Songs like War and Peace by Låpsley
Based on a tempo of (+/- 10%) and a similar genre
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Geowulf
Lovestruck
115 bpm • G Maj • 03:52 • -9.23db
14% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Goldie Boutilier
Body Heat
115 bpm • E min • 04:02 • -8.69db
34% Popularity • 88% Danceability • 53% Energy • 24% Liveness
8% Instrumentalness • 88% Positiveness
34% Popularity • 88% Danceability • 53% Energy • 24% Liveness
8% Instrumentalness • 88% Positiveness
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Chloe Dadd
Now Now
115 bpm • C Maj • 03:45 • -6.78db
26% Popularity • 67% Danceability • 72% Energy • 53% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 67% Danceability • 72% Energy • 53% Liveness
0% Instrumentalness • 71% Positiveness
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Jaws of Love.
Rainbow Baby
115 bpm • E min • 05:46 • -14.05db
20% Popularity • 60% Danceability • 34% Energy • 11% Liveness
51% Instrumentalness • 20% Positiveness
20% Popularity • 60% Danceability • 34% Energy • 11% Liveness
51% Instrumentalness • 20% Positiveness
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Low Island
Robin
115 bpm • G# min • 04:29 • -8db
11% Popularity • 65% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 65% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Jo Hill
OTHER GIRL
115 bpm • F# min • 04:16 • -5.86db
20% Popularity • 69% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 69% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Empress Of
Turn The Table
115 bpm • C Maj • 02:51 • -5.19db
33% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 71% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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LÃ¥psley
Heartless
115 bpm • E min • 04:14 • -8.23db
27% Popularity • 73% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
27% Popularity • 73% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Art School Girlfriend
Is It Light Where You Are
115 bpm • D Maj • 04:57 • -13.11db
34% Popularity • 59% Danceability • 45% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
34% Popularity • 59% Danceability • 45% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Mallrat
Arm’s Length
115 bpm • D Maj • 03:28 • -11.47db
17% Popularity • 49% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 49% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Hannah Jadagu
Admit It
116 bpm • D Maj • 03:38 • -9.45db
30% Popularity • 66% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 66% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Cub Sport
Zoom
116 bpm • C Maj • 03:29 • -8.51db
24% Popularity • 47% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 47% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Empress Of
Cry For Help
115 bpm • C min • 02:50 • -5.44db
20% Popularity • 68% Danceability • 79% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
20% Popularity • 68% Danceability • 79% Energy • 31% Liveness
2% Instrumentalness • 45% Positiveness
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LÃ¥psley
War and Peace
115 bpm • C Maj • 03:03 • -12.97db
17% Popularity • 60% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 60% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Jasmine Jethwa
Running Circles
116 bpm • D min • 03:03 • -9.37db
32% Popularity • 70% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 70% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Blackbird Blackbird
Hey Lover
114 bpm • G# Maj • 02:44 • -8.18db
15% Popularity • 78% Danceability • 61% Energy • 12% Liveness
75% Instrumentalness • 52% Positiveness
15% Popularity • 78% Danceability • 61% Energy • 12% Liveness
75% Instrumentalness • 52% Positiveness
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eee gee
perfect 10
114 bpm • C# Maj • 03:22 • -6.01db
39% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Madi Sipes & The Painted Blue
not gonna hurt 4ever
114 bpm • C Maj • 02:58 • -12.77db
20% Popularity • 65% Danceability • 54% Energy • 13% Liveness
24% Instrumentalness • 39% Positiveness
20% Popularity • 65% Danceability • 54% Energy • 13% Liveness
24% Instrumentalness • 39% Positiveness
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George FitzGerald
Mother
116 bpm • F min • 03:41 • -8.08db
39% Popularity • 60% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
39% Popularity • 60% Danceability • 62% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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LÃ¥psley
Leap
116 bpm • D Maj • 04:49 • -11.77db
20% Popularity • 65% Danceability • 36% Energy • 19% Liveness
24% Instrumentalness • 5% Positiveness
