Songs like Warum Hat Die Adelheid Keinen Abend Für by Willy Fritsch
Based on a tempo of (+/- 10%) and a similar genre
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Willy Fritsch
Ja, so ein Lieespaar
98 bpm • D Maj • 02:38 • -7.76db
0% Popularity • 54% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 54% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Willy Hagara
Eine Kutsche voller Mädels
98 bpm • F Maj • 02:27 • -10db
10% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Erhard Bauschke
Sag mir bloss, was ist los mit der Lilly...
98 bpm • C# Maj • 02:58 • -9.1db
11% Popularity • 88% Danceability • 48% Energy • 8% Liveness
13% Instrumentalness • 86% Positiveness
11% Popularity • 88% Danceability • 48% Energy • 8% Liveness
13% Instrumentalness • 86% Positiveness
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Evelyn Künneke
Oh ja - oh nein
98 bpm • G min • 02:31 • -12db
21% Popularity • 78% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 78% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Vico Torriani
Tausend Mandolinen
98 bpm • F Maj • 02:56 • -4.97db
11% Popularity • 34% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 34% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Lilian Harvey
Guten Tag, liebes Glück
97 bpm • D# Maj • 03:07 • -14db
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Willy Fritsch
Warum Hat Die Adelheid Keinen Abend Für
98 bpm • F min • 02:33 • -11.39db
3% Popularity • 70% Danceability • 31% Energy • 7% Liveness
22% Instrumentalness • 71% Positiveness
3% Popularity • 70% Danceability • 31% Energy • 7% Liveness
22% Instrumentalness • 71% Positiveness
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Rudi Schuricke
Mit Musik geht alles besser
99 bpm • C Maj • 02:44 • -11db
15% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
15% Popularity • 79% Danceability • 32% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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Marek Weber
Das Gibt Nur Einmal
98 bpm • G min • 03:29 • -7.56db
9% Popularity • 60% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 70% Positiveness
9% Popularity • 60% Danceability • 35% Energy • 7% Liveness
7% Instrumentalness • 70% Positiveness
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René Carol
Im Hafen von Adano
99 bpm • D Maj • 03:03 • -9db
13% Popularity • 29% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 29% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Evelyn Künneke
Sing Nachtigall Sing
99 bpm • C Maj • 03:04 • -14db
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Trude Herr
Ich bin eine Frau von Format
99 bpm • D# Maj • 02:37 • -9db
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Willy Fritsch
Warum hat die Adelheid keinen Abend für...
99 bpm • D# Maj • 02:33 • -10.08db
0% Popularity • 73% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 73% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Manfred Zalden
Meine Lieblingsmelodie
99 bpm • C Maj • 02:50 • -14db
7% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
7% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Pirron und Knapp
Blitzo
97 bpm • G Maj • 02:34 • -13.84db
14% Popularity • 74% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 74% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Ilse Werner
Die Kleine Stadt Will Schlafen Geh\'n
99 bpm • D# Maj • 03:13 • -11.99db
7% Popularity • 57% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 57% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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HIildegard Knef
Heimweh nach dem Kurfürstendamm
97 bpm • C Maj • 02:44 • -15db
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 46% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Harald Bohmelt
Frau am Steuer: Warum hat die Adelheid
99 bpm • G# Maj • 02:45 • -11.48db
0% Popularity • 73% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
0% Popularity • 73% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Willy Fritsch
Ich tanze mit dir in den Himmel hinein
97 bpm • C# Maj • 02:32 • -12.76db
0% Popularity • 31% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 31% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Theater Des Westens
La Cage Aux Folles: Song Am Strand
99 bpm • E Maj • 03:06 • -18.26db
11% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 38% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Claire Waldoff
Warum liebt der Wladimir jrade mir
97 bpm • C Maj • 03:10 • -10db
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 72% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Rex Gildo
In der Straße, mein Schatz, wo du lebst
96 bpm • C Maj • 02:18 • -15db
14% Popularity • 45% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 45% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Kuhn
Milch macht müde Männer munter
100 bpm • G# Maj • 02:37 • -7.93db
10% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 69% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Harald Bohmelt
Frau am Steuer: Warum hat die Adelheid k...
100 bpm • A# Maj • 02:42 • -12.88db
0% Popularity • 73% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 73% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Willy Fritsch
Tausendmal war ich im Traum bei dir
96 bpm • G# Maj • 02:39 • -10.83db
1% Popularity • 57% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
1% Popularity • 57% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Max Raabe & Palast Orchester
Wenn ich Du wär'
100 bpm • E Maj • 03:19 • -13db
12% Popularity • 72% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 58% Positiveness
12% Popularity • 72% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 58% Positiveness
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Bruce Low
Gestern wollt' ich beten geh'n
100 bpm • G# Maj • 02:47 • -9db
7% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 65% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Zarah Leander
Davon geht die Welt nicht unter
100 bpm • D Maj • 02:32 • -9db
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 52% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Freddy
Weit ist der Weg
96 bpm • F Maj • 03:14 • -14.38db
10% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Die Goldene Sieben
Darf ich bitten
96 bpm • F Maj • 02:48 • -4db
8% Popularity • 65% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 82% Positiveness
8% Popularity • 65% Danceability • 59% Energy • 19% Liveness
79% Instrumentalness • 82% Positiveness
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Willy Fritsch
Warum Hat Die Adelheid Keinen Abend Für...
