Songs like Wallfisch: Siren's Lullaby by Yuja Wang
Based on a tempo of (+/- 10%) and a similar genre
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John Tavener
Song For Athene
97 bpm • A# Maj • 06:47 • -22.16db
15% Popularity • 12% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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James Newton Howard
The Vote - Score
97 bpm • F min • 06:03 • -24.68db
30% Popularity • 14% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Georgs Pelēcis
Concertino bianco: 1. Con intenerimento
97 bpm • C Maj • 06:17 • -26db
50% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
50% Popularity • 30% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Yuja Wang
Wallfisch: Siren's Lullaby
97 bpm • G min • 02:50 • -21.39db
19% Popularity • 24% Danceability • 10% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
19% Popularity • 24% Danceability • 10% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Thomas Newman
Road To Perdition
98 bpm • A Maj • 03:55 • -22.22db
50% Popularity • 15% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
50% Popularity • 15% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Bear McCreary
The Wedding
96 bpm • F Maj • 03:46 • -17db
47% Popularity • 12% Danceability • 14% Energy • 11% Liveness
63% Instrumentalness • 6% Positiveness
47% Popularity • 12% Danceability • 14% Energy • 11% Liveness
63% Instrumentalness • 6% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
46% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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James Newton Howard
Noah Visits - Score
97 bpm • F min • 02:35 • -25.69db
32% Popularity • 14% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 5% Energy • 14% Liveness
80% Instrumentalness • 5% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Gerald Finzi
Introit, Op. 6
96 bpm • F Maj • 08:34 • -27.19db
21% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Rolf Løvland
Sleepsong - Arr. for choir by Desmond Ea...
96 bpm • F min • 04:44 • -21.98db
28% Popularity • 19% Danceability • 7% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 7% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Karl Jenkins
Amaté Adea
98 bpm • D Maj • 05:20 • -19.84db
29% Popularity • 13% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
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Philip Glass
Dreaming of Fiji
96 bpm • G min • 01:54 • -29.75db
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Ruth Barrett
Sidney and Charlotte Dance
95 bpm • C# min • 02:22 • -15.52db
27% Popularity • 33% Danceability • 23% Energy • 15% Liveness
18% Instrumentalness • 19% Positiveness
27% Popularity • 33% Danceability • 23% Energy • 15% Liveness
18% Instrumentalness • 19% Positiveness
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Benjamin Wallfisch
Artifacts
95 bpm • E min • 03:09 • -18.31db
6% Popularity • 12% Danceability • 19% Energy • 12% Liveness
67% Instrumentalness • 3% Positiveness
6% Popularity • 12% Danceability • 19% Energy • 12% Liveness
67% Instrumentalness • 3% Positiveness
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Michael Nyman
To The Edge Of The Earth
100 bpm • A min • 04:05 • -17db
36% Popularity • 14% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
36% Popularity • 14% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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Eric Radford
A Journey
94 bpm • C# min • 04:40 • -14.39db
14% Popularity • 17% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Karl Jenkins
Miserere: Songs of Mercy and Redemption:...
99 bpm • G min • 04:44 • -16db
16% Popularity • 24% Danceability • 24% Energy • 14% Liveness
44% Instrumentalness • 7% Positiveness
16% Popularity • 24% Danceability • 24% Energy • 14% Liveness
44% Instrumentalness • 7% Positiveness
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Patrick Hawes
Fair Albion
94 bpm • C# Maj • 04:12 • -14db
18% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Philip Glass
The Truman Show: Truman Sleeps - Short V...
95 bpm • G# Maj • 02:40 • -29.74db
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
51% Popularity • 27% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
54% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
54% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 1 in F-Sharp Minor, O...
100 bpm • D Maj • 05:48 • -24.26db
29% Popularity • 25% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 25% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Regency Players
Persuasion [BBC 2007 Adaptation]
100 bpm • C Maj • 01:52 • -18db
28% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
28% Popularity • 29% Danceability • 12% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Steven Price
Ophelia
100 bpm • B min • 03:52 • -13.55db
31% Popularity • 42% Danceability • 38% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
31% Popularity • 42% Danceability • 38% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
47% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Thomas Adès
Snow Globe
94 bpm • C# Maj • 02:58 • -23db
19% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 1% Energy • 14% Liveness
68% Instrumentalness • 4% Positiveness
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Dan Evmark
Silent Waves
94 bpm • C min • 06:51 • -20.46db
21% Popularity • 20% Danceability • 6% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Wojciech Kilar
Moving to the Ghetto Oct. 31, 1940
101 bpm • A min • 01:45 • -41db
40% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
40% Popularity • 15% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 37% Positiveness
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Benjamin Wallfisch
Denouement
93 bpm • D min • 04:57 • -14.72db
25% Popularity • 11% Danceability • 21% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 11% Danceability • 21% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
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Herman Beeftink
Summer (For Flute and Piano)
93 bpm • E min • 04:51 • -14.49db
19% Popularity • 25% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
19% Popularity • 25% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Orchestra of the Swan
Comptine d’un autre été, l'après-Mi...
