Songs like War and Peace, Op. 91 - original version: "Karabli sazheny" by Sergei Prokofiev
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
46% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
46% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
46% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Antonín Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Leoš Janáček
String Quartet No. 2, JW 7/13 "Intimate ...
73 bpm • F# Maj • 06:08 • -15db
34% Popularity • 17% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Romeo and Juliet (2nd suite), Op.64ter: ...
75 bpm • C Maj • 04:12 • -29.88db
18% Popularity • 17% Danceability • 2% Energy • 13% Liveness
43% Instrumentalness • 14% Positiveness
18% Popularity • 17% Danceability • 2% Energy • 13% Liveness
43% Instrumentalness • 14% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
73 bpm • G# Maj • 00:55 • -39db
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
54% Popularity • 19% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
75 bpm • D min • 07:58 • -18.48db
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 13% Energy • 9% Liveness
24% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 13 Dance o...
73 bpm • C Maj • 05:44 • -24.9db
49% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
49% Popularity • 14% Danceability • 6% Energy • 56% Liveness
24% Instrumentalness • 12% Positiveness
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Ludwig van Beethoven
Beethoven: Egmont, Op. 84: Overture
75 bpm • F min • 08:40 • -18.44db
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
22% Popularity • 21% Danceability • 8% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
75 bpm • C Maj • 08:19 • -21.66db
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 58% Liveness
85% Instrumentalness • 30% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Mikhail Glinka
Glinka: Overture from Ruslan and Ludmill...
76 bpm • D Maj • 05:50 • -18.41db
28% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 32% Danceability • 28% Energy • 70% Liveness
92% Instrumentalness • 38% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Violin Partita No. 2 in D Minor, BWV 100...
76 bpm • D min • 05:12 • -22db
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
40% Popularity • 25% Danceability • 5% Energy • 14% Liveness
24% Instrumentalness • 46% Positiveness
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Frédéric Chopin
Waltz No. 12 in F Minor, Op. 70 No. 2
76 bpm • G# Maj • 01:48 • -34.21db
48% Popularity • 28% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
48% Popularity • 28% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 5 in C Minor, Op...
72 bpm • G# Maj • 09:58 • -22db
13% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Scythian Suite, Op. 20 "Ala i Lolli": II...
77 bpm • E min • 05:59 • -27.42db
11% Popularity • 9% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: III. ...
71 bpm • A Maj • 07:17 • -23db
33% Popularity • 28% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
33% Popularity • 28% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio in C Minor, Wq. 117/2, H. 220
77 bpm • F min • 01:02 • -24.72db
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
58% Popularity • 26% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 61% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
46% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
46% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
78 bpm • G Maj • 03:00 • -14.48db
21% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
21% Popularity • 43% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 20% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
27% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
70 bpm • E min • 08:09 • -23.87db
34% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 9% Liveness
16% Instrumentalness • 7% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
29% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
Alexander Nevsky: VII. Alexander's Entry...
79 bpm • D# Maj • 03:43 • -16.17db
11% Popularity • 19% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 19% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Franz Schubert
20 Waltzes (Letzte Waltzer) D 146, Op. 1...
79 bpm • G Maj • 01:10 • -17.5db
32% Popularity • 49% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 49% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Symphony in C: I. Moderato alla breve
78 bpm • C Maj • 09:43 • -20.66db
35% Popularity • 50% Danceability • 7% Energy • 30% Liveness
89% Instrumentalness • 27% Positiveness
35% Popularity • 50% Danceability • 7% Energy • 30% Liveness
89% Instrumentalness • 27% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
37% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
56% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • D# Maj • 05:40 • -11db
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 14% Danceability • 22% Energy • 27% Liveness
90% Instrumentalness • 7% Positiveness
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Robert Schumann
Symphonic Studies, Op. 13 - Version 1852...
69 bpm • C# min • 02:59 • -23.71db
35% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
69 bpm • A Maj • 06:28 • -26.28db
21% Popularity • 8% Danceability • 3% Energy • 26% Liveness
90% Instrumentalness • 9% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 26% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Sergei Prokofiev
Violin Concerto No. 1 In D, Op. 19: 1. A...
