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Wanna Be That Song
Songs like
Wanna Be That Song
by
Brett Eldredge
Based on a tempo of (+/- 10%) and a similar genre
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Maddie & Tae
Strangers
144 bpm • D# Maj • 03:32 • -5.77db
48% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
59% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Scotty McCreery
Forget To Forget You
144 bpm • A# Maj • 03:58 • -5.97db
39% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
61% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Luke Bryan
Crash My Party
144 bpm • G Maj • 03:54 • -4db
61% Popularity • 53% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Morgan Wallen
Not Good At Not
144 bpm • B Maj • 03:05 • -3.24db
61% Popularity • 56% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
55% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
65% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
56% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
65% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Little Big Town
Better Man
144 bpm • F Maj • 04:23 • -3.66db
61% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Brett Eldredge
Bring You Back
144 bpm • G# Maj • 03:11 • -5db
32% Popularity • 57% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Combs
Houston, We Got a Problem
144 bpm • A Maj • 03:11 • -5.06db
69% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Kenny Chesney
The Good Stuff
144 bpm • G Maj • 03:20 • -10db
58% Popularity • 61% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
52% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Brad Paisley
Then
145 bpm • C Maj • 05:21 • -5.19db
60% Popularity • 49% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
57% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Young
Change Your Name
145 bpm • D Maj • 03:33 • -7.98db
53% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tyler Farr
Redneck Crazy
146 bpm • G min • 03:36 • -4.22db
55% Popularity • 49% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
62% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
62% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
60% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
Fast
146 bpm • C min • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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RaeLynn
Lonely Call
146 bpm • F# Maj • 03:44 • -5db
52% Popularity • 59% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Rodney Atkins
Cleaning This Gun (Come On In Boy)
146 bpm • D Maj • 03:46 • -3.67db
54% Popularity • 51% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
57% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
51% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Ashley McBryde
A Little Dive Bar in Dahlonega
146 bpm • C# Maj • 03:29 • -6.19db
51% Popularity • 64% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Billy Currington
People Are Crazy
142 bpm • F Maj • 03:51 • -5db
67% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Brad Paisley
Remind Me
141 bpm • F Maj • 04:31 • -4.2db
57% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Easton Corbin
Are You With Me
148 bpm • G# Maj • 03:40 • -7db
47% Popularity • 57% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Eldredge
Gotta Get There
148 bpm • G# Maj • 03:23 • -6.5db
27% Popularity • 66% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Evans
A Little Bit Stronger
148 bpm • D Maj • 05:01 • -5.6db
59% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
64% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Kane Brown
Used to Love You Sober
148 bpm • C# Maj • 03:01 • -6db
54% Popularity • 52% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Tyler Farr
A Guy Walks Into a Bar
148 bpm • C Maj • 03:16 • -3db
53% Popularity • 43% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
69% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
52% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Brett Young
You Ain't Here To Kiss Me
148 bpm • C Maj • 03:37 • -7db
50% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Underwood
Heartbeat
140 bpm • C# Maj • 03:29 • -4.48db
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Stell
Prayed For You
140 bpm • A Maj • 03:30 • -5.86db
60% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Cody Johnson
Ain't Nothin' to It
140 bpm • A# Maj • 03:22 • -5.67db
62% Popularity • 51% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Randy Houser
Like a Cowboy
140 bpm • C# Maj • 04:22 • -4.33db
50% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lainey Wilson
Things A Man Oughta Know
140 bpm • D# Maj • 03:23 • -5.62db
72% Popularity • 66% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Used to You
140 bpm • F# Maj • 03:56 • -6.97db
60% Popularity • 58% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Cole Swindell
Middle of a Memory
140 bpm • B Maj • 03:46 • -4.23db
60% Popularity • 53% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Craig Morgan
That's What I Love About Sunday
139 bpm • G# Maj • 03:21 • -6.31db
60% Popularity • 60% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Brett Eldredge
The One You Need
150 bpm • C Maj • 04:05 • -12db
41% Popularity • 41% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
51% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Luke Combs
This One's for You
149 bpm • B Maj • 03:50 • -7.81db
53% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
80% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Justin Moore
Kinda Don't Care
150 bpm • C# Maj • 04:21 • -6db
49% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Abbott Band
Oh, Tonight
150 bpm • B Maj • 03:25 • -4.84db
54% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
63% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
45% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
48% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Morgan Wallen
Spin You Around
150 bpm • E Maj • 03:32 • -3.62db
64% Popularity • 52% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs
138 bpm • F Maj • 03:30 • -5db
48% Popularity • 56% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Clay Walker
Fall
138 bpm • C Maj • 03:37 • -6.99db
48% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Combs
Better Together
138 bpm • C Maj • 03:39 • -11.5db
76% Popularity • 55% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Luke Bryan
Do I
138 bpm • A Maj • 03:59 • -5.33db
61% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Wallen
The Way I Talk
138 bpm • E Maj • 03:28 • -3.39db
74% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Brett Eldredge
Waited Too Long
138 bpm • A Maj • 03:59 • -5.01db
25% Popularity • 48% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
80% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Like Jesus Does
137 bpm • C# Maj • 03:18 • -8.39db
54% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Bryan
Strip It Down
138 bpm • A Maj • 04:01 • -3.59db
58% Popularity • 63% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
67% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
65% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Cole Swindell
Hope You Get Lonely Tonight
152 bpm • A# Maj • 03:47 • -4db
50% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Ain't Always The Cowboy
152 bpm • A Maj • 03:40 • -3db
68% Popularity • 54% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
64% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Brett Eldredge
Fire
152 bpm • D Maj • 03:17 • -3.52db
27% Popularity • 50% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Muscadine Bloodline
Porch Swing Angel
136 bpm • D Maj • 03:50 • -7.9db
67% Popularity • 52% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
45% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Rascal Flatts
What Hurts The Most
136 bpm • F min • 03:34 • -5.13db
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Dan + Shay
Keeping Score
136 bpm • E Maj • 03:40 • -4db
55% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Logan Mize
Somebody to Thank
136 bpm • D Maj • 03:31 • -4.72db
46% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Pardi
Can't Turn You Down
136 bpm • G# Maj • 03:23 • -3.72db
54% Popularity • 63% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Wanna Be That Song