Songs like Walking In L.A. by Missing Persons
Based on a tempo of (+/- 10%) and a similar genre
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
65% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Fine Young Cannibals
Don't Look Back
139 bpm • G Maj • 03:37 • -11db
38% Popularity • 68% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 68% Danceability • 70% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
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The Fixx
Are We Ourselves?
139 bpm • C Maj • 02:27 • -14db
26% Popularity • 64% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 64% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Q-Feel
Dancing in Heaven (Orbital Be-Bop)
139 bpm • C min • 06:38 • -14.67db
37% Popularity • 75% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
37% Popularity • 75% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 87% Positiveness
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Missing Persons
Walking In L.A.
139 bpm • C Maj • 04:00 • -11db
44% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Kim Carnes
Voyeur
140 bpm • D Maj • 03:58 • -6.74db
27% Popularity • 58% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 58% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Bronski Beat
I Feel Love
140 bpm • A min • 06:01 • -11.6db
48% Popularity • 62% Danceability • 72% Energy • 57% Liveness
1% Instrumentalness • 86% Positiveness
48% Popularity • 62% Danceability • 72% Energy • 57% Liveness
1% Instrumentalness • 86% Positiveness
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The Cars
You Are the Girl
138 bpm • G Maj • 03:53 • -10db
43% Popularity • 68% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 68% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 96% Positiveness
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Book Of Love
Book of Love
140 bpm • D# Maj • 04:35 • -13db
26% Popularity • 71% Danceability • 71% Energy • 3% Liveness
42% Instrumentalness • 89% Positiveness
26% Popularity • 71% Danceability • 71% Energy • 3% Liveness
42% Instrumentalness • 89% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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![Walking in L.A. (Re-Recorded) [Bonus Track] cover art](https://i.scdn.co/image/ab67616d00001e027ad0974898f328697044b8db)
Missing Persons
Walking in L.A. (Re-Recorded) [Bonus Tra...
138 bpm • A# Maj • 03:58 • -6.65db
14% Popularity • 80% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 80% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Wang Chung
Don't Let Go
141 bpm • D# min • 04:21 • -13db
33% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Bronski Beat
Why ?
138 bpm • F min • 04:03 • -9db
57% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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The Psychedelic Furs
Heaven
137 bpm • C Maj • 03:27 • -12.58db
46% Popularity • 55% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 55% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Donna Summer
Romeo - 2014 Remaster
141 bpm • E Maj • 03:18 • -7.71db
45% Popularity • 85% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 85% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Fixx
One Thing Leads to Another - Rerecorded
141 bpm • F min • 03:08 • -5.66db
14% Popularity • 77% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 77% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Missing Persons
Flash Of Love
138 bpm • F# min • 04:13 • -4.5db
7% Popularity • 75% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 75% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Haircut 100
Love Plus One
137 bpm • C Maj • 03:32 • -14.51db
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
52% Popularity • 79% Danceability • 52% Energy • 10% Liveness
55% Instrumentalness • 96% Positiveness
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Bronski Beat
Hit That Perfect Beat
140 bpm • C Maj • 03:39 • -12.97db
50% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 70% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Adam Ant
Desperate but Not Serious
137 bpm • A Maj • 04:14 • -4.21db
37% Popularity • 59% Danceability • 91% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
37% Popularity • 59% Danceability • 91% Energy • 16% Liveness
16% Instrumentalness • 80% Positiveness
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Blondie
Atomic
137 bpm • E min • 03:50 • -5db
48% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
48% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
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The Fixx
One Thing Leads To Another - Extended Ve...
137 bpm • F min • 08:00 • -5.83db
21% Popularity • 78% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 78% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Lene Lovich
New Toy
142 bpm • D Maj • 03:18 • -12.31db
27% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 63% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Missing Persons
Boy I Say To You
138 bpm • A min • 04:36 • -4db
6% Popularity • 70% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
6% Popularity • 70% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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The Cars
Tonight She Comes - 2017 Remaster
142 bpm • F Maj • 03:57 • -5.57db
44% Popularity • 63% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 95% Positiveness
44% Popularity • 63% Danceability • 91% Energy • 13% Liveness
2% Instrumentalness • 95% Positiveness
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Donna Summer
She Works Hard For The Money
137 bpm • G# min • 05:20 • -13.01db
60% Popularity • 76% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
60% Popularity • 76% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 98% Positiveness
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Asia
Heat Of The Moment
136 bpm • C# Maj • 03:47 • -7.37db
69% Popularity • 31% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 31% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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The Fixx
One Thing Leads To Another
137 bpm • F min • 03:19 • -5.22db
51% Popularity • 79% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 79% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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China Crisis
Working With Fire And Steel
142 bpm • E Maj • 03:40 • -13.58db
37% Popularity • 66% Danceability • 64% Energy • 6% Liveness
6% Instrumentalness • 95% Positiveness
37% Popularity • 66% Danceability • 64% Energy • 6% Liveness
6% Instrumentalness • 95% Positiveness
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Missing Persons
I Can't Take It Anymore
138 bpm • F Maj • 03:48 • -7.14db
5% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 68% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Fire Inc.
