Songs like Waltz from Maskarade by Radio Orchestra Berlin
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
97 bpm • F min • 01:47 • -16.44db
19% Popularity • 60% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
19% Popularity • 60% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Aram Khachaturian
Masquerade, Ballet Music - Suite from th...
97 bpm • C Maj • 04:15 • -10db
41% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
41% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Radio Orchestra Berlin
Waltz from Maskarade
97 bpm • C Maj • 03:26 • -11db
26% Popularity • 34% Danceability • 47% Energy • 13% Liveness
91% Instrumentalness • 41% Positiveness
26% Popularity • 34% Danceability • 47% Energy • 13% Liveness
91% Instrumentalness • 41% Positiveness
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Antonio Vivaldi
I. Allegro
97 bpm • C Maj • 02:42 • -11db
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
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Camille Saint-Saëns
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsin...
98 bpm • C Maj • 07:57 • -19db
13% Popularity • 22% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
13% Popularity • 22% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
98 bpm • E min • 07:44 • -25.62db
12% Popularity • 20% Danceability • 4% Energy • 33% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 33% Liveness
64% Instrumentalness • 4% Positiveness
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I Solisti di Zagreb
Concerto grosso in la minore, A-Moll, op...
96 bpm • A min • 04:01 • -16db
23% Popularity • 53% Danceability • 21% Energy • 26% Liveness
12% Instrumentalness • 46% Positiveness
23% Popularity • 53% Danceability • 21% Energy • 26% Liveness
12% Instrumentalness • 46% Positiveness
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Aram Khachaturian
Gayaneh: Sabre Dance
98 bpm • C Maj • 02:15 • -16.94db
21% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 64% Energy • 22% Liveness
86% Instrumentalness • 22% Positiveness
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Jules Massenet
Méditation de Thaïs
96 bpm • E min • 05:18 • -29db
22% Popularity • 12% Danceability • 5% Energy • 33% Liveness
55% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 5% Energy • 33% Liveness
55% Instrumentalness • 4% Positiveness
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New Philharmonia Orchestra London
The Sleeping Beauty, Ballet Suite, op. 6...
98 bpm • G Maj • 02:34 • -35.04db
24% Popularity • 23% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
24% Popularity • 23% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 08:08 • -14.11db
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
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South German Philharmonic Orchestra
Vocalise Op.34/14
98 bpm • A min • 04:19 • -26.04db
11% Popularity • 46% Danceability • 4% Energy • 5% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 4% Energy • 5% Liveness
92% Instrumentalness • 8% Positiveness
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Sylvia Capova
Etude No.12 Op.10-12 C Minor 'Revolution...
98 bpm • F min • 02:45 • -19.05db
26% Popularity • 37% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
26% Popularity • 37% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Maskerade-Suite: I. Waltz
98 bpm • C Maj • 04:14 • -18db
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Johann Strauss II
Artist's Life - Waltz Op. 316
98 bpm • C Maj • 08:40 • -24db
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
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Orchestra of the Viennese Volksoper & Alfred Scholz
Voices of Spring Waltz, Op. 410
99 bpm • C min • 06:57 • -22.38db
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 02:29 • -16.52db
12% Popularity • 23% Danceability • 24% Energy • 29% Liveness
93% Instrumentalness • 39% Positiveness
12% Popularity • 23% Danceability • 24% Energy • 29% Liveness
93% Instrumentalness • 39% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
50% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
50% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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The Jane Austen Era
Serenade No. 5, Op. 3
95 bpm • G Maj • 04:38 • -28db
23% Popularity • 31% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
23% Popularity • 31% Danceability • 6% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Bedřich Smetana
Má vlast (My Country): No. 3, Šárka
95 bpm • A Maj • 10:05 • -20db
14% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
14% Popularity • 21% Danceability • 15% Energy • 14% Liveness
84% Instrumentalness • 7% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Emmy Verhey
Concerto No. 1 in E Major, Op. 8 RV 269,...
99 bpm • E Maj • 03:31 • -15.46db
23% Popularity • 54% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
23% Popularity • 54% Danceability • 13% Energy • 10% Liveness
46% Instrumentalness • 39% Positiveness
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South German Philharmonic Orchestra
Moment Musical In F Minor
95 bpm • F min • 01:54 • -27.23db
23% Popularity • 46% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 28% Positiveness
23% Popularity • 46% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: 13. Da...
95 bpm • A min • 04:00 • -21.66db
23% Popularity • 19% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
23% Popularity • 19% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
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Modest Mussorgsky
Khovanshchina: Dawn on the Moskva River
99 bpm • F# Maj • 04:58 • -24.51db
22% Popularity • 15% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 6% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
95 bpm • E Maj • 03:37 • -16.07db
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 14% Energy • 19% Liveness
87% Instrumentalness • 28% Positiveness
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Easter Celebration
Vivaldi's Concerto: The Four Seasons (Sp...