20% Popularity • 65% Danceability • 36% Energy • 19% Liveness
24% Instrumentalness • 5% Positiveness
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LANKS
Floating
116 bpm • B min • 03:31 • -11.29db
39% Popularity • 59% Danceability • 68% Energy • 36% Liveness
8% Instrumentalness • 11% Positiveness
39% Popularity • 59% Danceability • 68% Energy • 36% Liveness
8% Instrumentalness • 11% Positiveness
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Harry Strange
god damn shame
114 bpm • C Maj • 02:26 • -8.72db
27% Popularity • 74% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 74% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Biig Piig
In the Dark
114 bpm • E min • 02:19 • -9.16db
49% Popularity • 72% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 44% Positiveness
49% Popularity • 72% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 44% Positiveness
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Maggie Rogers
The Kill
117 bpm • D Maj • 04:11 • -3.83db
31% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 64% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Lola Young
Chill Out
117 bpm • D Maj • 02:48 • -7.54db
34% Popularity • 32% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 32% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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LÃ¥psley
Cliff
116 bpm • D Maj • 04:28 • -9db
31% Popularity • 74% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
31% Popularity • 74% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 15% Positiveness
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Nakhane
You've Got Me (Living Again)
117 bpm • G# Maj • 03:30 • -8.89db
9% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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flowerovlove
Love You
117 bpm • D Maj • 02:56 • -7.83db
45% Popularity • 63% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 63% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Sans Soucis
Merchants
117 bpm • F Maj • 04:08 • -8.72db
18% Popularity • 70% Danceability • 56% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
18% Popularity • 70% Danceability • 56% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
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ELIS NOA
You Only Like Me When I'm Fun
117 bpm • G# Maj • 04:24 • -12.52db
20% Popularity • 36% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
20% Popularity • 36% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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VÉRITÉ
i would leave you
112 bpm • C# Maj • 03:14 • -11.17db
23% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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LÃ¥psley
Smoke and Fire
114 bpm • F Maj • 03:39 • -11.6db
25% Popularity • 75% Danceability • 48% Energy • 9% Liveness
50% Instrumentalness • 13% Positiveness
25% Popularity • 75% Danceability • 48% Energy • 9% Liveness
50% Instrumentalness • 13% Positiveness
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Sorcha Richardson
Shark Eyes
118 bpm • F Maj • 04:30 • -8.13db
27% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Miya Folick
Shortstop
118 bpm • F# Maj • 03:20 • -10.37db
28% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Arctic Lake
My Weakness
118 bpm • E min • 03:03 • -6.4db
27% Popularity • 72% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 72% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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GINGE
Take My Picture
112 bpm • E min • 03:15 • -7.04db
34% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Cub Sport
Replay
118 bpm • F Maj • 03:23 • -6.24db
35% Popularity • 56% Danceability • 88% Energy • 54% Liveness
4% Instrumentalness • 10% Positiveness
35% Popularity • 56% Danceability • 88% Energy • 54% Liveness
4% Instrumentalness • 10% Positiveness
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LÃ¥psley
Levitate
116 bpm • B min • 03:55 • -9.87db
20% Popularity • 70% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
20% Popularity • 70% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Luna Morgenstern
Little Girl
118 bpm • D# min • 02:49 • -6.16db
30% Popularity • 84% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
30% Popularity • 84% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Yasmin Hass
Cleo
112 bpm • F Maj • 03:36 • -10.83db
29% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 66% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Kai Bosch
Be Right Back
118 bpm • B min • 03:33 • -10.97db
27% Popularity • 72% Danceability • 62% Energy • 26% Liveness
20% Instrumentalness • 32% Positiveness
27% Popularity • 72% Danceability • 62% Energy • 26% Liveness