Tonight Is What It Means To Be Young
142 bpm • C Maj • 06:54 • -12.85db
48% Popularity • 50% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 50% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Phil Oakey
Good-Bye Bad Times - 2003 Digital Remast...
142 bpm • A# Maj • 03:46 • -11.27db
27% Popularity • 65% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 65% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 73% Positiveness
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The Psychedelic Furs
Pretty in Pink
136 bpm • D Maj • 03:58 • -5.96db
58% Popularity • 39% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
58% Popularity • 39% Danceability • 92% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
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Robert Palmer
Simply Irresistible
143 bpm • A Maj • 04:14 • -6.96db
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 64% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
76% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
76% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Missing Persons
If Only For The Moment
136 bpm • C Maj • 03:47 • -5.18db
8% Popularity • 64% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
8% Popularity • 64% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
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Talk Talk
Talk Talk - 1997 Remaster
135 bpm • G min • 03:23 • -7.78db
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
49% Popularity • 61% Danceability • 84% Energy • 4% Liveness
6% Instrumentalness • 83% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Josie Cotton
Jimmy Loves Maryann
143 bpm • C# Maj • 03:30 • -9.9db
5% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Men Without Hats
I Like
143 bpm • G# min • 04:12 • -7.15db
26% Popularity • 67% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 67% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Blondie
Atomic
135 bpm • E min • 04:40 • -4.89db
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
61% Popularity • 60% Danceability • 82% Energy • 6% Liveness
13% Instrumentalness • 79% Positiveness
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Billy Idol
Mony Mony - Downtown Mix / Remastered 20...
135 bpm • A# min • 05:01 • -6.29db
60% Popularity • 74% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 74% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Missing Persons
Words
136 bpm • A Maj • 04:27 • -13.45db
45% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The B-52's
Roam
135 bpm • A Maj • 04:55 • -5.55db
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
70% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Pat Benatar
We Live For Love
135 bpm • F# Maj • 03:57 • -12.45db
38% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Blondie
Call Me - Theme From "American Gigolo" /...
143 bpm • D Maj • 08:06 • -7.94db
42% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 59% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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The Cars
Heartbeat City
143 bpm • A min • 04:30 • -14.93db
49% Popularity • 65% Danceability • 56% Energy • 7% Liveness
18% Instrumentalness • 88% Positiveness
49% Popularity • 65% Danceability • 56% Energy • 7% Liveness
18% Instrumentalness • 88% Positiveness
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Missing Persons
Rock And Roll Suspension
135 bpm • A min • 02:36 • -9.41db
15% Popularity • 59% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 59% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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The B-52's
Roam - Edit
135 bpm • A Maj • 04:06 • -9.38db
44% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 61% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Ultravox
Dancing with Tears in My Eyes - 2009 Rem...
144 bpm • A Maj • 04:40 • -9.46db
43% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 59% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Robert Palmer
Looking For Clues
144 bpm • A min • 04:52 • -8.66db
43% Popularity • 84% Danceability • 69% Energy • 9% Liveness
10% Instrumentalness • 95% Positiveness
43% Popularity • 84% Danceability • 69% Energy • 9% Liveness
10% Instrumentalness • 95% Positiveness
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Haircut 100
Favourite Shirts (Boy Meets Girl)
144 bpm • G# min • 03:05 • -14.65db
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
4% Instrumentalness • 91% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
4% Instrumentalness • 91% Positiveness
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Soft Cell
Where Did Our Love Go?
