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Wallfisch: Lamorma
Songs like
Wallfisch: Lamorma
by
Yuja Wang
Based on a tempo of (+/- 10%) and a similar genre
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Regency Players
Persuasion [BBC 2007 Adaptation]
100 bpm • C Maj • 01:52 • -18db
29% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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L'Orchestra Nazionale di Mendoni
O Mio Babbino Caro
100 bpm • G# Maj • 02:49 • -16db
33% Popularity • 14% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Prelude in B minor, BWV 855a (Arr. by Al...
100 bpm • B min • 04:01 • -33.75db
57% Popularity • 18% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Isobel Waller-Bridge
Poor Miss Taylor
101 bpm • C Maj • 01:41 • -13.04db
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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Hollywood Symphony Orchestra
Pachelbel - Canon In D
102 bpm • D Maj • 04:51 • -22db
44% Popularity • 21% Danceability • 14% Energy • 37% Liveness
84% Instrumentalness • 16% Positiveness
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John Field
Nocturne in B Flat Major, H. 37 (Version...
97 bpm • A# Maj • 02:58 • -27.05db
48% Popularity • 32% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Stephen Warbeck
Eden Lost
102 bpm • D# Maj • 01:46 • -24.49db
46% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Sheep May Safely Graze
98 bpm • A# Maj • 04:55 • -32db
50% Popularity • 49% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake Suite, Op. 20a: II. Waltz
103 bpm • A Maj • 06:59 • -15.19db
28% Popularity • 27% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 15% Positiveness
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Yuja Wang
Wallfisch: Siren's Lullaby
97 bpm • G min • 02:50 • -21.39db
19% Popularity • 24% Danceability • 10% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt: Tanzlied des Pierrot (Ar...
97 bpm • C# Maj • 04:19 • -16.78db
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation
97 bpm • E min • 05:17 • -29db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Michael Tilson Thomas
You Come Here Often?
104 bpm • F Maj • 04:33 • -22db
14% Popularity • 39% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Preparation
104 bpm • A# min • 01:36 • -23.31db
0% Popularity • 39% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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N. Walewska
Humoresque
96 bpm • G Maj • 03:27 • -20.91db
17% Popularity • 21% Danceability • 7% Energy • 10% Liveness
32% Instrumentalness • 22% Positiveness
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Chamber Orchestra of Miemo
Largo Opus I
105 bpm • G# min • 02:43 • -18.1db
26% Popularity • 21% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Elena Kats-Chernin
Lullaby for Nick
95 bpm • A min • 03:23 • -32.45db
48% Popularity • 42% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 7% Positiveness
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Bedřich Smetana
Má Vlast, JB 1:112: The Moldau (Vltava)...
105 bpm • C Maj • 03:42 • -15db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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John Rutter
Suite: O, Waly Waly
95 bpm • G Maj • 03:53 • -32.5db
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
52% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Traditional
Blow The Wind Southerly (Arr. Kanneh-Mas...
95 bpm • C Maj • 02:22 • -28db
45% Popularity • 18% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 6% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Karl Jenkins
Palladio
106 bpm • D min • 02:55 • -22.48db
35% Popularity • 40% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Yuja Wang
Wallfisch: Gilbert Returns
106 bpm • F Maj • 03:48 • -16.49db
5% Popularity • 16% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Patrick Hawes
Fair Albion
94 bpm • C# Maj • 04:12 • -14db
19% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Archibald James Potter
Rhapsody Under A High Sky
106 bpm • C Maj • 09:38 • -27.25db
16% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Andrew Sparrow
Pluto's Crossing: Id. The Journey
107 bpm • D# min • 02:04 • -13db
38% Popularity • 29% Danceability • 28% Energy • 14% Liveness
96% Instrumentalness • 16% Positiveness
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Thomas Adès
Snow Globe
94 bpm • C# Maj • 02:58 • -23db
20% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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Carl Davis
Pride and Prejudice - Main Theme
107 bpm • D# Maj • 04:14 • -21db
34% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Benjamin Wallfisch
Sump Chase
107 bpm • A Maj • 03:13 • -15.13db
0% Popularity • 26% Danceability • 68% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
32% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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John Rutter
Suite Lyrique: 1. Prelude
108 bpm • A min • 03:18 • -24db
27% Popularity • 32% Danceability • 7% Energy • 7% Liveness
75% Instrumentalness • 14% Positiveness
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John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
32% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
Gypsy Songs, Op. 55, B. 104: No. 4, Song...