20% Instrumentalness • 32% Positiveness
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Buzzy Lee
Cinderblock
112 bpm • C Maj • 03:03 • -6.85db
18% Popularity • 82% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 60% Positiveness
18% Popularity • 82% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 60% Positiveness
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Cailin Russo
LONELY ESTATE
112 bpm • F# Maj • 03:42 • -7db
25% Popularity • 66% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 66% Danceability • 51% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
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PROM
Out of My Mind
112 bpm • D Maj • 03:17 • -10.07db
24% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Delilah Montagu
Loud (Shura Remix)
112 bpm • F Maj • 03:30 • -7.12db
38% Popularity • 69% Danceability • 68% Energy • 9% Liveness
74% Instrumentalness • 18% Positiveness
38% Popularity • 69% Danceability • 68% Energy • 9% Liveness
74% Instrumentalness • 18% Positiveness
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SKAAR
Obscene
112 bpm • F# min • 02:49 • -8.62db
23% Popularity • 53% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 53% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
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Harrison Brome
Strange
112 bpm • B min • 02:33 • -7.38db
30% Popularity • 68% Danceability • 78% Energy • 28% Liveness
18% Instrumentalness • 57% Positiveness
30% Popularity • 68% Danceability • 78% Energy • 28% Liveness
18% Instrumentalness • 57% Positiveness
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Quinn Christopherson
Loaded Gun
119 bpm • G Maj • 03:42 • -12.97db
20% Popularity • 61% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
20% Popularity • 61% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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LÃ¥psley
Station
119 bpm • G Maj • 03:16 • -15.87db
38% Popularity • 53% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mr Little Jeans
Blitz
119 bpm • G Maj • 03:28 • -5.82db
24% Popularity • 81% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
24% Popularity • 81% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
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Ralph
Pain Relief
119 bpm • A min • 02:31 • -6.38db
23% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 81% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Miya Folick
2007
111 bpm • C Maj • 04:09 • -9.4db
23% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Chelsea Jade
Soft Spot
111 bpm • G# Maj • 01:07 • -18.01db
14% Popularity • 29% Danceability • 41% Energy • 39% Liveness
1% Instrumentalness • 27% Positiveness
14% Popularity • 29% Danceability • 41% Energy • 39% Liveness
1% Instrumentalness • 27% Positiveness
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Art School Girlfriend
Blue Sky
111 bpm • E min • 02:52 • -11.84db
30% Popularity • 60% Danceability • 52% Energy • 38% Liveness
87% Instrumentalness • 19% Positiveness
30% Popularity • 60% Danceability • 52% Energy • 38% Liveness
87% Instrumentalness • 19% Positiveness
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Tutara Peak
A Hectare to Roam
111 bpm • G# Maj • 04:38 • -8.84db
19% Popularity • 63% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
19% Popularity • 63% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Matt Corby
Better Than That
119 bpm • C# min • 03:41 • -11.02db
35% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Hein Cooper
Maze
120 bpm • D Maj • 03:29 • -10.22db
16% Popularity • 50% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
16% Popularity • 50% Danceability • 38% Energy • 10% Liveness
24% Instrumentalness • 9% Positiveness
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LÃ¥psley
Station - 2014
120 bpm • G Maj • 03:14 • -20.88db
45% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Sorcha Richardson
Purgatory
120 bpm • C Maj • 03:50 • -7.74db
19% Popularity • 56% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 56% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Quinn Christopherson
Thanks
120 bpm • G Maj • 03:34 • -12db
19% Popularity • 59% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 59% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Holly Humberstone
Scarlett - Garden Version
120 bpm • D Maj • 03:08 • -7db
32% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 49% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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The Big Moon
Suckerpunch - Marika Hackman Remix
120 bpm • E min • 03:38 • -9.49db