95 bpm • E Maj • 03:37 • -15db
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 23% Positiveness
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
78% Instrumentalness • 23% Positiveness
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Tbilisi Symphony Orchestra
Peer Gynt Suite No. 1, Op. 46: IV. In th...
95 bpm • F# Maj • 02:46 • -22.47db
34% Popularity • 39% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
34% Popularity • 39% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Sylvia Capova
Sechs musikalische Sätze für Klavier, ...
99 bpm • F min • 01:43 • -23.63db
29% Popularity • 57% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
29% Popularity • 57% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 28% Positiveness
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Nikolai Rimsky-Korsakov
The Flight Of The Bumblebee
95 bpm • D min • 01:09 • -27.11db
17% Popularity • 38% Danceability • 5% Energy • 64% Liveness
74% Instrumentalness • 53% Positiveness
17% Popularity • 38% Danceability • 5% Energy • 64% Liveness
74% Instrumentalness • 53% Positiveness
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Radio Orchestra Berlin
Holberg Suite
95 bpm • G Maj • 04:11 • -18.57db
11% Popularity • 14% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Bedřich Smetana
The Moldau (Vlatava), No. 2
99 bpm • E Maj • 12:21 • -17.21db
32% Popularity • 16% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 16% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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クリスティアーヌ・ジャコッテ
ゴルトベルク変奏曲 ト長調�...
100 bpm • F# Maj • 02:13 • -20.45db
22% Popularity • 39% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 48% Positiveness
22% Popularity • 39% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 48% Positiveness
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Johann Strauss II
Frühlingsstimmen, Op.410)
100 bpm • A# Maj • 05:47 • -19.49db
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
14% Popularity • 32% Danceability • 14% Energy • 19% Liveness
89% Instrumentalness • 50% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
94 bpm • C min • 07:16 • -17.4db
18% Popularity • 35% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 18% Positiveness
18% Popularity • 35% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 18% Positiveness
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Jeremy Siepmann
Instruments Of The Orchestra: Prokofiev:...
94 bpm • G# Maj • 01:55 • -34.44db
24% Popularity • 19% Danceability • 2% Energy • 20% Liveness
45% Instrumentalness • 9% Positiveness
24% Popularity • 19% Danceability • 2% Energy • 20% Liveness
45% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Khachaturian: Gayaneh, Suite No. 3: V. S...
94 bpm • F min • 02:19 • -16db
12% Popularity • 40% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
12% Popularity • 40% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
100 bpm • C Maj • 01:50 • -15.81db
9% Popularity • 54% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 56% Positiveness
9% Popularity • 54% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 56% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: II. Lyric Waltz
100 bpm • C min • 02:08 • -19.27db
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube, Op. 314
94 bpm • D Maj • 10:05 • -22.92db
34% Popularity • 29% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 18% Positiveness
34% Popularity • 29% Danceability • 4% Energy • 9% Liveness
81% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
100 bpm • E Maj • 06:38 • -22db
19% Popularity • 35% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 24% Positiveness
19% Popularity • 35% Danceability • 12% Energy • 14% Liveness
38% Instrumentalness • 24% Positiveness
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Jacques Offenbach
Gaîté parisienne: No. 23: Barcarolle
101 bpm • D Maj • 03:46 • -22db
18% Popularity • 20% Danceability • 10% Energy • 28% Liveness
3% Instrumentalness • 13% Positiveness
18% Popularity • 20% Danceability • 10% Energy • 28% Liveness
3% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Don Carlo: O don fatale
93 bpm • G# Maj • 04:13 • -14.8db
0% Popularity • 30% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Armonie Symphony Orchestra
The Hall of The Mountain King
101 bpm • B min • 02:37 • -20db
18% Popularity • 36% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
18% Popularity • 36% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 61% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 147: No. 2, ...
101 bpm • C Maj • 05:58 • -17.38db
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 17% Energy • 36% Liveness
83% Instrumentalness • 11% Positiveness
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Cérémonie De Mariage
Concerto Pour Violon Et Basse Continue -...
93 bpm • D Maj • 01:30 • -9.48db
27% Popularity • 54% Danceability • 49% Energy • 13% Liveness
9% Instrumentalness • 79% Positiveness
27% Popularity • 54% Danceability • 49% Energy • 13% Liveness
9% Instrumentalness • 79% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
93 bpm • E Maj • 07:07 • -13db
25% Popularity • 35% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
25% Popularity • 35% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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Finghin Collins
Nocturnes, Op. 9: No. 2 in E-Flat Major
101 bpm • A# Maj • 04:53 • -24.9db
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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London Concert Orchestra
Trumpet Voluntary
101 bpm • D Maj • 02:54 • -11db
28% Popularity • 33% Danceability • 15% Energy • 31% Liveness
73% Instrumentalness • 32% Positiveness
28% Popularity • 33% Danceability • 15% Energy • 31% Liveness
73% Instrumentalness • 32% Positiveness
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Radio Orchestra Berlin
Prelude No.1
93 bpm • C min • 01:30 • -17.15db
8% Popularity • 35% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 28% Positiveness
8% Popularity • 35% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Verdi: La forza del destino: Overture (E...