108 bpm • A min • 01:58 • -29db
37% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Benjamin Wallfisch
Final Swim
108 bpm • D min • 02:40 • -16.45db
0% Popularity • 32% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Christopher Willis
David's Writings
92 bpm • C# min • 02:57 • -13.54db
50% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: Florence's Theme
109 bpm • D min • 02:35 • -25.94db
6% Popularity • 17% Danceability • 3% Energy • 22% Liveness
82% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Bridge
108 bpm • D Maj • 01:52 • -28.29db
0% Popularity • 48% Danceability • 14% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Nicola Piovani
Soli
109 bpm • C Maj • 02:32 • -20db
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Oh quante volt...
92 bpm • G min • 04:24 • -16.85db
39% Popularity • 15% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Death of Aas...
109 bpm • G Maj • 04:09 • -25db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Sheep May Safely Graze
91 bpm • A# Maj • 05:18 • -35.06db
20% Popularity • 42% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Andrea Guerra
Una luce nell'anima
109 bpm • E min • 01:57 • -26.42db
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Traditional
Nobody Knows the Trouble I've Seen
91 bpm • C# Maj • 03:12 • -24.94db
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Cyril Scott
Lullaby, Op. 57 No. 2 (Arr. for Cello & ...
91 bpm • D Maj • 02:19 • -27db
29% Popularity • 13% Danceability • 2% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Prelude in B Minor, Op. 32, No. 10 - Liv...
110 bpm • E min • 05:36 • -20.42db
4% Popularity • 39% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: Florence's Hut
111 bpm • G min • 01:56 • -25.81db
7% Popularity • 16% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • G Maj • 03:25 • -28db
42% Popularity • 10% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3
90 bpm • G Maj • 03:47 • -19.09db
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Davis
Cranford: Cranford Theme
90 bpm • F Maj • 02:36 • -16db
23% Popularity • 24% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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L'Orchestra Cinematografica Romana
In Trutina
111 bpm • D Maj • 01:51 • -20.27db
35% Popularity • 17% Danceability • 9% Energy • 13% Liveness
95% Instrumentalness • 13% Positiveness
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Andrea Guerra
Il dolore di una cittÃ
112 bpm • C min • 01:19 • -26.05db
54% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40 - Arranged By Fran...
111 bpm • D# Maj • 07:51 • -21db
17% Popularity • 42% Danceability • 26% Energy • 5% Liveness
84% Instrumentalness • 10% Positiveness
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Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
46% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Maria Theresia von Paradis
Sicilienne (Arr. by Söllscher)
112 bpm • F Maj • 03:08 • -27.69db
46% Popularity • 27% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 8% Positiveness
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Regency Players
Sense and Sensibility [BBC 2008 Adaptat...
112 bpm • D Maj • 01:38 • -9.46db
23% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
51% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380: Andante commo...
89 bpm • E Maj • 05:28 • -31.88db
4% Popularity • 37% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Dan Jones
Solemn Love
89 bpm • B min • 01:36 • -24.5db
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
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Florian Christl
Schumann Variation (on a Theme from Pian...
112 bpm • C Maj • 02:30 • -19.78db
41% Popularity • 52% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Anonymous
Catalan Folksong - arr. Pablo Casals (18...
89 bpm • A min • 03:12 • -27.12db
39% Popularity • 21% Danceability • 4% Energy • 6% Liveness
52% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: X. Nocturne -...
89 bpm • A min • 05:03 • -25db
36% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Isabelle
89 bpm • C# Maj • 02:49 • -21.19db
0% Popularity • 11% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
28% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Suite No. 3 in D Major, BWV 1068: II. Ai...
89 bpm • D Maj • 03:35 • -22db
38% Popularity • 10% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
89 bpm • C min • 04:15 • -26.89db
42% Popularity • 13% Danceability • 7% Energy • 40% Liveness
88% Instrumentalness • 12% Positiveness
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Yuja Wang
Wallfisch: Cyanide
88 bpm • F min • 03:19 • -25.35db
4% Popularity • 10% Danceability • 5% Energy • 33% Liveness
94% Instrumentalness • 3% Positiveness
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Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
57% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Aaron Zigman
I Waited for You
88 bpm • G Maj • 01:30 • -26.69db
39% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
43% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Yuja Wang
Wallfisch: Painting
88 bpm • C Maj • 04:50 • -26.2db
7% Popularity • 10% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Gabriel Yared
Générique de fin
88 bpm • D Maj • 01:41 • -21db
48% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
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Aarre Merikanto
4 Pieces: No. 3. Arietta
88 bpm • E min • 04:45 • -32db
10% Popularity • 12% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Rebecca Dale
When Music Sounds: 3. Out Of The Water
88 bpm • C min • 03:12 • -21.28db
11% Popularity • 9% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Wallfisch: Lamorma