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Waltz Carol
Songs like
Waltz Carol
by
VOCES8
Based on a tempo of (+/- 10%) and a similar genre
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Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
13% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Pie Jesu (Arr. Barnaby Smith)
87 bpm • A# Maj • 03:40 • -23.28db
24% Popularity • 14% Danceability • 8% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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George Frideric Handel
Eternal Source of Light Divine
87 bpm • B Maj • 03:45 • -19.32db
14% Popularity • 18% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Kim André Arnesen
MAGNIFICAT: I. Magnificat anima mea
87 bpm • E min • 06:04 • -24db
16% Popularity • 14% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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Patrick Hawes
Reflexionem
87 bpm • D Maj • 03:27 • -19.54db
20% Popularity • 16% Danceability • 14% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Baïlèro, Serie 1, No. 2
87 bpm • A# Maj • 06:32 • -21db
22% Popularity • 15% Danceability • 15% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Ave Generosa
87 bpm • G min • 01:28 • -36db
37% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Henry Purcell
Fairest Isle
87 bpm • G# Maj • 04:40 • -23.74db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
5% Instrumentalness • 15% Positiveness
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Herbert Howells
Behold, O God, Our Great Defender
87 bpm • A Maj • 04:29 • -20.84db
9% Popularity • 16% Danceability • 14% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Knut Nystedt
3 Motets, Op. 43: No. 2, Peace I Leave w...
86 bpm • C# min • 02:41 • -20.75db
14% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana, Op. 12: 6. O Albion (Arr. Cle...
88 bpm • F Maj • 02:47 • -28db
26% Popularity • 16% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Dmitry Bortniansky
Cherubic Hymn, No. 7
86 bpm • D Maj • 04:00 • -22db
15% Popularity • 23% Danceability • 7% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
partial - choir version
88 bpm • A Maj • 04:05 • -21.19db
28% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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University Of Pretoria Camerata
Tykus Tykus
86 bpm • D# Maj • 04:28 • -22.86db
19% Popularity • 17% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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Ola Gjeilo
Ubi Caritas
85 bpm • F# min • 05:22 • -25db
37% Popularity • 16% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Dobrinka Tabakova
Concerto For Violoncello And Strings: II...
85 bpm • F Maj • 08:42 • -19db
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
34% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Archibald James Potter
Fantasia Gaelach No. 1
89 bpm • G# Maj • 08:36 • -34db
28% Popularity • 10% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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Sophie Hutchings
By Night (Arr. Lawson)
85 bpm • A# Maj • 04:38 • -24db
30% Popularity • 15% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Hörður Áskelsson
Hvíld
85 bpm • D min • 04:45 • -28.44db
10% Popularity • 11% Danceability • 5% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Pie Jesu
89 bpm • A# Maj • 03:31 • -34db
19% Popularity • 15% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Pérotin
Beata Viscera
85 bpm • G# min • 06:12 • -25db
22% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Kate Rusby
Underneath The Stars
85 bpm • F Maj • 02:19 • -24.38db
31% Popularity • 29% Danceability • 3% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
36% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
19% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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Henry Purcell
One Charming Night (Secrecy)
85 bpm • F# min • 02:13 • -25db
27% Popularity • 26% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Galina Grigorjeva
Svjatki: V. Spring Is Coming
85 bpm • G min • 03:02 • -34db
18% Popularity • 24% Danceability • 2% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Tippett
Five Spirituals from "A Child of Our Tim...
84 bpm • G Maj • 02:31 • -22db
12% Popularity • 14% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
12% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Jonathan Dove
The Passing of the Year: III. Answer Jul...
90 bpm • C Maj • 02:00 • -18.11db
9% Popularity • 40% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 18% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
19% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
15% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Caroline Shaw
And the Swallow
90 bpm • A# min • 04:01 • -26.65db
29% Popularity • 11% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 3% Positiveness
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VOCES8
Shenandoah
84 bpm • D Maj • 03:31 • -12.1db
21% Popularity • 25% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 7% Positiveness
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Edward Elgar
They Are at Rest
84 bpm • D Maj • 03:53 • -27.3db
10% Popularity • 11% Danceability • 3% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
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William Walton
The Twelve
84 bpm • F Maj • 11:41 • -18.45db
8% Popularity • 15% Danceability • 18% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
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Trio Mediæval
Rís upp, drottni dýrð
91 bpm • C Maj • 01:06 • -28.26db
25% Popularity • 26% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Hildegard von Bingen
Antiphon, O quam mirabilis est
83 bpm • A Maj • 03:31 • -27.57db
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
16% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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Los Angeles Master Chorale
The Sound of Spirit
91 bpm • C# Maj • 03:02 • -21.89db
26% Popularity • 22% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
83 bpm • A min • 06:04 • -24db
29% Popularity • 10% Danceability • 4% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
28% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
83 bpm • D Maj • 01:44 • -39.68db
40% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
29% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Flight Song
91 bpm • C# Maj • 04:22 • -27.37db
32% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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John Dowland
Lady Rich, Her Galliard
83 bpm • F# Maj • 01:57 • -32.65db
38% Popularity • 30% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
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Felix Mendelssohn
Denn er hat seinen Engeln befohlen, MWV ...
