity • 45% Danceability • 59% Energy • 44% Liveness
17% Instrumentalness • 40% Positiveness
24% Popularity • 45% Danceability • 59% Energy • 44% Liveness
17% Instrumentalness • 40% Positiveness
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Lou Reed
Walk On the Wild Side
105 bpm • C Maj • 04:14 • -16.73db
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Graham Parker & The Rumour
I'm Gonna Tear Your Playhouse Down
105 bpm • C# Maj • 03:26 • -10.96db
24% Popularity • 67% Danceability • 64% Energy • 9% Liveness
25% Instrumentalness • 93% Positiveness
24% Popularity • 67% Danceability • 64% Energy • 9% Liveness
25% Instrumentalness • 93% Positiveness
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Ian Dury
Sex & Drugs & Rock & Roll
105 bpm • A Maj • 03:06 • -11.27db
48% Popularity • 83% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 83% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Geldof
Silly Pretty Thing
105 bpm • D Maj • 04:02 • -7.93db
16% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Donovan
Mellow Yellow
105 bpm • D Maj • 03:47 • -12.39db
51% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
51% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
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Tom Waits
In The Neighborhood - 2023 Remaster
106 bpm • D# Maj • 03:06 • -21.23db
36% Popularity • 51% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 51% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