93 bpm • E min • 02:29 • -22db
35% Popularity • 32% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
35% Popularity • 32% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Isobel Waller-Bridge
Poor Miss Taylor
101 bpm • C Maj • 01:41 • -13.04db
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
40% Popularity • 52% Danceability • 18% Energy • 16% Liveness
89% Instrumentalness • 51% Positiveness
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John Corigliano
I. Cremona, The Red Violin
93 bpm • B Maj • 01:33 • -21.48db
32% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
32% Popularity • 26% Danceability • 7% Energy • 47% Liveness
54% Instrumentalness • 3% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
15% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Zbigniew Preisner
First Time Outside
102 bpm • B min • 01:25 • -18db
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
35% Popularity • 38% Danceability • 13% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Paul Brennan
Theme from Harry's Game (Arr. Lawson)
102 bpm • D min • 04:10 • -23.05db
35% Popularity • 14% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Christopher Willis
David's Writings
92 bpm • C# min • 02:57 • -13.54db
49% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
49% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
36% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
36% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
46% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
46% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Edward Elgar
Nimrod
103 bpm • D# Maj • 03:27 • -9.99db
25% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Josef Hadar
Evening of Roses (Arr. Hodge for Cello, ...
103 bpm • A# Maj • 02:59 • -18db
33% Popularity • 19% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
33% Popularity • 19% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
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Michael Tilson Thomas
You Come Here Often?
104 bpm • F Maj • 04:33 • -22db
13% Popularity • 39% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 37% Positiveness
13% Popularity • 39% Danceability • 28% Energy • 8% Liveness
85% Instrumentalness • 37% Positiveness
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Kai Engel
Endless Story About Sun and Moon
104 bpm • C# min • 03:05 • -18.52db
40% Popularity • 25% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
40% Popularity • 25% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Harry Gregson-Williams
Coronation
90 bpm • B Maj • 03:02 • -19.95db
33% Popularity • 11% Danceability • 11% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 11% Danceability • 11% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Erik Satie
Gymnopédie No. 3
90 bpm • G Maj • 03:47 • -19.09db
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 11% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Karl Jenkins
Palladio: I. Allegretto
90 bpm • D min • 03:49 • -17db
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 47% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Patrick Thomas Hawes
Premier Cru
90 bpm • C min • 02:24 • -11.76db
25% Popularity • 66% Danceability • 29% Energy • 22% Liveness
96% Instrumentalness • 61% Positiveness
25% Popularity • 66% Danceability • 29% Energy • 22% Liveness
96% Instrumentalness • 61% Positiveness
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Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
21% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
32% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
35% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
35% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Karl Jenkins
In Caelum Fero
90 bpm • C Maj • 06:23 • -10.51db
19% Popularity • 46% Danceability • 50% Energy • 7% Liveness
94% Instrumentalness • 20% Positiveness
19% Popularity • 46% Danceability • 50% Energy • 7% Liveness
94% Instrumentalness • 20% Positiveness
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Chamber Orchestra of Miemo
Largo Opus I
105 bpm • G# min • 02:43 • -18.1db
26% Popularity • 21% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Abel Korzeniowski
Charms
90 bpm • G# min • 04:03 • -13.57db
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Isobel Waller-Bridge
Emma Is Lost
105 bpm • F Maj • 01:06 • -26.81db
43% Popularity • 27% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
43% Popularity • 27% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 15% Positiveness
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James Newton Howard
Salamander Eyes
105 bpm • D Maj • 02:38 • -24.29db
53% Popularity • 17% Danceability • 4% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 4% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Albinoni: Adagio in G Minor
90 bpm • C min • 05:53 • -20.28db
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Philip Glass
The Orange Tree
105 bpm • G min • 01:47 • -17.34db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
66% Instrumentalness • 8% Positiveness
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Debbie Wiseman
Wolf Hall
105 bpm • G Maj • 03:18 • -19.02db
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
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Dario Marianelli
In Jest or Earnest
89 bpm • A min • 02:06 • -25.59db
31% Popularity • 21% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
31% Popularity • 21% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Dan Jones
Solemn Love
89 bpm • B min • 01:36 • -24.5db
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Karl Jenkins
Palladio
106 bpm • D min • 02:55 • -22.48db
34% Popularity • 40% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
34% Popularity • 40% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Benjamin Wallfisch
Perfume
89 bpm • G min • 02:35 • -16.6db
5% Popularity • 10% Danceability • 29% Energy • 22% Liveness
76% Instrumentalness • 3% Positiveness
5% Popularity • 10% Danceability • 29% Energy • 22% Liveness
76% Instrumentalness • 3% Positiveness
► Preview
Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
27% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Thomas Newman
Valley of the Shadow - Instrumental
106 bpm • F Maj • 02:09 • -27.01db
36% Popularity • 27% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 27% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Pablo Casals
El cant dels ocells (Song of the Birds) ...
