Songs like Walking in the Air by Chanticleer
Based on a tempo of (+/- 10%) and a similar genre
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Benjamin Britten
Advance Democracy
132 bpm • D# Maj • 03:25 • -23.39db
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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BYU Singers
Cloudburst
132 bpm • E min • 08:25 • -24db
14% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Chanticleer
Walking in the Air
132 bpm • D min • 03:34 • -20.95db
10% Popularity • 24% Danceability • 12% Energy • 12% Liveness
4% Instrumentalness • 11% Positiveness
10% Popularity • 24% Danceability • 12% Energy • 12% Liveness
4% Instrumentalness • 11% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Rhiannon Randle
O nata lux
132 bpm • G Maj • 05:38 • -22.66db
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
69% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 9% Liveness
69% Instrumentalness • 3% Positiveness
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Ignacio de Jerúsalem
Jerúsalem : Matins for the Virgin of Gu...
133 bpm • B Maj • 01:11 • -36.55db
2% Popularity • 30% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 30% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Stacey V. Gibbs
Hold On!
131 bpm • F# min • 03:37 • -13.51db
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Alessandro Constantini
Confitemini Domino, IAC 1
133 bpm • A min • 01:34 • -23.32db
22% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Chanticleer
Conte: Charm Me Asleep
131 bpm • B min • 04:32 • -27.32db
0% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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William Byrd
Byrd: "Ave verum corpus"
131 bpm • G min • 03:50 • -20.76db
11% Popularity • 19% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: I. En Une Seule ...
131 bpm • C# Maj • 02:36 • -27db
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 24% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Cantores 'Regina Caeli'
Creator Of The Stars
131 bpm • C Maj • 02:01 • -27.25db
10% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 6% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Adolphus Hailstork
Crucifixion
133 bpm • B min • 05:06 • -16.73db
10% Popularity • 21% Danceability • 22% Energy • 28% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 22% Energy • 28% Liveness
74% Instrumentalness • 4% Positiveness
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Ignacio de Jerúsalem
Jerúsalem : Matins for the Virgin of Gu...
131 bpm • F# Maj • 01:08 • -17.93db
2% Popularity • 48% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
2% Popularity • 48% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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Vince Guaraldi
Guaraldi / Arr Jennings : Christmas Time...
134 bpm • F Maj • 03:11 • -28.24db
5% Popularity • 17% Danceability • 3% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
5% Popularity • 17% Danceability • 3% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
Victoria: Alma Redemptoris Mater
130 bpm • D# Maj • 05:47 • -24db
8% Popularity • 16% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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![Palestrina : Missa pro defunctis [Requiem] : I Introitus - Requiem aeternam cover art](https://i.scdn.co/image/ab67616d00001e0281d28e2f0c3b44ffa625ee5e)
Giovanni Pierluigi da Palestrina
Palestrina : Missa pro defunctis [Requie...
130 bpm • A min • 02:20 • -36db
10% Popularity • 18% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 5% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
25% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Missa Mater Patris: Kyrie
130 bpm • D Maj • 03:30 • -23.02db
4% Popularity • 18% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
4% Popularity • 18% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Vytautas Miškinis
Angelis suis Deus
134 bpm • A min • 03:51 • -33.53db
8% Popularity • 16% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Daniel Kellogg
Divinum Mysterium: Prelude
134 bpm • D# Maj • 01:03 • -36db
9% Popularity • 21% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 21% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Chanticleer
Hawley: Seven Madrigals, Io Son la Prima...
130 bpm • D min • 02:52 • -27db
10% Popularity • 21% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 21% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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American Traditional
Trad / Arr Bartholomew & Erb : Shenandoa...
134 bpm • E Maj • 04:37 • -27.84db
1% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
32% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
32% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Bernard Rands
Rands: Canti d'amor: No. 1, Winds of May...
135 bpm • F Maj • 01:12 • -19.64db
1% Popularity • 28% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 28% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
19% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Augusta Read Thomas
The Rewaking
129 bpm • G Maj • 03:42 • -27db
5% Popularity • 16% Danceability • 2% Energy • 16% Liveness
22% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 2% Energy • 16% Liveness
22% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: IV. La Rose Comp...
135 bpm • C# Maj • 03:59 • -28.65db
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Lumen Valo
Michael Pretorias, arr.: Es ist ein Ros ...