83 bpm • G Maj • 03:30 • -27db
25% Popularity • 11% Danceability • 6% Energy • 8% Liveness
40% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 2. Star Sonnet
83 bpm • B min • 04:52 • -31db
15% Popularity • 8% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Abendlied
83 bpm • E Maj • 02:33 • -23db
25% Popularity • 9% Danceability • 8% Energy • 15% Liveness
36% Instrumentalness • 4% Positiveness
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Vladimir Martynov
The Beatitudes
92 bpm • A# Maj • 05:15 • -32.19db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Cyrillus Kreek
Bless the Lord, My Soul
83 bpm • G Maj • 02:25 • -28.38db
23% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
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Paul Mealor
Now Sleeps The Crimson Petal (Four Madri...
83 bpm • F# Maj • 03:17 • -31db
39% Popularity • 16% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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G. I. Gurdjieff
Woman´s Prayer
83 bpm • F min • 01:58 • -30db
45% Popularity • 10% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Traditional
Requiem Aeternam
92 bpm • A# Maj • 00:59 • -29.54db
24% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Eight Part Songs, Op. 115: III. The Blue...
83 bpm • F# Maj • 03:56 • -37.71db
36% Popularity • 17% Danceability • 0% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
29% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
83 bpm • A# Maj • 04:11 • -30.04db
24% Popularity • 12% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Nordic Chamber Choir - Nicol Matt
Se Per Havervi, Oime
92 bpm • C# Maj • 04:26 • -29db
9% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Joby Talbot
Transit of Venus
83 bpm • G min • 04:17 • -20.86db
18% Popularity • 12% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Hildegard von Bingen
Kyrie: Kyrie eleison
92 bpm • C# min • 04:32 • -28.94db
28% Popularity • 22% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Will Todd
My Lord Has Come
92 bpm • C Maj • 03:37 • -24.1db
23% Popularity • 16% Danceability • 5% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
82 bpm • C# Maj • 02:34 • -28db
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Stephen Barton
The Universe Within You
92 bpm • F Maj • 04:02 • -20.92db
19% Popularity • 11% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Daniel Elder
Twinkle, Twinkle, Little Star
82 bpm • D Maj • 03:16 • -29db
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Edith Franklin Wyatt
My Companion - SATB
82 bpm • E Maj • 05:00 • -22.73db
16% Popularity • 13% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Mealor
Coronation Kyrie eleison
92 bpm • G min • 02:17 • -25.18db
18% Popularity • 21% Danceability • 12% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
24% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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VOCES8
Nothing Else Matters (Arr. for Vocal Ens...
82 bpm • E min • 04:58 • -20.47db
33% Popularity • 9% Danceability • 13% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
35% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Robert Moran
Trinity Requiem: In paradisum
82 bpm • G# Maj • 04:44 • -25.92db
10% Popularity • 9% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ramin Djawadi
The Rains of Castamere (Arr. Lawson)
82 bpm • G min • 03:07 • -21.35db
30% Popularity • 20% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Sjaella
Ubi Caritas
82 bpm • A# min • 03:19 • -24.47db
29% Popularity • 28% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Josquin des Prez
Mille regretz
93 bpm • A min • 01:56 • -30db
32% Popularity • 21% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Symphonia et Ordo virtutum: O Euchari, i...
82 bpm • C# min • 01:43 • -27db
20% Popularity • 26% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
22% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere Mei
81 bpm • G min • 07:06 • -25db
31% Popularity • 16% Danceability • 5% Energy • 11% Liveness
43% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
Contre Qui, Rose
81 bpm • A# min • 04:10 • -35db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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William Prendergast
O Lord God of My Salvation (Psalm 88)
93 bpm • B min • 06:47 • -31.85db
4% Popularity • 13% Danceability • 6% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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VOCES8
The Luckiest
81 bpm • E Maj • 04:50 • -12.92db
18% Popularity • 26% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Orlande de Lassus
Al dolce soun
81 bpm • G# Maj • 03:05 • -24.45db
21% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
The Concordia Choir
Vidi Aquam
81 bpm • G# min • 04:14 • -33db
24% Popularity • 8% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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