99 bpm • D# Maj • 02:40 • -12.41db
3% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
3% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Daliah Lavi
Warum soll eine Frau kein Verhältnis ha...
101 bpm • E Maj • 03:01 • -10.14db
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 48% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Will Glahé
In Munchen steht ein Hofbrauhaus
95 bpm • F Maj • 02:22 • -9.94db
9% Popularity • 72% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 72% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Zarah Leander
Nur nicht aus Liebe weinen
101 bpm • A# Maj • 03:21 • -13.32db
13% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Die Goldene Sieben
Capriolen
95 bpm • F Maj • 02:56 • -13.14db
15% Popularity • 79% Danceability • 43% Energy • 20% Liveness
40% Instrumentalness • 77% Positiveness
15% Popularity • 79% Danceability • 43% Energy • 20% Liveness
40% Instrumentalness • 77% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
11% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
11% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Willy Fritsch
Liebling, mein Herz lässt dich grüßen
99 bpm • D Maj • 02:53 • -12.35db
1% Popularity • 34% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 34% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Conny Froboess
Lady Sunshine und Mr. Moon
95 bpm • D# Maj • 02:20 • -11db
38% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Georg Kreisler
Es wird alles wieder gut, Herr Professor
95 bpm • D min • 02:20 • -17.11db
8% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Igelhoff
Qui Madame
94 bpm • F Maj • 02:53 • -9.22db
9% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Lolita
Weisser Holunder
95 bpm • F Maj • 02:49 • -11.19db
20% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Lilian Harvey
Das gibt's nur einmal
102 bpm • D# Maj • 03:05 • -9db
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 42% Energy • 10% Liveness
14% Instrumentalness • 60% Positiveness
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Willy Fritsch
Ich suche eine, die mir allein gehört
97 bpm • C Maj • 02:58 • -11.89db
0% Popularity • 62% Danceability • 31% Energy • 19% Liveness
1% Instrumentalness • 61% Positiveness
0% Popularity • 62% Danceability • 31% Energy • 19% Liveness
1% Instrumentalness • 61% Positiveness
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Rosita Serrano
Bei dir war es immer so schön
102 bpm • G# Maj • 03:11 • -11db
9% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 39% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Walter Jurmann
Ein toller Einfall: Ich suche eine, die ...
94 bpm • B Maj • 02:59 • -10.24db
0% Popularity • 49% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 49% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Franz Doelle
Amphitryon – Aus den Wolken kommt das ...
94 bpm • A# Maj • 02:40 • -17.51db
0% Popularity • 57% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 57% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Lolita
Ãœber alle sieben Meere
102 bpm • E Maj • 02:53 • -8.78db
19% Popularity • 36% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 36% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Hans Carste
Guter Mond
94 bpm • F Maj • 03:19 • -12.54db
5% Popularity • 50% Danceability • 23% Energy • 20% Liveness
21% Instrumentalness • 73% Positiveness
5% Popularity • 50% Danceability • 23% Energy • 20% Liveness
21% Instrumentalness • 73% Positiveness
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Lys Assia
Tammy
94 bpm • G# Maj • 02:25 • -6db
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
11% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Willy Schneider
Ich Hab MEin Herz In Heidelberg
103 bpm • D Maj • 02:41 • -8db
15% Popularity • 65% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Fred Bertelmann
In Hamburg sind die Nächte lang - 2005 ...
103 bpm • C# Maj • 03:24 • -5.11db
7% Popularity • 55% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 55% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 43% Positiveness
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Willy Fritsch
Alles, alles tu ich aus Liebe
103 bpm • G min • 02:44 • -11.12db
1% Popularity • 69% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
1% Popularity • 69% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 55% Positiveness
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Erich Kunz
Mei Mutterl war a Weanarin
103 bpm • A# Maj • 05:22 • -10db
9% Popularity • 34% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 34% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 32% Positiveness
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Lys Assia
Gelbe Rose dort in Texas
94 bpm • G# Maj • 02:11 • -6.8db
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Mireille Mathieu
Hinter den Kulissen von Paris
104 bpm • E Maj • 02:32 • -8.88db
29% Popularity • 44% Danceability • 43% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 44% Danceability • 43% Energy • 70% Liveness
0% Instrumentalness • 76% Positiveness
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Nana Gualdi
Junge Leute brauchen Liebe (Everybody Lo...