144 bpm • G Maj • 03:13 • -15.04db
50% Popularity • 64% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 64% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Missing Persons
Words
135 bpm • B min • 04:24 • -9.64db
11% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 74% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Oingo Boingo
Just Another Day
134 bpm • A Maj • 05:12 • -11db
51% Popularity • 57% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 57% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Ultravox
Dancing with Tears in My Eyes
144 bpm • A Maj • 04:04 • -8.12db
65% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
65% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
76% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
76% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Styx
Mr. Roboto
144 bpm • C# Maj • 05:28 • -12.09db
60% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 66% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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David Bowie
China Girl - 2002 Remaster
134 bpm • G Maj • 04:17 • -10.09db
51% Popularity • 65% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
51% Popularity • 65% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
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Missing Persons
Face To Face
144 bpm • C min • 03:31 • -5.57db
7% Popularity • 61% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 61% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Cars
You Might Think
134 bpm • D Maj • 03:04 • -6db
65% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
65% Popularity • 73% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
72% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
72% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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The Human League
Mirror Man
134 bpm • C Maj • 03:50 • -11.15db
49% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 63% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Missing Persons
It Ain't None Of Your Business
144 bpm • C# min • 02:57 • -8.73db
26% Popularity • 66% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 66% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Ultravox
Reap the Wild Wind - 2009 Remaster
133 bpm • C# Maj • 03:49 • -9db
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
51% Popularity • 56% Danceability • 73% Energy • 8% Liveness
74% Instrumentalness • 84% Positiveness
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Soft Cell
Tainted Love (Re-Recorded / Remastered)
145 bpm • G min • 02:39 • -7.16db
32% Popularity • 66% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 66% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The B-52's
Love Shack - Edit; 2019 Remaster
133 bpm • F min • 04:22 • -7.3db
54% Popularity • 70% Danceability • 83% Energy • 75% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 70% Danceability • 83% Energy • 75% Liveness
0% Instrumentalness • 87% Positiveness
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The Human League
Open Your Heart - 2002 Mix
133 bpm • C Maj • 03:56 • -6db
42% Popularity • 55% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 55% Danceability • 59% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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The Romantics
One in a Million (2023 Remaster)
133 bpm • A Maj • 03:42 • -5db
39% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 66% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Missing Persons
Incense and Peppermints
134 bpm • B min • 02:53 • -6.2db
14% Popularity • 64% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 64% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Eddie Money
Take Me Home Tonight
133 bpm • C# Maj • 03:31 • -9.91db
69% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
69% Popularity • 61% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Soft Cell
Tainted Love - Re-Recorded
145 bpm • F min • 03:10 • -10.65db
32% Popularity • 77% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 77% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Call
The Walls Came Down
132 bpm • A# Maj • 03:38 • -6.51db
26% Popularity • 61% Danceability • 89% Energy • 65% Liveness
51% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 89% Energy • 65% Liveness
51% Instrumentalness • 72% Positiveness
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The Human League
The Sound Of The Crowd - Remastered 2002
145 bpm • G Maj • 04:06 • -10.15db
44% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Men Without Hats
Pop Goes The World - Re-Record
146 bpm • C Maj • 03:52 • -10.83db
38% Popularity • 66% Danceability • 78% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
38% Popularity • 66% Danceability • 78% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
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Missing Persons
Give
133 bpm • C Maj • 04:53 • -4.31db
17% Popularity • 78% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 78% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Psychedelic Furs
Pretty In Pink
132 bpm • D Maj • 04:39 • -13.3db
21% Popularity • 62% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
21% Popularity • 62% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
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Animotion
I Want You
132 bpm • D Maj • 04:37 • -13db
16% Popularity • 63% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 63% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Iggy Pop
Real Wild Child (Wild One)
146 bpm • E Maj • 03:38 • -11.75db
60% Popularity • 59% Danceability • 85% Energy • 15% Liveness
10% Instrumentalness • 97% Positiveness
60% Popularity • 59% Danceability • 85% Energy • 15% Liveness
10% Instrumentalness • 97% Positiveness
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Men Without Hats
Pop Goes The World
146 bpm • C Maj • 03:41 • -13db
46% Popularity • 71% Danceability • 60% Energy • 23% Liveness
10% Instrumentalness • 91% Positiveness
46% Popularity • 71% Danceability • 60% Energy • 23% Liveness
10% Instrumentalness • 91% Positiveness
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Missing Persons
Windows
132 bpm • F# Maj • 05:02 • -10db
26% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Ant
Vive Le Rock
132 bpm • G Maj • 03:40 • -5.47db
29% Popularity • 53% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 53% Danceability • 93% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Billy Idol
Catch My Fall
131 bpm • G Maj • 03:44 • -5.94db
51% Popularity • 67% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
51% Popularity • 67% Danceability • 78% Energy • 22% Liveness
4% Instrumentalness • 68% Positiveness
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The B-52's
Channel Z
131 bpm • C# Maj • 04:50 • -7.45db
41% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
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Trio
Da Da Da I Don't Love You You Don't Love...
131 bpm • F min • 03:26 • -7.01db
38% Popularity • 82% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 82% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Men Without Hats
Moonbeam
146 bpm • A Maj • 03:38 • -11.76db
23% Popularity • 57% Danceability • 70% Energy • 51% Liveness
7% Instrumentalness • 86% Positiveness
23% Popularity • 57% Danceability • 70% Energy • 51% Liveness
7% Instrumentalness • 86% Positiveness
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Missing Persons
Hello, I Love You
147 bpm • A min • 02:19 • -13.26db
18% Popularity • 65% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 65% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
69% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
69% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Billy Idol
White Wedding - Pt. 1
147 bpm • A Maj • 04:12 • -5.41db
73% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
73% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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The Cars
Let's Go
131 bpm • D Maj • 03:33 • -9db
57% Popularity • 65% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
57% Popularity • 65% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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The Go-Go's
Our Lips Are Sealed - Single Version
131 bpm • G# Maj • 02:47 • -7.1db
62% Popularity • 61% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
62% Popularity • 61% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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The Knack
My Sharona
147 bpm • C Maj • 04:55 • -9.56db
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Missing Persons
Color In Your Life
133 bpm • D Maj • 04:59 • -3.77db
14% Popularity • 58% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 58% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
71% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
