Songs like Walking Away by Chelsea Cutler
Based on a tempo of (+/- 10%) and a similar genre
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The Band CAMINO
2 / 14
97 bpm • A Maj • 02:43 • -7.43db
57% Popularity • 61% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
57% Popularity • 61% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Rosie Darling
Heavy
97 bpm • A# Maj • 02:46 • -8db
53% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Avery Lynch
all i need (the distance song)
97 bpm • G# Maj • 04:04 • -16.58db
48% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 65% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
69% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
55% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Neptune
three sixty five
97 bpm • C# Maj • 02:36 • -19.12db
41% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
41% Popularity • 76% Danceability • 23% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Suriel Hess
late nights and lonely
96 bpm • D Maj • 02:32 • -7db
56% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 44% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lennon Stella
Like Everybody Else - Acoustic
96 bpm • A# min • 03:14 • -15.23db
46% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sam MacPherson
Forget I Exist
96 bpm • G Maj • 02:52 • -9db
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
54% Popularity • 66% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Chelsea Cutler
Strangers Again
96 bpm • D Maj • 03:12 • -7.43db
34% Popularity • 88% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 88% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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LANY
ex i never had
96 bpm • A# Maj • 03:21 • -7.07db
63% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
63% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Julia Michaels
17
98 bpm • E Maj • 03:02 • -6.87db
53% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Valley
Like 1999
98 bpm • G Maj • 02:24 • -7.96db
63% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
63% Popularity • 73% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Sam MacPherson
Solar Flare
96 bpm • E Maj • 03:22 • -12.57db
31% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Chelsea Cutler
you’re all i ever dreamed of
98 bpm • F Maj • 03:27 • -10.49db
43% Popularity • 49% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 49% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
47% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
63% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
63% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Zach Seabaugh
Girl in a Coffee Shop
96 bpm • E Maj • 02:15 • -12.41db
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 67% Danceability • 42% Energy • 74% Liveness
0% Instrumentalness • 28% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Dahl
Can I Kiss You?
99 bpm • D# Maj • 03:27 • -6db
50% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 69% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Chelsea Cutler
Easy
98 bpm • C Maj • 02:50 • -11.1db
45% Popularity • 68% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 68% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
61% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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elijah woods
almost happy
99 bpm • G# Maj • 02:17 • -9.53db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Munn
i pick loneliness
95 bpm • G Maj • 02:37 • -7.17db
49% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Valley
Oh shit…are we in love?
95 bpm • F# Maj • 02:35 • -6.34db
57% Popularity • 70% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 70% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Chelsea Cutler
Walking Away
99 bpm • D Maj • 02:56 • -8.92db
34% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Sam MacPherson
Start
99 bpm • C Maj • 02:44 • -6.93db
40% Popularity • 67% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 67% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Neptune
Shut Up I Love U
99 bpm • C# min • 02:38 • -10db
43% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
43% Popularity • 62% Danceability • 47% Energy • 40% Liveness
6% Instrumentalness • 6% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kelsea Ballerini
I Quit Drinking
95 bpm • C# Maj • 02:51 • -7db
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
70% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Quinn XCII
Let Me Down
95 bpm • A Maj • 02:29 • -5.77db
54% Popularity • 84% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 84% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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New Friends
Purple Candy
95 bpm • D# Maj • 04:15 • -8.92db
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 58% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Harry Hudson
No Good
99 bpm • D Maj • 03:22 • -9db
43% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 75% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Rosie Darling
Justify
95 bpm • D Maj • 03:04 • -8.48db
43% Popularity • 69% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 69% Danceability • 31% Energy • 43% Liveness
0% Instrumentalness • 43% Positiveness
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Patrick Droney
On Your Way Home
94 bpm • G Maj • 02:45 • -9.52db
50% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 45% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Blake Rose
Lost
95 bpm • E Maj • 03:54 • -6.54db
60% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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JP Saxe
Everything Ends
94 bpm • E Maj • 02:13 • -13.66db
49% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Zach Hood
Flashbacks
100 bpm • B Maj • 03:03 • -7.38db
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 55% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ruel
MUST BE NICE
100 bpm • D Maj • 02:55 • -8.61db
51% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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ayokay
The Shine
100 bpm • G# Maj • 03:08 • -6.07db
43% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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LANY
Thick And Thin
100 bpm • F min • 03:32 • -6.18db
69% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 70% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Suriel Hess
Good Thing
100 bpm • D Maj • 02:39 • -6.75db
53% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 77% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Patrick Droney
Brooklyn
100 bpm • B Maj • 03:47 • -8.91db
47% Popularity • 63% Danceability • 59% Energy • 63% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 63% Danceability • 59% Energy • 63% Liveness
1% Instrumentalness • 51% Positiveness
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Ruel
Free Time
100 bpm • B min • 03:38 • -5.78db
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Virginia To Vegas
Just Friends
100 bpm • G Maj • 02:48 • -7.56db
55% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Chelsea Cutler
You Are Losing Me
100 bpm • G Maj • 03:27 • -9db
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Neptune
I Hate Goodbyes
100 bpm • B Maj • 03:09 • -9.92db
41% Popularity • 63% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 63% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Clara Mae
Not Sad Anymore
94 bpm • C# Maj • 03:15 • -7.6db
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 68% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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LANY
dancing in the kitchen
94 bpm • B Maj • 03:28 • -8db
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Lennon Stella
Kissing Other People
94 bpm • D Maj • 02:41 • -5.94db
53% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Chelsea Cutler
I Miss You
94 bpm • A Maj • 04:20 • -8.65db
31% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 67% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Blake Rose
How Do We Stay In Love?