92 bpm • D# Maj • 02:45 • -10db
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Wilhelm Strienz
Gute Nacht, Mutter
92 bpm • A# Maj • 03:07 • -12.73db
10% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 35% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmy Makulis
Auf Cuba sind die Mädchen braun
104 bpm • D# Maj • 02:22 • -6db
19% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Heinz Erhardt
Ach, Marianne
104 bpm • F# Maj • 02:21 • -7db
20% Popularity • 57% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 57% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Otto Berco
In meiner Badewanne bin ich Kapitan
92 bpm • G Maj • 02:39 • -18.37db
26% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bibi Johns
Papa Tanzt Mambo
92 bpm • A Maj • 03:02 • -8.51db
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Zarah Leander
Cabaret Paris
105 bpm • D# Maj • 02:20 • -7db
14% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 46% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Bully Buhlan
Ich hab Mich So An Dich Gewohnt
92 bpm • G Maj • 03:07 • -13.36db
10% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Georg Kreisler
Sie ist ein herrliches Weib
91 bpm • G# Maj • 02:37 • -17.23db
10% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 68% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Will Glahé
Lili Marleen
105 bpm • C Maj • 02:38 • -14.68db
8% Popularity • 61% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 61% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Kuhn
Quando Quando Quando
105 bpm • A# Maj • 02:47 • -10db
23% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Vico Torriani
Café Oriental
105 bpm • D# Maj • 02:18 • -9db
22% Popularity • 57% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 57% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Franz Grothe
Ins blaue Leben: Das Leben ist so schon
106 bpm • F Maj • 02:20 • -13db
10% Popularity • 72% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
10% Popularity • 72% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 94% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Lale Andersen
Es geht alles vorüber, es geht alles vo...
106 bpm • F Maj • 03:20 • -11db
18% Popularity • 44% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Alexandra
Sag nicht adieu
91 bpm • G min • 02:14 • -9.65db
6% Popularity • 44% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 44% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Kuhn
Der Mann am Klavier
105 bpm • G Maj • 02:24 • -10db
15% Popularity • 65% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 65% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Lolita und Alfons Bauer mit seinen Grinzing Schrammeln
Jung san ma, fesch san ma
106 bpm • F Maj • 02:51 • -11db
10% Popularity • 74% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 74% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Willy Fritsch
Wenn Ein Junger Mann Kommt
90 bpm • A# Maj • 02:46 • -13.79db
0% Popularity • 71% Danceability • 27% Energy • 14% Liveness
86% Instrumentalness • 66% Positiveness
0% Popularity • 71% Danceability • 27% Energy • 14% Liveness
86% Instrumentalness • 66% Positiveness
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Fred Bertelmann
Heimat Deine Sterne
106 bpm • E Maj • 03:51 • -11db
10% Popularity • 25% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 25% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Kuhn
Quando, Quando, Quando
105 bpm • A# Maj • 02:48 • -8db
12% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Willy Schneider
Keiner nimmt was mit
90 bpm • A# Maj • 03:20 • -9.57db
7% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Willy Hagara
Es kann im Frühling sein
107 bpm • C# Maj • 01:56 • -9db
10% Popularity • 75% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 75% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Leopold KorbaÅ™
Hm, hm, du bist so zauberhaft
107 bpm • C Maj • 02:35 • -17db
11% Popularity • 63% Danceability • 14% Energy • 12% Liveness
6% Instrumentalness • 70% Positiveness
11% Popularity • 63% Danceability • 14% Energy • 12% Liveness
6% Instrumentalness • 70% Positiveness
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Harald Juhnke
Straßen von Berlin (Strangers In The Ni...
90 bpm • C Maj • 02:55 • -9.78db
14% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
13% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Willi Forst
Ja, wenn das Wörtchen "wenn" nicht wär
90 bpm • E Maj • 03:04 • -14.79db
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Tanzorchester Géza Komor
Wenn der weisse Flieder wieder blüht
89 bpm • G Maj • 02:46 • -15.37db
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
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Johannes Heesters
Ich werde jede Nacht von ihnen träumen
107 bpm • D Maj • 02:51 • -5db
9% Popularity • 33% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 33% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Lilian Harvey
Chinamann
89 bpm • D# Maj • 03:00 • -8.39db
4% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 65% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Max Raabe & Palast Orchester
Doktor, Doktor
108 bpm • C Maj • 03:05 • -11.34db
15% Popularity • 74% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
15% Popularity • 74% Danceability • 26% Energy • 12% Liveness
9% Instrumentalness • 40% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Heinz Conrads
Ich trag‘ im Herzen drin
88 bpm • C# Maj • 03:22 • -10db
9% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Willy Fritsch
Heut solte Sonntag sein für meine Liebe
108 bpm • C# Maj • 02:31 • -8.3db
1% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Zarah Leander
Der Wind hat mir ein Lied erzählt
109 bpm • D min • 02:52 • -11db
20% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
20% Popularity • 47% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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Heinz Rühmann
Ich brech' die Herzen der stolzesten Fra...
109 bpm • C min • 02:27 • -9.08db
26% Popularity • 65% Danceability • 36% Energy • 18% Liveness
66% Instrumentalness • 61% Positiveness
26% Popularity • 65% Danceability • 36% Energy • 18% Liveness
66% Instrumentalness • 61% Positiveness
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Alfred Schieske
My Fair Lady: Bin Ein Mann Wie Jeder Man...
88 bpm • A# Maj • 03:39 • -17.68db
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