135 bpm • E Maj • 02:39 • -26.63db
8% Popularity • 21% Danceability • 6% Energy • 20% Liveness
2% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 20% Liveness
2% Instrumentalness • 10% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: II. Soneto De La Noche
135 bpm • F# Maj • 05:45 • -24.3db
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Josquin des Prez
Domine, non secundum peccata nostra
128 bpm • G min • 07:44 • -20.16db
1% Popularity • 20% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Voce
Nocturnes: Sure On This Shining Night
128 bpm • C# Maj • 04:40 • -27.46db
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 18% Liveness
68% Instrumentalness • 5% Positiveness
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BYU Singers
Water Night
136 bpm • A# min • 05:16 • -22.92db
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 16% Liveness
64% Instrumentalness • 3% Positiveness
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Bartolomé Cárceres
Riu, Riu, Chiu
128 bpm • D min • 01:16 • -22.97db
19% Popularity • 64% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 92% Positiveness
19% Popularity • 64% Danceability • 13% Energy • 9% Liveness
40% Instrumentalness • 92% Positiveness
► Preview
Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Al...
128 bpm • G Maj • 02:47 • -34.73db
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Jake Runestad
I Will Lift Mine Eyes
128 bpm • C# Maj • 04:36 • -26db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
► Preview
Lumen Valo
Johann von Gardner, arr: Joulun valovirr...
128 bpm • E Maj • 02:14 • -22db
17% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 6% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
12% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
The Concordia Choir
Pilgrim's Chorus
137 bpm • A Maj • 04:03 • -27.64db
16% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 6% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Josquin des Prez
Missa Gaudeamus: XVIII. Agnus Dei II
128 bpm • C Maj • 01:19 • -29.71db
14% Popularity • 30% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 5% Positiveness
14% Popularity • 30% Danceability • 2% Energy • 6% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Adrian Batten
O sing joyfully
128 bpm • G# Maj • 01:35 • -21.5db
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
BYU Singers
Go, Lovely Rose
137 bpm • F# Maj • 04:28 • -21.22db
14% Popularity • 19% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
David Dickau
If Music Be the Food of Love
137 bpm • G# Maj • 04:58 • -26.2db
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Hans Leo Hassler
Cantate Domino canticum novum
128 bpm • D Maj • 01:39 • -19.4db
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 25% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Henry Purcell
Purcell: Hear My Prayer, O Lord, Z. 15
137 bpm • C min • 02:28 • -21.91db
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Eric Whitacre
Whitacre: Sleep
127 bpm • C min • 05:33 • -24.96db
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
39% Popularity • 17% Danceability • 4% Energy • 18% Liveness
5% Instrumentalness • 3% Positiveness
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Alexander Agricola
O crux ave
127 bpm • D min • 04:31 • -24.19db
1% Popularity • 19% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
1% Popularity • 19% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Patricia Van Ness (1951)
Van Ness : Cor meum est templum sacrum
138 bpm • G min • 03:58 • -29.76db
5% Popularity • 17% Danceability • 1% Energy • 11% Liveness
33% Instrumentalness • 3% Positiveness
5% Popularity • 17% Danceability • 1% Energy • 11% Liveness
33% Instrumentalness • 3% Positiveness
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Knut Nystedt
Missa Brevis, Op. 102: II. Gloria
127 bpm • A min • 02:06 • -21db
9% Popularity • 28% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Ugis Praulins
Missa rigensis (2002): Kyrie eleison
127 bpm • G min • 03:28 • -22db
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 31% Liveness
16% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Eric Whitacre
Little Birds
138 bpm • G# min • 03:17 • -17.03db
9% Popularity • 22% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op. 37: VIII. Praise th...
138 bpm • G# Maj • 02:48 • -21.61db
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Kinley Lange
Esto les digo
138 bpm • C Maj • 03:16 • -29.69db
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Marie-Claire Saindon
Terre-Neuve
138 bpm • D Maj • 02:15 • -22.73db
9% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 27% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
126 bpm • A Maj • 05:14 • -24.12db
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Sanctus, sanctus, sanctus
126 bpm • D Maj • 02:24 • -40.58db
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Mike Dixon
3 Love Songs: No. 1. To Love and be Belo...
139 bpm • A# Maj • 02:57 • -23.04db
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 26% Liveness
15% Instrumentalness • 9% Positiveness
► Preview
Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
Stacey Philipps
Close Distancing
125 bpm • G Maj • 02:45 • -25.44db
12% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 7% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Josquin des Prez
Missa Mater Patris: Agnus Dei
139 bpm • C# min • 06:27 • -21.46db
0% Popularity • 15% Danceability • 11% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 11% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