100 bpm • D Maj • 02:39 • -10.81db
41% Popularity • 50% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 50% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Avery Lynch
To Love Someone Else
93 bpm • C# Maj • 03:44 • -11db
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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LANY
you!
94 bpm • A# Maj • 04:34 • -7.53db
61% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
61% Popularity • 50% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Gatlin
What If I Love You
101 bpm • B Maj • 02:38 • -8db
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 74% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Elina
Here With Me
93 bpm • G Maj • 03:16 • -10.42db
48% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 43% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Chelsea Cutler
Crazier Things
93 bpm • D Maj • 05:04 • -13.08db
49% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Rosie Darling
L.A.
93 bpm • E Maj • 03:01 • -8db
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Kays
Picture of You
93 bpm • A Maj • 03:21 • -11.82db
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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LANY
sad
94 bpm • A Maj • 03:19 • -7.77db
48% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
48% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Quinn XCII
Coffee
93 bpm • F min • 03:00 • -5.11db
54% Popularity • 83% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 83% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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vaultboy
i wish u knew
93 bpm • G# Maj • 03:13 • -9.35db
58% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 63% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Warren
One More I Love You
93 bpm • G# Maj • 03:36 • -8.23db
60% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 63% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Rosie Darling
Too Hot For You To Hold
101 bpm • A# Maj • 01:57 • -10db
57% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Peter Fenn
Here for You
102 bpm • E Maj • 02:47 • -10db
42% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 64% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Chelsea Cutler
Love You More
102 bpm • G Maj • 03:35 • -5.79db
31% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 68% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Quinn XCII
Pasadena
93 bpm • E Maj • 03:08 • -6.22db
66% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
66% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Jeremy Zucker
you were good to me
102 bpm • D Maj • 03:39 • -15.1db
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 56% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Chance Peña
Hey Lovely
92 bpm • D Maj • 03:43 • -8.89db
52% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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The Band CAMINO
See Through
92 bpm • D Maj • 03:01 • -5.12db
58% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 58% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Christian French
i think too much
92 bpm • G min • 03:22 • -7.86db
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Munn
Loved Us More
92 bpm • G Maj • 03:00 • -11db
59% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Quinn XCII
Flare Guns
93 bpm • C# min • 04:00 • -6.81db
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 81% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
58% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Haley Joelle
idk
102 bpm • E Maj • 03:30 • -7.83db
38% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
66% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Chelsea Cutler
Too Much I Miss You
91 bpm • D Maj • 03:10 • -10.63db
31% Popularity • 40% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 22% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alec Benjamin
The Book of You & I
103 bpm • A# Maj • 03:27 • -6.24db
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 51% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Suriel Hess
Love Like That (Words from Her)
103 bpm • G Maj • 02:54 • -10.86db
54% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 47% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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LANY
pink skies
104 bpm • F Maj • 03:05 • -6.62db
68% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 72% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Chelsea Cutler
Calling All Angels
91 bpm • G Maj • 03:04 • -9.05db
47% Popularity • 89% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 89% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Ashley Kutcher
Favorite What If
91 bpm • F Maj • 02:52 • -7.31db
42% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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gavn!
hit the dirt
104 bpm • D Maj • 02:18 • -10.21db
61% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 44% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sara Kays
Backseat Rider
104 bpm • D Maj • 03:28 • -9db
46% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 57% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Sadie Jean
Just Because
90 bpm • D# Maj • 02:12 • -7.8db
68% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 54% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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AJ Mitchell
All My Friends
90 bpm • E Maj • 02:52 • -5.29db
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Chelsea Cutler
Red Flags
90 bpm • E Maj • 03:14 • -12.8db
31% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 66% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Clinton Kane
14
105 bpm • D Maj • 02:20 • -6db
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Zachary Knowles
slow summer
90 bpm • F Maj • 02:48 • -8.9db
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Lennon Stella
Save Us
90 bpm • D Maj • 03:01 • -6.41db
48% Popularity • 65% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 73% Positiveness
48% Popularity • 65% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 73% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:29 • -6.18db
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Harry Hudson
Mean To Love
90 bpm • C# Maj • 02:54 • -7db
41% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