101 bpm • A min • 02:57 • -17db
10% Popularity • 14% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 14% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Sergei Prokofiev
Romeo & Juliet, Op. 64, Act I: No. 13, D...
101 bpm • C Maj • 05:34 • -23.86db
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 5% Energy • 10% Liveness
72% Instrumentalness • 14% Positiveness
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Frédéric Chopin
Nocturne No. 2 in E Flat, Op. 9
101 bpm • A# Maj • 04:45 • -32.45db
43% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
102 bpm • G min • 07:48 • -23.73db
38% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
38% Popularity • 35% Danceability • 11% Energy • 8% Liveness
54% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Philharmonia Slavonica
Sheep May Safely Graze
102 bpm • A# Maj • 04:41 • -26db
16% Popularity • 64% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
16% Popularity • 64% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Peter Schmalfuss
Polonaise, op. 53, As-Dur: Maestoso
102 bpm • G# Maj • 06:27 • -22.6db
15% Popularity • 37% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
15% Popularity • 37% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
92 bpm • D Maj • 09:51 • -22.12db
16% Popularity • 11% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Sapho: O ma lyre immortelle
92 bpm • A# min • 05:04 • -17.63db
1% Popularity • 21% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 21% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
► Preview
Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
103 bpm • A# Maj • 06:01 • -25.75db
35% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
35% Popularity • 27% Danceability • 4% Energy • 16% Liveness
80% Instrumentalness • 27% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
91 bpm • A min • 02:24 • -35.61db
33% Popularity • 21% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 1% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
State Academic Symphony Orchestra of the USSR
The Sleeping Beauty, Act I, Op. 66: No. ...
103 bpm • A# Maj • 04:39 • -16db
21% Popularity • 28% Danceability • 24% Energy • 22% Liveness
92% Instrumentalness • 46% Positiveness
21% Popularity • 28% Danceability • 24% Energy • 22% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Janacek Chamber Orchestra
L'Estro Armonico, Op. 3 - Concerto No. 9...
103 bpm • D Maj • 02:08 • -16.74db
31% Popularity • 62% Danceability • 36% Energy • 32% Liveness
73% Instrumentalness • 83% Positiveness
31% Popularity • 62% Danceability • 36% Energy • 32% Liveness
73% Instrumentalness • 83% Positiveness
► Preview
Giuseppe Verdi
Un ballo in maschera: Re dell'abisso, af...
92 bpm • C Maj • 04:11 • -17.19db
0% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 28% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Camerata Romana
Concerto for 2 Violins in D Minor, BWV 1...
91 bpm • D min • 04:02 • -17.85db
23% Popularity • 51% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
23% Popularity • 51% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 58% Positiveness
► Preview
Aram Khachaturian
Gayane Suite No. 2: VI. Sabre Dance
91 bpm • D# Maj • 02:26 • -15.58db
35% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
35% Popularity • 43% Danceability • 78% Energy • 14% Liveness
85% Instrumentalness • 30% Positiveness
► Preview
Johann Strauss II
Strauss, Johann II: An der schönen blau...
104 bpm • D Maj • 09:23 • -18.07db
26% Popularity • 30% Danceability • 11% Energy • 35% Liveness
86% Instrumentalness • 18% Positiveness
26% Popularity • 30% Danceability • 11% Energy • 35% Liveness
86% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
36% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
► Preview
Radio Orchestra Berlin
Overture "The Magic Flute", K. 620
91 bpm • D# Maj • 06:35 • -16.37db
0% Popularity • 41% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
0% Popularity • 41% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 18% Positiveness
► Preview
Franz Liszt
Totentanz, S126/R457: Andante - Allegro ...
90 bpm • F Maj • 02:04 • -22db
6% Popularity • 34% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
6% Popularity • 34% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Two Elegaic Melodies, Op. 34: II. The La...
90 bpm • G Maj • 04:39 • -22db
26% Popularity • 16% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Philharmonische Vereinigung Arte Sinfonica
Slawische Tänze, op. 46, Nr. 10
104 bpm • E min • 05:35 • -17.87db
12% Popularity • 20% Danceability • 16% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
12% Popularity • 20% Danceability • 16% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Aram Khachaturian
Gayane: Sabre Dance
90 bpm • C Maj • 02:28 • -14db
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Richard Wagner
Die Walkure, Act III: Ride of the Valkyr...