23% Popularity • 36% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 12% Positiveness
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LAUREL
Obsessed (Demo)
120 bpm • D# min • 02:25 • -5.97db
28% Popularity • 80% Danceability • 64% Energy • 22% Liveness
68% Instrumentalness • 62% Positiveness
28% Popularity • 80% Danceability • 64% Energy • 22% Liveness
68% Instrumentalness • 62% Positiveness
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LÃ¥psley
Speaking of the End
120 bpm • G# min • 03:08 • -17db
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Nanna
Bloodclot / Andvaka
120 bpm • C# Maj • 05:05 • -9.56db
26% Popularity • 58% Danceability • 53% Energy • 31% Liveness
38% Instrumentalness • 39% Positiveness
26% Popularity • 58% Danceability • 53% Energy • 31% Liveness
38% Instrumentalness • 39% Positiveness
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Vaarin
Dark Matter
120 bpm • A# min • 03:36 • -10.13db
18% Popularity • 56% Danceability • 51% Energy • 11% Liveness
9% Instrumentalness • 47% Positiveness
18% Popularity • 56% Danceability • 51% Energy • 11% Liveness
9% Instrumentalness • 47% Positiveness
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Steven Weston
Like I Used To
120 bpm • C Maj • 04:56 • -8.18db
52% Popularity • 70% Danceability • 68% Energy • 11% Liveness
13% Instrumentalness • 13% Positiveness
52% Popularity • 70% Danceability • 68% Energy • 11% Liveness
13% Instrumentalness • 13% Positiveness
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Vallis Alps
I'm On My Way
120 bpm • A# Maj • 03:45 • -7db
20% Popularity • 63% Danceability • 61% Energy • 7% Liveness
26% Instrumentalness • 44% Positiveness
20% Popularity • 63% Danceability • 61% Energy • 7% Liveness
26% Instrumentalness • 44% Positiveness
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LAUREL
Obsessed
120 bpm • B Maj • 02:44 • -3.88db
27% Popularity • 85% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 85% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Indy
Freeloader
120 bpm • C Maj • 03:28 • -7.36db
13% Popularity • 84% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 84% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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mui zyu
Talk to Death - Mini Trees remix
120 bpm • E min • 01:57 • -12.51db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
63% Instrumentalness • 23% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
63% Instrumentalness • 23% Positiveness
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Logan and Isabel
Never Let Me Go
120 bpm • E min • 03:17 • -19db
28% Popularity • 60% Danceability • 47% Energy • 9% Liveness
52% Instrumentalness • 21% Positiveness
28% Popularity • 60% Danceability • 47% Energy • 9% Liveness
52% Instrumentalness • 21% Positiveness
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Steven Weston
Like I Used to - Mixed
120 bpm • C Maj • 04:40 • -13.4db
6% Popularity • 68% Danceability • 51% Energy • 14% Liveness
11% Instrumentalness • 15% Positiveness
6% Popularity • 68% Danceability • 51% Energy • 14% Liveness
11% Instrumentalness • 15% Positiveness
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LÃ¥psley
Blue Monday
120 bpm • G Maj • 02:09 • -18.31db
29% Popularity • 82% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
29% Popularity • 82% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Jordan Stephens
Feel Joy
120 bpm • C# Maj • 03:42 • -8.36db
35% Popularity • 85% Danceability • 42% Energy • 10% Liveness
25% Instrumentalness • 14% Positiveness
35% Popularity • 85% Danceability • 42% Energy • 10% Liveness
25% Instrumentalness • 14% Positiveness
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Kilder
I Don't Feel Like Talking
120 bpm • F# min • 03:31 • -6.96db
16% Popularity • 67% Danceability • 68% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
16% Popularity • 67% Danceability • 68% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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LonelyTwin
More Than On My Mind
120 bpm • F Maj • 04:16 • -6.38db
23% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Kai Bosch
Orbit
120 bpm • D# Maj • 02:55 • -9.1db
11% Popularity • 70% Danceability • 59% Energy • 12% Liveness
11% Instrumentalness • 32% Positiveness
11% Popularity • 70% Danceability • 59% Energy • 12% Liveness
11% Instrumentalness • 32% Positiveness
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Elderbrook
Glad I Found You
120 bpm • C# Maj • 03:31 • -5.76db
46% Popularity • 62% Danceability • 75% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
46% Popularity • 62% Danceability • 75% Energy • 7% Liveness
2% Instrumentalness • 9% Positiveness