79 bpm • G Maj • 09:24 • -24.58db
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
21% Popularity • 21% Danceability • 12% Energy • 30% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Antonín Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
► Preview
Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
37% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
37% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Nikolai Tcherepnin
La Princesse lontaine - Prelude
69 bpm • A Maj • 09:17 • -23.12db
23% Popularity • 17% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Scènes de ballet, Op. 52: II. Marionnet...
69 bpm • D Maj • 02:13 • -34.93db
37% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
37% Popularity • 12% Danceability • 2% Energy • 20% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Vasily Kalinnikov
Symphony No. 2 in A Major: II. Andante c...
69 bpm • F# min • 08:01 • -18db
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 13% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Cinderella, Op. 87: 50. Amoroso
80 bpm • F Maj • 03:29 • -17.58db
20% Popularity • 12% Danceability • 21% Energy • 37% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 21% Energy • 37% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 3 in D Minor, Op. 30:...
69 bpm • C# Maj • 09:36 • -25db
30% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
80 bpm • C Maj • 03:20 • -16.25db
27% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
27% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
69 bpm • F# Maj • 02:03 • -36.26db
34% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 1% Energy • 77% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
80 bpm • E min • 02:34 • -16db
19% Popularity • 31% Danceability • 43% Energy • 24% Liveness
97% Instrumentalness • 53% Positiveness
19% Popularity • 31% Danceability • 43% Energy • 24% Liveness
97% Instrumentalness • 53% Positiveness
► Preview
Mstislav Rostropovich
Cinderella, Op. 87, Act II: Waltz-Coda (...
80 bpm • G Maj • 03:11 • -20db
19% Popularity • 48% Danceability • 30% Energy • 68% Liveness
80% Instrumentalness • 59% Positiveness
19% Popularity • 48% Danceability • 30% Energy • 68% Liveness
80% Instrumentalness • 59% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
► Preview
Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
► Preview
Sergei Prokofiev
Peter And The Wolf, Op. 67: Andantino (F...
80 bpm • G# Maj • 04:50 • -29.1db
23% Popularity • 27% Danceability • 5% Energy • 26% Liveness
6% Instrumentalness • 24% Positiveness
23% Popularity • 27% Danceability • 5% Energy • 26% Liveness
6% Instrumentalness • 24% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Morning (All...
68 bpm • E Maj • 04:19 • -23.72db
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Phaéton, Op. 39
80 bpm • D# Maj • 09:06 • -23db
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
29% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
29% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Alexander Nevsky: II. Song about Alexand...
69 bpm • A# Maj • 02:44 • -17.46db
16% Popularity • 23% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
16% Popularity • 23% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Elegie in E-Flat Minor, Op. 3, No. 1
68 bpm • D# min • 04:04 • -25.1db
33% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Scherzo No. 2 in B Flat Minor, Op. 31
68 bpm • C# Maj • 10:40 • -21db
32% Popularity • 30% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
32% Popularity • 30% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Cinderella-Suite Nr. 1, Op. 107: IV. Fai...
69 bpm • C# Maj • 05:19 • -25.79db
16% Popularity • 12% Danceability • 6% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 6% Energy • 24% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Suite for Jazz Orchestra N...
81 bpm • D# Maj • 02:42 • -34db
32% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
32% Popularity • 28% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Maurice Ravel
Gaspard de la nuit, M. 55: I. Ondine
67 bpm • C# Maj • 07:21 • -30db
21% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Masquerade (Suite): 1. Waltz - Excerpt
67 bpm • C Maj • 02:10 • -15.13db
49% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
49% Popularity • 17% Danceability • 29% Energy • 64% Liveness
92% Instrumentalness • 33% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: Juliet...
68 bpm • F Maj • 02:38 • -25.77db
27% Popularity • 20% Danceability • 7% Energy • 23% Liveness
19% Instrumentalness • 12% Positiveness
27% Popularity • 20% Danceability • 7% Energy • 23% Liveness
19% Instrumentalness • 12% Positiveness
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Léo Delibes
Sylvia: Act I: Intermezzo
82 bpm • A# min • 01:12 • -44db
29% Popularity • 24% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 24% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
23% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
23% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
Brook Green Suite: III. Dance
82 bpm • C Maj • 02:20 • -18.52db
30% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
30% Popularity • 39% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 56% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23: No. 16, Anitra's Danc...
82 bpm • A min • 03:26 • -33.31db
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
30% Popularity • 39% Danceability • 4% Energy • 8% Liveness
66% Instrumentalness • 12% Positiveness
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)