90 bpm • G Maj • 05:25 • -16.78db
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 25% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40 (Arr. F. Liszt, V....
90 bpm • D# Maj • 08:44 • -21.99db
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
22% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
22% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
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Vitalij Margulis
Étude Op. 25, No. 9, "Butterfly": Alleg...
105 bpm • C# Maj • 01:08 • -17.45db
27% Popularity • 44% Danceability • 30% Energy • 14% Liveness
85% Instrumentalness • 71% Positiveness
27% Popularity • 44% Danceability • 30% Energy • 14% Liveness
85% Instrumentalness • 71% Positiveness
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London Festival Orchestra
Chopin: Fantasie Impromptu #4 In C Sharp...
90 bpm • C# Maj • 04:55 • -19.41db
24% Popularity • 23% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 11% Positiveness
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Vienna Volksoper Orchestra
Die Fledermaus: Ouvertuere
90 bpm • D Maj • 08:20 • -22db
20% Popularity • 24% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 16% Positiveness
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Richard Wagner
Wagner: Die Walküre, Act III: Ride of t...
105 bpm • B Maj • 04:47 • -12db
21% Popularity • 34% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
21% Popularity • 34% Danceability • 39% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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SWF Symphony Orchestra Baden-Baden
Symphony No. 40 in G Minor, KV. 550: I. ...
105 bpm • G min • 07:53 • -19db
23% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
23% Popularity • 33% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
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Jacques Offenbach
La vie parisienne, Polka
105 bpm • G Maj • 02:27 • -16db
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 7% Liveness
44% Instrumentalness • 72% Positiveness
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Gioachino Rossini
The Thieving Magpie
89 bpm • E Maj • 05:07 • -19.88db
37% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
37% Popularity • 35% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 33% Positiveness
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The Jane Austen Era
Menuet No. 5, Op. 11
105 bpm • A Maj • 03:35 • -24.99db
35% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
35% Popularity • 46% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 55% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
105 bpm • C Maj • 04:04 • -21db
9% Popularity • 27% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
9% Popularity • 27% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Hut On Fo...
89 bpm • G Maj • 03:24 • -19.51db
23% Popularity • 25% Danceability • 18% Energy • 67% Liveness
57% Instrumentalness • 24% Positiveness
23% Popularity • 25% Danceability • 18% Energy • 67% Liveness
57% Instrumentalness • 24% Positiveness
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Nueva Vida
Thais, Meditación
89 bpm • D Maj • 05:17 • -22.01db
18% Popularity • 22% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Arthur Fiedler
Rákóczy March
106 bpm • A Maj • 04:12 • -18.58db
11% Popularity • 42% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
11% Popularity • 42% Danceability • 29% Energy • 8% Liveness
88% Instrumentalness • 51% Positiveness
► Preview
CHA Medical Center
Vivaldi: The Four Seasons, Spring 1st mo...
106 bpm • E Maj • 03:13 • -12.75db
40% Popularity • 49% Danceability • 22% Energy • 17% Liveness
12% Instrumentalness • 24% Positiveness
40% Popularity • 49% Danceability • 22% Energy • 17% Liveness
12% Instrumentalness • 24% Positiveness
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Ivan Peev
Suite from "The Gadfly", Op. 97a: VIII. ...
106 bpm • C# Maj • 07:13 • -22db
15% Popularity • 16% Danceability • 10% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 10% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C minor, Op. 67: 1. Al...
89 bpm • C min • 07:58 • -17.69db
13% Popularity • 24% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: No. 5 in G Minor: A...
106 bpm • G min • 03:57 • -13.65db
39% Popularity • 36% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
39% Popularity • 36% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Philharmonia Slavonica
Toccata and Fugue in D Minor
88 bpm • C# min • 02:22 • -19db
17% Popularity • 19% Danceability • 7% Energy • 28% Liveness
77% Instrumentalness • 20% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 28% Liveness
77% Instrumentalness • 20% Positiveness
► Preview
Charles Gounod
Faust: Waltz
107 bpm • A Maj • 04:46 • -16db
10% Popularity • 33% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
10% Popularity • 33% Danceability • 21% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Peter Schmalfuss
Walzer, Nr. 14, E-Moll, op. posth.
88 bpm • E Maj • 02:53 • -23db
23% Popularity • 31% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
23% Popularity • 31% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream: Intermezzo
88 bpm • A Maj • 03:00 • -30.49db
7% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Ludwig van Beethoven
Violinromanze Nr. 2 F-Dur, Op. 50: Roman...
88 bpm • F Maj • 09:29 • -21.46db
11% Popularity • 18% Danceability • 8% Energy • 28% Liveness
57% Instrumentalness • 13% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 28% Liveness
57% Instrumentalness • 13% Positiveness