89 bpm • A min • 03:49 • -33db
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
56% Popularity • 16% Danceability • 3% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
► Preview
Alex Heffes
The Waterhole & Enter the Queen
89 bpm • D min • 02:22 • -20.18db
21% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
21% Popularity • 19% Danceability • 19% Energy • 20% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
6 Pieces for Piano, P. 44: No. 3. Nottur...
88 bpm • F# Maj • 05:00 • -29.23db
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Archibald James Potter
Rhapsody Under A High Sky
106 bpm • C Maj • 09:38 • -27.25db
15% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Andrew Sparrow
Pluto's Crossing: Id. The Journey
107 bpm • D# min • 02:04 • -13db
37% Popularity • 29% Danceability • 28% Energy • 14% Liveness
96% Instrumentalness • 16% Positiveness
37% Popularity • 29% Danceability • 28% Energy • 14% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Patrick Thomas Hawes
Power Trip
107 bpm • C min • 02:29 • -11.61db
37% Popularity • 67% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 46% Positiveness
37% Popularity • 67% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 46% Positiveness
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Aaron Zigman
I Waited for You
88 bpm • G Maj • 01:30 • -26.69db
39% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Aarre Merikanto
4 Pieces: No. 3. Arietta
88 bpm • E min • 04:45 • -32db
8% Popularity • 12% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 12% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Patrick Hawes
How Hill
107 bpm • D Maj • 04:57 • -25.98db
15% Popularity • 36% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
15% Popularity • 36% Danceability • 10% Energy • 7% Liveness
89% Instrumentalness • 8% Positiveness
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Gabriel Yared
Générique de fin
88 bpm • D Maj • 01:41 • -21db
47% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
47% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
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Carl Davis
Pride and Prejudice - Main Theme
107 bpm • D# Maj • 04:14 • -21db
33% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
33% Popularity • 31% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 25% Positiveness
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Rebecca Dale
When Music Sounds: 3. Out Of The Water
88 bpm • C min • 03:12 • -21.28db
11% Popularity • 9% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
31% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Dario Marianelli
Love Letters
87 bpm • C Maj • 03:09 • -18.79db
29% Popularity • 18% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
43% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
43% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
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Michael Nyman
Nyman: The Heart Asks Pleasure First
108 bpm • A min • 03:39 • -24db
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
31% Popularity • 17% Danceability • 7% Energy • 10% Liveness
79% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
87 bpm • D# Maj • 05:39 • -26db
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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John Rutter
Suite Lyrique: 1. Prelude
108 bpm • A min • 03:18 • -24db
27% Popularity • 32% Danceability • 7% Energy • 7% Liveness
75% Instrumentalness • 14% Positiveness
27% Popularity • 32% Danceability • 7% Energy • 7% Liveness
75% Instrumentalness • 14% Positiveness
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Carlos Rafael Rivera
Training With Mr. Schaibel
108 bpm • A min • 03:04 • -24.87db
44% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
44% Popularity • 35% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Karl Jenkins
Song Of The Spirit
108 bpm • F Maj • 05:29 • -10.54db
18% Popularity • 60% Danceability • 56% Energy • 13% Liveness
51% Instrumentalness • 28% Positiveness
18% Popularity • 60% Danceability • 56% Energy • 13% Liveness
51% Instrumentalness • 28% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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James Newton Howard
Assigning the Mentors
87 bpm • B Maj • 02:38 • -24.13db
25% Popularity • 9% Danceability • 2% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
87 bpm • E Maj • 11:03 • -22.89db
38% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Far from the Madding Crowd Love Theme
87 bpm • A min • 03:42 • -12db
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