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LÃ¥psley
Operator (He Doesn't Call Me)
120 bpm • D Maj • 03:24 • -7.53db
40% Popularity • 73% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 73% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Art School Girlfriend
Out There
120 bpm • G Maj • 04:22 • -10.21db
30% Popularity • 53% Danceability • 83% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
30% Popularity • 53% Danceability • 83% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Vallis Alps
On The Eve Of The Rush
120 bpm • C Maj • 04:31 • -7.73db
27% Popularity • 67% Danceability • 82% Energy • 48% Liveness
9% Instrumentalness • 49% Positiveness
27% Popularity • 67% Danceability • 82% Energy • 48% Liveness
9% Instrumentalness • 49% Positiveness
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Sorcha Richardson
Jenny Was a Friend of Mine
110 bpm • A min • 03:09 • -11.59db
27% Popularity • 60% Danceability • 68% Energy • 8% Liveness
31% Instrumentalness • 49% Positiveness
27% Popularity • 60% Danceability • 68% Energy • 8% Liveness
31% Instrumentalness • 49% Positiveness
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Ami Cheon
feel betta
120 bpm • D Maj • 02:18 • -13.86db
32% Popularity • 83% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 83% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Mayfly
Passenger Seat
120 bpm • C Maj • 03:01 • -9.78db
21% Popularity • 64% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
21% Popularity • 64% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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SISTRA
You're a Lot
120 bpm • C# Maj • 02:32 • -8.64db
39% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Phoria
Portland
120 bpm • B Maj • 03:48 • -11.8db
18% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 47% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Connie Constance
Heavyweight Champion
120 bpm • E min • 03:25 • -11.14db
10% Popularity • 61% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 61% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 17% Positiveness
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Enengis
Night Soup
110 bpm • D Maj • 04:22 • -9db
19% Popularity • 72% Danceability • 84% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
19% Popularity • 72% Danceability • 84% Energy • 8% Liveness
88% Instrumentalness • 57% Positiveness
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Christine and the Queens
To be honest
110 bpm • B min • 03:41 • -8.35db
46% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 51% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Bien
Watch Her Go
110 bpm • C# Maj • 02:30 • -9.18db
32% Popularity • 78% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
32% Popularity • 78% Danceability • 55% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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LÃ¥psley
Womxn
110 bpm • G Maj • 03:54 • -10.63db
33% Popularity • 70% Danceability • 68% Energy • 6% Liveness
19% Instrumentalness • 33% Positiveness
33% Popularity • 70% Danceability • 68% Energy • 6% Liveness
19% Instrumentalness • 33% Positiveness
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Art School Girlfriend
Waves
110 bpm • C# min • 04:00 • -11.45db
30% Popularity • 67% Danceability • 59% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
30% Popularity • 67% Danceability • 59% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
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Asha Jefferies
Tank Tops
110 bpm • C# Maj • 03:02 • -5.94db
20% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 53% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Sorcha Richardson
Smiling Like An Idiot
121 bpm • C Maj • 04:17 • -9.2db
19% Popularity • 56% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 56% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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flowerovlove
I Gotta I Gotta
121 bpm • F Maj • 02:17 • -8db
28% Popularity • 88% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 88% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Solomon Fesshaye
Invisible Hand
121 bpm • F# min • 06:41 • -8db
20% Popularity • 52% Danceability • 73% Energy • 14% Liveness
7% Instrumentalness • 13% Positiveness
20% Popularity • 52% Danceability • 73% Energy • 14% Liveness
7% Instrumentalness • 13% Positiveness
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LÃ¥psley
Bonfire
110 bpm • E min • 03:55 • -11.62db
13% Popularity • 56% Danceability • 45% Energy • 8% Liveness
32% Instrumentalness • 8% Positiveness
13% Popularity • 56% Danceability • 45% Energy • 8% Liveness
32% Instrumentalness • 8% Positiveness
