Songs like Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: I. Warum ist das Licht gegeben in Mühseligen? by Johannes Brahms
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
132 bpm • D min • 05:17 • -24.56db
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 10% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
11% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
28% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
28% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Thomas Hengelbrock
Miserere in C minor: Misere I
131 bpm • B min • 02:27 • -16db
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Moro, lasso, al mio duolo, madrigal for ...
130 bpm • F min • 04:10 • -23.4db
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
130 bpm • A Maj • 11:35 • -25.06db
9% Popularity • 17% Danceability • 12% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Carl Rütti
Requiem: Introitus
134 bpm • E Maj • 09:28 • -29.71db
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 12% Liveness
35% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido & Aeneas, Z. 626: Dido & Aeneas, Z....
134 bpm • F# min • 04:09 • -26db
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: VI. Bogoroditse Devo
134 bpm • E Maj • 03:07 • -26.88db
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Péter Nagy
5 Lieder, Op. 49: No. 4. Wiegenlied (arr...
134 bpm • D# Maj • 02:15 • -33db
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
43% Popularity • 55% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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Henry Purcell
Thou knowest Lord
135 bpm • A# Maj • 02:45 • -27.64db
10% Popularity • 19% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Claudio Monteverdi
Sfogava con le stelle un infermo d'amore...
129 bpm • D min • 03:06 • -21db
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Herbert Howells
4 Anthems: No. 3, Like as the Hart
135 bpm • C Maj • 06:00 • -28.68db
7% Popularity • 16% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
134 bpm • F Maj • 09:59 • -22.21db
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Thomas Tomkins
When David heard
129 bpm • C Maj • 04:36 • -23.62db
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 13% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
129 bpm • D# min • 06:40 • -19.08db
34% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
34% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
135 bpm • D min • 05:03 • -20.99db
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Carlo Gesualdo
O vos omnes
135 bpm • A min • 03:51 • -32db
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 1% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Ola Gjeilo
Ubi Caritas
129 bpm • F# min • 03:48 • -25.64db
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: 1. Gloria in ...
128 bpm • C# Maj • 02:21 • -13.47db
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
24% Popularity • 46% Danceability • 32% Energy • 15% Liveness
43% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
136 bpm • F Maj • 10:44 • -20.61db
21% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
21% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Agnus Dei
128 bpm • C Maj • 07:24 • -26db
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 1% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Conquassabit
129 bpm • A Maj • 01:16 • -15.69db
17% Popularity • 62% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
17% Popularity • 62% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 67% Positiveness
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Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
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Imogen Holst
Mass in A Minor: IV. Sanctus - Benedictu...
136 bpm • A min • 04:40 • -24.16db
8% Popularity • 19% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 6% Positiveness
8% Popularity • 19% Danceability • 6% Energy • 5% Liveness
1% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part I: Chora...
137 bpm • F# min • 09:24 • -17.84db
37% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
37% Popularity • 17% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 12% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Byrd : Ave verum corpus
127 bpm • G min • 04:33 • -30db
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 14, Sie...
137 bpm • D# Maj • 01:06 • -29.35db
2% Popularity • 18% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
2% Popularity • 18% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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PÄ“teris Vasks
Vasara (Summer)
137 bpm • A min • 04:22 • -26.33db
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nash (Our Father)
127 bpm • C Maj • 03:04 • -37db
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Three Shakespeare Songs: I. Full Fathom ...
127 bpm • C Maj • 03:29 • -38db
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
► Preview
Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Anton Bruckner
Os Justi
137 bpm • C Maj • 05:33 • -25db
9% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 9% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
The King's Singers
Spem In Alium (Tallis)
138 bpm • A# Maj • 08:31 • -18.66db
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 17% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
► Preview
George Frideric Handel
Solomon, HWV 67, Act III: No. 42 Symphon...
126 bpm • A Maj • 02:52 • -20db
23% Popularity • 52% Danceability • 19% Energy • 15% Liveness
88% Instrumentalness • 68% Positiveness
23% Popularity • 52% Danceability • 19% Energy • 15% Liveness
88% Instrumentalness • 68% Positiveness
► Preview
Claudio Monteverdi
Monteverdi: Ohimè ch’io cado, SV 316
138 bpm • G Maj • 04:05 • -20.81db
22% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Lauda Jerusalem (Salmo 147), RV 609
138 bpm • E min • 06:28 • -15db
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 41% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
William Byrd
Retire My Soul
126 bpm • C min • 04:26 • -23.72db
21% Popularity • 18% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9 (1961 version): Agnus Dei
126 bpm • C Maj • 03:59 • -26db
10% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Eternal Source of Light Divine from Ode ...
138 bpm • D Maj • 02:23 • -14db
7% Popularity • 28% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 28% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
15% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
15% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Carlo Gesualdo
Moro, lasso, al mio duolo
139 bpm • F Maj • 05:35 • -21db
15% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
139 bpm • D Maj • 01:03 • -27.5db
40% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
40% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Karin Rehnqvist
När natten skänker frid
139 bpm • D min • 03:37 • -27.17db
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
19% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
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Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Rihards Dubra
Ave Maria 1
141 bpm • E Maj • 03:44 • -22.41db
24% Popularity • 17% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
141 bpm • A# Maj • 12:43 • -18.82db
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 6% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 9% Liveness
35% Instrumentalness • 6% Positiveness
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William Byrd
Mass for Four Voices: V. Agnus Dei
123 bpm • F min • 04:03 • -24.89db
20% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 6% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Ensemble Concerto
Settimo Libro de Madrigali: Non vedrò m...
123 bpm • A min • 03:31 • -20db
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 30% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Aaron Copland
Old American Songs II: IV. At the River ...
142 bpm • D# Maj • 03:01 • -22.65db
18% Popularity • 14% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Henry Purcell
How Happy the Lover
122 bpm • F# min • 06:19 • -20db
8% Popularity • 30% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 23% Positiveness
8% Popularity • 30% Danceability • 13% Energy • 16% Liveness
4% Instrumentalness • 23% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
49% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Antonio Vivaldi
Gloria: Cum Sancto Spiritu
121 bpm • C# Maj • 02:47 • -15.06db
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 6% Liveness
53% Instrumentalness • 28% Positiveness
